MUSIC at FIRST Anthems, Hymns & Voluntaries 2020-21
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Werner-B02c[Erato-10CD].Pdf
Johann Sebastian Bach (1685-1750) The Cantatas, Volume 2 Heinrich Schütz Choir, Heilbronn Pforzheim Chamber Orchestra Württemberg Chamber Orchestra (B\,\1/ 102, 137, 150) Südwestfunk Orchestra, Baden-Baden (B\,\ry 51, 104) Fritz Werner L'Acad6mie Charles Cros, Grand Prix du disque (BWV 21, 26,130) For complete cantata texts please see www.bach-cantatas.com/IndexTexts.htm cD t 75.22 Ich hatte viel Bekümmernis, BWV 2l My heart and soul were sore distrest . Mon cceur ötait plein d'ffiiction Domenica 3 post Trinitatis/Per ogni tempo Cantata for the Third Sunday after Trinity/For any time Pour le 3n"" Dimanche aprös la Trinitö/Pour tous les temps Am 3. Sonntag nachTrinitatis/Für jede Zeit Prima Parte 0l 1. Sinfonia 3.42 Oboe, violini, viola, basso continuo 02 2. Coro; Ich hatte viel Bekümmernis 4.06 Oboe, violini, viola, fagotto, basso continuo 03 3. Aria (Soprano): Seufzer, Tränen, Kummer, Not 4.50 Oboe, basso continuo ) 04 4. Recitativo (Tenore): Wie hast du dich, mein Gott 1.50 Violini, viola, basso continuo 05 5. Aria (Tenore): Bäche von gesalznen Zähren 5.58 Violini, viola, basso conlinuo 06 6. Coro: Was betrübst du dich, meine Seele 4.35 Oboe, violini, viola, fagotto, basso continuo Seconda Parte 07 7. Recitativo (Soprano, Basso): Ach Iesu, meine Ruh 1.38 Violini, viola, basso continuo 08 8. Duetto (Soprano, Basso): Komm, mein Jesu 4.34 Basso continuo 09 9. Coro: Sei nun wieder zufrieden 6.09 Oboe, tromboni, violini, viola, fagotto, basso continuo l0 10. Aria (Tenore): Erfreue dich, Seele 2.52 Basso continuo 11 11. -
1 Opening Hymn: Lift High the Cross
The Parish Church of St Mary the Virgin, Great Shelford SERVICES Charity No: 245456 Sunday 13th March, 2016 – Fifth Sunday of Lent 08:00 Holy Communion (BCP 1662) 10:00 Parish Communion 18:30 Evensong Wednesday, 16th March, 2016 09: 30 Holy Communion (BCP) INTERCESSIONS: Please pray for the sick, frail, housebound and those in care. Please let the priest in charge know about all cases of sickness and others for whom we should pray. Intentions left in the loose leaf book at the back of the North Aisle will be offered each week at the Parish Communion. Priest in charge: The Rev’d Simon Talbott [email protected] 01223 847068 Assistant Curate: [email protected] The Rev’d Monica Cameron 07985 488642 Churchwardens: Mrs. Dianne Fraser [email protected] 01223 562731 Mrs. Stella Nettleton [email protected] 01223 832290 Readers/Licensed Lay Ministers: Mrs. Maureen Dobson [email protected] 01223 840076 Mr. Nigel Pett [email protected] 01223 843278 Parish Administrator: [email protected] Mrs. Katharin Page 07710518220 Applications for baptisms, marriages and the calling of Banns of marriage should be made please to the Parish Administrator Opening Hymn: Lift high the cross Refrain: Lift high the cross, the love of Christ proclaim Till all the world adore his sacred Name. 1. Come, let us follow where our Captain trod, Our King victorious, Christ the Son of God. Refrain: 2. O Lord, once lifted on the glorious tree, As thou hast promised, draw the world to thee. Refrain: 3. Let every race and every language tell Of him who saves our souls from death and hell. -
BACH, Johann Sebastian
