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Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Supisr..S Ft -- T T??Ff& Hc'ri.' Cf the Motmn Ti Queen
From San Francre: . ; Lurlioe, Jun 30. For 8fr Francisco; v Jbiatsooio, Jul From Vancouver: ' Jlakura, Jolf 15," For Vancouverr . ; H pi Niagara, JoJil4;r ' "a Evening . ; y; w . uunciui, t f '' bait ioo, iiu. r ' PAGEs.--noKOLU- Lu, ; : V' Star.-Vo- l XXL No. 693 4 ' .' ;' f "? - i v '? 16 op Hawaii, Tuesday, so, pages X'i tebeitorIt jone, i9i4.:i6 PBICE FIVE CENT3 rnn MDEPI8.T0 BE MYSTERY SURROUNDS DEATH OF GOVEIiilRl uuil mm .uiiC-ik-- ii J V DR. EDWARD HiARMITAGE. WELL-- II Hit mm OVER TO VELL PLEASED? I KNOWN PHYSICIAN AND LINGUIST V I V m- trip .- j HILO Juno 30.A myatery aurrounda tha'deatf cf Or. dward H ArmU, viitiiiis 4 iliiioii tagef welt fcnown over the iatanda for hia ability a a phyalclan. and linau- - William A. Wall, City Jt)c accompllahmenta, whoao body waa found under threo feet of water on Attorney .fcr the U. S. District Engineer, Cocoanut laland laat ovemng. A coroners Jury invettrgation will b under- Comrnissionwof J. A. M; Osorio, AnnouncesliiiiiiiiipiHis Position to 500 SuffragHtesAiohg Similar Ex-utfic- Attorney Would Have Judge : iWill Be io Manager taken aometime today, and tha reault of it may clear, up the myatery and Kealoha's Successor, Is-- Lines to Those Followed bv Champ If Or. waa Is' Clark Sees Nation1 i-- . determine Armitage a victim of foul play, or took'his own life, ? Sewer - - , v near t of and Waterworks i . sup.n i yiuiui y iipniP uoie tvmence or met death from' accidental cause. The opinion, here la divided ao far, inis r.inrmnn?. -
Billboard 1978-05-27
031ÿJÚcö7lliloi335U7d SPOTLIG B DALY 50 GRE.SG>=NT T HARTFJKJ CT UolOo 08120 NEWSPAPER i $1.95 A Billboard Publication The International Music -Record -Tape Newsweekly May 27, 1978 (U.S.) Japanese Production Tax Credit 13 N.Y. DEALERS HIT On Returns Fania In Court i In Strong Comeback 3y HARUHIKO FUKUHARA Stretched? TOKYO -March figures for By MILDRED HALL To Fight Piracy record and tape production in Japan WASHINGTON -The House NBC Opting underscore an accelerating pace of Ways and Means Committee has re- By AGUSTIN GURZA industry recovery after last year's ported out a bill to permit a record LOS ANGELES -In one of the die appointing results. manufacturer to exclude from tax- `AUDIO VIDISK' most militant actions taken by a Disks scored a 16% increase in able gross income the amount at- For TRAC 7 record label against the sale of pi- quantity and a 20% increase in value tributable to record returns made NOW EMERGES By DOUG HALL rated product at the retail level, over last year's March figures. And within 41/2 months after the close of By STEPHEN TRAIMAN Fania Records filed suit Wednesday NEW YORK -What has been tales exceeded those figures with a his taxable year. NEW YORK -Long anticipated, (17) in New York State Supreme held to be the radio industry's main 5S% quantity increase and a 39% Under present law, sellers of cer- is the the "audio videodisk" at point Court against 13 New York area re- hope against total dominance of rat- value increase, reports the Japan tain merchandise -recordings, pa- of test marketing. -
Worcester Salt
well that arm or STORY OF TWO WOMEN. might have had a joyous journey, full of "We are going," she said. "Take mt for Inhabiting the old mansion of his hap "By the way, who Is this Christopher 'Pretty plowed up. to him!" 1 said he. the true savor of brave travel. But he pier days. God knows how gladly Columbns ?" asked an earnest seeker af-- his'n,' Was How - What the Trouble and it Resulted. ;, Did she him? have seen did not mend. He wasted daily. His love would have reinstated him there. But ter was first assist- BRENT "I amputation performed I braved Dr. I truth. "He the very JOHN - trances. We could Pathie's and she could not love so came SAY. became displeasure me, for less." - WHAT EACH HAS TO ABOUT THI8 HOST sleep deathly away, ed to come to America," re : haste. Brave led her to the bedside of her lover. we looked and immigrant ."Then I'm dum glad there's no saw- INTERESTING MA TTEH SOMETHING NEV- not wear him out with and up Luggernel springs ER BEFORE IN OUR ' EXPERI- bore like a brave. Brent was still in a stunor. We were the to a plied the man who had big stocks of truth -- bones about I don't believe nater means EQUALLED. heart! be up alley together, John, give you - By THE0D0EE WEJTHE0P. , ENCE. - last one noon we drew' out of alone. V ; "': chance to snatch from onhand. a man's leg or arm to go' until she breaks '' And at my destiny away - The of each is both are Black and saw before os, She Btood looking at him a moment me." ' the solid bone, so that it aint to be sot story brief, but the Hills, - Deserving Praise. -
