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  • Excesss Karaoke Master by Artist

    Excesss Karaoke Master by Artist

    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
  • Master Thesis the Changes in the Dutch Dance Music Industry Value

    Master Thesis the Changes in the Dutch Dance Music Industry Value

    Master thesis The changes in the Dutch dance music industry value chain due to the digitalization of the music industry University of Groningen, faculty of Management & Organization Msc in Business Administration: Strategy & Innovation Author: Meike Biesma Student number: 1677756 Supervisor: Iván Orosa Paleo Date: 11 May 2009 Abstract During this research, the Dutch dance music industry was investigated. Because of the changes in the music industry, that are caused by the internet, the Dutch dance music industry has changed accordingly. By means of a qualitative research design, a literature study was done as well as personal interviews were performed in order to investigate what changes occurred in the Dutch dance music industry value chain. Where the Dutch dance music industry used to be a physical oriented industry, the digital music format has replaced the physical product. This has had major implications for actors in the industry, because the digital sales have not compensated the losses that were caused by the decrease in physical sales. The main trigger is music piracy. Digital music is difficult to protect, and it was found that almost 99% of all music available on the internet was illegal. Because of the decline in music sales revenues, actors in the industry have had to change their strategies to remain profitable. New actors have emerged, like digital music retailers and digital music distributors. Also, record companies have changed their business model by vertically integrating other tasks within the dance music industry value chain to be able to stay profitable. It was concluded that the value chain of the Dutch dance music industry has changed drastically because of the digitalization of the industry.
  • For Possible Action - Approval of the Agenda for the Board of County Commissioners’ Meeting of November 20, 2012

    For Possible Action - Approval of the Agenda for the Board of County Commissioners’ Meeting of November 20, 2012

    NYE COUNTY AGENDA INFORMATION FORM Action LI Presentation LI Presentation & Action Department: Nye County Clerk Agenda Date: Category: Regular Agenda Item January 22, 2013 Continued from meeting of: Contact: Sandra “Sam” Merlino, Nye County Clerk Phone: 482-8127 Return to: Sam Merlino Location: Tonopah Clerk’s Office Phone: 482-8127 Action requested: (Include what, with whom, when, where, why, how much ($) and terms) Discussion and deliberation of Minutes of the Board of County Commissioners’ meeting(s) for November 20, 2012 Complete description of requested action: (Include, if applicable, background, impact, long-term commitment, existing county policy, future goals, obtained by competitive bid, accountability measures) Approval of the BOCC Minutes for the following meeting(s): November 20, 2012 Any information provided after the agenda is published or during the meeting of the Commissioners will require you to provide 20 copies: one for each Commissioner, one for the Clerk, one for the District Attorney, one for the Public and two for the County Manager. Contracts or documents requiring signature must be submitted with three original copies. Expenditure Impact by FY(s): (Provide detail on Financial Form) LI No financial impact Routing & Approval (Sign & Date) 1. Dept Date 6. Dale 2. Dale 7. HR Date Date 1 3• 8. Legal Dal Iici Date 1 4 Da 9. Finance / \ 5 Date io. County Manager PlacQgenda Dale Board of County Commissioners Action Approved Disapproved L1 Amended as follows: Clerk of the Board Date iTEM Page 1 November 20, 2012 Pursuant to NRS the Nye County Board of Commissioners met in regular session at 10:00 a.m.
  • New Promo Pack 2021 4 1 1.Pdf

