Anno Dracula - the Bloody Red Baron Pdf, Epub, Ebook
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DOCTORAL (PHD) DISSERTATION by ANNA LUJZA SZÁSZ 2015
DOCTORAL (PHD) DISSERTATION by ANNA LUJZA SZÁSZ 2015 EMANCIPÁLT EMLÉKEZET KÉPES TÖRTÉNETEK A MAGYARORSZÁGI ROMA HOLOKAUSZT EMLÉKEZETRŐL írta SZÁSZ ANNA LUJZA KONZULENS: habil Dr. KOVÁCS ÉVA CSc EÖTVÖS LÓRÁND TUDOMÁNY EGYETEM, BUDAPEST TÁRSADALOMTUDOMÁNYI KAR SZOCIOLÓGIA TANSZÉK INTERDISZCIPLINÁRIS TÁRSADALOMKUTATÁSOK DOKTORI PROGRAM 2015 MEMORY EMANCIPATED EXPLORING THE MEMORY OF THE NAZI GENOCIDE OF ROMA IN HUNGARY by ANNA LUJZA SZÁSZ TUTOR: habil Dr. ÉVA KOVÁCS CSc EÖTVÖS LÓRÁND UNIVERSITY BUDAPEST FACULTY OF SOCIAL SCIENCES DEPARTMENT OF SOCIOLOGY INTERDISCIPLINARY SOCIAL STUDIES PROGRAM 2015 Acknowledgements As the submission of my dissertation was approaching I started getting emotional about it. It was the realization that this text is not only about the exploration of the memory of the Nazi genocide of Roma but it is also a context which made me possible to meet great people, to gain incredibly meaningful experience and knowledge academically, socially and personally, and to learn to be aware of the position from where I am speaking. It was a little bit more than four years of my life, and this project was developed, nurtured and completed together with many people whom I am thankful to and whom I shall keep in my memories. This research would have never begun if I had not met Júlia Szalai at a course titled “Sociological Approaches to Race and Ethnicity: The Roma in Post-communist Central Europe” at the Central European University in 2008. A year later I had the chance to be her research assistant in an FP7 research project on ethnic differences in education. I was in that privileged position that Júlia paved my way for many years and I immersed myself in the realm of her knowledge and enjoyed every bits and pieces of the work we did together. -
A4- What's New in Books.Pdf
Inside This Book (Are Three Books) by Barney Saltzberg Releasing April 2015, Recommended for ages 3-6 Three siblings create three books of their own using blank paper that they bind together (in descending sizes to match birth order, of course). One sibling’s work inspires the next, and so on, with each book’s text and art mirroring the distinct interests and abilities of its creator. Upon completion of their works, the siblings put one book inside the other, creating a new book to be read and shared by all! The Legends of Lake on the Mountain, by Roderick Bens (Leaders & Legacies series) – Recommended for boys grades 3 – 5 This series is surprisingly good with all of the fast paced elements that readers look for in a paranormal adventure story. This series is a great way to pique young readers’ Interest in Canadian history with notes in back that separate fact from fiction and provide more historical detail. I found myself Googling some of the events mentioned in this book to see if they really happened! Under the Pig Tree, by Margie Palatino, Releasing April 2015, Recommended for ages 3-6 The publisher and author of Under a Pig Tree seem to be having communication issues. The author has written a clear, no-nonsense history of figs. But the publisher is sure she meant pigs. After all, what’s the difference between two measly letters? What results is a hilarious illustrated history of pigs, from the earliest times (“Pigs were presented as ‘medals’ to the winners of the first Olympics”) to the present day (“There is nothing better than enjoying a cup of tea or glass of milk with one of those famous Pig Newtons”). -
Learn to Play Booklet Is to Teach New Players How to Play Fury of Dracula
Using this Booklet The purpose of this Learn to Play booklet is to teach new players how to play Fury of Dracula. This booklet includes all the rules players need to begin playing, but omits many rules exceptions and specific card interactions. TM It is recommended that players read this booklet in its entirety before playing their first game. Dearest Quincey, This game also includes a Rules Reference, which describes Eight years ago the Devil himself came to London to dwell in detailed rules and special exceptions that are omitted from Carfax Abbey. Eight years ago my dear friend Lucy became one this booklet. During the game, consult the Rules Reference of the Un-Dead, and my own soul was cast into peril by the when questions arise. pernicious Count Dracula. Eight years ago Quincey Morris, your namesake, gave his life to see that evil destroyed. Would that his sacrifice had not been in vain. My dreams have been troubled, my sleep disturbed by visions of a castle in the Carpathian Mountains. I see a carriage with four Game Overview black horses and smell the salt of the sea, and the awful tang of URY OF DRACULA is a one-versus-many blood. I wrote to Professor Van Helsing at once when the dreams Fdeduction game inspired by Bram Stoker’s classic began, and he confirmed my fears: the Count is returned. novel Dracula. One player controls Dracula, and up to four players assume roles as hunters. During the game, Dracula As the dreams continued, I awoke one night to find myself attempts to elude the hunters as he spawns new vampires across standing in the hall with Mr. -
