Ethnographic Information Concerning Azerbaijan Contained in the De De Ko Rkut Dastan
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BİRKAÇ SÖZ Foreword / Par L’Éditeur
BİRKAÇ SÖZ Foreword / Par l’éditeur Merhaba saygıdeğer okur, kelimeleri ve kaynak gösterme gibi kurallarımız 2016 yılında 28 yaşına basan Millî Folklor dikkate alınmaktadır. Bu süreci geçen yazıların dergisi 109. sayısıyla ellerinizde. yazarlarının kimliğini belli eden kısımları çıka- Bu sayıda Prof. Dr. Ensar Aslan’a Armağan rılarak Yayın Kuruluna gönderilmektedir. Yılda bölümümüzün, TV Dizileri dosyamızı ve diğer dört kez toplanan Yayın Kurulu, ret, düzel- özlü yazılarımızın yanında, derleme, çeviri, kitap te ve hakeme gönderme şeklinde dergiye tanıtma konulu yazılarımızla birlikte ve 2016 uygunluk açısından üç seçenekten biri üzerin- yılı “Millî Folklor: Dün ve Yarın Yuvarlak Masa den karara varmaktadır. Reddedilen yazılar bir Toplantısı Sonuç Raporu” başlıklı yazımızın da daha değerlendirmeye alınmamakta, düzeltme ilginizi çekeceğini umuyoruz. istenen yazılar içinse yeni başvuru kuralla- Prof. Dr. Ensar Aslan’a Armağan rı uygulanmaktadır. Hakemlere gönderilmesi Dergimizin Danışma Kurulu Üyesi ve gereken yazılar içinse üç hakem belirlenmekte, Hakemi olarak halk bilimine ve dergimize çok ilk aşamada iki hakemin, gerekli durumlarda değerli hizmetleri olan Ahi Evran Üniversitesi ise üçüncü hakemin içerik açısından görüşü Öğretim Üyesi Prof. Dr. Ensar Aslan’ın resmî alınmaktadır. İncelemenin hiçbir aşamasında görevinden emekli olmasına istinaden 2016 Yayın Kurulu ve hakemler yazarın/yazarların, Bahar sayısını halk bilimine yapmış olduğu yazar/yazarlar da hakemlerin kimliği hakkında değerli katkılar dolayısıyla kendisine armağan bilgi edinememektedir. Yayın Kurulu ve hakem- etmeyi planladık ve Doç. Dr. Salahaddin Bekki ler hiçbir şekilde reddettikleri yazının kime ve Öznür Ceylan’ın değerli katkılarıyla Armağan ait olduğunu öğrenememektedir. Sadece olumlu Bölümünü hazırladık. Değerli katkıları için ken- görüş verdikleri yazıların yazarlarının kim oldu- dilerine teşekkür ederken, hocamızın emeklilik ğunu inceledikleri yazıları dergide yayımlanmış sonrasında da sağlıkla ve mutlulukla çalışmala- olarak gördükleri vakit öğrenebilmektedirler. -
Xvi. Yüzyil Anadolusu'nda Oğuz Boylarinin
Ç.Ü. Sosyal Bilimler Enstitüsü Dergisi, Cilt 26, Sayı 3, 2017, Sayfa 45-59 XVI. YÜZYIL ANADOLUSU’NDA OĞUZ BOYLARININ YERLEŞTİKLERİ YERLERİN SANCAKLARA DAĞILIMI Mehibe ŞAHBAZ* ÖZ Coğrafi konumu itibarıyla Anadolu tarihin her safahatında pek çok milletin ilgisini çekmiş ve bu yüzden dolayı da sayısız istilalara sahne olmuştur. Değişik din ve kültürlerin etkisi altında kalmıştır. Ancak bu istila ve kültür değişiklerinden hiç biri XI. yüzyılda başlayan ve Anadolu’nun Türkleşmesi ve İslâmlaşması ile sonuçlanan Oğuz (Türkmen) istilası kadar derin izler bırakamamıştır. Türk’ler tarihte birçok kollara ayrılır, Bu kollardan birisi olan Oğuz (Türkmen) adıyla bilinen kitlenin göç etmesi ve Anadolu’ya yerleşmesi, Büyük Selçuklu İmparatorluğu’ndaki siyasî ve demografik gelişmeleriyle ilgilidir. Bu gelişmeleri daha iyi anlayabilmek için Oğuzların Anadolu’ya gelmeden önceki durumlarına ve Anadolu’ya doğru yönelmelerinin sebeplerine kısada olsa temas etmek gerekir. Göktürk ve Uygur devletlerinin önemli bir unsuru olan Oğuzların boy teşkilatları, Selçuklu ve Osmanlı döneminde hüküm sürdükleri yerlere kültürlerini, gelenek ve göreneklerinin yanı sıra ruhi davranışlarını da getirerek, yerleştikleri bölgelerde mensup oldukları boyun oymağının adıyla anılmaktadırlar. Çalışmamızda Oğuzların Anadolu’ya nereden ve ne sebeple göç ettiğini ele