„Golden Age”: Introduction Into the 1803–1832 Epochs
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The Bible in Poland
Occasional Papers on Religion in Eastern Europe Volume 8 Issue 2 Article 6 5-1988 The Bible in Poland Unknown Authors Follow this and additional works at: https://digitalcommons.georgefox.edu/ree Part of the Christianity Commons, and the Eastern European Studies Commons Recommended Citation Authors, Unknown (1988) "The Bible in Poland," Occasional Papers on Religion in Eastern Europe: Vol. 8 : Iss. 2 , Article 6. Available at: https://digitalcommons.georgefox.edu/ree/vol8/iss2/6 This Article, Exploration, or Report is brought to you for free and open access by Digital Commons @ George Fox University. It has been accepted for inclusion in Occasional Papers on Religion in Eastern Europe by an authorized editor of Digital Commons @ George Fox University. For more information, please contact [email protected]. ," �; •: . THE BIBLE IN POLAND :;.I I. Catholic translations The oldest preserved Polish translation of the biblical text is the three- language Latin-Polish-German pastoral from the end of the 14th century , discovered in the Monastery of St. Florian near Linz in 1825. It is linked with the name of Blessed Hedwig, Queen of Poland. The pastoral, called the Florian pastoral after the name of the place of its discovery , contains 397 illuminated pages; purcha sed in 1931, it is now in the National Library in Warsaw. The Bible of Queen Zofia (wife of the Polish King Ladislaus Jagiello), completed in 1455, is probably the translation of the entire Scripture from the Vulgate. The preserved manuscript is the first volume of the work, since 1627 kept in the Library of the Hungarian Reformed College in Sarospatak in Hungary. -
LAS ESTACIONES DEL AÑO Kristijonas Donelaitis
LAS ESTACIONES DEL AÑO Kristijonas Donelaitis LAS ESTACIONES DEL AÑO Edición y traducción de Carmen Caro Dugo Introducción de Dainora Pociūtė-Abukevičienė RENACIMIENTO Colección Poesía universal IntrodUCCIÓN serie menor Director: Manuel Aragón * Este libro se ha publicado con la ayuda de Books from Lithuania, con fondos del Ministerio de Cultura de la República de Lituania. Diseño de cubierta: Marie-Christine del Castillo Redacción poética de Rocío Arana Caballero © Introducción: Dainora Pociūtė-Abukevičienė © Ilustraciones: Šarūnas Leonavičius © Edición y traducción: Carmen Caro Dugo © 2013. Editorial Renacimiento Depósito Legal: SE *-2013 ISBN: 978-84-8472-***-* Impreso en España Printed in Spain Las estaciones del año, de KristiJonas Donelaitis: UN monUmento A la LitUania PRUsiana l país situado a orillas del mar Báltico, en que E Kristijonas Donelaitis vivió y creó en lituano la obra maestra de la literatura europea del siglo XVIII, ya no existe hoy. Tras la segunda Guerra Mundial, el suroeste de Prusia fue adjudicado a Polonia; una gran parte de esa tierra –con la antigua capital– se convir- tió en el distrito de Kaliningrado, perteneciente al Es- tado Ruso, y solo un reducido territorio del norte de la antigua Prusia sigue perteneciendo a Lituania en la actualidad. Los antiguos nombres bálticos y alemanes han permanecido como vestigios históricos; es el caso de la antigua capital del estado, Königsberg (en lituano Karaliaučius), hoy Kaliningrado. Sin embargo, preci- samente la obra de K. Donelaitis Metai (Las estaciones del año) dio a este país la posibilidad de perpetuarse 9 para siempre. Y se la dio justamente en lituano, uno de tiempos modernos fue un paso particularmente impor- los dos idiomas bálticos que han pervivido hasta aho- tante y fructífero en esta región de Europa, que permi- ra. -
Cultural Innovations of the Epoch of Kristijonas Donelaitis – Introduction