The War and Fashion
F a s h i o n , S o c i e t y , a n d t h e First World War i ii Fashion, Society, and the First World War International Perspectives E d i t e d b y M a u d e B a s s - K r u e g e r , H a y l e y E d w a r d s - D u j a r d i n , a n d S o p h i e K u r k d j i a n iii BLOOMSBURY VISUAL ARTS Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA 29 Earlsfort Terrace, Dublin 2, Ireland BLOOMSBURY, BLOOMSBURY VISUAL ARTS and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2021 Selection, editorial matter, Introduction © Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian, 2021 Individual chapters © their Authors, 2021 Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identifi ed as Editors of this work. For legal purposes the Acknowledgments on p. xiii constitute an extension of this copyright page. Cover design by Adriana Brioso Cover image: Two women wearing a Poiret military coat, c.1915. Postcard from authors’ personal collection. This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third- party websites referred to or in this book. -
U-Carmen Ekhayelitsha
The articulation of context and identity in U-Carmen eKhayelitsha Susanna Isobella Viljoen Thesis submitted for the degree Doctor of Philosophy in Music at the Potchefstroom Campus of the North-West University Supervisor: Prof. J. Kruger Co-supervisor: Prof. M. Wenzel November 2012 ® Innovation through diversity ® POTCHEFSTROOMKAMPUS TABLE OF CONTENTS TABLE OF CONTENTS i DEDICATION iv ACKNOWLEDGEMENTS v SUMMARY vi OPSOMMING vii FIGURES ix MUSIC EXAMPLES ix PLATES x FILM STILLS xi CHAPTER 1: INTRODUCTION 1 1.1 Contextualization of the research project 1 1.2 Scope of the research project 5 1.3 Research design 7 1.4 Thesis design 9 CHAPTER 2: TEXT, CONTEXT AND IDENTITY 14 2.1 Text 16 2.1.1 Encoding: signs, symbols and icons 17 2.1.2 Decoding: Addresser, work, addressee and text 19 2.1.3 Narrative text 22 2.1.4 Intertextuality 23 2.1.4.1 Text and intertextuality 24 i) Origins 25 ii) Presuppositions 25 2.1.4.2 Context and intertextuality 26 2.1.4.3 Meaning and interpretation 27 2.1.4.4 Types of intertextuality 28 2.2 Adaptations of texts 31 2.3 Context 39 2.3.1 Creating contexts 40 2.3.1.1 Focalization 40 2.3.1.2 Time 41 2.3.1.3 Space 44 2.4 Identity 46 2.4.1 Context and identity 47 2.4.2 Western Self versus non-Western Other 49 2.4.2.1 Documentation of the Other’s context and identities 50 2.4.2.2 Western superior versus non-Western subaltern 53 2.4.2.3 Womanhood and sexuality 55 2.5 Conclusion 60 i CHAPTER 3: EXOTICISM 62 3.1 Exoticism conceptualized 62 3.2 Spain and Gypsies as the exotic Other 67 3.2.1 Spain as exotic space 67 3.2.2 The -
I Will Survive”--Gloria Gaynor (1978) Added to the National Registry: 2015 Essay by Louis Niebur (Guest Post)*
“I Will Survive”--Gloria Gaynor (1978) Added to the National Registry: 2015 Essay by Louis Niebur (guest post)* Gloria Gaynor Original single Original single sleeve On the surface, Gloria Gaynor's disco anthem, "I Will Survive" tells the straightforward story of a woman unwilling to put up with a cheating partner. But immediately upon its release in 1978, it was endowed by listeners with much more power than this simple premise, through its universal themes of strength, pride, independence, and overcoming self-doubt. It had, and continues to have, particular resonance with the groups most closely connected with disco since its creation in the early 1970s: African-Americans, gays, and women. Gaynor's story isn't one of overnight success. Rather, her title as the first "Queen of Discos" was earned after years of struggle as a touring live musician, sacrificing security and stability for the less tangible but more fulfilling rewards of a musical career. Gaynor was born on September 9, 1949 as Gloria Fowles in Newark, New Jersey. After high school, she spent nearly a decade singing in a string of semi-regular nightclub gigs, and touring the chitterling circuit, performing standards alongside the latest Top 40 hits with house bands up and down the east coast. She recorded her first single, “She’ll Be Sorry” for Johnny Nash’s Jocida Records in 1965. Nash also recommended she change her name to the alliterative “Gloria Gaynor,” in the hopes that people would call her by the catchy “G.G.” (a nickname that stuck). Throughout the second half of the 1960s and the first half of the 1970s, she and her band, City Life, achieved some renown with their upbeat disco sound, playing venues around the East and Midwest. -
