March 2018 ISSN : 2456-5571 UGC Approved Journal (J
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Complete List of Books in Library Acc No Author Title of Book Subject Publisher Year R.No
Complete List of Books in Library Acc No Author Title of book Subject Publisher Year R.No. 1 Satkari Mookerjee The Jaina Philosophy of PHIL Bharat Jaina Parisat 8/A1 Non-Absolutism 3 Swami Nikilananda Ramakrishna PER/BIO Rider & Co. 17/B2 4 Selwyn Gurney Champion Readings From World ECO `Watts & Co., London 14/B2 & Dorothy Short Religion 6 Bhupendra Datta Swami Vivekananda PER/BIO Nababharat Pub., 17/A3 Calcutta 7 H.D. Lewis The Principal Upanisads PHIL George Allen & Unwin 8/A1 14 Jawaherlal Nehru Buddhist Texts PHIL Bruno Cassirer 8/A1 15 Bhagwat Saran Women In Rgveda PHIL Nada Kishore & Bros., 8/A1 Benares. 15 Bhagwat Saran Upadhya Women in Rgveda LIT 9/B1 16 A.P. Karmarkar The Religions of India PHIL Mira Publishing Lonavla 8/A1 House 17 Shri Krishna Menon Atma-Darshan PHIL Sri Vidya Samiti 8/A1 Atmananda 20 Henri de Lubac S.J. Aspects of Budhism PHIL sheed & ward 8/A1 21 J.M. Sanyal The Shrimad Bhagabatam PHIL Dhirendra Nath Bose 8/A2 22 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam VolI 23 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vo.l III 24 J.M. Sanyal The Shrimad Bhagabatam PHIL Oriental Pub. 8/A2 25 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vol.V 26 Mahadev Desai The Gospel of Selfless G/REL Navijvan Press 14/B2 Action 28 Shankar Shankar's Children Art FIC/NOV Yamuna Shankar 2/A2 Number Volume 28 29 Nil The Adyar Library Bulletin LIT The Adyar Library and 9/B2 Research Centre 30 Fraser & Edwards Life And Teaching of PER/BIO Christian Literature 17/A3 Tukaram Society for India 40 Monier Williams Hinduism PHIL Susil Gupta (India) Ltd. -
Striking Balance Between Tradition and Passion in Amulya Malladi's
The International journal of analytical and experimental modal analysis ISSN NO: 0886-9367 Striking Balance between Tradition and Passion in Amulya Malladi’s The Mango Season. A. Sophia Mary, Ph.d, Research Scholar, Department of English, Sri Sarada College for Women (Autonomous), Salem– 16. E-mail ID: [email protected] Abstract Amulya Malladi is a diasporic Indian writer in English and she is very famous for her seven novels namely A Breath of Fresh Air (2002), The Mango Season (2003), Serving Crazy with Curry (2004), Song of the Cuckoo Bird (2005), The Sound of Language (2007), A House for Happy Mothers (2016) and The Copenhagen Affair (2017). She received her bachelor degree in Electronics Engineering from Osmania University, Hyderabad India and master degree in Journalism from the University of Memphis, Tennessee, United States. Her novels have been translated into many languages like Dutch, German, Spanish, Danish, Romanian, Serbian and Tamil. Literature is an artistic creation especially in a written form with high and lasting merits. Although there are various literatures globally, the Indian writing in English has its unique taste among the readers. It is an amalgam of multilingual, multicultural and socio-historical themes. They are the exquisite creations of the Indian writers in English language. It also includes the works of the Indian diasporic writers. Malladi’s novels mainly focus on misunderstanding between two generations, changing status of women, family tension, conflict between modernity and traditional values, elusive nature of mind, etc. The Mango season is a dramatic portrayal of a modern young woman Priya, who must ultimately decide between the dogmatic tradition and heartfelt emotions. -
Gendered Perspectives
RESOURCE BULLETIN Winter 2014 Volume 28 :: Number 2 endered erspectives Gon InternationalP Development IN THIS ISSUE Greetings from the Center for Gender in Global Context (GenCen) at Michigan State University, the host center for the Gender, Development, and Globalization (GDG) Articles . 1 Program, formerly the Women and International Development (WID) Program! Audiovisuals . 4 The Gendered Perspectives on International Development Working Papers Seriesis Monographs and Technical pleased to announce the publication of its newest paper: Reports . 6 GPID Working Paper #303 (December 2013): Periodicals . 14 Gender, Power, and Traumatic Stress in a Q’eqchi’ Refugee Community in Mexico, by Faith R. Warner, Bloomsburg University of Pennsylvania. Books . 