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LEONARDO 500

CONTENT −− Benois or Madonna and Child with Flowers (1478-80) This volume represents an important tool for getting to know every −− Study of the Madonna and Child with a Cat (1478-81) aspect of Leonardo’s work; his pictorical tecnique, his scientific and −− Blown up winch, hydraulic and submarine technological investigation, his study on anatomy, his Codices, and ingenuities, Archimedes screw (1478-87) every suggestion produced by his genius. −− St. Jerome in the Wilderness (1480-82) All works and paintings are accompanied by descriptive and technical −− Adoration of the Magi (1481-82) sheets. Besides, ample space has been given to images and details, to −− Apocryphal letter of self-expression to Ludovico il Moro (1482) the updated report on his most controversial works, to those of recent −− Studies for defensive tools and firearms (ca. 1482) critical acceptance, and to the masterpieces that have animated the −− The - Paris and London (1483-86; 1495-1508) international debate as The Encarnate Angel, the Salvator Mundi, and La −− (1485-90) Bella Principessa (Portrait of Bianca Sforza). −− Repertory of Weaponry (ca. 1487) The narrative captions reveal the most curious aspects of the history −− Architectural and urban designs for the ideal city (ca. 1487) of each painting. Thanks to the direct contribution of collectors and −− (or Portrait of Cecilia Gallerani) (1487-90) museums the photographic reproductions of paintings and works −− La Belle Ferronnière (Lucrezia Crivelli?) (1490-95) reflect the last restorations. −− (or Madonna nursing her Child) (ca. 1490) −−  (or Study of the proportions of the human figure) (ca. AUTHORS 1490) Martin Kemp −− Anatomical studies (ca.1490 -1510) Emeritus Professor of History of Art at the Oxford University and −− Studies for perpetual motion (ca.1493) Member of the British Academy. He has curated several exhibitions −− Study for the merger of the Sforza monument (ca. 1493) dedicated to the work of Leonardo of whom he is one of the greatest −− The (ca. 1495) international scholar. He has published several books and essays −− Circular winch (ca. 1495) translated all over the world, and he has carried out the most extensive −− The Portrait of Bianca Sforza: The Beautiful Princess (1496) research on the painting called by himself “” by −− The Last Supper (1495-98) Leonardo. −− (ca. 1498) Fabio Scaletti −− Duodecedron abscisus elevatus solidus (ca. 1498) A writer, a scholar of Renaissance art, and an expert on the attributional −− Salvator Mundi (1498-1507) themes, he is the author of several publications in magazines and −− Memorandum Ligny (ca. 1500) volumes. A Caravaggio specialist, he later extended his research to the −− Portrait of Isabella d’Este - (1499-1500) great masters of the , with particular attention to −− Portrait of Isabella d’Este (1500?) the news of the debate among critics, experts and researchers on the −− Madonna of the Yarnwinder (or Madonna of the Spindles) (ca. 1501) most celebrated works of art history and on the new investigations and −− Map of (1502-03) discoveries. −− Study of Screaming Heads for The Battle of Anghiari (1503-05) −− La Gioconda (or Portrait of ) (1503-1515) INDEX −− Study for Leda and the Swan (ca. 1505) −− Editor’s Note −− Head of a Woman (1505-1508) DESCRIPTION OF THE WORK −− Introduction −− The Virgin and Child with St Anne and St (1505-1508?) ITALIAN ORIGINAL TEXT (INCLUDING THE CAPTIONS) −− The Dreyfus Madonna (1469-72) −− The Virgin and Child with Saint Anne (ca. 1510-13) cm 30 x 40,2 Size_ −− Profile of a Warrior in Helmet (ca. 1472) −− Saint John the Baptist (with apocryphal attributes of ) 304 Words Characters excluding spaces Characters including spaces Pages_ −− or Madonna with Vase (1472-78) (1510-18) 160 Images_ (for the most part full-page and double-page) 31.412 174.039 205.451 −− The Arno Valley Landscape (1473) −− Saint John the Baptist (1513-17) 978-88-95847-52-8 ISBN_ −− Baptism of Christ (1473-78) −− Angel Incarnate (ca. 1514-16) English Text_ −− The - (1473-78) −− Lost works 5 mm thick head and foot board, covered in cloth + front and back Price € 460,00 −− Study of hands (ca. 1475) −− The Codices: where they are cardboard, 3 mm thick, coated with 200 g matt coated paper. prin- −− Portrait of Ginevra de’ Benci (ca. 1475) −− His life in brief ted with 4 + 0 colors and opaque plastic on the print side. Guide in −− Study for the Head of Madonna (1475-80) −− Bibliography cardboard at the foot of suppurto to the book block. Clichè for gold −− The Annunciation - Louvre (1478?) foil stamping for front + back. Endpapers printed in 4 + 4 colours on Fedrigoni Tintoretto Stucco Gesso 160 gr/mq.

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