    New Promo Pack 2021 4 1 1.Pdf

    Promo Pack 2021 Danceparty247 was set up in April 2020 and is run by DJ Envy, DJ Wongy and DJ Te. It is a brand where DJ's and DJ/producers from around the world come together to stream weekly shows across the internet. As well as UK based DJ's we have DJs and producers from, Spain, Puerto Rico, Portugal, Egypt, Belgium, Czech Republic and South Africa. Danceparty247 streams across several platforms and across our own website danceparty247.club. We are PPL and PRS compliant on our website by using the Beathubz planform media player. We reach up to 10,000 unique listens a week. This is comprised of live listeners and views on recorded replays. Many of our shows attain 250-300+ concurrent listeners. In association with Type 2 Promotions we are looking to put on regular good quality events in several parts of the UK. Giving the opportunity for Danceparty247 DJ's to DJ Live. At the same time making sure that both the venue and ourselves mutually benefit from this arrangement. We are open to discussing any ideas you may have. We are looking in the first instance to put on a regular event once a month with yourselves. Given the opportunity we would like to arrange a Zoom meeting or WhatsApp video call with yourselves to discuss our proposal further. Benny Bereal, DJ Envy, DJ Wongy, DJ Te Email: [email protected] WhatsApp: Benny Bereal 07765083211 Simon Wright 07903557538 Martin Young 07851465067 Type2 Productions Benny Bereal I am an Actor, Writer, Director and Promoter. I have been working in the film and tv industry for 5 years and have worked on programmes on channels for the like of the BBC, ITV, CH5 and I have worked alongside names such as Pierce Brosnan, Dave Bautista, David Tennant and Margot Robbie.
  • 29Th June 2003 Pigs May Fly Over TV Studios by Bob Quinn If Brian

    29Th June 2003 Pigs May Fly Over TV Studios by Bob Quinn If Brian

    29th June 2003 Pigs May Fly Over TV Studios By Bob Quinn If Brian Dobson, Irish Television’s chief male newsreader had been sacked for his recent breach of professional ethics, pigs would surely have taken to the air over Dublin. Dobson, was exposed as doing journalistic nixers i.e. privately helping to train Health Board managers in the art of responding to hard media questions – from such as Mr. Dobson. When his professional bilocation was revealed he came out with his hands up – live, by phone, on a popular RTE evening radio current affairs programme – said he was sorry, that he had made a wrong call. If long-standing Staff Guidelines had been invoked, he might well have been sacked. Immediately others confessed, among them Sean O’Rourke, presenter of the station’s flagship News At One. He too, had helped train public figures, presumably in the usual techniques of giving soft answers to hard questions. Last year O’Rourke, on the live news, rubbished the arguments of the Chairman of Primary School Managers against allowing advertisers’ direct access to schoolchildren. O’Rourke said the arguments were ‘po-faced’. It transpires that many prominent Irish public broadcasting figures are as happy with part-time market opportunities as Network 2’s rogue builder, Dustin the Turkey, or the average plumber in the nation’s black economy. National radio success (and TV failure) Gerry Ryan was in the ‘stable of stars’ run by Carol Associates and could command thousands for endorsing a product. Pop music and popcorn cinema expert Dave Fanning lucratively opened a cinema omniplex.
  • Radio-Radio-Mulryan

    Radio-Radio-Mulryan

    ' • *427.. • • • • ••• • • • • . RADIO RADIO Peter Mulryan was born in Dublin in 1961. He took an honours degree in Communication Studies from the NIHE, Dublin. He began work as a presenter on RTE's Youngline programme, then moved to Radio 2 as a reporter, before becoming a television continuity announcer and scriptwriter. Since leaving RTE, he has been involved in independent film and video production as well as lecturing in broadcasting. He now lives and works in the UK. PUBLICATIONS RADIO RADIO 813 Peter Mulryan Borderline Publications Dublin, 1988 Published in 1988 by Borderline Publications 38 Clarendon Street Dublin 2 Ireland. CD Borderline Publications ISBN No. 1 870300 033 Computer Graphics by Mark Percival Cover Illustration and Origination by Artworks ( Tel: 794910) Typesetting and Design by Laserworks Co-operative (Tel: 794793) CONTENTS Acknowledgements Preface by the Author Introduction by Dave Fanning 1. The World's First Broadcast 1 2. Freedom and Choice 11 3. Fuse-wire, Black Coffee and True Grit 19 4. Fun and Games 31 5. A Radio Jungle 53 6. Another Kettle of Fish 67 7. Hamburger Radio 79 8. The Plot Thickens 89 9. A Bolt from the Blue 101 10. Black Magic and the Five Deadly Sins 111 11. Bees to Honey 129 12. Twenty Years Ago Today 147 Appendix I - Party Statements Appendix II - The Stations ACKNO WLEDGEMENTS In a book that has consumed such a large and important period of my life, I feel I must take time out to thank all those who have helped me over the years. Since the bulk of this text is built around interviews! have personally conducted, I would like to thank those who let themselves be interviewed (some several times).
  • Garage House Music Whats up with That