JOHANN SEBASTIAN BACH 1685-1750 Sinfonia from Cantata 29, “We thank thee, Lord” This delightfully sparkling piece began life as the prelude to the third Partita in E for solo violin. Later on, Bach reworked it for organ and small orchestra as the prelude to a new cantata to celebrate the seating of the Town Council of Leipzig in 1731. (Judging from Bach’s title, those town elections must have gone well.) This piece has been transcribed countless times for organ solo. I play my own version assembled from my favorites. Chorus from Cantata 79, “Now thank we all our God” Bach’s cantata, “God is a light and shield,” contains this setting of the familiar chorale tune for chorus and orchestra. Several arrangements have been created for various instruments. E. Power Biggs created a solo organ version. Then along came Virgil Fox, and all bets were off. Sonata in E-flat, BWV 525 Bach’s six Sonatas in “trio” format are musical and contrapuntal masterpieces, but their light texture and enormous difficulty are often passed over in preference to the larger preludes and fugues. The first sonata in E-flat is particularly cheerful. Three voices wind around one another, here upright, there inverted, scurrying here, lingering there. The result is but one of hundreds of examples of Bach’s consummate elevation of the common ground between contrapuntal mastery and musical elegance. Sonata in C minor, BWV 526 The six “trio” Sonatas have it all: marvelous harmonic activity, flawless invertible counterpoint, supreme technical pedagogy, and an enchanting character that belies their devilish difficulty – all accomplished with only three voices. -
11-15-2020-Worship-Online.Pdf
ORDER OF WORSHIP 24th Sunday after Pentecost November 15, 2020 GATHERING The people gather wherever they may in response to God’s call, offering praise in words of scripture, prayer, and song. The people acknowledge their sinfulness and receive the good news of God’s forgiveness. PRAYER BEFORE WORSHIP A time for quiet preparation before worship O Lord our God, we thank you for not hiding yourself from us. Instead, you promise to be found by us when we seek you with all of our hearts. In these times, we long for your presence from the time we wake up to the moment we lie down. Wherever we find ourselves, in whatever strife or predicament, we know your Spirit abides in us, through Jesus Christ, our Lord. Amen. PRELUDE Precatus est Moyses Charles Tournemire (L’Orgue Mystique 1870–1939) LIFE AND WORK OF THE CHURCH * CALL TO WORSHIP Come together to worship God who gives freely to all who call upon God's name. Let our voices rise to the courts of heaven with shouts of praise and hymns of glory. Be mindful of all of God's blessings and forget not his benefits. Let our spirits be free to acknowledge our salvation in the Risen Christ. Join with all of Creation as we seek first the Kingdom of God on earth. Let everything that has breath praise the Lord! * HYMN 4 Holy God, We Praise Your Name GROSSER GOTT PRAYER OF CONFESSION O King of mercy, we find ourselves once again in need of your grace and mercy. We have been lazy, quick to anger, and harsh with our neighbors. -
Instrumental - Copy
instrumental - Copy All Library Opus Score Parts Publishe Number Title # Composer Arranger Larger Work Instrumentation Y/N? Y/N? r Notes *Accessory to the 500 Hymns for Various Lillenas Hymnal, 0001 500 Hymns for Instruments* Lane, Harold Instruments Combinations N Y Lillenas "Worship in Song" *Accessory to the 500 Hymns for Various Lillenas Hymnal, 0001-001 How Firm a Foundation Early American Melody Lane, Harold Instruments* Combinations N Y Lillenas "Worship in Song" *Accessory to the Joyful, Joyful, We Adore 500 Hymns for Various Lillenas Hymnal, 0001-002 Thee Beethoven, Ludwig van Lane, Harold Instruments* Combinations N Y Lillenas "Worship in Song" *Accessory to the 500 Hymns for Various Lillenas Hymnal, 0001-003 To God Be the Glory Doane, W. H. Lane, Harold Instruments* Combinations N Y Lillenas "Worship in Song" *Accessory to the A Mighty Fortress Is Our 500 Hymns for Various Lillenas Hymnal, 0001-004 God Luther, Martin Lane, Harold Instruments* Combinations N Y Lillenas "Worship in Song" *Accessory to the 500 Hymns for Various Lillenas Hymnal, 0001-005 How Great Thou Art! Swedish Folk Melody Lane, Harold Instruments* Combinations N Y Lillenas "Worship in Song" *Accessory to the 500 Hymns for Various Lillenas Hymnal, 0001-006 O Worship the King Haydn, Johann Michael Lane, Harold Instruments* Combinations N Y Lillenas "Worship in Song" *Accessory to the 500 Hymns for Various Lillenas Hymnal, 0001-007 Majestic Sweetness Hastings, Thomas Lane, Harold Instruments* Combinations N Y Lillenas "Worship in Song" *Accessory to the Holy, Holy, Holy, Lord God 500 Hymns for Various Lillenas Hymnal, 0001-008 Almighty Dykes, John B. -