15 Study Opportunities . 19 This paper is available online for free at www.gencen.isp.msu.edu/ and the rest of the Working Papers Series is available at www.gencen.msu.edu/publications/ Grants and Fellowships . 21 papers.htm. Conferences . 24 As always, we encourage submissions and suggestions from our readers! We especially invite graduate students, scholars, and professionals to review one of a Calls for Papers . 26 number of books that are available for review. We also encourage submissions by authors and publishers of relevant articles and books for inclusion in future issues. Online Resources . 28 Remember, the current issue of the Resource Bulletin, along with the most recent Book Review . 30 back issues, is now online! Visit gencen.msu.edu/publications/bulletin.htm. Thank you very much, and enjoy the Winter 2014 issue of the Gendered Perspectives on International Development Resource Bulletin! Executive Editor: Anne Ferguson, PhD Managing Editor: Kristan Elwell, MPH, MA Editorial Assistants: Varsha Koduvayur **The contents of this publication were developed under a Title VI grant Michael Gendernalik from the U.S. -
Heroes, Hooligans, and Knights-Errant: Masculinities and Popular Media in the Early People’S Republic of China
_full_journalsubtitle: Men, Women and Gender in China _full_abbrevjournaltitle: NANU _full_ppubnumber: ISSN 1387-6805 (print version) _full_epubnumber: ISSN 1568-5268 (online version) _full_issue: 2 _full_issuetitle: 0 _full_alt_author_running_head (change var. to _alt_author_rh): 0 _full_alt_articletitle_running_head (change var. to _alt_arttitle_rh): Heroes, Hooligans, and Knights-Errant _full_alt_articletitle_toc: 0 _full_is_advance_article: 0 NAN N Ü 316 Nan Nü 19 (2017) 316-356 Wang brill.com/nanu Heroes, Hooligans, and Knights-Errant: Masculinities and Popular Media in the Early People’s Republic of China Y. Yvon Wang University of Toronto [email protected] Abstract This article is an exploration of media and gender in urban and peri-urban China dur- ing the 1950s and early 1960s – specifically, the persistent trope of the “hooligan,” or liumang. Since at least the late imperial period, Chinese authorities had feared unmar- ried, impoverished, rootless men as the main source of crime, disorder, and outright rebellion. Yet such figures were simultaneously celebrated as knights-errant for their violent heroism in cultural works of enormous popularity across regions and classes. As the ruling Chinese Communist Party attempted to reshape society and culture after 1949, it condemned knight-errant tales and made hooliganism a crime. At the same time, the state tried to promote a new pantheon of vigilante-like men in the guise of revolutionary heroes. But the state’s control over deeply rooted cultural markets and their products was incomplete. Moreover, the same potent tools that had empowered the Party, in particular its rhetoric of revolutionary subjectivity and its harnessing of modern media technologies, were open as never before to being adopted by the very targets of its efforts at control and censure. -
Spice Large.Pdf
Gernot Katzer’s Spice List (http://gernot-katzers-spice-pages.com/engl/) 1/70 (November 2015) Important notice Copyright issues This document is a byproduct of my WWW spice pages. It lists names of spices in about 100 different languages as well as the sci- This document, whether printed or in machine-readable form, may entific names used by botanists and pharmacists, and gives for each be copied and distributed without charge, provided the above no- local name the language where it is taken from and the botanical tice and my address are retained. If the file content (not the layout) name. This index does not tell you whether the plant in question is is modified, this should be indicated in the header. discussed extensively or is just treated as a side-note in the context of another spice article. Employees of Microsoft Corporation are excluded from the Another point to make perfectly clear is that although I give my above paragraph. On all employees of Microsoft Corporation, a best to present only reliable information here, I can take no warrant licence charge of US$ 50 per copy for copying or distributing this of any kind that this file, or the list as printed, or my whole WEB file in all possible forms is levied. Failure to pay this licence charge pages or anything else of my spice collection are correct, harm- is liable to juristical prosecution; please contact me personally for less, acceptable for non-adults or suitable for any specific purpose. details and mode of paying. All other usage restrictions and dis- Remember: Anything free comes without guarantee! claimers decribed here apply unchanged. -