Models of Time Travel
MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened. -
The Dracula Film Adaptations
DRACULA IN THE DARK DRACULA IN THE DARK The Dracula Film Adaptations JAMES CRAIG HOLTE Contributions to the Study of Science Fiction and Fantasy, Number 73 Donald Palumbo, Series Adviser GREENWOOD PRESS Westport, Connecticut • London Recent Titles in Contributions to the Study of Science Fiction and Fantasy Robbe-Grillet and the Fantastic: A Collection of Essays Virginia Harger-Grinling and Tony Chadwick, editors The Dystopian Impulse in Modern Literature: Fiction as Social Criticism M. Keith Booker The Company of Camelot: Arthurian Characters in Romance and Fantasy Charlotte Spivack and Roberta Lynne Staples Science Fiction Fandom Joe Sanders, editor Philip K. Dick: Contemporary Critical Interpretations Samuel J. Umland, editor Lord Dunsany: Master of the Anglo-Irish Imagination S. T. Joshi Modes of the Fantastic: Selected Essays from the Twelfth International Conference on the Fantastic in the Arts Robert A. Latham and Robert A. Collins, editors Functions of the Fantastic: Selected Essays from the Thirteenth International Conference on the Fantastic in the Arts Joe Sanders, editor Cosmic Engineers: A Study of Hard Science Fiction Gary Westfahl The Fantastic Sublime: Romanticism and Transcendence in Nineteenth-Century Children’s Fantasy Literature David Sandner Visions of the Fantastic: Selected Essays from the Fifteenth International Conference on the Fantastic in the Arts Allienne R. Becker, editor The Dark Fantastic: Selected Essays from the Ninth International Conference on the Fantastic in the Arts C. W. Sullivan III, editor Library of Congress Cataloging-in-Publication Data Holte, James Craig. Dracula in the dark : the Dracula film adaptations / James Craig Holte. p. cm.—(Contributions to the study of science fiction and fantasy, ISSN 0193–6875 ; no. -
Anno Dracula - Johnny Alucard Pdf, Epub, Ebook
ANNO DRACULA - JOHNNY ALUCARD PDF, EPUB, EBOOK Kim Newman | 480 pages | 19 Sep 2014 | Titan Books Ltd | 9781781164228 | English | London, United Kingdom Anno Dracula - Johnny Alucard PDF Book It includes references to Taxi Driver , Ms. I think part of it is due to it being mostly composed of short stories, but it seemed more like a way for Newman to play around with references instead of give us a full plot. Son of the Dragon. I still enjoyed it, but maybe not as much as the other books in the series. Hollywood, the glitz, the glamour, the stars. This is a denser, much more complex and nuanced book in the Anno Dracula series, which shows an intelligence, an intensity, a knowing wink in a novel designed to homage as well as entertain that many other similar books lack. It's an assemblage of some previously published stories and new material, and the seams show, but these concerns are largely silenced by its many inspired moments and an unexpectedly moving finish. When the red thirst was on them, their famed powers of insight and persuasion turned to fuzz and fudge. Maybe there is more to be said. A relic of the past. Just a touch. The only attachment that I had to the three female leads is mostly due to my prior encounters with them. The series currently consists of five novels and a number of short stories and novellas. The stories have a lot to do with movies, and you can see Newman's love of film shine through as he takes us through the world of making movies, but what I wanted was more story, more depth, and more coherence. -
Adaptation for Audio Production