ED071485.Pdf
N ED 071 485 FL 003 588 AUTHOR Grimes, Joseph E. TITLE The Thread of Discour4., 'INSTITUTION Cornell Univ., Ithaca,N.I. Dept.of Modern Languages and Linguistics. SPONS AGENCY National Science Washington, D.C. REPORT NO NSF-GS-3180; NSF-TR-1 PUB DATE 72 NOTE' 374p. EARS PRICE MY-80.65 HC- $13.16 DESCRIPTORS *Communication (Thought Transfer} ; Connected Discourse; Deep Structure;i*Discourse Analysis; Generative Grammar; *Infbrmation Processing; Language Patterns; *Language Research;' Linguistics; *Linguistic Theory; Literary Criticism; Paragraphs; Rhetoric; Semantics; Speech; Surface Structure; Transformations (Language); Verbal Communication ABSTRACT .This report contains an extensive discussion ofan approach to the study of discourtkeInitial remarks concern arguments for studying discourse and approaches for discourse study that have been used; the author then discusses the relationship of discourse analysis and generative semantics. Langaage is consideredon two issues: the decisions that a speaker can make regarding what and what '3 not to say, and the mechanisms and patterns that are available to him for implementing the resu ,lts of those decisions ina way that communicates with another person. The remainder of the report discusses relevant issues in this approach to the study of discourse. (M) , N A* dr / ir s AIL / FILMED FROM BEST AVAILABLE COPY k .11 4, t le s S THE THREAD OF DISCOURSE (Technical Report No. 1, National Science Foundation Grant GS-3180) . Al. I Joseph E. Grimes MO Department of Modern Languages and Linguistics Cornell University Ithaca, New York 14850 . r-> U.S DEPARTMENT Of HtiLTH. EDUCATION &WELFARE OFFICE Of EDUCATION t() 0 THIS DOCUMENT HAS BEENREPRODUCE1EXACTLY AS RECEIVED FR* THE i Ilk POINTS Of VIEW OR OPINIONS 4. -
Sukuma Labor Songs from Western Tanzania African Sources for African History
Sukuma Labor Songs from Western Tanzania African Sources for African History Editorial Board Dmitri van den Bersselaar, University of Liverpool Michel Doortmont, University of Groningen Jan Jansen, University of Leiden Advisory Board Ralph A. Austen, University of Chicago, USA Wim van Binsbergen, Africa Studies Centre Leiden, Netherlands Karin Barber, Africa Studies Centre Birmingham, UK Andreas Eckert, Humboldt University, Berlin, Germany John H. Hanson, Indiana University David Henige, University of Madison, USA Eisei Kurimoto, Osaka University, Japan J. Matthieu Schoffeleers, University of Leiden, Netherlands VOLUME 11 Sukuma Labor Songs from Western Tanzania ‘We Never Sleep, We Dream of Farming’ By Frank Gunderson LEIDEN • BOSTON 2010 Cover illustration: Bugobogobo by Donald M. Mpanda, 1980. Permission by the artist. This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication-Data Gunderson, Frank D. Sukuma labor songs from Western Tanzania : we never sleep, we dream of farming / by Frank Gunderson. p. cm. — (African sources for African history, ISSN 1567-6951 ; v. 11) Texts of labor songs with translation into English, musical transcriptions, and commentary. Includes bibliographical references and index. ISBN 978-90-04-18468-8 (pbk. : alk. paper) 1. Work songs—Tanzania—History and criticism. 2. Work songs—Tanzania— Texts. 3. Folk songs, Sukuma—Tanzania—History and criticism. 4. Folk songs, Swahili—Tanzania—History and criticism. 5. Sukuma (African people)—Music— History and criticism. I. Title. II. Series. ML3760.G86 2010 782.42’159309678—dc22 2010015729 ISSN 1567-6951 ISBN 978 90 04 18468 8 Copyright 2010 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers and VSP. -
Winona Daily News Winona City Newspapers