    Garage House Music Whats up with That

    Garage House Music whats up with that Future funk is a sample-based advancement of Nu-disco which formed out of the Vaporwave scene and genre in the early 2010s. It tends to be more energetic than vaporwave, including elements of French Home, Synth Funk, and making use of Vaporwave modifying techniques. A style coming from the mid- 2010s, often explained as a blend of UK garage and deep home with other elements and strategies from EDM, popularized in late 2014 into 2015, typically mixes deep/metallic/sax hooks with heavy drops somewhat like the ones discovered in future garage. One of the very first house categories with origins embeded in New York and New Jersey. It was named after the Paradise Garage bar in New york city that operated from 1977 to 1987 under the prominent resident DJ Larry Levan. Garage house established along with Chicago home and the outcome was home music sharing its resemblances, affecting each other. One contrast from Chicago house was that the vocals in garage house drew stronger impacts from gospel. Noteworthy examples consist of Adeva and Tony Humphries. Kristine W is an example of a musician involved with garage house outside the genre's origin of birth. Also understood as G-house, it includes very little 808 and 909 drum machine-driven tracks and often sexually explicit lyrics. See likewise: ghettotech, juke house, footwork. It integrates components of Chicago's ghetto house with electro, Detroit techno, Miami bass and UK garage. It includes four-on-the-floor rhythms and is normally faster than a lot of other dance music categories, at approximately 145 to 160 BPM.
  • Bowlography of Rock and Pop Concerts

    Bowlography of Rock and Pop Concerts

    BOWLOGRAPHY OF ROCK AND POP CONCERTS 1979 DESMOND DECKER with Geno Washington, Sat 8th September 1980 POLICE with Squeeze, UB40, Skatfish, Sector 27, Sat 26th July 1981 THIN LIZZY with Judie Tzuke, The Ian Hunter Band, Q Tips, Trimmer and Jenkins,Sat 8th August 1982 QUEEN, with Heart, Teardrop Explodes, Joan Jett and the Blackhearts, Sat 5th June GENESIS, with Talk Talk, The Blues Band, John Martyn, Sat 2nd October 1983 DAVID BOWIE, with The Beat and Icehouse Fri 1st, Sat 2nd, Sun 3rd July 1984 STATUS QUO with Marillion, Nazareth, Gary Glitter, Jason and the Scorchers, Sat 21st July 1985 U2 with REM, The Ramones, Billy Bragg, Spear Of Destiny, The Men They Couldn’t Hang, Faith Brothers, Sat 22nd June 1986 SIMPLE MINDS with The Bangles, The Cult, Lloyd Cole and The Commotions, Big Audio Dynamite, The Waterboys, In Tua Nua, Dr and The Medics, Sat 21st June MARILLION with special guests, Gary Moore, Jethro Tull, Magnum, Mamas Boys, Sat 28th June 1988 Amnesty International event with Stranglers, Aswad, The Damned, Howard Jones, Joe Strummer, Aztec Camera, B.A.D, Sat 18th, Sun 19th June MICHAEL JACKSON, with Kim Wilde, Sat 10th September 1989 BON JOVI with Europe, Vixen and Skid Row, Sat 19th August 1990 DAVID BOWIE, with Gene Loves Jezebel, The Men They Couldn’t Hang, Two Way Street, Sat 4th, Sun 5th August ERASURE, with Adamski, Sat 1st September 1991 ZZ TOP with Bryan Adams, Liitle Angels, The Firm, Thunder Sat 6th July SIMPLE MINDS, with Stranglers, OMD Sat 21st August 1993 BRUCE SPRINGSTEEN, Sat 23rd May GUNS 'n’ ROSES, The Cult, Soul
  • Event Organiser Location Total Cost Ascot Races Ascot Race Authority

