DOCSLIB.ORG

Flash Video from Creation Through Delivery Industry Winning Encoding, Pain-Free Workflow

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Flash Video from Creation Through Delivery Industry Winning Encoding, Pain-Free Workflow F O R F L A S H Flash Video from Creation through Delivery Industry winning encoding, Pain-free workflow Easily find and apply industry-leading audio and video presets Encode high quality video Import and Export to any faster than ever before Flash format, including MP4 Audio and video filters improve the quality of any video Integrated review & approval workflow to send password-protected video to clients automatically Email and text message notifications to let you know when the video has finished encoding Complimentary Sorenson 360 Review & Approval Account Get notifications instantly Review & Approve videos, attach comments Approve or reject videos, send feedback media 888-767-3676 | [email protected] www.sorensonmedia.com © 2001-2009 Sorenson Media Inc. All Rights Reserved. The Sorenson Media and Sorenson Video are registered trademarks. All other registered trademarks are property of their respective owners. F O R F L A S H Quality Workflow Industry winning H.264 quality Integrated automatic review and approval process Premium pre-processing filters Send notifications via email or text (sms) messages Multiple High Definition (HD) encoding options Publish to Sorenson 360, YouTube, Twitter, CDN’s, FTP, network locations, applications and more 1, 2 and Multi-pass Variable Bit Rate Compression Watch folders allow you to set and forget compression jobs Supports more input and output formats than ever before Complimentary 1-year Sorenson 360 Review and Approval account Enhanced user interface for simplified workflow Input Formats Output Formats AAC MPEG-1 AC3 F4V AC3 MPEG-2 AAC HD AIF/AIFF MPEG-4 aacPlus MPEG-4 AVC-Intra VC1 Sony PSP SWF AVI WAV 3GPP Blu-ray DV WMA FLV MOV WMV (Sorenson Spark MP3 and On2 VP6) Productivity System Requirements Simultaneous multi-file encoding MAC Supports QuickTime plug-ins for import Intel R-based processor Seamless integration with Avid, Mac OS 10.4 or later Final Cut Pro* and iMovie 512 MB RAM 120 MB available hard drive space Fastest VP6 encoding available QuickTime 7.2 or later Optimized presets for streaming, progressive download, and local delivery Search for presets by extension, device, WINDOWS favorites and more Pentium R IV-based computer or greater Customizable preset organization Windows XP, Vista or 7 512 MB RAM Markers for Flash, video stills 120 MB available hard drive space and poster frames QuickTime 7.2 or later Updated Flash video player templates DirectX 9.0b or later Global metadata read/write at the source level for Flash, MPEG-4 and MP3 output media 888-767-3676 | [email protected] www.sorensonmedia.com © 2001-2009 Sorenson Media Inc. All Rights Reserved. The Sorenson Media and Sorenson Video are registered trademarks. All other registered trademarks are property of their respective owners..
Load more

Recommended publications
  • Moderne Audio-Visuelle Datenformate Kundenerwartungen, Übertragungswege Und Technische Standards „„ Impressum