Winona State University OpenRiver Winona Daily News Winona City Newspapers 6-15-1962 Winona Daily News Winona Daily News Follow this and additional works at: https://openriver.winona.edu/winonadailynews Recommended Citation Winona Daily News, "Winona Daily News" (1962). Winona Daily News. 299. https://openriver.winona.edu/winonadailynews/299 This Newspaper is brought to you for free and open access by the Winona City Newspapers at OpenRiver. It has been accepted for inclusion in Winona Daily News by an authorized administrator of OpenRiver. For more information, please contact [email protected]. Cloudy tonight; Scattered Showers Saturday Khrushchev Meddling, Canada Charges Seven Bombs Tires Shot to Stop Car Prime Minisfer Ken/re^ Exploded in Rejects Note M On Missiles Tc> Algiers Hospital By MAJC HARRELSON V Sw^ ) By WHITNEY SHOEMAKER Communist Poland and Yugosla- ed . they would submit their dis- ¦:' ALGIERS <API-Seven plastic OTTAWA <AP -Prime MuUster WASHINGTON W> . —Presiden t via sis a tool of foreign policy. He pute , to arbitration or find some bombs heavily damaged three John G. Diefenbaker has accused Kennedy, giving Democrats, in. encouraged Republican support oh other peaceful solution. surgical pavilions and the central j Dfvorce^ Soviet Premier Khrushchev of " (AP) Congress a light pat on the back, these propositions. Aiid he put spe- Then , in reply to questions, Ken- laboratory of Algiers' vast Musta- . PINE CITY . Minn. , - A j told this story: . Shortly afterward, a highway vengefully meddling in the Cana- has urged Republicans tb ignore cial emphasis on his farm bill , al- pha Hospital today in the wake of St. Paul man captured When Crist carne to her St. -
The “Pop Pacific” Japanese-American Sojourners and the Development of Japanese Popular Music
The “Pop Pacific” Japanese-American Sojourners and the Development of Japanese Popular Music By Jayson Makoto Chun The year 2013 proved a record-setting year in Japanese popular music. The male idol group Arashi occupied the spot for the top-selling album for the fourth year in a row, matching the record set by female singer Utada Hikaru. Arashi, managed by Johnny & Associates, a talent management agency specializing in male idol groups, also occupied the top spot for artist total sales while seven of the top twenty-five singles (and twenty of the top fifty) that year also came from Johnny & Associates groups (Oricon 2013b).1 With Japan as the world’s second largest music market at US$3.01 billion in sales in 2013, trailing only the United States (RIAJ 2014), this talent management agency has been one of the most profitable in the world. Across several decades, Johnny Hiromu Kitagawa (born 1931), the brains behind this agency, produced more than 232 chart-topping singles from forty acts and 8,419 concerts (between 2010 and 2012), the most by any individual in history, according to Guinness World Records, which presented two awards to Kitagawa in 2010 (Schwartz 2013), and a third award for the most number-one acts (thirty-five) produced by an individual (Guinness World Record News 2012). Beginning with the debut album of his first group, Johnnys in 1964, Kitagawa has presided over a hit-making factory. One should also look at R&B (Rhythm and Blues) singer Utada Hikaru (born 1983), whose record of four number one albums of the year Arashi matched. -
"Ersatz As the Day Is Long": Japanese Popular
“ERSATZ AS THE DAY IS LONG”: JAPANESE POPULAR MUSIC, THE STRUGGLE FOR AUTHNETICITY, AND COLD WAR ORIENTALISM Robyn P. Perry A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2021 Committee: Walter Grunden, Advisor Jeremy Wallach © 2021 Robyn P. Perry All Rights Reserve iii ABSTRACT Walter Grunden, Advisor During the Allied Occupation of Japan, Supreme Commander for the Allied Powers (SCAP) Douglas MacArthur set forth on a mission to Americanize Japan. One way SCAP decided this could be done was by utilizing forms of media that were already popular in Japan, particularly the radio. The Far East Network (FEN), a network of American military radio and television stations in Japan, Okinawa, Guam, and the Philippines, began to broadcast American country & western music. By the early 1950s, Japanese country & western ensembles would begin to form, which initiated the evolution toward modern J-pop. During the first two decades of the Cold War, performers of various postwar subgenres of early Japanese rock (or J-rock), including country & western, rockabilly, kayōkyoku, eleki, and Group Sounds, would attempt to break into markets in the West. While some of these performers floundered, others were able to walk side-by-side with several Western greats or even become stars in their own right, such as when Kyu Sakamoto produced a number one hit in the United States with his “Sukiyaki” in 1963. The way that these Japanese popular music performers were perceived in the West, primarily in the United States, was rooted in centuries of Orientalist preconceptions about Japanese people, Japanese culture, and Japan that had recently been recalibrated to reflect the ethos of the Cold War.