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Johann Sebastian Bach 1685-1750 Cantatas Vol 10: Potsdam/Wittenberg SDG110 COVER SDG110 CD 1 70:45 For the Nineteenth Sunday after Trinity Ich elender Mensch, wer wird mich erlösen BWV 48 Wo soll ich fliehen hin BWV 5 Es reißet euch ein schrecklich Ende BWV 90 (For the Twenty-fifth Sunday after Trinity) Ich will den Kreuzstab gerne tragen BWV 56 CD 2 51:01 For the Feast of the Reformation Gott der Herr ist Sonn und Schild BWV 79 Nun danket alle Gott BWV 192 C (Occasion unspecified) M Ein feste Burg ist unser Gott BWV 80 Y K Joanne Lunn soprano, William Towers alto James Gilchrist tenor, Peter Harvey bass The Monteverdi Choir The English Baroque Soloists John Eliot Gardiner Live recordings from the Bach Cantata Pilgrimage Erlöserkirche, Potsdam, 29 October 2000 Schlosskirche, Wittenberg, 31 October 2000 Soli Deo Gloria Volume 10 SDG 110 P 2005 Monteverdi Productions Ltd C 2005 Monteverdi Productions Ltd www.solideogloria.co.uk Edition by Reinhold Kubik, Breitkopf & Härtel Manufactured in Italy LC13772 8 43183 01102 5 10 SDG 110 Bach Cantatas Gardiner Bach Cantatas Gardiner CD 1 70:45 For the Nineteenth Sunday after Trinity The Monteverdi Choir The English Oboes 1-7 15:56 Ich elender Mensch, wer wird mich erlösen BWV 48 Baroque Soloists Xenia Löffler Sopranos James Eastaway 8-14 21:37 Wo soll ich fliehen hin BWV 5 Lucinda Houghton First Violins Mark Baigent 15-19 12:44 Es reißet euch ein schrecklich Ende BWV 90 Charlotte Mobbs Kati Debretzeni Joanne Lunn Nicolette Moonen Bassoon (For the Twenty-fifth Sunday after Trinity) Elin Manahan Thomas Alida Schatt Alastair Mitchell Gill Ross Penelope Spencer 20-24 20:05 Ich will den Kreuzstab gerne tragen BWV 56 Trumpet Belinda Yates Ulrike Engel Neil Brough Altos Second Violins Joanne Lunn soprano, William Towers alto Harpsichord Elinor Carter Anne Schumann Matthew Halls James Gilchrist tenor, Peter Harvey bass Richard Wyn Roberts Rebecca Livermore William Towers Matthew Truscott Organ The Monteverdi Choir Angus Davidson Deirdre Ward Silas John Standage Tenors Violas The English Baroque Soloists Peter Butterfield Jane Rogers John Eliot Gardiner Robert Murray Katherine McGillivray Andrew Hewitt Rosemary Nalden David Roy Live recording from the Bach Cantata Pilgrimage Cellos Erlöserkirche, Potsdam, 29 October 2000 Basses Rainer Zipperling Jonathan Brown Catherine Rimer Lawrence Wallington Bass Charles Pott Judith Evans SDG110 FRONT WALLET C M Y K The Bach Cantata Pilgrimage On Christmas Day 1999 a unique celebration of the new Millennium began in the the Herderkirche in Weimar, Germany: the Monteverdi Choir and English Baroque Soloists under the direction of Sir John Eliot Gardiner set out to perform all Johann Sebastian Bach’s surviving church cantatas in the course of the year 2000, the 250th anniversary of Bach’s death. The cantatas were performed on the liturgical feasts for which they were composed, in a year- long musical pilgrimage encompassing some of the most beautiful churches throughout Europe (including many where Bach himself performed) and culminating in three concerts in New York over the Christmas festivities at the end of the millennial year. These recordings were made during the course of the Pilgrimage. SDG110 FRONT WALLET C M Y K CD 2 51:01 For the Feast of the Reformation The Monteverdi Choir The English Flutes Baroque Soloists Rachel Beckett 1-6 15:06 Gott der Herr ist Sonn und Schild BWV 79 Sopranos Neil McLaren Lucinda Houghton First Violins 7-9 10:40 Nun danket alle Gott BWV 192 Charlotte Mobbs Kati Debretzeni Oboes (Occasion unspecified) Joanne Lunn Nicolette Moonen Xenia Löffler Elin Manahan Thomas Alida Schatt James Eastaway 10-17 25:09 Ein feste Burg ist unser Gott BWV 80 Gill Ross Penelope Spencer Mark Baigent Belinda Yates Ulrike Engel Bassoon Joanne Lunn soprano, William Towers alto Altos Second Violins Alastair Mitchell James Gilchrist tenor, Peter Harvey bass Elinor Carter Anne Schumann Bass sackbut Richard Wyn Roberts Rebecca Livermore Fernando Gunter William Towers Matthew Truscott The Monteverdi Choir Angus Davidson Deirdre Ward Trumpet Neil Brough The English Baroque Soloists Tenors Violas Peter Butterfield Jane Rogers Horns John Eliot Gardiner Robert Murray Katherine McGillivray Neil Brough Andrew Hewitt Rosemary Nalden