almanın ötesinde başta Anadolu olmak üzere Oğuzların değişik coğrafyaları yurt edinmeleri üzerinde durulmuştur. X. asırdan XVI. asır’a kadar Anadolu’da yaşayan Oğuz boylarına mensup oymakların adlarının sancaklara dağılımını ulaşabildiğimiz kaynakların ışığı altında tespit etmeye çalıştık. Anahtar kelimeler: Oğuz, Türkmen, Boy, Yerleşim, Anadolu 16th CENTURY ANATOLIA OGHUZ TRIBES SETTLED TO STARBOARD OF THE PLACES DISTRIBUTION ABSTRACT Due to its geographical location, Anatolia has attracted many nations at every pace of history, and due to this, countless invasions have been the scene. -
Turkish Literature from Wikipedia, the Free Encyclopedia Turkish Literature
Turkish literature From Wikipedia, the free encyclopedia Turkish literature By category Epic tradition Orhon Dede Korkut Köroğlu Folk tradition Folk literature Folklore Ottoman era Poetry Prose Republican era Poetry Prose V T E A page from the Dîvân-ı Fuzûlî, the collected poems of the 16th-century Azerbaijanipoet Fuzûlî. Turkish literature (Turkish: Türk edebiyatı or Türk yazını) comprises both oral compositions and written texts in the Turkish language, either in its Ottoman form or in less exclusively literary forms, such as that spoken in the Republic of Turkey today. The Ottoman Turkish language, which forms the basis of much of the written corpus, was influenced by Persian and Arabic and used the Ottoman Turkish alphabet. The history of the broader Turkic literature spans a period of nearly 1,300 years. The oldest extant records of written Turkic are the Orhon inscriptions, found in the Orhon River valley in central Mongolia and dating to the 7th century. Subsequent to this period, between the 9th and 11th centuries, there arose among the nomadic Turkic peoples of Central Asia a tradition of oral epics, such as the Book of Dede Korkut of the Oghuz Turks—the linguistic and cultural ancestors of the modern Turkish people—and the Manas epic of the Kyrgyz people. Beginning with the victory of the Seljuks at the Battle of Manzikert in the late 11th century, the Oghuz Turks began to settle in Anatolia, and in addition to the earlier oral traditions there arose a written literary tradition issuing largely—in terms of themes, genres, and styles— from Arabic and Persian literature. -
“Kitab-I Dedem Korkut” in Turkish Folklore of the 20Th Century
The Tale of the Epic Cycle of “Kitab-i Dedem Korkut” in Turkish Folklore of the 20th Century Tatiana A. Anikeeva Until very recent times, some tales related to the medieval epic cycle of “The Book of Dede Korkut” continued to exist on the territory of modern Turkey and the South Caucasus. These include, first of all, the tale of Bamsi Beyrek, which proceeded its further existence within the framework of a completely different, much later genre of Turkish traditional literature – the hikâye. Turkish folk narrative form called hikâye which is a special genre of Turkish folk literature. It has been existing for a long time mainly in the South of Turkey and in the Eastern Turkey since the Middle Ages. Hikâye is a prose text that includes folk songs and verses, that can be transmitted orally by story-tellers-aşiks or meddahs in coffee houses. The main peculiarity of this genre is its existence both in oral and written traditions at the same time; this genre occupies a borderline between oral and literary traditions. These are prosaic texts of novelistic or fantastic content that once were performed exclusively in oral form; sometimes they are often folklorized versions of literary plots widely known in the Middle East, or, as in the case of the tale of Bamsi Beyrek, are the part of a large epic cycle (“The Book of Dede Korkut”). These folk narratives include the stories of the prosaic version of the epic legend about Köroğlu, which has become widespread in Asia Minor and well-known in the Caucasus, the Middle East and Central Asia, as well as a number of other plots, such as “Ilbeylioğlu”, a story about Shakh-Ismail (“Şah-Ismail”), “Celali Bey ile Mehmet Bey”, “Kirmanşah”, etc. -
