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TIARA Research Final-Online
TIARAResearch Insight Based Research Across Celebrities Indian Institute of Human Brands 2020 About IIHBThe Indian Institute of Human Brands (IIHB) has been set up by Dr. Sandeep Goyal, India’s best known expert in the domain of celebrity studies. Dr. Goyal is a PhD from FMS-Delhi and has been researching celebrities as human brands since 2003. IIHB has many well known academicians and researchers on its advisory board ADVISORY Board D. Nandkishore Prof. ML Singla Former Global Executive Board Former Dean Member - Nestlé S.A., Switzerland FMS Delhi Dr. Sandeep Goyal Chief Mentor Dr. Goyal is former President of Rediffusion, ex-Group CEO B. Narayanaswamy Prof. Siddhartha Singh of Zee Telefilms and was Founder Former Managing Director Associate Professor of Marketing Chairman of Dentsu India IPSOS and Former Senior Associate Dean, ISB 0 1 WHY THIS STUDY? Till 20 years ago, use of a celebrity in advertising was pretty rare, and quite much the exception Until Kaun Banega Crorepati (KBC) happened almost 20 years ago, top Bollywood stars would keep their distance from television and advertising In the first decade of this century though use of famous faces both in advertising as well as in content creation increased considerably In the last 10 years, the use of celebrities in communication has increased exponentially Today almost 500 brands, , big and small, national and regional, use celebrities to endorse their offerings 0 2 WHAT THIS STUDY PROVIDES? Despite the exponential proliferation of celebrity usage in advertising and content, WHY there is no organised body of knowledge on these superstars that can help: BEST FIT APPROPRIATE OR BEST FIT SELECTION COMPETITIVE CHOOSE BETTER BETWEEN BEST FITS PERCEPTION CHOOSE BASIS BRAND ATTRIBUTES TRENDY LOOK AT EMERGING CHOICES FOR THE FUTURE 0 3 COVERAGE WHAT 23 CITIES METRO MINI METRO LARGE CITIES Delhi Ahmedabad Nagpur (incl. -
Use and Abuse of Female Body in Popular Hindi Films: a Semiotic Analysis of Item Songs
Use and Abuse of Female Body in Popular Hindi Films: A Semiotic analysis of Item Songs *Dr. G. K. Sahu Assistant Professor Dept. of Mass Communication Aligarh Muslim University Aligarh- 202002 & **Sana Abbas Research Scholar Dept. of Mass Communication Aligarh Muslim University Aligarh-202002 India Abstract The item songs have become an important element of Bollywood movies. Women are featured as a commodity, only to satisfy male urge and their bodies are featured in a way as if they are meant for male consumption. In an environment where a plethora of movies are releasing every year, putting a peppy item song in a movie, is a good trick to gain the attention of viewers . Brazen lyrics are used to enhance the popularity of these songs. Many established film makers in the industry are using this trick to gain huge financial returns. They are attracting and engaging audiences by using as well as abusing female body in their films. The paper makes an attempt to analyze the item songs by employing semiotic method to examine the use and abuse of female body in Hindi films. Key Words: Hindi Films, Item Songs, Female Body, Use & Abuse, Portrayal, Commoditization. www.ijellh.com 14 Introduction Cinema and dance have had a long history of engagement. Cinema enlisted dance from its very beginnings – the spectacular display of movement. The shared investment in movement ensured a spontaneous intermediality (transgression of boundaries) between early cinema and dance. Songs with dance have always played a crucial role in Hindi movies. The role of song and its demand changed with the entry of „item songs‟. -
Om Shanti Om