Worship Booklet
St. Patrick’s Cathedral “AMERICA’S PARISH CHURCH” New York City THREE HOURS REFLECTION ON THE PASSION AND DEATH OF JESUS CHRIST GOOD FRIDAY APRIL 2, 2021 THREE HOURS REFLECTION ON THE PASSION AND DEATH OF JESUS CHRIST Seven Last Words of Christ on the Cross César Franck Prologue: O Vos Omnes Soprano Solo See now, all that pass here, you that pass by the roadway; behold me now, look upon me: is there sorrow this is like my sorrow! For the Lord has chastened me and has grieved me: he has left me all the day in sorrow. Do not call me now Noemi, most pleasant; rather call me now Mara, rather call me now bitter. Stand Hymn: How Great Thou Art 1 Kneel Reader We gather here on this Good Friday to keep vigil and pray with our Savior during the hours of His Passion. May the time we spend this afternoon draw us closer to the suffering Christ. In order to maintain a reverent pace while praying together, please pause at each slash mark (/). All Lord Jesus,/ you ask us to carry our cross each day./ We have not always followed Your teachings, Your way of life, and yet You love us without conditions./ Today we come to you in our weakness./ Give us courage to stand by You in Your agony, now and whenever a share in that suffering enters our own lives./ Help us to do the Father’s will,/ and make us selfless in our charity towards all. Reader Jesus said: “If anyone wishes to come after Me, he must deny himself and take up his cross daily and follow Me...” All Lord, help us to follow You. -
Hymnal Index V4
The Christian Life Hymnal – A Guide to the Indexes Each index in the hymnal has been developed and designed to aid worshippers in quickly finding specific titles and to learn more about the hymns they sing. This brief guide provides a description of each index to help the user better understand the index and how to gain the most from it. Scriptural Allusion Index (pp. 644-648)— This index provides scriptural references and allusions for each title. Some references may relate to a specific key word, thought, phrase, stanza or thought within the hymn; other references may allude to the overall content of the hymn or the topic under which it is found. Hymn Tune Index (pp. 648-651)— Each title in a hymnal is given an identifying tune name by its composer or hymnal editor. The tune name may be of personal or family significance, relate to the hymn’s history or usage, or something else entirely. This index lists tunes alphabetically for easy reference, along with the meter of the hymn. Metrical Tune Index (pp. 651-654)— Just as every title in the hymnal has a tune name, each title has a metrical desig- nation, or meter, as well. This numeric or alpha-numeric naming indicates and directly relates to the poetic meter or pulses, accents and cadences of the hymn lyrics. There are many different hymn meters in the hymnal. As a general rule, hymns having a meter identical to those of other hymns may be sung to those tunes. Hymns with “Irregular” meters have non-recurring pulses and accents in the lyrics and cannot be used with any other tune. -
Download Booklet
