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"Don Juan De Castro" De Lope De Vega. (Spanish Text)

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Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1976 Analisis E Interpretacion De "Don Juan De Castro" De Lope De Vega. (Spanish Text). Antonio Gonzalez Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Gonzalez, Antonio, "Analisis E Interpretacion De "Don Juan De Castro" De Lope De Vega. (Spanish Text)." (1976). LSU Historical Dissertations and Theses. 2966. https://digitalcommons.lsu.edu/gradschool_disstheses/2966 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This material was produced from a microfilm copy of the original document. 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Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Mlchtgan 48106 I I 76-28,807 GONZALEZ, Antonio, 1943- ANALISIS E INTERPRETACION DE DON JUAN DE CASTRO DE LOPE DE VEGA. [Spanish TextTJ The Louisiana State University and Agricultural and Mechanical College, Ph.D., 1976 L iterature, Romance Xerox University Microfilms,Ann Arbor, Michigan 48106 0 1976 ANTONIO GONZALEZ ALL RIGHTS RESERVED ANALISIS E INTERPRET AC ION DE DON JUAN DE CASTRO DE LOPE DE VEGA A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and A gricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philospphy in The Department of Foreign Languages by Antonio Gonzalez "Licenciado en Letras Hispanicas", Universidad del Zulia, 1968 M.A., Louisiana State University, 1971 August, 1976 RECONOCIMIMTO Me siento muy satisfecho, complacido y agradecido por la gran ayuda que el Dr. Frederick DeArmas me ha dado durante el curso de la preparacion y la ejecucion de la presente disertacion. Con su gran experiencia como hispanista y crxtico, el ha guiado mis pasos a la obtencion de libros y artxculos sin los cuales muy dificilmente hubiera yo podido realizarla. Agradezco a mi esposa por la gran paciencia y ayuda que ha mostrado en la correccion de la misma, Pero, especialmente agradezco a mi buen amigo, el Profesor Jose Ram6n Miranda por haber tenido la gentileza de leer, corregir y pulir el estilo de toda esta disertaciSn. Tambien expreso mi gratitud y agradecimiento a los doctores John A. Thompson, Harry L. Kirby, Jr., Margaret P. Stanley, y especialmente a la Dra. Elizabeth Thompson, por la deferencia dispensada. "pra Carmina e Sabelina" 111 INDICE INTRODUCCION.............................................................................................................. 1 CAPITULO I LAS FUENTES: 1. Las fuentes literarias y la c ritic a .................................... 13 2. Las “bases historicas de la o b ra .............................................. *+0 CAPITULO I I LA ESTRUCTURA DE LA OBRA Y SU RELACION CON OLIVEROS DE CASTILLA.............................................................................. 71 CAPITULO I I I LOS TEMPERAMENT03 DE DON JUAN DE CA STRO ......................................155 CAPITULO IV DON JUAN DE CASTRO Y LA SOCIEDAD 1. La amistad ................................................................................................ 226 2 . E l a m o r ...................... ........................................................................ 2^7 3. El honor ...................................................... 265 CONCLUSION GENERAL ................................................................................................ 2 8 l BIBLIOGRAFIA .............................................................................................................. 287 iv COMPENDIO Lope de Vega escribio hacia 1608 una comedia en dos partes titulada Don Juan de Castro. De esta obra, tan poco conocida, no se ha hecho hasta ahora ningGn estudio que la analice en su to tali­ dad, quizas por la dificultad que representa el dar una explicacion logica y coherente a los incidentes extrarios y sobrenaturales que en ella se suceden. De aqu£ que se haya dicho que la obra es una "extranfsima comedia" y que algunas de sus acciones son el producto de la magia. Sin embargo, la obra es valiosa por presenter valores universales de piedad, caridad, amor y amistad a traves de un heroe que refleja y reafirma el idealismo, el patriotismo y la val£a personal en que se envolvieron los espafioles de la epoca de cadent e de Felipe III. As£, el propSsito de esta disertacion es hacer un analisis de la comedia para darle una explicacion coherente a su estructura y a aquellas acciones de las cuales se han hecho tales juicios nega- tivos. Se establecerS que en la obra hay una serie de pruebas, f £ s ic a s y espirituales, por las que tiene que pasar el protagonista para definirse como un personaje de muchas virtudes y ciertos defectos. TambiSn s e e sta b le c e r a que su comport ami en to e s t a determinado por el temperamento de su complexion: cuando predomine en el el tempera- mento melanc6lico practicarA la virtud, y cuando predomine en el el temperamento colerico se inclinara al vicio y tendra defectos. Asi, el protagonista es un personage inestable y cambiante que tanto puede inclinarse a una fe ciega y a una gran caridad como a reacciones colericas y estados depresivos generalmente infundados. Sus acciones extranas se deberan a su condicion humoral. Las otras acciones extranas, como la intervencion de lo sobrenatural y los milagros, se explicaran como preraios del cielo a las virtudes del protagonista, Ademas, se demostrarlL que lo que mueve y da cohesion a la extructura interna de la obra es el amor de amistad, el cual esta basado en la virtud. Por lo tanto, el tema central de la obra es el amor de amistad en aras de la lealtad y el sacrificio. INTRODUCCIOH Don Juan de Castro es una comedia de Lope de Vega escrita en dos partes para celebrar las aventuras caballerescas y amorosas de dos grandes amigos. La obra no ha sido estudiada todavia en su totalidad, y las pocas opiniones criticas que se han hecho de ella han sido negatives. Esto se debe a que los crfticos han considerado y juzgado solamente algunas acciones aparentemente extranas que son las que m£s Hainan la atenci6n al lector coirriin, y no han relacionado estas acciones con la estructura general de la obra. Para entender la comedia tenemos que tener en cuenta dos puntos de vista. Uno esta constituido por las acciones del piano real y otro por las acciones del piano sobrenatural. Estos dos puntos de vista se corresponden en lineas generales con dos leyendas diferentes que hay en la comedia y que Lope de Vega va a desarrollar juntamente. Una es la de "los dos amigos" y otra la de "el muerto agradecido". Los criticos han considerado solamente las acciones del piano sobrenatural, que son tres: las apariciones del muerto, laresurreccifin de dos ninos y la cura milagrosa del leproso. Tomando estas acciones, por aislado, han dicho que son un producto de la magia, y que por lo tanto la obra es una extranfsima comedia. Estas opiniones negatives se deben a que se ha visto en la obra solamente la forma externa de estas acciones y no se ha penetrado 1 2 en su significado. Wo se ha encontrado la funci 6 n que desempenan esas acciones en la comedia porque ni se ha relacionado el piano sobrenatural con el real ni se ha tenido en cuenta que una cosa son las acciones y otra es el tema de la obra. Poco importa que las acciones sean extraflas e inverosfmiles si ellas tienen una funci 6 n realista. Come dice Alexander Parker The action is what the incidents of the plot are in themselves; the theme is what these incidents mean [...] The relation of theme to action has nothing whatever to do with the degree of verisim ilitude in the latter, but depends entirely upon analogy. The plot of the play is merely an invented situation. [...] it does not matter in the least if the plot of the play is untrue to life in the sense of being untrue to normal experi­ ence, provided its theme is true to human nature. Y en nuestra comedia las apariclones del muerto y otros "extranos casos" tienen como funcion y tema el premiar las buenas obras de don Juan y probar su firmeza y lealtad.
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