Om Shanti Om REŻYSERIA FARAH KHAN W KINACH OD 30 MAJA 2008 DYSTRYBUCJA W POLSCE ul. Zamenhofa 1, 00-153 Warszawa tel.: (22) 536 92 00 fax: (22) 635 20 01 e-mail: [email protected] http://www.gutekfilm.pl Reżyseria Farah Khan Producent Gauri Khan Scenariusz Farah Khan Mushtaq Sheikh Mayur Puri Muzyka Vishal Dadlani Shekhar Ravjiani Pyarelal Ramprasad Sharma Choreografia Farah Khan Występują Shah Rukh Khan Arjun Rampal Deepika Padukone Shreyas Talpade Kirron Kher Produkcja Eros International Red Chillies Entertainment Indie rok produkcji: 2007 czas trwania: 162 minut kolor – Dolby SR – 1.85:1 2 Om Shanti Om to drugi film w karierze reżyserskiej Farah Khan. Pierwszy – Jestem przy tobie, zdobył serca wielu widzów dzięki roli Shah Rukh Khana, jako majora Rama poszukującego swojego brata i broniącego córki generała w przebraniu studenta. Najnowszy film Farah Khan to zrealizowany z ogromnym rozmachem film ku czci króla Bollywoodu – Shah Rukh Khana. Om Shanti Om jest filmem o marzeniach, miłości i zemście. Akcja filmu rozpoczyna się w roku 1977. Om Prakash Makhija (Shah Rukh Khan) jest statystą, zakochanym bez pamięci w gwieździe indyjskiego kina Shanti (Deepika Padukone). Om jest jej najwierniejszym fanem, gotowym w razie potrzeby oddać za nią życie. Gdy na planie ich wspólnego filmu wybucha pożar, Om ratuje Shanti i zostaje jej przyjacielem. Marzy o wspólnej przyszłości, jednak życie Shanti nie jest tak piękne, jak mogłoby się wydawać. Om przez przypadek poznaje tajemnicę Shanti. Wkrótce potem oboje giną… Druga część filmu rozpoczyna się w roku 2007. Om Kapoor (Shah Rukh Khan) jest wielkim gwiazdorem. Żyje beztrosko, wydaje się, że ma cały świat u swoich stóp. -
Shah Rukh Khan from Wikipedia, the Free Encyclopedia "SRK" Redirects Here
Shah Rukh Khan From Wikipedia, the free encyclopedia "SRK" redirects here. For other uses, see SRK (disambiguation). Shah Rukh Khan Shah Rukh Khan in a white shirt is interacting with the media Khan at a media event for Kolkata Knight Riders in 2012 Born Shahrukh Khan 2 November 1965 (age 50)[1] New Delhi, India[2] Residence Mumbai, Maharashtra, India Occupation Actor, producer, television presenter Years active 1988present Religion Islam Spouse(s) Gauri Khan (m. 1991) Children 3 Signature ShahRukh Khan Sgnature transparent.png Shah Rukh Khan (born Shahrukh Khan, 2 November 1965), also known as SRK, is an I ndian film actor, producer and television personality. Referred to in the media as "Baadshah of Bollywood", "King of Bollywood" or "King Khan", he has appeared in more than 80 Bollywood films. Khan has been described by Steven Zeitchik of t he Los Angeles Times as "perhaps the world's biggest movie star".[3] Khan has a significant following in Asia and the Indian diaspora worldwide. He is one of th e richest actors in the world, with an estimated net worth of US$400600 million, and his work in Bollywood has earned him numerous accolades, including 14 Filmfa re Awards. Khan started his career with appearances in several television series in the lat e 1980s. He made his Bollywood debut in 1992 with Deewana. Early in his career, Khan was recognised for portraying villainous roles in the films Darr (1993), Ba azigar (1993) and Anjaam (1994). He then rose to prominence after starring in a series of romantic films, including Dilwale Dulhania Le Jayenge (1995), Dil To P agal Hai (1997), Kuch Kuch Hota Hai (1998) and Kabhi Khushi Kabhie Gham.. -
FILM FOKUS EZEBHANYABHANYA Bollywood Comes Alive
FILM FOKUS EZEBHANYABHANYA bollywood comes alive NEVILLE ADONIS DVD Selector, Acquisitions Section that, this being a Yash Raj production, family values will eventually triumph, the fi lm serves up a bonny, bouncing two-and-a-half hours any people confuse the terms of dialogue-driven entertainment. Hollywood and Bollywood. The ‘Khan, who since Hum tum is proving perception is that Bollywood has M to be a real leading man, plays Nikhil ‘Nick’ its origin from Hollywood, but in fact the Arora, a failed architecture student turned only thing the two names have in common chef who is a minor celebrity in Melbourne. is that both have to do with the fi lm industry. Zinta, the most substantial actress among Hollywood is a place and Bollywood is the younger Bollywood group, plays the role Indian cinema. Although Bollywood used to of Ambar Malhotra, a medical student from be mainly shown in India, more and more combines a comedy about Indians Down Bangalore who moonlights at a local radio western countries have shown interest in Under with a dramedy about a yuppie facing station, Salaam Namaste, to pay for her edu- this cinema genre. In my opinion, Bollywood up to fatherhood. With two of the brightest cation. In typical romantic-comedy style, the plots are a little melodramatic with themes of young stars of Hindi cinema, Saif Ali Khan two self-obsessed leads get off on the wrong love-triangles, kidnapping, corrupt politicians and Preity Zinta in Hugh Grant and Julianne foot when Nikhil is late for an interview on and angry parents and, yes, it also features Moore roles, plus the comforting realisation Ambar’s radio show. -