    Moderne audio-visuelle Datenformate Kundenerwartungen, Übertragungswege und technische Standards Impressum Herausgeber: BITKOM Bundesverband Informationswirtschaft, Telekommunikation und neue Medien e. V. Albrechtstraße 10 A 10117 Berlin-Mitte Tel.: 030.27576-0 Fax: 030.27576-400 [email protected] www.bitkom.org Ansprechpartner: Michael Schidlack Tel.: 030.27576-232 [email protected] Autoren:: Dr.-Ing. & MBA Ronald Glasberg, Nadja Feldner (Co-Autor) : Redaktion Arbeitskreis Consumer Content, Vorsitz. Björn Kreutzfeld (Fujitsu), 2. Vorsitz: Wolfgang Neifer (WIBU-Systems), Michael Schidlack (BITKOM) Gestaltung / Layout: Design Bureau kokliko / Anna Müller-Rosenberger (BITKOM) Copyright: BITKOM Febraur 2009 Moderne audio-visuelle Datenformate Moderne audio-visuelle Datenformate Kundenerwartungen, Übertragungswege und technische Standards Inhaltsverzeichnis 1 Einführung 3 2 Was wünschen sich die Endkunden? 4 2.1 Endgeräte & Applikationen 4 2.2 Trends 6 3 Wie gelangt der AV-Content zu den Kunden - Übertragungswege? 8 3.1 Drahtlose Technologien 9 3.2 Drahtgebundene Technologien 10 4 Moderne Codecs 12 4.1 Was ist ein Codec? 12 4.2 Ausgewählte Videocodecs 13 4.3 Ausgewählte Audiocodecs 14 5 Moderne AV-Formate 16 5.1 Ausgewählte Videoformate 16 5.2 Ausgewählte Audioformate 17 5.3 Ausgewählte Bildformate 18 5.4 Ausgewählte Containerformate 2 0 6 Zusammenfassung & Anregungen 23 Anhang: Arbeitskreis Consumer & Content Abbildungen Abb. 1: Schematische Gliederung der Arbeit in „Applikationen, Devices, Übertragungsnetze und AV-Content“ 3 Abb. 2: Haushaltsausstattung mit CE in 06/2008 4 Abb. 3: Interesse der Verbraucher an Applikationen über ihren Fernseher im Wohnzimmer in 06/2008 5 Abb. 4: Darstellung der zur Verfügung stehenden Übertragungswege am Beispiel „Digitale Fotos“ 8 Abb. 5: Vereinfachtes Blockschaltbild eines Codecs „Kodier-Dekodier-System“ zur Übertragung AV-Daten 12 Abb.
    [Show full text]
  • (A/V Codecs) REDCODE RAW (.R3D) ARRIRAW
    What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format.
    [Show full text]
  • Research and Production of a Multi-View Streaming Page
    1J:C:H.VCQ` .V1 V`SJ1H::GV<:`$1CX V`V:`:$SJ `1G:CRQ Q%JR:JRI:$V V:`R "H%VC:J10V`1 :`1:RVJ$VJ1V`3: XHJ1H:RV VCVHQI%J1H:H1SJ J10V`1R:R$QC1 XHJ1H:RV&:R`1R $`Q7VH Q1JRV:``V`:^$C:J_ V`SJ1H::GV<:`$1CX V`V:`:$SJ `1G:CRQ Q%JR:JRI:$V^QJ1RQVI:$VJ_ V:`R 120!2 .V VCVH `QJ1H :JR IVH.:J1H:C IVR1: %H. : `1CI5 VCV011QJ5 ].Q Q$`:].75 Q``V 5 :`V =% V6:I]CV Q` .Q1 `: :JR 1I]Q` :J .V VH.JQCQ$1H:C RV0VCQ]IVJ .:R GVHQIV 1J QH1V 78 V0V` .VCV .V Q% HQI1J$ VH.JQCQ$1V :JR .V HQJ 1J%Q% RV0VCQ]IVJ .:R ]`Q01RVR JV1V` :JR GV V` ]Q1G1C1 1V V0V`7 1IV `Q` .:01J$ :R0:JHVR V`01HV8 Q1:R:7 %C 1R01V1 01RVQ .: GVVJ RV0VCQ]VR11 .R1``V`VJ QQC:JR:]]C1H: 1QJ5.:01J$:I:1J$Q:C QGVIQ`V1JJQ0: 10V:JRG`1J$ 11 .1J VH.J1H:CQ``V`1J$1J:``1VJRC7`Q`:CC%V`1J$VJV`:C51J V`IQ`I:J:$1J$:JR:HHV1G1C1 7^=% 1J V`JV HQJJVH 1QJ1JVVRVR_8.V1J VJ 1QJQ`:CC VH.JQCQ$1V1 Q$VJV`: V:J1JJQ0: 1QJ1JQ`RV` Q $:1J IQ`V %V` :JR :` GV1J$ ]Q]%C:`5 .V`V`Q`V 1 1I]Q` :J Q `V:C1<V :J 1I]CVIVJ : 1QJ 1J .1 H:V8$J%H. V`I`V:C1<1J$:GQ% .VQ% `V:H. .: %C 11V11RVQ5:J1I]Q` :JHV QGVHQIVIQ`V $CQG:C 1J .1 R:75 :J :]]C1H: 1QJ .: %]]Q` .1 :1I%H.