Special Issue 4 April 2018 E-ISSN: 2456-5571
BODHI International Journal of Research in Humanities, Arts and Science An Online, Peer reviewed, Refereed and Quarterly Journal Vol: 2 Special Issue: 4 April 2018 E-ISSN: 2456-5571 UGC approved Journal (J. No. 44274) CENTRE FOR RESOURCE, RESEARCH & PUBLICATION SERVICES (CRRPS) www.crrps.in | www.bodhijournals.com BODHI BODHI International Journal of Research in Humanities, Arts and Science (ISSN: 2456-5571) is online, peer reviewed, Refereed and Quarterly Journal, which is powered & published by Center for Resource, Research and Publication Services, (CRRPS) India. It is committed to bring together academicians, research scholars and students from all over the world who work professionally to upgrade status of academic career and society by their ideas and aims to promote interdisciplinary studies in the fields of humanities, arts and science. The journal welcomes publications of quality papers on research in humanities, arts, science. agriculture, anthropology, education, geography, advertising, botany, business studies, chemistry, commerce, computer science, communication studies, criminology, cross cultural studies, demography, development studies, geography, library science, methodology, management studies, earth sciences, economics, bioscience, entrepreneurship, fisheries, history, information science & technology, law, life sciences, logistics and performing arts (music, theatre & dance), religious studies, visual arts, women studies, physics, fine art, microbiology, physical education, public administration, philosophy, political sciences, psychology, population studies, social science, sociology, social welfare, linguistics, literature and so on. Research should be at the core and must be instrumental in generating a major interface with the academic world. It must provide a new theoretical frame work that enable reassessment and refinement of current practices and thinking. This may result in a fundamental discovery and an extension of the knowledge acquired. -
Q35 Portada EN.Indd
QUADERNS ISSN (electronic): 2014-2242 / www.cac.cat DEL CAC Hybridisation strategies in reality TV in mass television programmes MIQUEL GARCIA HORCAJO Head of the Televisió de Catalunya New Formats Department [email protected] Abstract Resum The reality of a multi-platform setting, the fragmentation of La realitat d’un context multiplataforma, la fragmentació de the TV on offer and the recession are forcing channels to com- l’oferta televisiva i la situació de crisi econòmica obliguen les pete with low-cost products and to surprise viewers with nov- cadenes a haver de competir amb productes de baix cost i a elties. Hybridisation is a basic premise for evolution and for sorprendre les persones espectadores amb novetats. La hibri- innovation, hence the proliferation in recent years of genres dació és una premissa bàsica per a l’evolució i per a la inno- that combine ingredients from a range of formats and prove- vació. D’aquí la proliferació, en els darrers anys, de gèneres nances. Such neologisms as infotainment, docutainment, que barregen ingredients de diversos formats i procedències. docufiction, docureality, mockumentary, etc. have entered TV Neologismes com ara infotainment, docutainment, docufiction, schedules, increasingly established in an entertainment role. docureality, mockumentary, etc., s’han incorporat de nou a les graelles de les televisions, cada cop més establertes en un rol Key words d’entreteniment. Television, genres, formats, hybridisation, multi-platform, multi-format, multi-genre, factual, docutainment, infotain- Paraules clau ment, docureality, docufiction, coaching, mockumentary Televisió, gèneres, formats, hibridació, multiplataforma, mul- tiformat, multigènere, factual, docutainment, infotainment, docureality, docufiction, coacking, mockumentary Factual, infotainment, docutainment, docureality.. -
The Historian-Filmmaker's Dilemma: Historical Documentaries in Sweden in the Era of Häger and Villius