Further Reading, Listening, and Viewing
The Music of Central Asia: Further Reading, Listening, and Viewing The editors welcome additions, updates, and corrections to this compilation of resources on Central Asian Music. Please submit bibliographic/discographic information, following the format for the relevant section below, to: [email protected]. Titles in languages other than English, French, and German should be translated into English. Titles in languages written in a non-Roman script should be transliterated using the American Library Association-Library of Congress Romanization Tables: Transliteration Schemes for Non-Roman Scripts, available at: http://www.loc.gov/catdir/cpso/roman.html Print Materials and Websites 1. Anthropology of Central Asia 2. Central Asian History 3. Music in Central Asia (General) 4. Musical Instruments 5. Music, Sound, and Spirituality 6. Oral Tradition and Epics of Central Asia 7. Contemporary Music: Pop, Tradition-Based, Avant-Garde, and Hybrid Styles 8. Musical Diaspora Communities 9. Women in Central Asian Music 10. Music of Nomadic and Historically Nomadic People (a) General (b) Karakalpak (c) Kazakh (d) Kyrgyz (e) Turkmen 11. Music in Sedentary Cultures of Central Asia (a) Afghanistan (b) Azerbaijan (c) Badakhshan (d) Bukhara (e) Tajik and Uzbek Maqom and Art Song (f) Uzbekistan (g) Tajikistan (h) Uyghur Muqam and Epic Traditions Audio and Video Recordings 1. General 2. Afghanistan 3. Azerbaijan 4. Badakhshan 5. Karakalpak 6. Kazakh 7. Kyrgyz 8. Tajik and Uzbek Maqom and Art Song 9. Tajikistan 10. Turkmenistan 11. Uyghur 12. Uzbekistan 13. Uzbek pop 1. Anthropology of Central Asia Eickelman, Dale F. The Middle East and Central Asia: An Anthropological Approach, 4th ed. Pearson, 2001. -
Dogan Alp Death in Ertugrul
Dogan Alp Death In Ertugrul Bu kumandanlar kuvvetleri ile gece gündüz demeden Bizans'a doğru akınlarına devam ettiler. Death of Dogan Alp and Dundar Bey Captured Scene in Dirilis Ertugrul. It may be a piece of heartbreaking news for all the die-hard fans of Dirilis Ertugral that Dogan alp is just a fictional character. Doğan Alp ve Dündar, Vasilius ve Ural'dan baskın yer Kurulan bu hain tuzaktan Doğan Alp kurtulamaz ve şehit olur. He was the grandfather of Ertuğrul Ghazi, the father of the founder of the Ottoman Empire, Osman I. 0% Who Performed the Role of Turgut Alp? Cavit Çetin Güner Cengiz Coşkun Kaan Taşaner Correct! Wrong! Continue >> Who Performed the Role of Doğan Alp? Serdar Gökhan Cengiz Coşkun Cavit Çetin Güner Correct! Wrong! Continue >> Who Performed the Role of Suleyman Shah? Serdar Gökhan Kaan Taşaner Hülya Korel Darcan Correct! Wrong! Continue >>… Read More »Play Ertugrul Ghazi Quiz 2 to. Photos of the Turkish actor riding a white horse have gone viral on the internet, Well, it seems like the first of many upcoming trips undertaken by Turkish actors in Pakistan, after Ertugrul became a nation-wide hit. Bölüm - Selcan Hatun'un Obaya Gelişi Konur Alp Vs Doğan Alp Tomb of Ertugrul Gazi, Sogut Turkey ( Honor Guard Assigned to Ertuğrul's Tomb ) Who was Sultan Alaeddin Keyqubad 1 | How Aleaddin Side Affects of Resurrection Ertuğrul - Diriliş Ertuğrul yan etkileri Suleyman Shah's final moments. 24 year old Turali is now Gundogdu's senior alp and Dogan Jr at 18 years old is a normal alp. The heroic story of Ertugrul Ghazi, the father of Osman (Uthman) who founded the Ottoman Empire. -