Gavin Edwards Live recording from the Bach Cantata Pilgrimage David Roy Cellos Timpani Schlosskirche, Wittenberg, 31 October 2000 Basses Rainer Zipperling Adrian Bending Jonathan Brown Catherine Rimer Harpsichord Lawrence Wallington Bass Matthew Halls Charles Pott Judith Evans Organ Silas John Standage SDG110 BACK WALLET C M Y K The Bach Cantata Pilgrimage The harpsichord used for the Recorded live at the project, made by Andrew Erlöserkirche, Potsdam, Patron Wooderson, and the organ, made on 29 October 2000 (CD 1) His Royal Highness, by Robin Jennings, were bought and at the Schlosskirche, The Prince of Wales and generously made available Wittenberg, on 31 October 2000 to the Monteverdi by Sir David (CD 2), as part of the Bach Principal Donors and Lady Walker (harpsichord) Cantata Pilgrimage The Dunard Fund and Lord and Lady Burns (organ). Mr and Mrs Donald Kahn Producer: Isabella de Sabata The Kohn Foundation Our thanks go to the Bach Balance engineer: Everett Porter Mr Alberto Vilar Cantata Pilgrimage committee, Recording engineers: who worked tirelessly to raise Carl Schuurbiers (Polyhymnia), Donors enough money to allow us to Paul Meeldijk Mrs Chapell complete the project, to the Tape editor: Sebastian Stein Mr and Mrs Richard Davey Monteverdi staff, Polyhymnia’s Edition by Reinhold Kubik Mrs Fairbairn staff and, above all, to all the published by Breitkopf & Härtel Ms Juliet Gibbs singers and players who took Series executive producer: Mr and Mrs Edward Gottesman part in the project. Isabella de Sabata Sir Edwin and Lady Nixon Mr and Mrs David Quarmby The Recordings Cover: Herat, Afghanistan,1994 Sir Ian and Lady Vallance The release of the Bach Cantata © Steve McCurry/ Mr and Mrs Andrew Wong Pilgrimage recordings has been Magnum Photos made possible by financial and Series design: Untitled Corporate Sponsors other support from His Royal Booklet photos: Steve Forrest Gothaer Versicherungen Highness the Prince of Wales, (p.6); Catherine Rimer (p.8); Bank of Scotland Countess Yoko Ceschina, Constantin Beyer (p.12) Huth Dietrich Hahn Mr Kevin Lavery, The Nagaunee Übersetzung: Gudrun Meier Rechtsanwaelte Foundation and many others PGGM Pensoenfonds who answered our appeal. We P 2005 The copyright in this Data Connection cannot name them all, but we sound recording is owned by Jaffe Associates are enormously grateful to them. Monteverdi Productions Ltd Singer and Friedlander For the help and advice in setting C 2005 Monteverdi up Monteverdi Productions, our Productions Ltd Charitable Foundations thanks to: Lord Burns, Richard P.O. Box 46876 and Public Funds Elliston, Neil Radford and Fiona London SW11 2YD The European Commission Kinsella at Freshfields Bruckhaus The Esmée Fairbairn Trust Deringer, Thomas Hoerner, www.solideogloria.co.uk The David Cohen Family Chaz Jenkins, John Kennedy, Charitable Trust Stephen Revell, and Richard The Foundation for Sport Schlagman and Amanda and the Arts Renshaw of Phaidon Press. The Arts Council of England The Garfield Weston Foundation Lauchentilly Foundation The Woodcock Foundation The Monteverdi Society The Warden of the Goldsmiths’ Company Soli Deo Gloria SDG110 BACK WALLET C M Y K SDG110_BOOKLET_INNER 8/7/05 9:33 am Page 1 Bach Cantatas Gardiner SDG110_BOOKLET_INNER 8/7/05 9:33 am Page 2 Johann Sebastian Bach 1685-1750 Cantatas Vol 10: Potsdam/Wittenberg CD 1 70:45 For the Nineteenth Sunday after Trinity 15:56 Ich elender Mensch, wer wird mich erlösen BWV 48 1 (6:09) 1. Coro con Choral Ich elender Mensch, wer wird mich erlösen 2 (1:22) 2. Recitativo: Alt O Schmerz, o Elend, so mich trifft 3 (0:48) 3. Choral Soll’s ja so sein 4 (2:42) 4. Aria: Alt Ach, lege das Sodom der sündlichen Glieder 5 (0:41) 5. Recitativo: Tenor Hier aber tut des Heilands Hand 6 (3:08) 6. Aria: Tenor Vergibt mir Jesus meine Sünden 7 (1:02) 7. Choral Herr Jesu Christ, einiger Trost 21:37 Wo soll ich fliehen hin BWV 5 8 (4:08) 1. Coro (Choral) Wo soll ich fliehen hin 9 (1:05) 2. Recitativo: Bass Der Sünden Wust hat mich nicht nur befleckt 10 (6:56) 3. Aria: Tenor Ergieße dich reichlich, du göttliche Quelle 11 (1:16) 4. Recitativo: Alt e Choral Mein treuer Heiland tröstet mich 12 (6:23) 5. Aria: Bass Verstumme, Höllenheer 13 (0:57) 6. Recitativo: Sopran Ich bin ja nur das kleinste Teil der Welt 14 (0:51) 7. Choral Führ auch mein Herz