    Event Organiser Location Total Cost Ascot Races Ascot Race Authority

    Event Organiser Location Total Cost Ascot Races Ascot Race Authority Ascot Racecourse, High Street, Ascot, Berkshire 3,608.00 Eton Celebrations Eton College Eton College, Eton, Windsor 4,963.20 Royal Ascot Ascot Racecourse Ltd Ascot Racecourse, High Street, Ascot, Berkshire 367,477.00 Cartier International Polo Guards Polo Club Windsor Great Park 5,033.60 Salt Hill Part Urban Dance Festival Slough Borough Council Slough 6,406.40 Windsor Races Royal Windsor Racecourse Royal Windsor Racecourse, Windsor 440.00 Filming at Eton Casino Royal Productions Ltd Eton 1,622.50 Windsor Races Royal Windsor Racecourse Royal Windsor Racecourse, Windsor 440.00 South Hill Park Bracknell 713.90 Shergar Cup Ascot Race Authority Ascot Racecourse, High Street, Ascot, Berkshire 4,432.00 Windsor Races Royal Windsor Racecourse Royal Windsor Racecourse, Windsor 440.00 Diamond Day Weekend Ascot Race Authority Ascot Racecourse, High Street, Ascot, Berkshire 21,872.00 Slough Fireworks Slough Borough Council Upton Court Park 275.00 Royal Windsor Triathlon Human Race Ltd Windsor 7,000.00 Legoland Fireworks Night Legoland Windsor 400.00 Legoland Fireworks Night Legoland Windsor 600.00 Filming in Slough High St TXTV Ltd High St, Slough 275.00 Pakistani Welfare Association Elections Montem Primary School, Slough 2,567.00 Reading Half Marathon Bradshaw Leisure Ltd Reading 4,380.00 Reading Football Club Promotion Parade Reading Borough Council Reading 3,554.00 Reading v QPR Reading Football Club Madejski Stadium 10,684.00 England v Belarus Reading Football Club Madejski
  • DJ – Titres Incontournables

    DJ – Titres Incontournables

    DJ – Titres incontournables Ce listing de titres constamment réactualisé , il vous ait destiné afin de surligner avec un code couleur ce que vous préférez afin de vous garantir une personnalisation totale de votre soirée . Si vous le souhaitez , il vaut mieux nous appeler pour vous envoyer sur votre mail la version la plus récente . Vous pouvez aussi rajouter des choses qui n’apparaissent pas et nous nous chargeons de trouver cela pour vous . Des que cette inventaire est achevé par vos soins , nous renvoyer par mail ce fichier adapté à vos souhaits 2018 bruno mars – finesse dj-snake-magenta-riddim-audio ed-sheeran-perfect-official-music-video liam-payne-rita-ora-for-you-fifty-shades-freed luis-fonsi-demi-lovato-echame-la-culpa ofenbach-vs-nick-waterhouse-katchi-official-video vitaa-un-peu-de-reve-en-duo-avec-claudio-capeo-clip-officiel 2017 amir-on-dirait april-ivy-be-ok arigato-massai-dont-let-go-feat-tessa-b- basic-tape-so-good-feat-danny-shah bastille-good-grief bastille-things-we-lost-in-the-fire bigflo-oli-demain-nouveau-son-alors-alors bormin-feat-chelsea-perkins-night-and-day burak-yeter-tuesday-ft-danelle-sandoval calum-scott-dancing-on-my-own-1-mic-1-take celine-dion-encore-un-soir charlie-puth-attention charlie-puth-we-dont-talk-anymore-feat-selena-gomez clean-bandit-rockabye-ft-sean-paul-anne-marie dj-khaled-im-the-one-ft-justin-bieber-quavo-chance-the-rapper-lil-wayne dj-snake-let-me-love-you-ft-justin-bieber enrique-iglesias-subeme-la-radio-remix-remixlyric-video-ft-cnco feder-feat-alex-aiono-lordly give-you-up-feat-klp-crayon
  • Berry, Richard (2013) Radio with Pictures: Radio Visualization in BBC National Radio