Screen Awards Function, Shah Rukh and Salman Win
PRLog - Global Press Release Distribution Screen Awards Function, Shah Rukh and Salman win The awards season kicked off with the 17th Annual Star Screen Awards, held on January 6, in Mumbai. Here's a look at some of the stunning arrivals, and winners. Jan. 8, 2011 - PRLog -- The awards season kicked off with the 17th Annual Star Screen Awards, held on January 6, in Mumbai. Here's a look at some of the stunning arrivals, and winners. We start with Shah Rukh Khan, who bagged the Best Actor Popular Choice award for his film My Name Is Khan. Incidentally, rival Salman Khan bagged a Best Actor award as well, for his work in Dabangg. Teen Deviyaan Jacqueline Fernandez, Mugdha Godse and Tanushree Dutta choose black and white for the occasion. The Sinhas Sonakshi Sinha, who won the Most Promising Newcomer award for Dabbang, arrived with her proud mother Poonam Sinha and brother Luv. Circle of love Dabangg producer Arbaaz Khan greets Prabhu Deva, as Farah Khan looks on. Gorgeous gowns Roshni Chopra, Katrina Kaif and Dia Mirza decided to wear beautiful evening gowns for the event. http://www.funfilms.in/show/awards-funtions.html Katrina bagged the Best Actor Popular Choice award for her films Raajneeti and Tees Maar Khan. What were they thinking! Kalki Koechlin, Mahi Gill and Antara Mali need to take some fashion tips from their contemporaries. Skin show Prachi Desai is obviously looking to change her goody goody image by showing some skin but the Rock On!! actress needs a designer as well! Amrita Rao and Chitrangada Singh, on the other hand, covered up. -
Routes 2 Roots Dreams of a Peaceful World Co-Existing with Diverse Cultures, Ruled by Harmony
Routes 2 Roots dreams of a peaceful world co-existing with diverse cultures, ruled by harmony. The world’s largest interactive digital program of teaching performing arts with global reach R-19 LGF, Hauz Khas, New Delhi - 16, Ph: +91 11 41646383 Fax: +91 11 41646384 Studio: Flat No. 5, 1st Floor, Sector - 6 Market, R. K. Puram, New Delhi - 110022, Ph: +91 11 26100114, 26185281 Web: www.routes2roots.com, www.r2rvirsa.in, Email: [email protected] An Initiative of Routes2Roots NGO Routes2Roots twitter.com/Routes2RootsNGO twitter.com/virsar2r virsabyroutes2roots.blogspot.in Board of Advisors & Contributing Maestros of Virsa ROUTES 2 ROOTS Routes 2 Roots is a Delhi based non-profit reputed NGO with a presence all over India. Since its inception in 2004 the NGO is constantly striving to disseminate culture, art and heritage to the common people and the children throughout the world. Ever since its inception in 2004 Routes 2 Roots has dedicated itself to promoting art, culture and heritage throughout the world with the prime objective of spreading the message of peace. We have hosted over 26 international events, 14 exhibitions and 110 concerts throughout the world and all of these programs have been on a non-commercial basis, i.e. no ticketing so that people en masse can come and enjoy a shared experience of each-others’ culture freely. Our organisation is known for quality cultural programs and we have to our credit numerous prestigious international programs such as celebration of 60 years of diplomatic ties between India and China, which was held in 4 cities of China, Celebration of 65 years of Indo-Russian diplomatic ties, which was held in 5 cities of Russia, Festival of India in South Africa covering 4 cities and many more. -
State Funeral for Sridevi Work Aimed at Addressing Gender- Asha J Singhh Based Violence at Universities and Continued Form Page 3 Lived in Lokhandwala Complex