und Sinn 2 SDG110_BOOKLET_INNER 8/7/05 9:33 am Page 3 12:44 Es reißet euch ein schrecklich Ende BWV 90 (For the Twenty-fifth Sunday after Trinity) 15 (6:06) 1. Aria: Tenor Es reißet euch ein schrecklich Ende 16 (1:24) 2. Recitativo: Alt Des Höchsten Güte wird von Tag zu Tage neu 17 (3:22) 3. Aria: Bass So löschet im Eifer der rächende Richter 18 (0:48) 4. Recitativo: Tenor Doch Gottes Auge sieht auf uns als Auserwählte 19 (1:01) 5. Choral Leit uns mit deiner rechten Hand 20:05 Ich will den Kreuzstab gerne tragen BWV 56 20 (7:35) 1. Aria: Bass Ich will den Kreuzstab gerne tragen 21 (2:05) 2. Recitativo: Bass Mein Wandel auf der Welt 22 (6:44) 3. Aria: Bass Endlich, endlich wird mein Joch 23 (1:44) 4. Recitativo ed Arioso: Bass Ich stehe fertig und bereit 24 (1:55) 5. Choral Komm, o Tod, du Schlafes Bruder 3 SDG110_BOOKLET_INNER 8/7/05 9:33 am Page 4 CD 2 51:01 For the Feast of the Reformation 15:06 Gott der Herr ist Sonn und Schild BWV 79 1 (5:00) 1.
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  • Instrumental - Copy

    Instrumental - Copy

    instrumental - Copy All Library Opus Score Parts Publishe Number Title # Composer Arranger Larger Work Instrumentation Y/N? Y/N? r Notes *Accessory to the 500 Hymns for Various Lillenas Hymnal, 0001 500 Hymns for Instruments* Lane, Harold Instruments Combinations N Y Lillenas "Worship in Song" *Accessory to the 500 Hymns for Various Lillenas Hymnal, 0001-001 How Firm a Foundation Early American Melody Lane, Harold Instruments* Combinations N Y Lillenas "Worship in Song" *Accessory to the Joyful, Joyful, We Adore 500 Hymns for Various Lillenas Hymnal, 0001-002 Thee Beethoven, Ludwig van Lane, Harold Instruments* Combinations N Y Lillenas "Worship in Song" *Accessory to the 500 Hymns for Various Lillenas Hymnal, 0001-003 To God Be the Glory Doane, W. H. Lane, Harold Instruments* Combinations N Y Lillenas "Worship in Song" *Accessory to the A Mighty Fortress Is Our 500 Hymns for Various Lillenas Hymnal, 0001-004 God Luther, Martin Lane, Harold Instruments* Combinations N Y Lillenas "Worship in Song" *Accessory to the 500 Hymns for Various Lillenas Hymnal, 0001-005 How Great Thou Art! Swedish Folk Melody Lane, Harold Instruments* Combinations N Y Lillenas "Worship in Song" *Accessory to the 500 Hymns for Various Lillenas Hymnal, 0001-006 O Worship the King Haydn, Johann Michael Lane, Harold Instruments* Combinations N Y Lillenas "Worship in Song" *Accessory to the 500 Hymns for Various Lillenas Hymnal, 0001-007 Majestic Sweetness Hastings, Thomas Lane, Harold Instruments* Combinations N Y Lillenas "Worship in Song" *Accessory to the Holy, Holy, Holy, Lord God 500 Hymns for Various Lillenas Hymnal, 0001-008 Almighty Dykes, John B.
  • Hymnal Index V4

    Hymnal Index V4

    The Christian Life Hymnal – A Guide to the Indexes Each index in the hymnal has been developed and designed to aid worshippers in quickly finding specific titles and to learn more about the hymns they sing. This brief guide provides a description of each index to help the user better understand the index and how to gain the most from it. Scriptural Allusion Index (pp. 644-648)— This index provides scriptural references and allusions for each title. Some references may relate to a specific key word, thought, phrase, stanza or thought within the hymn; other references may allude to the overall content of the hymn or the topic under which it is found. Hymn Tune Index (pp. 648-651)— Each title in a hymnal is given an identifying tune name by its composer or hymnal editor. The tune name may be of personal or family significance, relate to the hymn’s history or usage, or something else entirely. This index lists tunes alphabetically for easy reference, along with the meter of the hymn. Metrical Tune Index (pp. 651-654)— Just as every title in the hymnal has a tune name, each title has a metrical desig- nation, or meter, as well. This numeric or alpha-numeric naming indicates and directly relates to the poetic meter or pulses, accents and cadences of the hymn lyrics. There are many different hymn meters in the hymnal. As a general rule, hymns having a meter identical to those of other hymns may be sung to those tunes. Hymns with “Irregular” meters have non-recurring pulses and accents in the lyrics and cannot be used with any other tune.