Johann Sebastian Bach 1685-1750 Cantatas Vol 10: Potsdam/Wittenberg SDG110 COVER SDG110 CD 1 70:45 For the Nineteenth Sunday after Trinity Ich elender Mensch, wer wird mich erlösen BWV 48 Wo soll ich fliehen hin BWV 5 Es reißet euch ein schrecklich Ende BWV 90 (For the Twenty-fifth Sunday after Trinity) Ich will den Kreuzstab gerne tragen BWV 56 CD 2 51:01 For the Feast of the Reformation Gott der Herr ist Sonn und Schild BWV 79 Nun danket alle Gott BWV 192 C (Occasion unspecified) M Ein feste Burg ist unser Gott BWV 80 Y K Joanne Lunn soprano, William Towers alto James Gilchrist tenor, Peter Harvey bass The Monteverdi Choir The English Baroque Soloists John Eliot Gardiner Live recordings from the Bach Cantata Pilgrimage Erlöserkirche, Potsdam, 29 October 2000 Schlosskirche, Wittenberg, 31 October 2000 Soli Deo Gloria Volume 10 SDG 110 P 2005 Monteverdi Productions Ltd C 2005 Monteverdi Productions Ltd www.solideogloria.co.uk Edition by Reinhold Kubik, Breitkopf & Härtel Manufactured in Italy LC13772 8 43183 01102 5 10 SDG 110 Bach Cantatas Gardiner Bach Cantatas Gardiner CD 1 70:45 For the Nineteenth Sunday after Trinity The Monteverdi Choir The English Oboes 1-7 15:56 Ich elender Mensch, wer wird mich erlösen BWV 48 Baroque Soloists Xenia Löffler Sopranos James Eastaway 8-14 21:37 Wo soll ich fliehen hin BWV 5 Lucinda Houghton First Violins Mark Baigent 15-19 12:44 Es reißet euch ein schrecklich Ende BWV 90 Charlotte Mobbs Kati Debretzeni Joanne Lunn Nicolette Moonen Bassoon (For the Twenty-fifth Sunday after Trinity) Elin Manahan Thomas -
St. Thomas More Thomas More Catholic Parish Catholic Parish
St.St.St. Thomas More Catholic Parish at St. Joseph Church, Scranton March 20 & 2121,, 202021212121 • 5:00 p.m. &&10:0010:00 a.m. Fifth Sunday in Lent Passion Sunday Welcome …to Mass at St. Thomas More Parish! We are glad you are here. IF YOU ARE A VISITOR ... This is a fully valid Mass of the Roman Catholic Church, which fulfills the Sunday or Holy Day obligation of any Catholic who attends. If you are accustomed to the typical Catholic Mass, you will notice that ours is a little different. This is because our Parish was founded by Christians of the Anglican tradition who were received as an intact congregation into full communion with the Catholic Church, which has welcomed us by allowing us to retain many of our cherished prayers, hymns, and customs. We hope you will find them as beautiful as we do! IF YOU ARE NOT CATHOLIC … You are most welcome here! Many of us at this church were just like you not so long ago. If you have questions about the Catholic Church, this might be a great place for you to learn more; we have many classes and small groups for adults, children, and youth to explore the Catholic faith. However, we do ask that only those in full communion with the Catholic Church receive Holy Communion. Please be assured that this is not an expression of exclusion, but of the fervent hope that all Christians will one day be authentically reunited, as Jesus prayed and deeply desired for his followers. All who are not receiving Holy Communion are encouraged to express in their hearts a prayerful desire for unity with the Lord Jesus and with one another. -
The World Rejoicing
The World Rejoicing The World Rejoicing was commissioned by the National Brass Band Associations of Belgium, Netherlands, Norway, Switzerland, and the British Open, as the test piece for their competitions in 2020/21. Although the work was completed in 2019, the pandemic of 2020 meant that these competitions were postponed until 2021/22. The premiere will now take place in September 2021 at Symphony Hall, Birmingham, UK. In searching for a common link between the brass band traditions of the various European countries that commissioned this work, I considered the fact that hymns have always played an important role in the relationship that brass bands have with their particular communities; and thus I turned to a well- known Lutheran chorale, Nun danket alle Gott (Now thank we all our God), written around 1636 by Martin Rinkart, with the melody attributed