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Or, Instructions How to Play at Billiards, Trucks, Bowls, and Chess, 2Nd Ed
University of Calgary PRISM: University of Calgary's Digital Repository Alberta Gambling Research Institute Alberta Gambling Research Institute 1680 The compleat gamester : or, instructions how to play at billiards, trucks, bowls, and chess, 2nd ed. Printed for Henry Brome http://hdl.handle.net/1880/547 book Downloaded from PRISM: https://prism.ucalgary.ca 'r-SSSBseflB ^ wCOMPL^ v'. -"^^arrr-Fs^Y AT^ *;i?l *i;v •tfi -OR,' •"-..•; INSTRUCTIONS How to play at BlLLURDSiffltCKS, BOWLS, **d CHESS. Together with-all dinner of ufual tod moft Gentile GAM u s either GO • ' or To which' is Added, P F RACING, COCK-RGHTING. •-# T, Primed for Htwy Brtmt i» the Weft-end of St. P**lf> -, 1 *••'.'' v, to *; > f. VVa& oncc rcfoIvS to have let this enfuirafr J 1 ^j • •eatife to have ftcpt naktd ?' into the World, without fo • <>. * much as the leaft rag of an - *• i Epiftle to defend it a little from the cold welconi it may meet with in its travails; but knowing that not only 01^ ftom expeifls but neccffity requires it, give me leave to fhow you the motives indu- cing to thisf prefent public*^ tion. It .is not (He affure you) any private intereft of my own that caus'd me to ad- A 4 ven- >""""""•'•. ~ • , -"-- - - T-T ryqp The Epiftle to the Header. *The Sfijlte to the Header. venture on this fubjec\ but other he would unbend his the delight &; benefit of eve- mind, and give it liberty to ry individual perfon^Delight ftray into fome more pleafant 7 ^ I to fuqh who will pafs away walks, than the rmry heavy their fpare minuts in harmlefs ways of his ownfowr, will* recreation if not abus'd ? and ful refolutions. -
The History of Playing Cards
tv THE HISTORY PLAYING CARDS, WITH guttcimits of ijjtir xtst in CONJURING, FORTUNE-TELLING, AND CARD-SHARPING. Ike. hlsiov. EDITED BT THE LATE Rev. Ed. S. TAYLOR, B.A. AND OTHERS. LONDON : JOHN CAMDEN HOTTEN, PICCADILLY. 1865. n/^ /•" TWO CARICATURE CARDS FROM A PACK FORMERLY BELONGING TO THE LATE COUNT d'oRS AY. PREFACE. Five years ago I pin-chased from an eminent French publisher some tasteful wood-engravings, illustrative of the History of Playing Cards. These, with the small work in which they originally appeared, were placed in the hands of the late Rev. Ed. S. Taylor, of Onnesby St. Margaret, Great Yarmouth, as mate rial for a History of Playing Cards, English and Foreign, which he had offered to undertake for me. The readers of Notes and Queries will remember this gen tleman as the valued contributor of many curious articles to that useful periodical. His knowledge was wide and varied, although his tastes were of that peculiar kind which delights in the careful exploration of the bye-ways, rather than the high roads, of learning. The first part of the work was soon in the printers' hands, but ill-health followed, and the book proceeded slowly up to the time of the Editor's decease, two years ago. It was deemed necessary to mention this fact, as some of the references are to matters long since passed, although they are stated as of the present day. IV PREFACE. To tlie French Illustrations have been added several facsimiles of old cards from the Print-room in the British Museum, and other sources. -
1455189355674.Pdf
THE STORYTeller’S THESAURUS FANTASY, HISTORY, AND HORROR JAMES M. WARD AND ANNE K. BROWN Cover by: Peter Bradley LEGAL PAGE: Every effort has been made not to make use of proprietary or copyrighted materi- al. Any mention of actual commercial products in this book does not constitute an endorsement. www.trolllord.com www.chenaultandgraypublishing.com Email:[email protected] Printed in U.S.A © 2013 Chenault & Gray Publishing, LLC. All Rights Reserved. Storyteller’s Thesaurus Trademark of Cheanult & Gray Publishing. All Rights Reserved. Chenault & Gray Publishing, Troll Lord Games logos are Trademark of Chenault & Gray Publishing. All Rights Reserved. TABLE OF CONTENTS THE STORYTeller’S THESAURUS 1 FANTASY, HISTORY, AND HORROR 1 JAMES M. WARD AND ANNE K. BROWN 1 INTRODUCTION 8 WHAT MAKES THIS BOOK DIFFERENT 8 THE STORYTeller’s RESPONSIBILITY: RESEARCH 9 WHAT THIS BOOK DOES NOT CONTAIN 9 A WHISPER OF ENCOURAGEMENT 10 CHAPTER 1: CHARACTER BUILDING 11 GENDER 11 AGE 11 PHYSICAL AttRIBUTES 11 SIZE AND BODY TYPE 11 FACIAL FEATURES 12 HAIR 13 SPECIES 13 PERSONALITY 14 PHOBIAS 15 OCCUPATIONS 17 ADVENTURERS 17 CIVILIANS 18 ORGANIZATIONS 21 CHAPTER 2: CLOTHING 22 STYLES OF DRESS 22 CLOTHING PIECES 22 CLOTHING CONSTRUCTION 24 CHAPTER 3: ARCHITECTURE AND PROPERTY 25 ARCHITECTURAL STYLES AND ELEMENTS 25 BUILDING MATERIALS 26 PROPERTY TYPES 26 SPECIALTY ANATOMY 29 CHAPTER 4: FURNISHINGS 30 CHAPTER 5: EQUIPMENT AND TOOLS 31 ADVENTurer’S GEAR 31 GENERAL EQUIPMENT AND TOOLS 31 2 THE STORYTeller’s Thesaurus KITCHEN EQUIPMENT 35 LINENS 36 MUSICAL INSTRUMENTS -
Hoyle Card Games Help Welcome to Hoyle® Card Games Help
Hoyle Card Games Help Welcome to Hoyle® Card Games Help. Click on a topic below for help with Hoyle Card Games. Getting Started Overview of Hoyle Card Games Signing In Making a Face in FaceCreator Starting a Game Hoyle Bucks Playing Games Bridge Pitch Canasta Poker Crazy Eights Rummy 500 Cribbage Skat Euchre Solitaire Gin Rummy Space Race Go Fish Spades Hearts Spite & Malice Memory Match Tarot Old Maid Tuxedo Pinochle War Game Options Customizing Hoyle Card Games Changing Player Settings Hoyle Characters Playing Games in Full Screen Mode Setting Game Rules and Options Special Features Managing Games Saving and Restoring Games Quitting a Game Additional Information One Thousand Years of Playing Cards Contact Information References Overview of Hoyle Card Games Hoyle Card Games includes 20 different types of games, from classics like Bridge, Hearts, and Gin Rummy to family games like Crazy Eights and Old Maid--and 50 different Solitaire games! Many of the games can be played with Hoyle characters, and some games can be played with several people in front of your computer. Game Descriptions: Bridge Pitch The classic bidding and trick-taking game. Includes A quick and easy trick taking game; can you w in High, Low , rubber bridge and four-deal bridge. Jack, and Game? Canasta Poker A four-player partner game of making melds and Five Card Draw is the game here. Try to get as large a canastas and fighting over the discard pile. bankroll as you can. Hoyle players are cagey bluffers. Crazy Eights Rummy 500 Follow the color or play an eight. -
The Evolution of Whist -^^^ N • X
GIFT OF SEELEY W. MUDD and GEORGE I. COCHRAN MEYER ELSASSER DR.JOHNR. HAYNES WILLIAM L. HONNOLD JAMES R. MARTIN MRS. JOSEPH F. SARTOR! to the UNIVERSITY OF CALIFORNIA SOUTHERN BRANCH y^t**^^ -^^- THE EVOLUTION OF WHIST -^^^ N • X ^ «. THE Evolution of Whist A STUDY OF THE PROGRESSIVE CHANGES WHICH THE GAME HAS PASSED THROUGH FROM ITS ORIGIN TO THE PRESENT TIME WILLIAM POLE, F.R.S. MUS. DOC. OXON. KNIGHT COMMANDER OF THE IMPERIAL JAPANESE ORDER OF THE RISING SUN AUTHOR OF 'THE THEORY OF THE MODERN SCIENTIFIC GAME OF WHIST,' "the PHILOSOPHY OF WHIST," ETC., ETC. HONORARY MEMBER OF THE AMERICAN WHIST LEAGUE > , J > J NEW YORK LONGMANS, GREEN, AND CO. AND LONDON 1895 91855 COPYRIGHT, 1894, BY LONGMANS, GREEN, AND CO. TROW DIRECTORY PRINTINQ AND BOOKBINOINQ COMPANY NEW YORK ; To Henry Jones, Esq. My dear Jones : In my endeavour to trace out the Evolution of Whist, I have found one name prominently be- fore me in every stage —that of '^ Cavendish.'' It is he who, by his industrious investigations^ has enligJitened lis as to the fashioning of its em- bryonic elements, in the distant and obscure past, zvhile it had only a vague existence. It is he zvJio has pointed out how it flashed upon society at its birth, and for a long period dazzled the intellect and fashion of Europe. It was he who, in its maturity, took the chief part in defining andproclaiming its greatpowers. And it is he who, largely by his ozvn efforts, has invested its old age zvith new attractions, and spread them over a nezv world. -