INTRODUCTION German poet and translator Hermann Buddensieg1 called the epoch of Kristijonas Donelai- tis (1714-1780) “a very busy time of change”, when “profound changes were taking place in all fields of life” and which was an “especially fruitful global moment depending on the activity of a surprising amount of very gifted and impressive personalities”2. The impetus was provided by the 18th c. European Enlightenment whose visual vision was most illustratively rendered by the 18th c. German artist Daniel Chodowiecki in a copper engraving Education: “the morning sun rising from behind a distant mountain range”, with the concept of light in that century “acquiring a new and important meaning [...], and the light being mentioned every time when reason or freedom were discussed [...]”3. The Age of Enlightenment placed emphasis on man’s versatile education and his natural rights, social changes in different fields, religious tolerance, and critical and free speech. The prospering and the dissemination of those ideas made a great impact on the transformation of self-awareness of the population of Prussian (Minor) Lithuania, East Prussia, and the whole Kingdom of Prussia, the chan- ges in its mentality, and the development of the relationships between the people and the government and the people and the Church, and formed the expression of ideas of thinkers and creators. Whenever we talk about the historical context of Prussian Lithuania in the 18th c., we traditio- nally call that period the epoch of Donelaitis. To quote literary scholar Leonas Gineitis, in the ana- lysis of the literary work of Donelaitis and his historical-cultural environment, every factual detail is significant which “unexpectedly illuminates and shows different than the expected traits of the analyzed object, [and] the details [...] pulsate with life – the spirit of time”4. -
The Use of Books in 16Th-Century Vilnius
TERMINUS t. 15 (2013), z. 2 (27), s. 167–184 doi:10.4467/20843844TE.13.013.1570 www.ejournals.eu/Terminus THE USE OF BOOKS IN 16TH-CENTURY VILNIUS JAKUB NIEDźWIEDź Uniwersytet Jagielloński, Kraków Abstract The main goal of the paper is to answer the question of what was unique about the use of books in Vilnius between 1522 and 1610. The reason to take a closer look at the capital of the Grand Duchy of Lithuania is the fact that it has always been a multi-cultural, multi-ethnic and multi-religious city. This observation allows the author to assume that the use of books there could have been different than in other European cities of the time. To find possible answers to the question posed, the author traces the changes in production, distribution and reading of books in the city. The research is based on sev- eral sorts of sources, such as printed books, manuscripts and documents from Vilnius archives (mainly the municipal archive, the Catholic chapter, the castle court etc.). He was supported by contemporary studies about early modern Vilnius scriptoria and printing houses (Kawecka-Gryczowa, Topolska, Nikalaieu), bookbinders (Laucevičius), book writing (Ulčinaitė, Narbutienė, Narbutas) and the history of the city (Frick). At the beginning of the paper the author recalls the main facts about Vilnius in the 16th century. The city had increasingly grown in importance as a political, economical and cultural centre of the Jagiellonian monarchy. The central part, divided in four chronologically arranged chapters, focuses on several problems, among them: the beginnings of Cyrillic prints and Skaryna’s print- ing house, languages and alphabets of books (Latin, Ruthenian, Polish, Lithuanian, German, Hebrew, Yiddish and Arabic), book production, dissemination, storage and reading. -
74 JANUSZ TAZBIR Encourage the King in 1462 to Conclude As Soon As Possible a Peace Treaty with the Teutonic Knights
Acta Poloniae Historica 91. 2005 PL ISSN 0 0 0 1 -6 8 2 9 Janusz Tazbir THE BULWARK MYTH The term “bulwark” is one of the notions which have played an important part in the development of Polish historical conscious ness. In the 16th and 17th centuries it suited the concrete reality connected with the geopolitical situation of the Polish-Lithuanian Commonwealth. Although in the subsequent centuries it was relegated to the category of myths, it did not lose its significance. On the contrary, the term “bulwark” made a dazzling career in the period when the state once given this nickname, for many years (1795-1918) disappeared from the political map of Europe. It would take many pages merely to enumerate the titles of Polish and foreign works that from the 15th century onwards have described Poland as a wall, fence, bulwark, shield or fortress of Christianity. However, for a long time the main term that was used was the Latin one, and the first attempts to polonize it were made relatively late. This also goes for the appearance of the word antemurale in the Polish version, przedmurze. Not until the translation of The Old Testament made by Jakub Wujek (1599), did the term appear, e.g.: “a wall and a bulwark (przedmurze) will be erected there” (Isaiah), “and the bulwark (przedmurze) and wall were ruined together” (Threnodies). All the data convince us that Poland started to be described as a bulwark in the middle of the 15th century. This was already after the death in 1444 of Ladislaus III, later called Ladislaus of Varna, at the moment when the Ottoman power disturbed the whole of Europe by advancing far into the Balkan Peninsula. -