to Johann Crüger. A number of composers have incorporated this chorale into their music, most famously J.S.Bach in his Cantatas no. 79 and 192, and Mendelssohn in the Lobsegang movement of his 2nd Symphony (the harmonization of which is usually used when this hymn is sung). It seemed fitting therefore for me to return to a compositional form I have used many times before (Variations) and to write a work based on this hymn. I have used it in a similar way to that which I employed in my Variations on Laudate Dominum of 1976 – that is, rather than writing a set of variations using elaborations of the complete tune, I have taken various phrases from the chorale and used them within the context of other musical material, applying an overall symphonic process of continuous variation and development. -
Bulletin for Times to Tune In
NATIONAL PRESBYTERIAN CHURCH “Staying Connected in Christ” (See Announcements pages 4-5) 11 A. M. ONLINE WORSHIP, MARCH 22, 2020 WE ENTER GOD’S PRESENCE PRELUDE Pavane, Op. 50 Gabriel Fauré Todd Fickley, organ CHIMES WELCOME AND CALL TO WORSHIP Dr. David Renwick Thus says the Lord, the one who created and formed you, O my people: Do not fear, for I have redeemed you; I have called you by name, you are mine. When you pass through the waters, I will be with you; and through the rivers, they shall not overwhelm you; when you walk through fire you shall not be burned, and the flame shall not consume you. For I am the Lord your God, the Holy One of Israel, your Savior. (Isaiah 43:1-3) Let us lift up our hearts and voices and together worship the lord our God! HYMN (please join in and sing!) Lift High the Cross Crucifer Refrain Lift high the cross, the love of Christ proclaim till all the world adore his sacred name. 1. Come, Christian, follow where our Savior trod, the Lamb victorious, Christ the Son of God. Refrain 2. O Lord, once lifted on the glorious tree, Your death has brought us life eternally. Refrain 3. So shall our song of triumph ever be: Praise to the Crucified for victory. Refrain CONFESSION OF SIN in unison Rev. Donna Marsh Gracious God, our sins are too heavy to carry, too real to hide, and too deep to undo. Forgive what our lips tremble to name, what our hearts can no longer bear, and what has become for us a consuming fire of judgment. -
Now Thank We/Pno
1. Now thank we all our God 2. Oh, may our boun-teous God With hearts and hands and voic-es, Through all our life be near us, Who won-drous things hath done, With ev-er joy-ful hearts In whom his earth re-joice-es; And bless-ed peace to cheer us, Who, from our moth-ers’ arms, And keep us in his love, Hath blessed us on our way And guide us day and night, With count-less gifts of love, And free us from all ills, And still is ours to-day. Pro-tect us by his might. ««««««««««»»»»»»»»»» “Now Thank We All Our God,” is one of the most well known of Christian hymns. Due to its exultingly joyful music and text, it has been sung at many national commemorations such as the Diamond Jubilee of Queen Victoria. Catherine Winkworth provided the English translation in 1858. The German text, Nun danket alle Gott was written by Martin Rinkhart during the Thirty Years War (1618-1648). Johann Crüger, born April 9, 1598, at Grossbreesen bei Guben in Prussia, was a major contributor of Lutheran hymns in the 17th Century. He studied with Paul Homberger in Regensburg, and in 1622 was appointed cantor at St. Nicholas Church in Berlin where he served until his death February 23, 1662. His chorale, Nun danket, first appears in 1647 with Jesu, meine Freude and Schmücke dich, O lieber Seele all of which were later harmonized in numerous settings by Johann Sebastian Bach. Felix Mendelssohn, born Feb. 3, 1809, in Hamburg, the son of a banker and grandson of a great Jewish scholar, was the the second of four children.