Adaptation for Audio Production This free download is provided on the understanding and agreement that the script is for personal use only and may not be copied, distributed and / or performed unless written permission is granted by Evcol Entertainment. All rights reserved by the author. DRACULA • based on the novel by Bram Stoker • This adaptation © Simon James Collier 2018 – Evcol Entertainment 1 Based on the novel by Bram Stoker Written, Directed & Produced by Simon James Collier Assistant Director: Helen Elliott Original Music & Sound Design: Zachary Elliott-Hatton Co-Producer: Adam Dechanel Graphic Design: Clockwork Digital Studios Recorded at The Umbrella Rooms Studio, London Engineer: Ben Robbins AUDIO MINI-SERIES – 12 X 20 MINUTE EPISODES DRACULA • based on the novel by Bram Stoker • This adaptation © Simon James Collier 2018 – Evcol Entertainment 2 ‘Dracula’ -- CHARACTER BREAKDOWN: Actor 1: Count Dracula – CRISTINEL HOGAS Count Dracula: A Transylvanian noble who bought a house in London and asked Jonathan Harker to come to his castle to do business with him. Actor 2: Jonathan Harker -- CARL DOLAMORE Harker: A solicitor sent to do business with Count Dracula; Mina's fiancé and prisoner in Dracula's castle. Actor 3: Wilhelmina ‘Mina’ Harker [née Murray] – HARRIET CLARE MAIN Mina: A schoolteacher and Jonathan Harker's fiancée. Actor 4: Lucy Westenra / Bride of Dracula 1 – GEORGIE MONTGOMERY Lucy: A 19-year-old aristocrat; Mina's best friend; Arthur's fiancée and Dracula's first victim. Dracula Bride 1: One of the 2 Vampires chastising Harker in Dracula’s castle. Actor 5: Dr Abraham Van Helsing – MITCH HOWELL Van Helsing: A Dutch professor; John Seward's teacher and Vampire hunter. -
A Poacher's Widow Sat Sighing on the Side of the White Chalk Bank, Where Under the Gloomy Fir-Woods One Spot in the Ley Throve Rank
A poacher's widow sat sighing On the side of the white chalk bank, Where under the gloomy fir-woods One spot in the ley throve rank. She thought of the dark plantation, And the hares, and her husband's blood, And the voice of her indignation Rose up to the throne of her God. 'I am long past wailing and whining- I have wept too much in my life: I've had twenty years of pining As an English labourer's wife. 'There's blood on your new foreign shrubs, squire, There's blood on your pointer's cold feet; There's blood on the game you sell, squire, And there's blood on the game you eat. ‘So I’ll take up my poor husband’s bow, Squire Fletch arrows of ashwood and yew I’ll ‘scape to the Brinkwood this evening And there will I join with the few ‘And I will not put down my labors I’ll take forest leaves for my bed Until this arrow pierces your cold heart, Squire And you in your coffin lie dead ‘So to kennels and liveried varlets Where you starved your own daughter of bread And worn out with liquor and harlots See your heirs at your feet lying dead Sample‘When you follow them into your coffin file And your soul rots asleep in the grave Then Squire, you will not be forgiven By the free men you took as your slaves -Excerpted and adapted from “The Bad Squire,” by Charles Kingsley Table of Contents Basic Premise 1 Key 4 What You Need 4 Getting Started 6 Player Characters 9 Custom Mechanics 11 Starting Situation 17 A Meeting in Sothsmere 20 Downtime 24 Planning the Foray 26 Resources 26 The Foray 34 Potential Obstacles 34 One Ending, Many Beginnings 36 Payoff 36 XP 36 Tiers and Goals 37 Ally Tiers 37 Tier Goals 38 FriendlySample Factions file39 Enemies, Vampiric and Mundane 42 Mundane Enemies 42 Vampiric Classes 43 Basic Premise The world is not as it should be. -
Rosemary Ellen Guiley
vamps_fm[fof]_final pass 2/2/09 10:06 AM Page i The Encyclopedia of VAMPIRES, WEREWOLVES, and OTHER MONSTERS vamps_fm[fof]_final pass 2/2/09 10:06 AM Page ii The Encyclopedia of VAMPIRES, WEREWOLVES, and OTHER MONSTERS Rosemary Ellen Guiley FOREWORD BY Jeanne Keyes Youngson, President and Founder of the Vampire Empire The Encyclopedia of Vampires, Werewolves, and Other Monsters Copyright © 2005 by Visionary Living, Inc. All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Guiley, Rosemary. The encyclopedia of vampires, werewolves, and other monsters / Rosemary Ellen Guiley. p. cm. Includes bibliographical references and index. ISBN 0-8160-4684-0 (hardcover : alk. paper) ISBN 978-1-4381-3001-9 (e-book) 1. Vampires—Encyclopedias. 2. Werewolves—Encyclopedias. 3. Monsters—Encyclopedias. I. Title. BF1556.G86 2004 133.4’23—dc22 2003026592 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Printed in the United States of America VB FOF 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper. -
A Rhetorical Analysis of Wicked's Elphaba