Before and After Suppression: Jesuits and Former Jesuits in the Polish-Lithuanian
Richard Butterwick (University College London) Before and After Suppression: Jesuits and Former Jesuits in the Polish-Lithuanian Commonwealth, c. 1750-1795 In some ways the Jesuits exercised more influence in the eighteenth-century Polish- Lithuanian Commonwealth than anywhere else in Europe. Whereas elsewhere the Society of Jesus provided confessors and spiritual advisors to princes, in the Commonwealth it educated generations of nobles as republicans. The Jesuits ran more schools and colleges than all the other orders combined, and Jesuits were more numerous than any other single order. The research of numerous scholars has illuminated the multi-faceted activity of the Society of Jesus in the decades before suppression, allowing the revision of older verdicts on their supposedly pernicious cultural, political and educational role. This research is ongoing, but the present chapter will endeavour to synthesize some of it. It will first review the condition of the Polish- Lithuanian Jesuits in the last decades before suppression, and then consider some of the ways in which former Jesuits adapted to a variety of new roles within what was left of Poland-Lithuania. The Commonwealth was truncated by partition in 1772, reduced again in 1793, and its remnants were dismembered completely in 1795. Catholic Europe’s religious orders reached their ‘brim of prosperity’ in the middle decades of the eighteenth century.1 In East-Central Europe, the cup of monastic prosperity continued to fill throughout the 1750s and 1760s. This tendency certainly applies to the Society of Jesus in the Commonwealth. Following the announcement, but before the ratification of the First Partition, the papal nuncio to the Commonwealth, Giuseppe Garampi, carried out a thorough survey of its regular clergy. -
2017 Annual Report
ANNUAL REPORT / 2017 VILNIUS UNIVERSITY LIBRARY ANNUAL REPORT 2017 Contents I. Presentation.............................................................................................................................2 1. A word from our Director General...........................................................................................2 2. Vision, mission, values.............................................................................................................4 3. Facts and figures....................................................................................................................5 II. Outstanding events of 2017....................................................................................................6 1. Presentation of the new structure of VU Library......................................................................6 2. VU Library mobile app finished development..........................................................................6 3. Updated Virtual Library..........................................................................................................7 4. Active participation in scholarly communication....................................................................7 5. eLABa repository....................................................................................................................8 6. Research data management...................................................................................................9 7. Expansion of students’ information competences -
The Collectio Autogra- Phorum of the Imperial Public Library