    [Show full text]
  • Compression for Great Video and Audio Master Tips and Common Sense
    Compression for Great Video and Audio Master Tips and Common Sense 01_K81213_PRELIMS.indd i 10/24/2009 1:26:18 PM 01_K81213_PRELIMS.indd ii 10/24/2009 1:26:19 PM Compression for Great Video and Audio Master Tips and Common Sense Ben Waggoner AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier 01_K81213_PRELIMS.indd iii 10/24/2009 1:26:19 PM Focal Press is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA Linacre House, Jordan Hill, Oxford OX2 8DP, UK © 2010 Elsevier Inc. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions . This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this fi eld are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein.
    [Show full text]
  • Codec Is a Portmanteau of Either
    What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format.
    [Show full text]
  • Using ADOBE® MEDIA ENCODER™ CS4 ©Copyright 2008 Adobe Systems Incorporated
    Using ADOBE® MEDIA ENCODER™ CS4 ©Copyright 2008 Adobe Systems Incorporated. All rights reserved. Using Adobe® Media Encoder CS4 If this guide is distributed with software that includes an end user agreement, this guide, as well as the software described in it, is furnished under license and may be used or copied only in accordance with the terms of such license. Except as permitted by any such license, no part of this guide may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, recording, or otherwise, without the prior written permission of Adobe Systems Incorporated. Please note that the content in this guide is protected under copyright law even if it is not distributed with software that includes an end user license agreement. The content of this guide is furnished for informational use only, is subject to change without notice, and should not be construed as a commitment by Adobe Systems Incorporated. Adobe Systems Incorporated assumes no responsibility or liability for any errors or inaccuracies that may appear in the informational content contained in this guide. Please remember that existing artwork or images that you may want to include in your project may be protected under copyright law. The unauthorized incorporation of such material into your new work could be a violation of the rights of the copyright owner. Please be sure to obtain any permission required from the copyright owner. Any references to company names in sample templates are for demonstration purposes only and are not intended to refer to any actual organization.
    [Show full text]
  • USING ADOBE MEDIA ENCODER CS4 2 Resources
    Using ADOBE® MEDIA ENCODER™ CS4 ©Copyright 2011 Adobe Systems Incorporated. All rights reserved. Using Adobe® Media Encoder CS5.5 This user guide is protected under copyright law, furnished for informational use only, is subject to change without notice, and should not be construed as a commitment by Adobe Systems Incorporated. Adobe Systems Incorporated assumes no responsibility or liability for any errors or inaccuracies that may appear in the informational content contained in this guide. This user guide is licensed for use under the terms of the Creative Commons Attribution Non-Commercial 3.0 License. This License allows users to copy, distribute, and transmit the user guide for noncommercial purposes only so long as (1) proper attribution to Adobe is given as the owner of the user guide; and (2) any reuse or distribution of the user guide contains a notice that use of the user guide is governed by these terms. The best way to provide notice is to include the following link. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/3.0/. Adobe, the Adobe logo, Acrobat, Acrobat Capture, Acrobat Connect, Acrobat Messenger, Acrobat 3D Capture, ActionScript, ActiveTest, Adobe ActionSource, Adobe AIR, Adobe AIR logo, Adobe Audition, Adobe Caslon, Adobe Connect, Adobe DataWarehouse, Adobe Dimensions, Adobe Discover, Adobe Financial Services, Adobe Garamond, Adobe Genesis, Adobe Griffo, Adobe Jenson, Adobe Kis, Adobe OnLocation, Adobe Originals logo, Adobe PDF logo, Adobe Premiere, AdobePS, Adobe SiteSearch, Adobe
    [Show full text]
  • Lecture 7 – Basics of Compression (Part 2)
