Japanese Orphans from China: History and Identity in a "Returning" Migrant Community
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Heroes, Hooligans, and Knights-Errant: Masculinities and Popular Media in the Early People’S Republic of China
_full_journalsubtitle: Men, Women and Gender in China _full_abbrevjournaltitle: NANU _full_ppubnumber: ISSN 1387-6805 (print version) _full_epubnumber: ISSN 1568-5268 (online version) _full_issue: 2 _full_issuetitle: 0 _full_alt_author_running_head (change var. to _alt_author_rh): 0 _full_alt_articletitle_running_head (change var. to _alt_arttitle_rh): Heroes, Hooligans, and Knights-Errant _full_alt_articletitle_toc: 0 _full_is_advance_article: 0 NAN N Ü 316 Nan Nü 19 (2017) 316-356 Wang brill.com/nanu Heroes, Hooligans, and Knights-Errant: Masculinities and Popular Media in the Early People’s Republic of China Y. Yvon Wang University of Toronto [email protected] Abstract This article is an exploration of media and gender in urban and peri-urban China dur- ing the 1950s and early 1960s – specifically, the persistent trope of the “hooligan,” or liumang. Since at least the late imperial period, Chinese authorities had feared unmar- ried, impoverished, rootless men as the main source of crime, disorder, and outright rebellion. Yet such figures were simultaneously celebrated as knights-errant for their violent heroism in cultural works of enormous popularity across regions and classes. As the ruling Chinese Communist Party attempted to reshape society and culture after 1949, it condemned knight-errant tales and made hooliganism a crime. At the same time, the state tried to promote a new pantheon of vigilante-like men in the guise of revolutionary heroes. But the state’s control over deeply rooted cultural markets and their products was incomplete. Moreover, the same potent tools that had empowered the Party, in particular its rhetoric of revolutionary subjectivity and its harnessing of modern media technologies, were open as never before to being adopted by the very targets of its efforts at control and censure. -
Reimagining Riben Guizi: Japanese Tactical Media Performance After the 2010 Senkaku/Diaoyu Boat Collision Incident
International Journal of Communication 11(2017), 344–362 1932–8036/20170005 Reimagining Riben Guizi: Japanese Tactical Media Performance After the 2010 Senkaku/Diaoyu Boat Collision Incident YASUHITO ABE1 Doshisha University, Japan This article investigates a Japanese online participatory community, the Hinomoto Oniko project, that emerged after the Senkaku/Diaoyu boat collision incident of 2010 in the East China Sea. Drawing on tactical media as a conceptual framework, this study analyzes how the project challenged the prevailing meaning of a Chinese slur against the Japanese via tactical use of visual media and examines how its cultural and aesthetic performances were reproduced in the Japanese media landscape. This facilitates analysis of the implications of its cultural and aesthetic performances in a networked era. Keywords: tactical media, moe, history, Japan, China This study examines a Japanese online participatory community that emerged in Japan after the Senkaku/Diaoyu boat collision incident of 2010 in the East China Sea: the Hinomoto Oniko project. The project remade a Chinese term into various images of that term though visual media; specifically, the Hinomoto Oniko project transformed the pronunciation of the Chinese term into a Japanese reading and substituted cartoon-like characters for the term. In doing so, the project sought to create an alternative space for communication between Japanese and Chinese people, albeit briefly. The project did not necessarily succeed in making the most of an opportunity for promoting communication between Japanese and Chinese people, but the project highlights the characteristic of tactical media performance in East Asia. The Chinese term temporarily disrupted by the Hinomoto Oniko project is 日本鬼子 (Riben Guizi), which originally meant “Japanese are devils” in Chinese. -
The Missionary As Devil: Anti-Missionary Demonology in China, 1860–1930