ALPAMYSH Central Asian Identity Under Russian Rule
ALPAMYSH Central Asian Identity under Russian Rule BY H. B. PAKSOY Association for the Advancement of Central Asian Research Monograph Series Hartford, Connecticut First AACAR Edition, 1989 --------- ALPAMYSH: Central Asian Identity under Russian Rule COPYRIGHT 1979, 1989 by H. B. PAKSOY All Rights Reserved Library of Congress Cataloging-in-Publication Data Paksoy, H. B., 1948- ALPAMYSH: central Asian identity under Russian rule. (Association for the Advancement of Central Asian Research monograph series) Includes bibliographical references (p. ) Includes index. 1. Soviet Central Asia--History--Sources. 2. Alpamish. 3. Epic Literature, Turkic. 4. Soviet Central Asia--Politics and Government. I. Title. II. Series. DK847.P35 1989 958.4 89-81416 ISBN: 0-9621379-9-5 ISBN: 0-9621379-0-1 (pbk.) AACAR (Association for the Advancement of Central Asian Research) Monograph Series Editorial Board: Thomas Allsen (TRENTON STATE COLLEGE) (Secretary of the Board); Peter Golden (RUTGERS UNIVERSITY); Omeljan Pritsak (HARVARD UNIVERSITY); Thomas Noonan (UNIVERSITY OF MINNESOTA). AACAR is a non-profit, tax-exempt, publicly supported organization, as defined under section 501(c)(3) of the Internal Revenue Code, incorporated in Hartford, Connecticut, headquartered at the Department of History, CCSU, 1615 Stanley Street, New Britain, CT 06050. The Institutional Members of AACAR are: School of Arts and Sciences, CENTRAL CONNECTICUT STATE UNIVERSITY; Nationality and Siberian Studies Program, The W. Averell Harriman Institute for the Advanced Study of the Soviet Union, COLUMBIA UNIVERSITY; Mir Ali Shir Navai Seminar for Central Asian Languages and Cultures, UCLA; Program for Turkish Studies, UCLA; THE CENTRAL ASIAN FOUNDATION, WISCONSIN; Committee on Inner Asian and Altaistic Studies, HARVARD UNIVERSITY; Research Institute for Inner Asian Studies, INDIANA UNIVERSITY; Department of Russian and East European Studies, UNIVERSITY OF MINNESOTA; THE NATIONAL COUNCIL FOR SOVIET AND EAST EUROPEAN RESEARCH, WASHINGTON D.C. -
A Comparative Analysis of the Concepts of Holy War and the Idealized Topos of Holy Warrior in Medieval Anatolian and European Sources
T.C. BAHÇEŞEHİR ÜNİVERSİTESİ A COMPARATIVE ANALYSIS OF THE CONCEPTS OF HOLY WAR AND THE IDEALIZED TOPOS OF HOLY WARRIOR IN MEDIEVAL ANATOLIAN AND EUROPEAN SOURCES Master’s Thesis CEREN ÇIKIN SUNGUR İSTANBUL, 2014 T.C. BAHÇEŞEHİR UNIVERSITY GRADUATE SCHOOL OF SOCIAL SCIENCES DEPARTMENT OF HISTORY Supervisors: Prof. Dr. Heath W. LOWRY & Ass. Prof. Dr. Derya GÜRSES TARBUCK To my beloved Can, for all his kindness and support… ACKNOWLEDGEMENTS First and foremost, I must thank my research supervisors, Professor Heath W. Lowry and Assistant Professor Derya Gürses Tarbuck for giving me the chance to work together and the opportunity to study at Bahçeşehir University. Without their support and assistance this thesis could not even exist as an idea. I would also like to thank Associate Professor Dr. Fikret Yılmaz for making me question certain matters on the military warfare of the early Ottomans I had not noticed before. I also have to thank Professor Paul Latimer from Bilkent University for his assistance and for lighting my path to an understanding of European history with his advice. ABSTRACT A COMPARATIVE ANALYSIS OF THE CONCEPTS OF HOLY WAR AND THE IDEALIZED TOPOS OF THE HOLY WARRIOR IN MEDIEVAL ANATOLIAN AND EUROPEAN SOURCES Ceren Çıkın Sungur History Supervisors: Prof. Dr. Heath W. Lowry & Ass. Prof. Derya Gürses Tarbuck June, 2014, 199 pages Claims of holy war characterized the Middle Ages in both Muslim Anatolia and Christian Europe, where soldiers on both sides were portrayed as holy warriors. Named gazis, akıncıs, alps, chevaliers and knights, they came from the elite military classes. Literary depictions of these men as holy warriors were fundamentally idealized topoi created by writers who were patronized by or were close to those in power. -