    CS 414 – Multimedia Systems Design Lecture 7 – Basics of Compression (Part 2) Klara Nahrstedt Spring 2010 CS 414 - Spring 2010 Administrative MP1 is posted CS 414 - Spring 2010 Outline Statistical Entropy Coding Huffman coding Arithmetic coding CS 414 - Spring 2010 Huffman Encoding Statistical encoding To determine Huffman code, it is useful to construct a binary tree Leaves are characters to be encoded Nodes carry occurrence probabilities of the characters belonging to the sub-tree CS 414 - Spring 2010 Huffman Encoding (Example) Step 1 : Sort all Symbols according to their probabilities (left to right) from Smallest to largest these are the leaves of the Huffman tree P(B) = 0.51 P(C) = 0.09 P(E) = 0.11 P(D) = 0.13 P(A)=0.16 CS 414 - Spring 2010 Huffman Encoding (Example) Step 2: Build a binary tree from left to Right P(CEDAB) = 1 Policy: always connect two smaller nodes together (e.g., P(CE) and P(DA) had both Probabilities that were smaller than P(B), Hence those two did connect first P(CEDA) = 0.49 P(B) = 0.51 P(CE) = 0.20 P(DA) = 0.29 P(C) = 0.09 P(E) = 0.11 P(D) = 0.13 P(A)=0.16 CS 414 - Spring 2010 Huffman Encoding (Example) Step 3: label left branches of the tree P(CEDAB) = 1 With 0 and right branches of the tree With 1 0 1 P(CEDA) = 0.49 P(B) = 0.51 0 1 P(CE) = 0.20 P(DA) = 0.29 0 1 0 1 P(C) = 0.09 P(E) = 0.11 P(D) = 0.13 P(A)=0.16 CS 414 - Spring 2010 Huffman Encoding (Example) Step 4: Create Huffman Code P(CEDAB) = 1 Symbol A = 011 Symbol B = 1 1 Symbol C = 000 0 Symbol D = 010 Symbol E = 001 P(CEDA) = 0.49 P(B) = 0.51
    [Show full text]
  • Sorenson Broadcaster Is the Easiest Software to Use for Live Internet Streaming
    Macintosh Sorenson BroadcasterTM The Standard for Simplified Live Internet Broadcasting Sorenson Broadcaster is the easiest software to use for live Internet streaming. By harnessing the power and versatility of QuickTime®, Sorenson Broadcaster brings new freedom to live Internet broadcasting. encoding Sorenson Broadcaster’s simple user interface Some of the many ways that Sorenson can help you start broadcasting within minutes Broadcaster is being used include 24x7 hosting of installing the software. With Sorenson Internet TV and radio broadcasts, news events, streaming Broadcaster, you can stream live audio and education, and corporate training. Because video across modem lines, corporate Intranets, of its ease-of-use, quality and flexibility, or broadband Internet connections. From Sorenson Broadcaster is the perfect live low-bandwidth audio to full-motion, high-quality Internet streaming tool for both advanced video, Sorenson Broadcaster does it all. and entry-level users. Using built-in presets, even a beginner can Sorenson Broadcaster Key Features set up a basic broadcast without having to • Ability to stream from dial-up to broadband understand all the intricacies of live Internet connections streaming. Advanced users who demand • Works with any audio or video capture state-of-the-art performance can expand device that supports QuickTime beyond presets into fully customized settings. • Supports industry-standard streaming Sorenson Broadcaster integrates with virtually protocols any audio or video capture device, including • Includes log file to assist with DV cameras. Conveniently, all you need to troubleshooting view any broadcast on either Macintosh or • Supports AppleScript, allowing you to create Windows platforms is QuickTime. scheduled broadcasts • Server not required for multicast On corporate intranets, Sorenson Broadcaster transmissions multicasts to allow live streaming without a server.
    [Show full text]
  • Apple Quicktime / Sorenson Broadcaster
    AUDIO / VIDEO CODING Broadcasting over the Web Kari Bulkley Sorenson Media There are several different ways of distributing audio and video content over the Internet. You can encode it offline in any number of formats (Windows Media, Real, QuickTime etc) and host it on a web server for people to watch at their leisure. There may also arise a situation where you would want to do a live broadcast over the Internet, somewhat like a conventional television broadcast. There are many factors to consider when setting up for a live Internet broadcast – beginning with the available “live” encoding technologies. This article covers some of the many products available that will enable you to present a live audio and/or video broadcast over the Internet, with varying levels of complexity. One of the first factors to consider when making a live Internet broadcast is the audience you wish to target and the details associated with them. Will they be on dial-up modems? Or will they have broadband connec- tions? Or perhaps a combination of both? Will your audience be connected to a single LAN or will they be distributed throughout the world? And what media player do you want to deliver your content? The answers to these questions will help to determine the level of complexity you will need to involve yourself in and, quite possibly, how much money you will need to spend. Encoding solutions range from the free to those costing multiple thousands of dollars. Windows Media encoder Windows Media Encoder is a free tool from Microsoft that allows live encoding from attached audio and/or video devices, to a local LAN audience and/or across the Internet.