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Loughborough University Institutional Repository Chapter 6 Thoralf Klein Anti-missionary Demonology in China 1 The Missionary as Devil: Anti-Missionary Demonology in China, 1860–1930 Thoralf Klein As a foreign student in China in the early 1990s, I once visited the historical site of Zazhidong camp in Chongqing together with a German friend. This is a place where the Chinese Nationalists, with the help of American advisers provided by the Sino-American Cooperation Organization (SACO), interned and tortured Communists and their sympathizers in the 1940s.1 It was a cold, grey, January day, and visitors were few. Apart from ourselves, I only recall a middle-aged Chinese couple walking in our direction. As they were passing us, I overheard the man say something to his wife. He was not speaking loudly, yet, perhaps because he mistook us for Americans and counted on our not understanding Chinese, what he said was clearly audible. It was just the two words yang guizi 洋鬼子 – ‘foreign devils’.2 This expression will be the focus of my subsequent examination of how European and North American missionaries in China became the object of processes of Othering. I am not suggesting in this article that the Chinese discourse on Europe can be reduced to the demonology implied in the term (yang) guizi; there existed other terms to denote missionaries and other foreigners, some of which – as we shall see – were more neutral. However, I think that the demonizing discourse on missionaries is important for two reasons: firstly, it was the strongest way in which the Christian presence in China, which was connected with imperialism from the mid-nineteenth century well into the twentieth, was construed as an alien and harmful force; secondly, over the same period, this discourse developed in a way that reflected the profound cultural change taking place in China at the time. -
Schedule F-2 by Last Name
Schedule F-2 by Last Name ID Country Name Country Code Last Name, First Contingent Unliquidated Disputed Amount 1204096 Paraguay (PY) W A GOMES, MATHEUS RAMON X X X UNKNOWN 921652 Malaysia (MY) W ABD MUHAIMI, W MUHAMMAD FAIZ X X X UNKNOWN 1649270 United States (US) W CABRERA, PEDRO X X X UNKNOWN 1719541 United States (US) W DALMAN GENERAL SERVICES X X X UNKNOWN 1776164 Uruguay (UY) W DE LIMA, JOSE X X X UNKNOWN 956360 Netherlands (NL) W J M HOFHUIS X X X UNKNOWN 745344 Haiti (HT) W JUNIOR, JEAN X X X UNKNOWN 758668 Indonesia (ID) W KUENGO, SYARIF X X X UNKNOWN 956361 Netherlands (NL) W L BEUVING X X X UNKNOWN 1669241 United States (US) W LEMOS, RODRIGO X X X UNKNOWN 956362 Netherlands (NL) W M J HOFHUIS, W M J HOFHUIS X X X UNKNOWN 676497 Spain (ES) W M LIMA, RAQUEL X X X UNKNOWN 1301880 Tanzania (TZ) W MREMA, FREDRICK X X X UNKNOWN 1551784 United States (US) W O REIS, JOSE X X X UNKNOWN 921760 Malaysia (MY) W OMAR, WAN NORRIZAROS X X X UNKNOWN 1480191 United States (US) W Q GUSS, FABIO X X X UNKNOWN 1480192 United States (US) W QUINTINO GUSS, FABIO X X X UNKNOWN 1445973 United States (US) W RABKE JR, DAVID X X X UNKNOWN 1830388 China (CN) W, 1 X X X UNKNOWN 1842807 Cambodia (KH) W, 1 X X X UNKNOWN 1851171 United States (US) W, 1 X X X UNKNOWN 1830593 China (CN) W, 123456 X X X UNKNOWN 1838893 Spain (ES) W, 2 X X X UNKNOWN 1852261 United States (US) W, 3 X X X UNKNOWN 1828995 Bolivia (BO) W, A X X X UNKNOWN 1841014 Hong Kong (HK) W, A X X X UNKNOWN 1843854 Mexico (MX) W, A X X X UNKNOWN 1831883 China (CN) W, A X X X UNKNOWN 1842929 Cambodia -
ED396537.Pdf
DOCUMENT RESUME ED 396 537 FL 023 880 AUTHOR Goodell, Melissa, Ed..; Choi, Dong-Ik, Ed. TITLE Kansas Working Papers in Linguistics. Volume 21. INSTITUTION Kansas Univ., Lawrence. Linguistics Graduate Student Association. REPORT NO ISSN-1043-3805 PUB DATE 96 NOTE 301p.; For individual articles, see FL 023 881-889. AVAILABLE FROM LGSA, Linguistics Department, 427 Blake Hall, University of Kansas, Lawrence, KS 66045. PUB TYPE Collected Works Serials (022) JOURNAL CIT Kansas Working Papers in Linguistics; v21 1996 EDRS PRICE MFOI/PC13 Plus Postage. DESCRIPTORS American Indians; *Cherokee; Higher Education; *Japanese; *Korean; Language Maintenance; Linguistic Theory; Mayan Languages; Morphology (Languages); *Quiche; *Second Language Learning; *Spanish; Structural Grammar; Syntax; Uncommonly Taught Languages; Verbs IDENTIFIERS *Endangered Languages; Politeness; Universal Grammar ABSTRACT This collection of papers by the graduate students and faculty in linguistics at the University of Kansas