Sally Pomme Clayton* the Theme of the Warrior Maiden Appears in Several Genres of Middle Eastern and Centr
E.L.O., 7-8 (2001-2) THE WOMAN WARRIOR - FACT OR TALE Sally Pomme Clayton* PORTRAIT OF A WARRIOR WOMAN The theme of the warrior maiden appears in several genres of Middle Eastern and Central Asian folklore: epics; legends; myths; folktales, and folksongs. Although many of these stories have been written down, they existed, and still exist, as oral performances. There are typical motifs associated with the warrior woman. She: is a virgin; is surrounded by a band of warrior maidens, most often numbering forty; is armed and fights in battles; disguises herself as man; will not marry unless she can be beaten at wrestling, fighting, or the singing of epics. Her story has various endings, when defeated she: looses her virginity; looses her power along with her virginity; falls in love with her vanquisher and stops fighting, or she marries and has children but continues to fight as a warrior. Not all these motifs appear together in one tale, but it is surprising how frequently many of these elements do appear together. The character of the warrior woman appears so frequently that there are too many examples to mention all of them here. She can be found in Arabic, Turkic, Greek and Persian folklore. I will give a selection of examples from different parts of the Middle East and Central Asia. Then I will examine two epics in more detail, looking in particular at what the relationships might be between the deeds and roles of the warrior woman of story and the roles ascribed to women in the Middle East and Central Asia. -
The Oghuz Turks of Anatolia
THE OGHUZ TURKS OF ANATOLIA İlhan ŞAHİN The migration and settlement of Oghuz groups, who were also known as Turkmens in Anatolia, were closely related with the political and demographic developments in the Great Seljuk Empire. But in order to understand these developments better, it would be reasonable to dwell first a little on the conditions under which the Oghuz groups lived before migrating to Anatolia, and look to the reasons behind their inclination towards Anatolia. The Oghuz groups, who constituted an important part of the Göktürk and Uygur states, lived along the banks of the Sır Darya River and on the steppes lying to the north of this river in the first half of the tenth century1. Those were nomadic people, and they made a living out of stock breeding, so they needed summer pastures and winter quarters on which they had to raise their animals and survive through cold winter days comfortably. In addition to them, there were sedentary Oghuz groups. In those days, the sedentary Oghuz groups were called "yatuk"2 which means lazy. This indicates that leading a nomadic life was more favorable then. Although most of the Oghuz groups led a nomadic life, they did have a certain political and social structure and order. There are various views about the meaning of the word “Oghuz”, and according to dominant one among them, the word means “tribes”, and “union of tribes” or “union of relative tribes”3. So, in other words, the word had organizational and structural connotations in the political and social sense. The Oghuz groups, consisting of a number of different boys or tribes, can be examined in two main groups since the earlier periods in the most classical age of Prof. -