Tomasz Szwaciński THE COLLECTIO AUTOGRA- PHORUM OF THE IMPERIAL PUBLIC LIBRARY. ITS CONTENTS AND HISTO- RY IN ST. PETERSBURG AND WARSAW In the mid-1840s, the so-called Collection of Autographs and Documents (Col- lectio Autographorum, Коллекция Автографов и Грамот ) was created at the Im- perial Public Library (IPL) in St. Petersburg from a part of the library’s manu- script holdings. It formed an important basis for research for eight decades. The reborn Polish state reclaimed a part of it, large enough to determine that at that point it ceased to exist as a separate collection. The Collectio Autographorum has not been studied yet individually as a his- torically formed collection.1 Thus, providing an overview of its origins as well as a guide to its contents and the history of its components upon liquidation may prove to be a valuable contribution to studies on historical library collections. The basic groundwork of the Collectio Autographorum and the history of its creation at the IPL have been retraced based on materials from the Department of Archival Documents of the National Library of Russia. The fundamental source for any research on the contents of the Collectio Au- tographorum is its old catalogue, held at the Manuscript Department of the Rus- sian National Library. This item has no individual shelf mark and is not available to readers under an ordinary loan procedure. 2 It is a codex in a cardboard binding with leather back and corners, and a dust jacket of well-worn marble paper. It has a 37 cm long back, a 22 cm large panel and is 10 cm thick. -
Wileńska Galeria Obrazów S³awnych Polaków Józefa Bogus³awskiego
WILEÑSKA GALERIA OBRAZÓW S£AWNYCH POLAKÓW 45 JOLANTA POLANOWSKA Warszawa, Instytut Sztuki PAN Wileñska Galeria Obrazów S³awnych Polaków Józefa Bogus³awskiego (1788?-1820) Muzeum Narodowym w War- szawie znajduje siê zespó³ po- nad siedemdziesiêciu p³ócien, Wktóre pochodz¹ z wileñskiej Galerii Obra- zów S³awnych Polaków stworzonej przez ksiêdza Józefa Konstantego Bogus³awskie- go1. Galeria liczy³a dwiecie kilkadziesi¹t obrazów olejnych2. Znaczn¹ czêæ stanowi- ³y kopie portretów w³adców Polski i osobi- stoci polskich z Zamku Królewskiego w Warszawie, które s¹ ród³em informacji o sztuce powsta³ej w krêgu mecenatu Sta- nis³awa Augusta i jej promieniowaniu przedmiocie nadal o¿ywionych badañ3. Dope³nia³y je wizerunki osobistoci litew- skich, sceny o tematach z dziejów Litwy, a tak¿e rzeby. Galeria ta, rozproszona w 1820 r., rych³o zosta³a zapomniana. Przez ponad dwiecie lat najszersz¹ informacj¹ o niej pozostawa- ³y wzmianki w ksi¹¿ce z dziedziny nauk 1. Maciej Januszewicz, Portret ksiêdza , olej, moralnych i politycznych Józefa Kon- Józefa Konstantego Bogus³awskiego p³ótno, Muzeum Narodowe w Warszawie, ¯ycia s³awnych stantego Bogus³awskiego nr inw. MP 3655 Polaków krótko zebrane, (wyd. 2, Wilno 1 Wszystkie obrazy o podobnej kompozycji (owal w prostok¹cie) i formacie (ok. 50 x ok. 40 cm). Wiêkszoæ z napisem (lewy górny róg, jasn¹ farb¹) okrelaj¹cym model lub postaæ; na odwrociu numer inwentaryzacyjny (czarn¹ farb¹: numer i litery Wl [Wilno]), na czêci te¿ papierowa nalepka o charakterystycznym wykroju, z napisem (rêk¹ Bogu- s³awskiego?) powtarzaj¹cym napisy z jego ksi¹¿ki (por. przyp. 2 i ANEKS I). Pochodzenie: wiêkszoæ przekazana 1946-1947 przez Wydzia³ Kultury przy Urzêdzie G³ównego Pe³nomocnika Rz¹du do Spraw Ewakuacji Litewskiej SRR. -
Lithuanian Language in the Grand Duchy of Lithuania: Between Function and Status
Belarusian Political Science Review, Volume 2, 2012–2013 ISSN 2029-8684 (online) ISSN 2029-8676 INSTITUTIONS AND COMMUNITIES: HISTORICAL DIMENSION Alieh Dziarnovič LITHUANIAN LANGUAGE IN THE GRAND DUCHY OF LITHUANIA: BETWEEN FUNCTION AND STATUS Introduction, or the Incident of 1529 At the very beginning of May 1529, on behalf of the High Court – “by or- der of His Majesty” – offi cials of the central and regional (Vilnius/Wilno/Viĺnia Voivodeship) administration of the Grand Duchy of Lithuania sent decki1 Vasiĺ Bialianin to the Eišiškės parish of Lida County (today in the Šalčininkai district of Vilnius County of the Republic of Lithuania). He was to interview witnesses on the spot over a disputed property case between a boyar of His Majesty Piotr Sumarok and Eišiškės subject Sieńka Ivaškavič. The judicial body, headed by the Marshal2 of His Majesty Maciej Vojciechavič Kločka, “ordered Sumarok and Sieńka Ivaškavič not to go to those witnesses beforehand, but join the decki”. Sumarok asked permission not to join the decki, but to stay in Vilnius. What a surprise it was for the decki when he met Sumarok on the road to Eišiškės “al- ready going back from witnesses”. The court offi cial asked the plaintiff : «“Sumarok, where are the witnesses?”, – and he pointed out the witnesses in a birchwood. Then, when the witnesses stood in front of me and wanted to confess, Sumarok started talking to them in Lithuanian (emphasis mine. – A.Dz.) and asked them: “For God’s sake do not betray me, and what I promised I will give you, and will not betray you”». -