ACTA UNIVERSITATIS UPSALIENSIS Studia Historica Upsaliensia 210 Utgivna av Historiska institutionen vid Uppsala universitet genom Torkel Jansson, Jan Lindegren och Maria Ågren 1 2 David Ludvigsson The Historian-Filmmaker’s Dilemma Historical Documentaries in Sweden in the Era of Häger and Villius 3 Dissertation in History for the Degree of Doctor of Philosophy presented at Uppsala University in 2003 ABSTRACT Ludvigsson, David, 2003: The Historian-Filmmaker’s Dilemma. Historical Documentaries in Sweden in the Era of Häger and Villius. Written in English. Acta Universitatis Upsalien- sis. Studia Historica Upsaliensia 210. (411 pages). Uppsala 2003. ISSN 0081-6531. ISBN 91-554-5782-7. This dissertation investigates how history is used in historical documentary films, and ar- gues that the maker of such films constantly negotiates between cognitive, moral, and aes- thetic demands. In support of this contention a number of historical documentaries by Swedish historian-filmmakers Olle Häger and Hans Villius are discussed. Other historical documentaries supply additional examples. The analyses take into account both the produc- tion process and the representations themselves. The history culture and the social field of history production together form the conceptual framework for the study, and one of the aims is to analyse the role of professional historians in public life. The analyses show that different considerations compete and work together in the case of all documentaries, and figure at all stages of pre-production, production, and post-produc- tion. But different considerations have particular inuence at different stages in the produc- tion process and thus they are more or less important depending on where in the process the producer puts his emphasis on them. -
Reimagining Riben Guizi: Japanese Tactical Media Performance After the 2010 Senkaku/Diaoyu Boat Collision Incident
International Journal of Communication 11(2017), 344–362 1932–8036/20170005 Reimagining Riben Guizi: Japanese Tactical Media Performance After the 2010 Senkaku/Diaoyu Boat Collision Incident YASUHITO ABE1 Doshisha University, Japan This article investigates a Japanese online participatory community, the Hinomoto Oniko project, that emerged after the Senkaku/Diaoyu boat collision incident of 2010 in the East China Sea. Drawing on tactical media as a conceptual framework, this study analyzes how the project challenged the prevailing meaning of a Chinese slur against the Japanese via tactical use of visual media and examines how its cultural and aesthetic performances were reproduced in the Japanese media landscape. This facilitates analysis of the implications of its cultural and aesthetic performances in a networked era. Keywords: tactical media, moe, history, Japan, China This study examines a Japanese online participatory community that emerged in Japan after the Senkaku/Diaoyu boat collision incident of 2010 in the East China Sea: the Hinomoto Oniko project. The project remade a Chinese term into various images of that term though visual media; specifically, the Hinomoto Oniko project transformed the pronunciation of the Chinese term into a Japanese reading and substituted cartoon-like characters for the term. In doing so, the project sought to create an alternative space for communication between Japanese and Chinese people, albeit briefly. The project did not necessarily succeed in making the most of an opportunity for promoting communication between Japanese and Chinese people, but the project highlights the characteristic of tactical media performance in East Asia. The Chinese term temporarily disrupted by the Hinomoto Oniko project is 日本鬼子 (Riben Guizi), which originally meant “Japanese are devils” in Chinese. -
The Missionary As Devil: Anti-Missionary Demonology in China, 1860–1930