Stuart Academic Drama: an Edition Of
STUART ACADEMIC DRAMA: AN EDITION OF THREE UNIVERSITY PLAYS David L. Russell A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 1979 BOWLING GREEN UiliV. LIBRARY 11 1979 David L. Russell All Rights Reserved Ill Abstract The purpose of this study was to make available to scholars the edited texts of three hitherto unpublished Jacobean dramatic works of probable university origin: Heteroclitanomalonomia, G i gan t oma chia, and A Christmas Messe, all anonymous plays. The procedure involved transcribing the seventeenth-century manuscripts (now located in the Folger Shakespeare Library, Washington, D.C.), providing editorial notes to clarify any obscurities, and preparing introductory material describing the plays and placing them in their literary milieu. The project required a study of literary editing prac tices and of Renaissance paleography. Since the value of the plays is more extrinsic than intrinsic, a survey was made of the existing research on Renaissance drama, in general, and on university drama, in particular. The plays have thus been examined from both generic and historical perspectives. The material presented here is intended to lessen a much-neglected gap in the study of English Renaissance litera ture: that of the university drama. The plays are repre sentative of collegiate dramatic activity and they possess historical significance as issues of a rich and vital culture; IV ACKNOWLEDGEMENTS The author gratefully acknowledges the patience and assistance of his committee members, Dr. Lester Barber, Dr. James Harner, Dr. Edgar Daniels, and Dr. John Burt. -
Jamaican Migrant and Canadian Host in Toronto's Transnational Re
King Alpha’s Song in a Strange Land: Jamaican Migrant and Canadian Host in Toronto’s Transnational Reggae Music Scene, 1973-1990 by John Jason Collins Wilson A dissertation Presented to The University of Guelph In partial fulfilment of requirements for the degree of Doctor of Philosophy in History Guelph, Ontario, Canada © John Jason Collins Wilson, May 2013 ABSTRACT King Alpha’s Song in a Strange Land: Jamaican Migrant and Canadian Host in Toronto’s Transnational Reggae Music Scene, 1973-1990 John Jason Collins Wilson Advisor: University of Guelph, 2013 Doctor Catharine Wilson Reggae music facilitated a cultural dialogue between Jamaican migrant and Canadian host in Toronto during the 1970s and 1980s. Exchanges flowed across the city’s ethnic frontier, bridging black and white youth together in an ‘oppositional’ and musical movement. While migrants enacted their Jamaican ethnicity in places where reggae was played, many non-Jamaicans satisfied a curiosity in the music of their migrant friends. This study examines the process of migration of people and music as seen from both the migrant and the host’s perspective. It is as much about black Jamaicans as it is about white Torontonians. Twenty Jamaicans and twenty non-Jamaicans were interviewed for this project. Though reggae became an expected part of Toronto’s musical vernacular, the Canadian version meant different things to different people. Indeed, sometimes the only thread that tied the varied experiences together was that Toronto was the place where reggae happened. Still, as a hybrid, reggae had rather evolved outside of place. It was a transnational musical form, constantly updated by influences traversing the ‘Black Atlantic’ in an on-going and triangular musical conversation. -
Ben Parnin Society Through Whist and Gaming in 18Th Century Britain