696 Mikołaj Getka-Kenig Badaniach Nad Tym Okresem, Wprawdzie Krótkim, Ale Dość Ważnym Z Per- Spektywy Całej Historii Ziem Polskich XIX W
Kwartalnik Historyczny Rocznik CXXIII, 2016, 4 PL ISSN 0023-5903 MIKOŁAJ GETKA-KENIG Instytut Historii Sztuki, Uniwersytet Jagielloński w Krakowie RZĄDOWE PRZEDSIĘWZIĘCIA POMNIKOWE KU CZCI ALEKSANDRA I A IDEOLOGIA „WSKRZESZENIA” POLSKI W LATACH 1815–1830 Abstrakt: Przedmiot analizy stanowią Abstract: This analysis deals with the pro- projekty i zarazem okoliczności budowy jects and circumstances of erecting monu- pomnika (pomników) ku czci cesarza rosyj- ments in honour of Emperor Alexander I skiego Aleksandra I jako „wskrzesiciela” Pol- of Russia, conceived as the “resurrector” of ski, które były związane z rządem konsty- Poland, and involving the government tucyjnego Królestwa Polskiego (1815–1830). of the constitutional Kingdom of Poland Jest to przyczynek do badań nad fenomenem (1815–1830). This text is a contribution to ideologii „wskrzeszenia” Polski pod postacią research into the ideology of “resurrecting” Królestwa Polskiego, powstałego na mocy Poland in the form of the Kingdom of Poland decyzji Kongresu Wiedeńskiego, ale z woli established upon the basis of a decision Aleksandra I. made at the Congress of Vienna but deter- mined by Alexander I. Słowa kluczowe: pomniki publiczne, Kró- Keywords: public memorials, Congress lestwo Polskie, Aleksander I, naród, polityka Poland, Alexander I, nation, politics and art. i sztuka. Cesarz rosyjski Aleksander I (1777–1825) jest centralną postacią w dzie- jach konstytucyjnego Królestwa Polskiego — nie tylko jako osoba z krwi i kości, czyli jego twórca i zarazem władca, lecz również jako konstrukt -
Sigismundus Lauxmin (1596–1670). Ars Et Praxis Musica, Graduale Pro Exercitatione Studentium, Antiphonale Ad
Sigismundus Lauxmin 1596–1670 FMP Ars et praxis musica Graduale pro exercitatione studentium Antiphonale ad psalmos ed.: Jūratė Trilupaitienė Sigismundus Lauxmin – ars et praxis musica – ars Lauxmin Sigismundus WYDAWNICTWO NAUKOWE SUB LUPA ISBN 978-83-64003-72-1 Fontes MusicÆ in Polonia B/I B/I B/I 9 7 8 8 3 6 4 0 0 3 7 2 1 Ars et praxis musica Graduale pro exercitatione studentium Antiphonale ad psalmos Publikacja finansowana w ramach programu Ministra Nauki i Szkolnictwa Wyższego pod nazwą „Narodowy Program Rozwoju Humanistyki” w latach 2016–2020 Projekt badawczy pt.: Repertuar muzyczny Towarzystwa Jezusowego w Rzeczpospolitej Obojga Narodów (1565–1773) Sigismundus Lauxmin 1596–1670 Ars et praxis musica Graduale pro exercitatione studentium Antiphonale ad psalmos ed. Jūratė Trilupaitienė F o n t e s WARSZAWA 2016 Musicæ W YDAWNICTWO NAUKOWE SUB LUPA in Polonia Fontes musicæ in Polonia, B/I Fontes Musicæ in Polonia www.fontesmusicae.pl seria B, vol. I Redaktorzy | Editors Bogna Bohdanowicz, Tomasz Jeż, Justyna Prusinowska Rada Naukowa | Scientific Council dr hab. Paweł Gancarczyk, prof. Instytutu Sztuki Polskiej Akademii Nauk dr hab. Aleksandra Patalas, Uniwersytet Jagielloński dr hab. Danuta Popinigis, prof. Akademii Muzycznej w Gdańsku dr hab. Barbara Przybyszewska-Jarmińska, prof. Instytutu Sztuki Polskiej Akademii Nauk prof. dr hab. Marcin Szelest, Akademia Muzyczna w Krakowie mgr Ewa Hauptman-Fischer, Biblioteka Uniwersytecka w Warszawie (sekretarz | secretary) Recenzent | Review dr hab. Jakub Kubieniec Tłumaczenia | Translations Justyna Prusinowska, Tomasz Zymer Korekta językowa | Proofreading Halina Stykowska Skład | Page layout Weronika Sygowska-Pietrzyk Retusz skanów | Scans retouch Rafał Dymerski Wydawnictwo Naukowe Sub Lupa ISBN: 978-83-64003-72-1 Trylogia chorału gregoriańskiego Zygmunta Lauxmina Eccli: 47.V.10.