“IT’S JUST THAT FOR THE FIRST TIME, I FEEL… WICKED”: A RHETORICAL ANALYSIS OF WICKED’S ELPHABA USING KENNETH BURKE’S GUILT-PURIFICATION-REDEMPTION CYCLE by Patricia C. Foreman A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree Master of Arts in Communication Studies at Liberty University May 2013 Foreman 2 Acknowledgements First and foremost, to “my Dearest, Darlingest Momsy and Popsicle,” and to my brother Gary, thank you so much for your constant support, encouragement, direction and love. I appreciate your words of wisdom and advice that always seem to be just what I need to hear. To each of my fellow graduate assistants, thank you for “dancing through life” with me. Thank you for becoming not only co-workers, but also some of my best friends. To my thesis committee – Dr. William Mullen, Dr. Faith Mullen, and Dr. Lynnda S. Beavers – thank you all so much for your help. This finished thesis is, without a doubt, the “proudliest sight” I’ve ever seen, and I thank you for your time, effort and input in making this finished product a success. Finally, to Mrs. Kim, and all of my fellow “Touch of Swing”-ers, who inspired my love of the Wicked production, and thus, this study. For the long days of rehearsals, even longer nights on tour buses, and endless hours of memories that I’ll not soon forget... “Who can say if I’ve been changed for the better? I do believe I have been changed for the better. And because I knew you, I have been changed for good.” Foreman 3 In Memory Of… Lauren Tuck May 14, 1990 – September 2, 2010 “It well may be that we will never meet again in this lifetime, so let me say before we part, so much of me is made of what I learned from you. -
<H1>The Lodger by Marie Belloc Lowndes</H1>
The Lodger by Marie Belloc Lowndes The Lodger by Marie Belloc Lowndes The Lodger by Marie Belloc Lowndes "Lover and friend hast thou put far from me, and mine acquaintance into darkness." PSALM lxxxviii. 18 CHAPTER I Robert Bunting and Ellen his wife sat before their dully burning, carefully-banked-up fire. The room, especially when it be known that it was part of a house standing in a grimy, if not exactly sordid, London thoroughfare, was exceptionally clean and well-cared-for. A casual stranger, more particularly one of a Superior class to their own, on suddenly opening the door of that sitting-room; would have thought that Mr. page 1 / 387 and Mrs. Bunting presented a very pleasant cosy picture of comfortable married life. Bunting, who was leaning back in a deep leather arm-chair, was clean-shaven and dapper, still in appearance what he had been for many years of his life--a self-respecting man-servant. On his wife, now sitting up in an uncomfortable straight-backed chair, the marks of past servitude were less apparent; but they were there all the same--in her neat black stuff dress, and in her scrupulously clean, plain collar and cuffs. Mrs. Bunting, as a single woman, had been what is known as a useful maid. But peculiarly true of average English life is the time-worn English proverb as to appearances being deceitful. Mr. and Mrs. Bunting were sitting in a very nice room and in their time--how long ago it now seemed!--both husband and wife had been proud of their carefully chosen belongings. -
Behold the Beast: Victorian Anxieties and Monstrous Forms
BEHOLD THE BEAST: VICTORIAN ANXIETIES AND MONSTROUS FORMS By Ben Pascoe A Thesis Submitted in Partial Fulfillment of the Requirement for the Degree MASTER OF ARTS Major Subject: English West Texas A&M University Canyon, Texas May 2019 ABSTRACT This paper seeks to analyze two examples of Victorian Gothic, the 1885 novella The Strange Case of Dr. Jekyll and Mr. Hyde and the 1897 novel Dracula as texts dealing with anxieties of degeneration, medicine, and addiction on the personal scale and a wider societal scale respectively. Both Dracula and Hyde represent monsters constructed as representatives of these anxieties in a direct and actionable form so that the audience could address their concerns. ii ACKNOWLEDGEMETS The Author would like to thank: his major advisor and committee members for their patience, help, and guidance; the various other faculty members who have contributed advice and assistance in the research and formatting of this paper. This thesis is dedicated to my family for their love and support through the attainment of my degree, the friends who have helped me along this journey, and the teachers who have helped me learn the skills to create it. iii Approved: [Chairman, Thesis Committee] [Date] [Member, Thesis Committee] [Date] [Member, Thesis Committee] [Date] [Department Head/Direct Supervisor] [Date] [Dean, Academic College] [Date] [Dean, Graduate School] [Date] iv TABLE OF CONTENTS Chapter Page CHAPTER 1: GOTHIC ANXIETIES .......................................................................... 1 CHAPTER 2: THE BEAST AMONG FRIENDS ...................................................... 30 Sex, Drugs, and Chemicals: The Vice Reading ................................................................ 34 Dr. Jekyll and Dr. Hyde: The Medical Reading ............................................................... 44 The Savage Gentleman: The Degenerative Reading ........................................................ 49 CHAPTER 3: THE BEAST AT THE GATES ..........................................................