    Berry, Richard (2013) Radio with Pictures: Radio Visualization in BBC National Radio

    Berry, Richard (2013) Radio with pictures: Radio visualization in BBC national radio. The Radio Journal, 11 (2). pp. 169-184. ISSN 1476-4504 Downloaded from: http://sure.sunderland.ac.uk/id/eprint/5210/ Usage guidelines Please refer to the usage guidelines at http://sure.sunderland.ac.uk/policies.html or alternatively contact [email protected]. Radio with Pictures: Radio Visualisation in BBC National Radio Richard Berry University of Sunderland Abstract. Radio has always had pictures. The ones the listener created in their own minds and this is, most of us agree, one of the medium's greatest strengths. However, radio is increasingly consumed on a digital platform (such as DAB Radio, Digital TV, a mobile device or a computer) on devices with screens, rather than a dial. This creates a problem for radio because when we look at the device we are listening to we see a screen that often lacks rich content. The process of Radio Visualisation is about filling this space. This papers focus, though, is the other ways in which radio is visualising itself online in a process that deploys transmedia storytelling techniques that build relationships with the audience, builds brands and helps broadcasters to tell stories in ways never before possible. In the spring of 2011 2.84 million British TV viewers watched a radio programme on their Televisions. They were tuning in via interactive television (or the 'red button') services to watch the BBC Radio One breakfast presenter Chris Moyles attempt to break a world record for the longest radio programme. The BBC installed a series of fixed cameras in the programme’s regular studio at the BBC's Yalding House studios, with added 'roving' cameras to allow the presenters to broadcast from other parts of the building and a cafe across the street.
  • House, Techno & the Origins of Electronic Dance Music

    House, Techno & the Origins of Electronic Dance Music

    HOUSE, TECHNO & THE ORIGINS OF ELECTRONIC DANCE MUSIC 1 EARLY HOUSE AND TECHNO ARTISTS THE STUDIO AS AN INSTRUMENT TECHNOLOGY AND ‘MISTAKES’ OR ‘MISUSE’ 2 How did we get here? disco electro-pop soul / funk Garage - NYC House - Chicago Techno - Detroit Paradise Garage - NYC Larry Levan (and Frankie Knuckles) Chicago House Music House music borrowed disco’s percussion, with the bass drum on every beat, with hi-hat 8th note offbeats on every bar and a snare marking beats 2 and 4. House musicians added synthesizer bass lines, electronic drums, electronic effects, samples from funk and pop, and vocals using reverb and delay. They balanced live instruments and singing with electronics. Like Disco, House music was “inclusive” (both socially and musically), infuenced by synthpop, rock, reggae, new wave, punk and industrial. Music made for dancing. It was not initially aimed at commercial success. The Warehouse Discotheque that opened in 1977 The Warehouse was the place to be in Chicago’s late-’70s nightlife scene. An old three-story warehouse in Chicago’s west-loop industrial area meant for only 500 patrons, the Warehouse often had over 2000 people crammed into its dark dance foor trying to hear DJ Frankie Knuckles’ magic. In 1982, management at the Warehouse doubled the admission, driving away the original crowd, as well as Knuckles. Frankie Knuckles and The Warehouse "The Godfather of House Music" Grew up in the South Bronx and worked together with his friend Larry Levan in NYC before moving to Chicago. Main DJ at “The Warehouse” until 1982 In the early 80’s, as disco was fading, he started mixing disco records with a drum machines and spacey, drawn out lines.