1 Ben Parnin Society through Whist and Gaming In 18th Century Britain Card games had been an established formed of entertainment in Britain since the 15th century. However, the trick taking card game whist grew in popularity during the 18th century. This caused a societal craze over the new game. The British aristocracy was especially drawn to this game, spending vast amounts of time and money playing the game. Gambling and idleness quickly became associated with whist causing British society to question the worth of this game. This caused a counterculture in British society to oppose what they saw as morally destitute game. The debate about the worth of whist in British society led to uncertainty about the behaviors a person should display in public while playing whist. In order to justify their own actions, male aristocratic whist players responded to the critics by developing an unofficial standard of proper and acceptable roles for whist players. The expected role for a whist player was dependent on their social class and their gender. Male aristocrats sought to portray themselves as enlightened intellectuals while limiting female whist players and portraying commoners as rooks and thieves. Gambling and idleness had been always been a vice in British gaming society, but whist’s popularity caused British society to attribute these vices to whist which made it the scapegoat for British gaming society’s immorality. Card games were already viewed as immoral by the time whist became popular. Charles Cotton, the author of the most popular gaming guide of the second half of 17th century, introduced his guide by stating “Gaming is an enchanting witchery, gotten betwixt idleness and avarice: an itching disease that makes some scratch the 2 head, whilst others, as if they were bitten by a Tarantula, are laughing themselves to death.”1 Before whist’s popularity, British society’s disapproval did not target any particular game because the vices were associated with card games in general. -
The Compleat Gamester
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com Library of Princeton University Presented by THE ESTATE OF EUGENE B. COOK CLASS OF 1850 4 'w* e* 79 </* v* C* (A &t ff* tf* t/» tf» ^» i?» cr« ot <7* t/* EXPLANATION OF THE FRONTISPIECE 'TDIlliards from Spain <tf first derived its Name, Both an ingenious, and a cleanly Game. One Gamester leads, {the "Table green as Grafs) .And each, like Warriors, strive to gain the Pass. Bstt in the Contest, e'er the Pass be won, Hazzards are many into which they run. 'Thus while we flay, on this Terrestrial Stage, Nothing but Hazzard doth attend each Age. Next here are Hazzards play'd another Way, By Box and Dice \ 'tis Hazzard is the Play. The Bully Rock, with mangy Fist, and Pox, Justles some out, and then takes up the Box. He throws the Main, and cries, Who comes at Sev'n. Ihus, with a dry Fist, nicks /* with Elev'11. If out, he raps but Oaths .1 dire not tell. Hot, piping out, and newly come from Hell. Old Nick oe er-hearing, by a Palming-trick, ( Secures the Gamester, thus the NickerV nickr. Now *'Irifli, or Back-Gammoners we come, Who wish their Money, with their Men, f 'fe home : A . But The Explanation of the Frontispiece. But, as in War, so in this subtile Play, The flragling "Men are tden up by the Way. -
Meeting the Challenges of a New Nuclear Age
Dædalus Journal of the American Academy of Arts & Sciences Spring 2020 Meeting the Challenges of a New Nuclear Age Robert Legvold & Christopher F. Chyba, guest editors with Steven E. Miller Anya Loukianova Fink · Olga Oliker Li Bin · Brad Roberts · Linton F. Brooks Jon Brook Wolfsthal · James Cameron James M. Acton · Harald Müller Carmen Wunderlich · James Timbie Nina Tannenwald Estimated Nuclear Warhead Inventories, 2019 Russia 6,500 United Kingdom 215 North Pakistan France Korea United States 150 30 6,185 300 Israel 80 China 290 India 140 Dædalus Journal of the American Academy of Arts & Sciences “Meeting the Challenges of a New Nuclear Age” Volume 149, Number 2; Spring 2020 Robert Legvold & Christopher F. Chyba, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Inventory numbers include deployed warheads, warheads in the military stockpile, and retired but intact warheads waiting for dismantlement. Source: Hans M. Kristensen and Matt Korda, “Status of World Nuclear Forces,” Federation of American Scientists, May 2019 update. Contents 6 Introduction: The Search for Strategic Stability in a New Nuclear Era Robert Legvold & Christopher F. Chyba 17 A Nuclear World Transformed: The Rise of Multilateral Disorder Steven E. -