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Loughborough University Institutional Repository Chapter 6 Thoralf Klein Anti-missionary Demonology in China 1 The Missionary as Devil: Anti-Missionary Demonology in China, 1860–1930 Thoralf Klein As a foreign student in China in the early 1990s, I once visited the historical site of Zazhidong camp in Chongqing together with a German friend. This is a place where the Chinese Nationalists, with the help of American advisers provided by the Sino-American Cooperation Organization (SACO), interned and tortured Communists and their sympathizers in the 1940s.1 It was a cold, grey, January day, and visitors were few. Apart from ourselves, I only recall a middle-aged Chinese couple walking in our direction. As they were passing us, I overheard the man say something to his wife. He was not speaking loudly, yet, perhaps because he mistook us for Americans and counted on our not understanding Chinese, what he said was clearly audible. It was just the two words yang guizi 洋鬼子 – ‘foreign devils’.2 This expression will be the focus of my subsequent examination of how European and North American missionaries in China became the object of processes of Othering. I am not suggesting in this article that the Chinese discourse on Europe can be reduced to the demonology implied in the term (yang) guizi; there existed other terms to denote missionaries and other foreigners, some of which – as we shall see – were more neutral. However, I think that the demonizing discourse on missionaries is important for two reasons: firstly, it was the strongest way in which the Christian presence in China, which was connected with imperialism from the mid-nineteenth century well into the twentieth, was construed as an alien and harmful force; secondly, over the same period, this discourse developed in a way that reflected the profound cultural change taking place in China at the time. -
Schedule F-2 by Last Name
Schedule F-2 by Last Name ID Country Name Country Code Last Name, First Contingent Unliquidated Disputed Amount 1204096 Paraguay (PY) W A GOMES, MATHEUS RAMON X X X UNKNOWN 921652 Malaysia (MY) W ABD MUHAIMI, W MUHAMMAD FAIZ X X X UNKNOWN 1649270 United States (US) W CABRERA, PEDRO X X X UNKNOWN 1719541 United States (US) W DALMAN GENERAL SERVICES X X X UNKNOWN 1776164 Uruguay (UY) W DE LIMA, JOSE X X X UNKNOWN 956360 Netherlands (NL) W J M HOFHUIS X X X UNKNOWN 745344 Haiti (HT) W JUNIOR, JEAN X X X UNKNOWN 758668 Indonesia (ID) W KUENGO, SYARIF X X X UNKNOWN 956361 Netherlands (NL) W L BEUVING X X X UNKNOWN 1669241 United States (US) W LEMOS, RODRIGO X X X UNKNOWN 956362 Netherlands (NL) W M J HOFHUIS, W M J HOFHUIS X X X UNKNOWN 676497 Spain (ES) W M LIMA, RAQUEL X X X UNKNOWN 1301880 Tanzania (TZ) W MREMA, FREDRICK X X X UNKNOWN 1551784 United States (US) W O REIS, JOSE X X X UNKNOWN 921760 Malaysia (MY) W OMAR, WAN NORRIZAROS X X X UNKNOWN 1480191 United States (US) W Q GUSS, FABIO X X X UNKNOWN 1480192 United States (US) W QUINTINO GUSS, FABIO X X X UNKNOWN 1445973 United States (US) W RABKE JR, DAVID X X X UNKNOWN 1830388 China (CN) W, 1 X X X UNKNOWN 1842807 Cambodia (KH) W, 1 X X X UNKNOWN 1851171 United States (US) W, 1 X X X UNKNOWN 1830593 China (CN) W, 123456 X X X UNKNOWN 1838893 Spain (ES) W, 2 X X X UNKNOWN 1852261 United States (US) W, 3 X X X UNKNOWN 1828995 Bolivia (BO) W, A X X X UNKNOWN 1841014 Hong Kong (HK) W, A X X X UNKNOWN 1843854 Mexico (MX) W, A X X X UNKNOWN 1831883 China (CN) W, A X X X UNKNOWN 1842929 Cambodia -
Confronting Historical Stereotypes of African Americans on the Big Screen Melissa Ann Garrett Iowa State University
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2017 Contemporary portrayals of blacks and mixed- blacks in lead roles: Confronting historical stereotypes of African Americans on the big screen Melissa Ann Garrett Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the African American Studies Commons, Film and Media Studies Commons, and the Journalism Studies Commons Recommended Citation Garrett, Melissa Ann, "Contemporary portrayals of blacks and mixed-blacks in lead roles: Confronting historical stereotypes of African Americans on the big screen" (2017). Graduate Theses and Dissertations. 15307. https://lib.dr.iastate.edu/etd/15307 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Contemporary portrayals of blacks and mixed-blacks in lead roles: Confronting historical stereotypes of African Americans on the big screen by Melissa Ann Garrett A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Major: Journalism and Mass Communication Program of Study Committee: Tracy Lucht, Major Professor Daniela Dimitrova Linda Shenk The student author and the program of study committee are solely responsible for the content of this thesis. The Graduate College will ensure this thesis is globally accessible and will not permit alterations after a degree is conferred. Iowa State University Ames, Iowa 2017 Copyright © Melissa Ann Garrett, 2017.