offers summaries of works in progress dealing with general linguistics and studies in Native American languages. General linguistics papers include: "Resetting Bounding Nodes in Acquiring Spanish" (Ramiro Cebreiros); "Syntax of Demonstrative Adjectives in Japanese: A Preliminary Study" (Minoru Fukuda); "Judgments of Politeness in L2 Acquisition" (Yoko Harada); "A-bar Dependency, Wh-Scrambling in Korean, and Referential Hierarchy" (Gunsoo Lee); "K'iche' Maya Verbs of Breaking and Cutting" (Clifton Pye); "An NP-Movement Account of Tough Constructions" (Michael Reider); and "English Verb-Particle Constructions: Two Types, Two Structures" (Ed Zoerner). Native American language papers include "Cherokee Stories of the Supernatural" (Janine Scancarelli) and "Endangered Languages Data Summary" (Akira Y. Yamamoto). (Contains chapter references.) (NAV) ********************************************************************** Reproductions supplied by EDRS are the best that can be made * from the original document. -
Multilingualism in Guizi Lai Le (Devils on the Doorstep)
Takeda, K. (2014). The interpreter as traitor: Multilingualism in Guizi lai le (Devils on the Doorstep ). Linguistica Antverpiensia, New Series. Themes in Translation Studies, 13 , 93–111. The interpreter as traitor: Multilingualism in Guizi lai le (Devils on the Doorstep )1 Kayoko Takeda Rikkyo University [email protected] This paper discusses ways in which multilingualism is represented in an award-winning Chinese film, Guizi lai le , and its subtitling. Known as Devils on the Doorstep in English, the movie approaches its multilingual setting realistically: Chinese villagers speak in Chinese, Japanese soldiers in Japanese, and interpreters mediate their communication. In examining the Chinese, Japanese and English subtitles of the film, the study focuses on the different strategies used by the translators to represent multilingualism and to subtitle offensive language. The behavior and fate of the Chinese interpreter in the film is also explored, with special attention to the power interpreters possess for controlling and manipulating information and the notion of the interpreter as traitor and war criminal in the context of conflict. Findings of this research invite further investigation into how the audience views multilingualism in cinema and how the identity and loyalty of interpreters is depicted in war-themed movies. Collaborative work by researchers from different language and cultural backgrounds should also be encouraged. 1. Introduction Multilingualism in movies is not a new phenomenon, as Gambier (2012, p. 46) and -
Communication, Empire, and Authority in the Qing Gazette
COMMUNICATION, EMPIRE, AND AUTHORITY IN THE QING GAZETTE by Emily Carr Mokros A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland June, 2016 © 2016 Emily Carr Mokros All rights Reserved Abstract This dissertation studies the political and cultural roles of official information and political news in late imperial China. Using a wide-ranging selection of archival, library, and digitized sources from libraries and archives in East Asia, Europe, and the United States, this project investigates the production, regulation, and reading of the Peking Gazette (dibao, jingbao), a distinctive communications channel and news publication of the Qing Empire (1644-1912). Although court gazettes were composed of official documents and communications, the Qing state frequently contracted with commercial copyists and printers in publishing and distributing them. As this dissertation shows, even as the Qing state viewed information control and dissemination as a strategic concern, it also permitted the free circulation of a huge variety of timely political news. Readers including both officials and non-officials used the gazette in order to compare judicial rulings, assess military campaigns, and follow court politics and scandals. As the first full-length study of the Qing gazette, this project shows concretely that the gazette was a powerful factor in late imperial Chinese politics and culture, and analyzes the close relationship between information and imperial practice in the Qing Empire. By arguing that the ubiquitous gazette was the most important link between the Qing state and the densely connected information society of late imperial China, this project overturns assumptions that underestimate the importance of court gazettes and the extent of popular interest in political news in Chinese history. -