Bibliographies of Works on Playing Cards and Gaming
University of Calgary PRISM: University of Calgary's Digital Repository Alberta Gambling Research Institute Alberta Gambling Research Institute 1972 Bibliographies of works on playing cards and gaming Jessel, Frederic, 1859--; Horr, Norton T. (Norton Townshend), 1862-1917. Patterson Smith http://hdl.handle.net/1880/538 book Downloaded from PRISM: https://prism.ucalgary.ca PATTERSON SMITH REPRINT SERIES IN CRIMINOLOGY, LAW ENFORCEMENT, AND SOCIAL PROBLEMS A listing of publications in the SERIES will be found at rear of volume BIBLIOGRAPHIES OF WORKS ON PLAYING CARDS AND GAMING A reprint of A Bibliography of Works in English on Playing Cards and Gaming by Frederic Jesse1 and A Bibliography of Card-Games and of the History of A Bibliography of Works in English on Playing Cards and Gaming First published 1905 by Longmans, Green & Co., London A Bibliography of Card-Games and of the History of Playing-Cards First published 1892 by Charles Orr, Cleveland, Ohio Reprinted 1972 in one volume by Patterson Smith Publishing Corporation Montclair, New Jersey 07042 New material copyright @ 1972 by Patterson Smith Publishing Corporation Library of Congress Cataloging in Publication Data Main entry under title: Bibliographies of works on playing cards and gaming. (Patterson Smith reprint series in criminology, law enforcement, and social problems. Publication no. 132) Reprints of the 1905 and 1892 editions, respectively. 1. CardsBibliography. 2. Gambling-Bibliography. I. Jessel, Frederic, 1859- A bibliography of works in English on playing cards and gaming. 1972. 11. Horr, Norton Townshend, 1862-1 9 17. A bibliography of card-games and of the history of playing-cards. 1972. 2548 1.B5 1972 016.7954 77-129310 ISBN 0-87585-132-0 This book is printed on permanent/durable paper PUBLISHER'S NOTE The centuries-long persistence of gambling as a so- cial problem makes access to the literature of the subject of great importance to the social scientist. -
Claflin's Base = Ball Shoes... O
DEVOTED TO—BASE BALL- i—GUNS—GUNNING VOLUME 31, NO. 5. PHILADELPHIA, APRIL 23, 1898. PRICE, FIVE CEITS. ST. LOUIS© PROTEST. LIEUTENANT HART CAN©T DELIVER THE GOODS. They May be Tail-Enders, But Neverthe The Chicago Players, Familiar With less Are Not Subservient to Brush Hartism, Fight Shy ol Brushism and Complaisant to His Methods and Refuse to Aid in Swelling the Triumph ol the Dictator. St. Louis, April 18. The anxiety of Mr. Chicago. III., April 17. The Chicago play John T. Brush, of Cincinnati, to get every ers have declared war on John T. Brush and body in the base ball business on record as his famous, or rather infamous, anti-ob favoring his "rowdy ball" rule has been scenity legislation. They refuse, as a body, satiated by the complaisance of club presi to sigii tiie document tor warned to iheiu 101- dents and managers. Not satisfied with signature. Clark Griffith said: <;The paper homage in high piaces, Mr. Brush has now sent is an insult to every player. 11" we gone to the extreme of pushing his resolu sign it we acknowledge having been foul tion under the noses of the men it is aimed in the past. Further, we refuse to sign at. But so far as the St. Louis players are anything that John T. Brush is connected concerned the Dictator©s ambition has re with, whether it is right or wrong. We are ceived a shot©k. against rowdy ball, and will help suppress SIZED UP RIGHT. it." "There may be something behind this President Muckemuss.