    [Show full text]
  • Introduction to Cleaner 5
    Introduction to Cleaner 5 ® A Media 100® Company The Legal Stuff Introduction to Cleaner 5 Windows Media Technologies, Video for Windows, For Mac OS™ and Windows™ DirectShow and Microsoft’s respective logos are trademarks of Microsoft Corporation. Copyright © 1995–2000 Terran Interactive, a wholly Other brands, product names and company names owned subsidiary of Media 100, Inc. All rights are trademarks of their respective holders. reserved. Tutorial movies and screen shots courtesy of: The information in this manual is provided for informational use only and is subject to change Vertical Online, www.verticalonline.com without notice. Information in this manual should Artbeats Software, Inc., www.artbeats.com not be construed as a commitment by Terran. Terran 21st Century Media, assumes no responsibility or liability for any errors www.21stCenturymedia.com or inaccuracies that may appear in this manual. Presto Studios, www.presto.com Discussion of products and/or technologies in this DirectorSite, Inc., www.directorsite.com manual does not imply endorsement by Terran. Journeyman Digital, www.journeyman.com eMotion Studios, www.emotionstudios.com Please remember that many existing movies, images, broadcasts and sounds are protected under All tutorial movies are the property of their copyright law. Using such materials in your respective owners and may only be used in the multimedia projects without permission may violate context of the Cleaner tutorials. You may not use the rights of the author and result in serious these files for any other purpose without the express penalties. written consent of the movie owners. Terran Interactive, the Terran logo, Cleaner 5, Media Cleaner, Movie Cleaner, EventStream, Part number: 22080 StreamPublisher, Codec Central and Intelecine are all trademarks of Terran Interactive.
    [Show full text]
  • List of New Applications Added in ARL #2586
    List of new applications added in ARL #2586 Application Name Publisher NetCmdlets 2016 /n software 1099 Pro 2009 Corporate 1099 Pro 1099 Pro 2020 Enterprise 1099 Pro 1099 Pro 2008 Corporate 1099 Pro 1E Client 5.1 1E SyncBackPro 9.1 2BrightSparks FindOnClick 2.5 2BrightSparks TaxAct 2002 Standard 2nd Story Software Phone System 15.5 3CX Phone System 16.0 3CX 3CXPhone 16.3 3CX Grouper Plus System 2021 3M CoDeSys OPC Server 3.1 3S-Smart Software Solutions 4D 15.0 4D Duplicate Killer 3.4 4Team Disk Drill 4.1 508 Software NotesHolder 2.3 Pro A!K Research Labs LibraryView 1.0 AB Sciex MetabolitePilot 2.0 AB Sciex Advanced Find and Replace 5.2 Abacre Color Picker 2.0 ACA Systems Password Recovery Toolkit 8.2 AccessData Forensic Toolkit 6.0 AccessData Forensic Toolkit 7.0 AccessData Forensic Toolkit 6.3 AccessData Barcode Xpress 7.0 AccuSoft ImageGear 17.2 AccuSoft ImagXpress 13.6 AccuSoft PrizmDoc Server 13.1 AccuSoft PrizmDoc Server 12.3 AccuSoft ACDSee 2.2 ACD Systems ACDSync 1.1 ACD Systems Ace Utilities 6.3 Acelogix Software True Image for Crucial 23. Acronis Acrosync 1.6 Acrosync Zen Client 5.10 Actian Windows Forms Controls 16.1 Actipro Software Opus Composition Server 7.0 ActiveDocs Network Component 4.6 ActiveXperts Multiple Monitors 8.3 Actual Tools Multiple Monitors 8.8 Actual Tools ACUCOBOL-GT 5.2 Acucorp ACUCOBOL-GT 8.0 Acucorp TransMac 12.1 Acute Systems Ultimate Suite for Microsoft Excel 13.2 Add-in Express Ultimate Suite for Microsoft Excel 21.1 Business Add-in Express Ultimate Suite for Microsoft Excel 21.1 Personal Add-in Express
    [Show full text]