Salur Kazan Ve Yuvarlanan Taş Anlatısı Hakkında
Received: 20.05.2020 Accepted: 30.05.2020 Published: 14.06.2020 JOTS, 4/2, 2020: 437-468 Salur Kazan ve Yuvarlanan Taş Anlatısı Hakkında About the Story of Salur Qazan and the Rolling Stone A s l ı h a n H AZNEDAROĞLU Düzce University (Düzce / T u r k e y ) E - m a i l : [email protected] Salur Qazan, who has a special place in our epic tradition, is the hero who has surrounded all the narratives of the Günbäd manuscript, which was unearthed in 2019 and introduced to the world of science. On the pages 38-39 of the manu- script, Qazan’s heroism about the “holding the rolling stone” was explained in the soylama, which he expressed in his heroism. This narrative is a heroism of Qazan, which has been described as “epic stereotype” in Shejere-i Terākime, Topkapi Oγuz- name and the Dresden manuscript of Dede Qorqut Book. It is also seen that this nar- rative has a reflection among the Altay Turks. The analysis of this narrative, which is full of uncertainties both in terms of the location of the event, the nature of the event and the parties of the event, is an important contribution to the uncovering the ground on which epics are fed. In this analysis, it is aimed to compare the text with parallel narratives and to reveal the similarities and differences between the texts and to reveal the scope of the text's expression. Key Words: Dede Qorqut, Salur Qazan, Günbäd manuscript, Ala Čaqun Čolpa Daγ, the rolling stone, wine table. -
Turkish Folklore
HUMANITIES INSTITUTE TURKISH FOLKLORE Course Description: Designed for English-speaking students, this course will cover some of the major issues surrounding Turkish folklore and oral literature. Among the subjects are the Turkish epic, romantic epic (or hikâye), Turkish name-giving traditions, folklore and nationalism, folk religion, the structure and performance of Turkish romances, the formula in oral creation, performer-audience relationship, folklore as a political instrument, digression in oral narrative, proverbs and social change, folk theater, orality in the written text, and the gender dynamics of oral literature and performance. The course will also integrate some of the fundamental theoretical works of the field of Folklore, and their applicability to the Turkish context. About the Professor This course was developed by Kemal Silay, Ph.D., Chair of Ottoman and Modern Turkish Studies Department, Central Eurasian Studies, Indiana University. Required Texts: • Richard Bauman, Verbal Art as Performance. Prospect Heights, Illinois: Waveland Press, Inc., 1977. • The Book of Dede Korkut: A Turkish Epic. Translated into English and edited by Faruk Sümer, Ahmet E. Uysal, Warren S. Walker. Austin, Texas: University of Texas Press, 1972. • Albert B. Lord, The Singer of Tales. Cambridge, Massachusetts: Harvard University Press, 1960. • Walter J. Ong, Orality and Literacy: The Technologizing of the Word. London and New York: Methuen, 1982. • Vladimir Propp, Morphology of the Folktale. Austin, Texas: University of Texas Press, 2009 [First published by the American Folklore Society and Indiana University in 1968]. • Kemal Silay, Ed., Turkish Folklore and Oral Literature: Selected Essays of İlhan Başgöz. Bloomington, Indiana: Indiana University Turkish Studies Series, 1998. • Jan Vansina, Oral Tradition as History.