Introduction
IN FOCUS: Non- Western Historiography? A Polemic Introduction by AHMET GÜRATA AND LOUISE SPENCE istory, as we know it, is full of uncertainties, insuffi ciencies, un- satisfying or partially obstructed views of the world. Scholars stretch to recover blank spaces. We strain to fi ll the gaps, to ex- plain the connections. We leap into ruptures in hopes of fi nding new approaches, details, anecdotes, and patterns of recurrence that Hwill make our descriptions fuller, more vivid, less defi cient. And we form histories that describe the world based on the knowledge we have acquired. But, of course, our knowledge of the world is never merely descriptive. Description is never ideologically or cognitively neutral. When we describe, we classify, we generalize, we impose hierarchal values. As Aijaz Ahmad and others have pointed out, to “describe” is to specify, to contain, and to produce knowledge that is “bound by that act of descriptive construction.” When we describe, we “specify a locus of meaning.”1 Media history is no different. John Patrick Leary argues in a recent Social Text article that to un- derstand the history of Venezuela’s Catia TVe would necessitate a his- tory of Caracas’s neighborhoods (many of them unmarked on maps, many of them illegal squatters’ settlements on public or private land), and their transformations since the 1950s oil boom.2 Leary stretches. He increases the variables relevant for thinking about Venezuelan tele- vision, and in doing so he moves the locus of meaning from television itself and the domestic as its site, to the transgressions intrinsic to bar- rio expansion and to attempts to build and fortify communities. -
March 2018 ISSN : 2456-5571 UGC Approved Journal (J
BODHI International Journal of Research in Humanities, Arts and Science An Online, Peer Reviewed, Refereed and Quarterly Journal Vol : 2 Special Issue : 7 March 2018 ISSN : 2456-5571 UGC approved Journal (J. No. 44274) CENTRE FOR RESOURCE, RESEARCH & PUBLICATION SERVICES (CRRPS) www.crrps.in | www.bodhijournals.com BODHI BODHI International Journal of Research in Humanities, Arts and Science (ISSN: 2456-5571) is online, peer reviewed, Refereed and Quarterly Journal, which is powered & published by Center for Resource, Research and Publication Services, (CRRPS) India. It is committed to bring together academicians, research scholars and students from all over the world who work professionally to upgrade status of academic career and society by their ideas and aims to promote interdisciplinary studies in the fields of humanities, arts and science. The journal welcomes publications of quality papers on research in humanities, arts, science. agriculture, anthropology, education, geography, advertising, botany, business studies, chemistry, commerce, computer science, communication studies, criminology, cross cultural studies, demography, development studies, geography, library science, methodology, management studies, earth sciences, economics, bioscience, entrepreneurship, fisheries, history, information science & technology, law, life sciences, logistics and performing arts (music, theatre & dance), religious studies, visual arts, women studies, physics, fine art, microbiology, physical education, public administration, philosophy, political sciences, psychology, population studies, social science, sociology, social welfare, linguistics, literature and so on. Research should be at the core and must be instrumental in generating a major interface with the academic world. It must provide a new theoretical frame work that enable reassessment and refinement of current practices and thinking. This may result in a fundamental discovery and an extension of the knowledge acquired. -
Ÿþm Icrosoft W