A-4 | Friday, March 2, 2018 FRONT PAGE www.WeeklyVoice.com THE WEEKLY VOICE Gender Is EDITOR Bala Menon Main Theme CONTRIBUTING WRITERS Preeti Thandi Of Budget Harj Chaggar Continued from page 3 Amitabh Saxena into account. The Liberals also included a “gender results frame- Graphic Design Tamarind Tree work,’’. To bolster these efforts, HarSimrat Panfer the Liberals are also committing millions of dollars to improving GENERAL MANAGER the collection of data needed to Dhruv Ghosh do this. That includes $6.7 mil- lion over ive years and $600,000 ACCOUNT MANAGERS a year thereafter, for Statistics Manu Ramachandran Canada to set up a new Centre for G Prasaad Gender, Diversity and Inclusion Rohit Malhotra Statistics. Actors Anil Kapoor, third left and Arjun Kapoor, second left, stand beside as the body of Sridevi SEXUAL ASSAULTS ON ONLINE MARKETING covered with the Indian lag is carried in truck during her funeral. (AP Photo/Rajanish Kakade) CAMPUS: MANAGER The government is Amitabh Saxena committing $5.5 million over ive years to develop a national- frame ACCOUNTS State Funeral For Sridevi work aimed at addressing gender- Asha J Singhh based violence at universities and Continued form page 3 lived in Lokhandwala Complex. demise, the Kapoor household colleges. They are also backing PHOTOGRAPHER ing through some of the poshest Among the prominent person- had witnessed a steady stream up the initiative with a threat: if Manohar Sagoo areas of Andheri and Vile Parle alities who attended the funeral of visitors including Rajinikanth,a post-secondary institution is suburbs, with a massive portrait in Vile Parle were Amitabh Bach- Kamal Haasan, Shah Rukh Khan,not serious enough about deal- of Sridevi visible from a distance. -
Gk Power Capsule for Rbi Assistant/ Ippb Mains & Idbi Po
ljdkjh ukSdjh ikuk gS] dqN dj ds fn[kkuk gS! GK POWER CAPSULE FOR RBI ASSISTANT/ IPPB MAINS & IDBI PO Powered by: GK POWER CAPSULE FOR RBI ASSISTANT | IPPB & IDBI PO(MAINS) 2017 MUST DO CURRENT AFFAIRS TOPICS 62nd Filmfare Awards 2017 declared: Aamir Khan & Alia Best Actor in Motion Picture or Musical or Comedy: Ryan Bhatt Bags Top Honour Gosling for La La Land. Best Actress in Motion Picture Musical or Comedy: At the glittering Filmfare awards, "Dangal" swept away three Emma Stone for La La Land. of four major awards -- Best Film, Aamir Khan won Best Actor Best Original Score-Motion Picture: Justin Hurwitz for the and Nitesh Tiwari won Best Director award while Alia La La Land. Bhatt won the Filmfare Best Actor Award (Female) for her Best Original Song: “City of Stars” (Justin Hurwitz, Pasek & performance in "Udta Punjab". Paul) for the La La Land. Best Foreign Language Film: Elle (France). The winners of 62nd Jio Filmfare Awards are following:- Best Choreography : Adil Shaikh - Kar gayi chul (Kapoor & ICC Awards 2016 announced: It was all Kohli there Sons) Ravichandran Ashwin has won both the ICC Cricketer of the Best Editing: Monisha R Baldawa - Neerja Year and the ICC Test cricketer of the Year award after he was Best Lyrics: Amitabh Bhattacharya – Channa mereya (Ae Dil named as the only Indian in ICC’s Test Team of the Year. Virat Hai Mushkil) Kohli was named the captain of the ICC ODI Team of the Best Story: Shakun Batra and Ayesha Devitre - Kapoor & Year. Misbah-Ul-Haq won the ICC Spirit of Cricket Award at Sons the 2016 ICC Awards as he became the first Pakistan player to Best Dialogue: Ritesh Shah - Pink win the award. -
Bollywood and Postmodernism Popular Indian Cinema in the 21St Century
Bollywood and Postmodernism Popular Indian Cinema in the 21st Century Neelam Sidhar Wright For my parents, Kiran and Sharda In memory of Rameshwar Dutt Sidhar © Neelam Sidhar Wright, 2015 Edinburgh University Press Ltd The Tun – Holyrood Road 12 (2f) Jackson’s Entry Edinburgh EH8 8PJ www.euppublishing.com Typeset in 11/13 Monotype Ehrhardt by Servis Filmsetting Ltd, Stockport, Cheshire, and printed and bound in Great Britain by CPI Group (UK) Ltd, Croydon CR0 4YY A CIP record for this book is available from the British Library ISBN 978 0 7486 9634 5 (hardback) ISBN 978 0 7486 9635 2 (webready PDF) ISBN 978 1 4744 0356 6 (epub) The right of Neelam Sidhar Wright to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 and the Copyright and Related Rights Regulations 2003 (SI No. 2498). Contents Acknowledgements vi List of Figures vii List of Abbreviations of Film Titles viii 1 Introduction: The Bollywood Eclipse 1 2 Anti-Bollywood: Traditional Modes of Studying Indian Cinema 21 3 Pedagogic Practices and Newer Approaches to Contemporary Bollywood Cinema 46 4 Postmodernism and India 63 5 Postmodern Bollywood 79 6 Indian Cinema: A History of Repetition 128 7 Contemporary Bollywood Remakes 148 8 Conclusion: A Bollywood Renaissance? 