UNITED NATIONS UNITED NATIONS REPORT OF THE COMMITTEE ON SOUTH WEST AFRICA GENERAL ASSEMBLY OFFICIAL RECORDS : FIFTEENTH SESSION SUPPLEMENT No. 12 (A/4464) New York, 1960 NOTE Symbols of United Nations documents are composed of capital letters combined with figures. Mention of such a symbol indicates a reference to a United Nations document. CONTENTS Part I Page I. G eneral ................................... .......... 1 II. Negotiations with Union of South Africa ............................. 2 III. Question of legal action to ensure the fulfilment of the obligations assumed by the Union of South Africa in respect to the Territory of South West 3 Africa ................................................. IV. Examination of petitions and communications relating to South West Africa A. Requests for oral hearings and related communications ............. 4 B. Questions relating to the right of petition ......................... 5 C. Petitions which raise questions relevant to the examination of condi- 7 tions in the Territory by the Committee .................... ..... D . O ther petitions .................................. .... ........ 9 E. Communications relating to South West Africa .................... 10 Part H REPORT AND OBSERVATIONS OF THE COMMITTEE ON SOUTH WEST AFRICA REGARDING CONDITIONS IN THE TERRITORY I. Introduction ....................................................... 11 II. General A. Status of the Territory .................................... 13 B. Population of the Territory ..................................... 17 III. -
Sang Ye and the Discourse of Multiculturalism
Looking for New Opportunities: Sang Ye and the Discourse of Multiculturalism Tim Kendall I don’t care what happens, I’m not going back, and no one in Australia can do anything to make me. Just try me: you can boil me in oil, cook me in soy sauce, pop me in a steamer, whatever you’ve got a taste for. Call me a slut if you like. Doesn’t bother me. “You’re a goddamn whore!” Yeah, and what of it! “The East Wind blows, the war drums roll; in today’s world, no one’s scared of anyone else.” Chairman Mao taught us Chinese not even to fear death. So why should I be scared of losing face? Just write it all down and to hell with it ... 1 In July 1996, Nikki Barrowclough published an article in the Good Weekend section of the Age titled ‘Lost in Translation’. The piece examines the ‘new wave’ of Chinese artists and intellectuals who came to Australia just before, or just after, the Tiananmen Square Massacre. Throughout the piece, Barrowclough dismantles the old stereotypes about Chinese inscrutability and examines the demands that are involved in operating between two vastly different cultural systems. In examining this sense of in-betweenness, ‘Lost in Translation’ suggests that these Chinese artists have all emerged from periods of dislocation and voicelessness with a new understanding of the cultures they operate between. The article identifies the authors Ouyang Yu, Sang Ye, Leslie Zhao and Lillian Ng; the visual artist Guan Wei; and the filmmakers David Zhu, Clara Law and Eddie Fong. -
Language/S DIRECTOR Title New Classmarksubtitlesub
Language/s DIRECTOR Title New classmarkSubtitleSub LanguageDVD/VHS Bakupa-Kanyinda, African lang Bafulu Afro@digital AFR V BAK Y English DVD African lang Mora Kpai, Idrissou Arlit, deuxieme Paris AFR V MOR Y English DVD Amharic Woldeamlak, Ermias Fathers AM V WOL Y English DVD Arabic Abu Wael, Tawfik Atash AR V ABU Y English VHS Arabic Allouache, Merzak Omar Galato AR V ALL Y French VHS Arabic Aractingi, Philippe Under the bombs AR V ARA Y English DVD Arabic Ayouch, Nabil Mektoub AR V AYO Y French VHS Arabic Baghdadi, Haroun Little Wars AR V BAG Y English VHS Arabic Boughedir, Ferid Halfaouine (The roof top hopper) AR V BOU Y English VHS Arabic Chahine, Youssef Al-Yawn al-Sadis AR V CHA Y French VHS Arabic Chouikh, Mohamed Kalaa, el (The citadel) AR V CHO Y English VHS Arabic Khleifi, Michel Wedding in Galilee AR V KHL Y English VHS Lakhdar-Hamina, Ahdat sanawouach el djamar (Chronicle of the years Arabic Mohamed of embers) AR V LAK Y French VHS Arabic Salam, Shadi Abdel Momie, la VHS Arabic Saleu, Towfik Duped, the AR V SAL Y English VHS Arabic Siddiq, Khalid Al Bas ya bahar (Sea of silence) AR V KHA Y English VHS Arabic Tlatli, Moufida Saimt el Qusur (Silences of the palace) AR V TLA Y French VHS Arabic and French Ayouch, Nabil Ali Zaoua: prince de la rue AR V AYO Y English VHS Arabic and French Benguigui, Yamina Inch'Allah dimanche FR V BEN Y French VHS Arabic and French Caramel Labaki, Nadine AR V LAB Y English DVD Arabic and French Haroun, Mahamat-Saleh Daratt AR V HAR Y English DVD Arabic and Hebrew Bitton, Simone Wall AR V BIT