190 Bibliography 201 List of Additional Reading 213 Appendix: Popular Indian Film Remakes 215 Filmography 220 Index 225 Acknowledgements I am grateful to the following people for all their support, guidance, feedback and encouragement throughout the course of researching and writing this book: Richard Murphy, Thomas Austin, Andy Medhurst, Sue Thornham, Shohini Chaudhuri, Margaret Reynolds, Steve Jones, Sharif Mowlabocus, the D.Phil. -
CA Final MAY 2017- Notepad-Copy
taxupindia.com AIFinal THE INSTITUTE OF CHARTERED ACCOUNTANTS OF INDIA NEW DELHI 18TH JULY, 2017 NO.13 -CA EXAM/RESULT/FINAL/MAY, 2017 - IN PURSUANCE OF REGULATION 39 OF THE CHARTERED ACCOUNTANTS REGULATIONS, 1988, THE NAMES OF THE CANDIDATES WHO HAVE BEEN DECLARED SUCCESSFUL IN THE FINAL EXAMINATION HELD IN MAY, 2017 AS PER SYLLABUS SPECIFIED BY THE COUNCIL UNDER REGULATION 31(ii) OF THE CHARTERED ACCOUNTANTS REGULATIONS, 1988 EITHER IN BOTH GROUPS OR IN GROUP-1 OR IN GROUP-2 AS INDICATED AGAINST THEIR NAMES, ARE HEREBY PUBLISHED FOR GENERAL INFORMATION. -------------------------------------------------------------------- SR NO ROLL NAME MAY, 2017 FINAL PAGE 1 GROUP -------------------------------------------------------------------- 1 100012 SAHIBA DUA FIRST 2 100039 SREEJA GOVINDANKUTTY MENON SECOND 3 100041 MILI KALLAYIL GOKULAN SECOND 4 100046 BHAWNA KUMARI FIRST 5 100048 PRAGATI GUPTA FIRST 6 100049 MOHIT AGRAWAL FIRST 7 100057 SWEETY GUPTA FIRST 8 100073 PRAFULL AGARWAL FIRST 9 100074 NITIN PRAKASH SECOND 10 100075 PRATEEK GUPTA BOTH 11 100080 HARSH AGARWAL BOTH 12 100081 PRIYA ROHATGI BOTH 13 100082 AMIT GOYAL FIRST 14 100091 SOMYA GAUR SECOND 15 100098 RAGHAV BANSAL SECOND 16 100099 AMAN AGARWAL BOTH 17 100109 GAURANG AGARWAL BOTH 18 100112 CHARCHIT AGRAWAL FIRST 19 100117 ANIL KUMAR GARG SECOND 20 100123 SHREYANSH AGARWAL BOTH 21 100125 SYED ATIF AHMED BOTH 22 100126 ANKITA JINDAL BOTH 23 100129 SHIVAM AGARWAL SECOND 24 100135 ANTRA BHARGAV FIRST 25 100136 VIPUL TAKRANI SECOND 26 100140 SAKSHI GUPTA SECOND 27 100145 ASHIKA JAIN -
UTV Announces Release Dates for Joker
UTV announces release dates for Joker Shirish Kunder directed Akshay Kumar starrer to hit cinemas worldwide on August 30th 2012 Mumbai, 1 November 2011: UTV Motion Pictures today announced the release date for Joker as August 30, 2012. A madcap comedy directed by Shirish Kunder and featuring Akshay Kumar and Sonakshi Sinha, this film promises an out-of-this-world experience. Quite literally so! Akshay Kumar returns to his hometown, a place that's so remote and crazy that it’s not even on the map. And then what follows puts this forgotten little town not just on the country's map, but makes it the focus of the entire globe! Aliens! Is the town really the site of an alien invasion? Will Akshay manage to change the game - just like the joker does in a pack of cards? Get set for India's coolest (and first ever) comedy starring aliens! In 3D! About UTV Motion Pictures: The Motion Pictures division of UTV, established in 2004, is an integrated studio model in the Indian film industry as well as in the whole of South Asia region. The activities of the studio span across creative development, production, marketing, distribution, licensing, merchandising and syndication of films worldwide. UTV has a library of over 50 films including Hindi, Regional, Animation and International Productions. The last decade in Indian cinema has seen UTV delivering some of the most iconic films including Swades, Rang De Basanti, Jodhaa Akbar, A Wednesday, Dev D, Khosla Ka Ghosla, The Namesake, Life in a Metro, Oye Lucky! Lucky Oye!, Kaminey and more recently Raajneeti, Udaan and Peepli [Live].