DOCSLIB.ORG

Website Delegate List

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

First Name Surname Job Title Company Suleeko Abdi Student N/A Frances Abebreseh Communications Manager Netflix Lucy Acfield Head of Brand & Product Marketing Guinness World Records James Acken Founder, Freelancer Acken Studios Lindsey Adams Producer Daily Madness Megan Adams Look Mentor Look UK ToyLikeMe Seleena Addai Illustrator / Character Designer The Secret Story Draw Abigail Addison Animation Production Liaison Executive ScreenSkills Aiden Adkin Creative Director Harbour Bay Selorm Adonu Director XVI Films Ivan Agenjo Executive Producer Peekaboo Animation Jayne Aguire Walsh Entry Level Creative Freelance Andrew Aidman Producer Andrew Aidman Sun In Eye Productions, Aittokoski Metsamarja Aittokoski Screenwriter, Director, Producer Experience Sonja Ajdin Research Manager Viacom Yinka Akano CRBA Exec BBC Francesca Alberigi Production and Development Coordinator Nickelodeon International Aoife Alder Research Executive ITV Candice Alessandra Student Student Laura Alexander Video Producer / Editor Acamar Films Kristopher Alexander Professor of Video Games The Digital Citadel Lisa Ali Freelance Freelance Shakila Ali Content Impact BBC Caroline Allams Co-Founder and Chief Creative Officer Natterhub Bill Allard Director Sound of Music Jo Allen Producer BBC Mara Alperin Story Producer and Brand Lead Wonderbly Vanessa Amberleigh Genre Lead, Preschool BBC Arezou Amin Writer Freelance Kenneth Anderson Character designer / illustrator Character Cube Paul Andrews Director / Co Owner Pummie Productions Ltd Nicola Andrews Managing Director Hemisphere Media Consultancy Laura Annis Development Manager Blue Zoo Helen Anspach Content & Acquisitions Coordinator Warnermedia EMEA Laverne Antrobus Consultant Child and Educational Psychologist Self Employed Amoy Antunet Changemaker The Children's Media Conference Rossella Arena Journalist Licensing Magazine (BM srl) Katie Armstrong PMA BBC Assistant Development and Production, Live Ally Arnold Action 9 Story Media Group Jay Arnold Senior Programme Manager, Film British Council Helen Arntsen HO Development BlueZoo Maya Arthur Freelance Illustrator N/A Courtney Arumugam VP, Creative Development - Animation & Family Gaumont Melodie Ash Creative Producer XR Stories Japhet Asher Director Polarity Reversal Ltd Rebecca Atkinson Creator/Writer Mixmups MixMups and ToyLikeMe Mary-Jane Attafuah Communications Strategist Tifi Ros Attille Development Exec Children's BBC Susan Atwill Student/Maker Kinetic Landscape Royal College of Art Ann Austen Creative Producer/Show Runner Freelance Jayne Austin Assistant Producer Hello Halo Marcus Austin Director XVI Films Joana Avi-Lorie Writer and illustrator Joana Avi-Lorie Emma Azhashemi Marketing Coordinator - Kids Channels Narrative Entertainment Jamie Badminton Creative Director Karrot Animation Production and Development Nickelodeon, ViacomCBS Networks Adam Bailey Manager International John Baker Production Assistant Milkshake! Andrew Baker MD Cantilever Media Limited Zainab Balami Managing Director and Creative Producer Zazou Production Works Senior Manager Acquisitions and Coproductions Zia Bales Kids Warnermedia EMEA Janet Balmforth Consultant DDA Public Relations Zoe Bamsey Development Executive BBC Justine Bannister Founder & Creative Facilitator Justine B Aneesh Barai University Teacher in Education University of Sheffield Julie Baran Content Manager Sesame Workshop Katie Barba Production Supervisor The Walt Disney Company Rachel Bardill Head of Digital Media Platforms and Planning BBC Rachel Barnett-Jones Screenwriter Fly High Stories Lauren Bartles Head of Operations The Children's Media Conference Matthew Bartlett Writer Freelancer Julian Bashford Show Creator Visionality Anna Bassi Editorial Director, The Week Junior Dennis Sarah Baynes CEO The Creative Garden Martin Baynton CCO Pukeko Pictures Daniel Bays VP Development CAKE Productions Dominique Bazay Director Original Animation Netflix Katherine Beacon Development Producer BBC Children's William Bean Director Dog Day Media Tom Beattie Managing Director Tiger Aspect Kids and Family Shazia Begum Programme Lead (Sky Kids) Sky UK Kevin Beimers Director Italic Pig Sarah Bellisario Designer Sas and Yosh Sam Belola Insight & Innovation Specialist Freelance Kay Benbow Children's Media Specialist Consultant Melissa Bennett Screenplay Writer www.melissa-bennett.com Braydon Bent Presenter and Reporter Freelance Sushil Bhasin CMD Bhasinsoft India Ltd. Ankur Bhasin Founding Member Encore Films President of Animation Carlos Biern Productions/Coproductions Toonz Media Group Kidoodle.TV (Owned by A Parent Media Brenda Bisner CCO Co., Inc.) Rachael Black Knowledge Exchange Associate The University of Sheffield Harriet Blackamore Assistant Producer BBC Beth Bleathman Senior Research Executive The Insights Family Gregory Bogsnes-Boardman Producer Three Stones Media Kathryn McCann Learning Coordinator Into Film Ricky Boleto Preseter/Reporter BBC Leah Boleto Radio and TV Presenter Radio and TV Presenter Julia Bond Commissioning Editor, 0-6 BBC Children's Sarah Boorman Music and Marketing Consultant Universal Music Simon Bor Writer Simon Bor Angela Boudreault Sr. Director, Live Action Production WildBrain Lioz Bouganin President/Executive Producer Landslide Entertainment Matt Bowen Kids TV Executive Matt Bowen Tom Box Co-founder/MD Blue Zoo Animation Studio Kisha Bradley Managing Director Brightbox Gabriela Bran Animator Gaby Bran Catherine Branscome President, Executive Producer Branscome International Lucy Bray Professor of Child Health Literacy Edge Hill University Deirdre Brennan EVP, Content Partnerships WildBrain Andrew Brenner Creator/Scriptwriter Nondescript Danny Brogan Senior UK Editor Common Sense Media Vanessa Brookman VP Content, Brands & Digital, UK & NE WarnerMedia Claire Brossard Director of Digital Product Acamar Films Gianna Brown Animation Intern The Walt Disney Company Danielle Brown Founder and CEO Danielle Brown Limited Helen Brunsdon Director British Animation Awards Tim Bryans Managing Director ALT Animation Keedron Bryant Changemaker The Children's Media Conference Nathan Bryon Writer and Actor Self Employed Jean Buchanan Screen Writer Freelance Australian Children's Television Jenny Buckland CEO Foundation Louise Bucknole VP Programming Kids, VCIN UK & Ireland ViacomCBS Kate Bulkley Business Journalist Freelance Helen Bullough Head of Children's In House Production BBC Miles Bullough MD Wildseed Studios Dino Burbidge Innovation Coach Sky Alice Burden Children's Media Consultant ABCD Ltd Claire Burdfield HeadConference of Audience Assistant Research, Children's and The Children's Media Conference Sarah Burkett Educatio BBC Amy Buscombe Commissioning Editor, Drama Independents BBC Childrens's Mellie Buse Exec Producer Adastra Development Niel Bushnell Writer NM Bushnell Limited Lena Byrne Co-Founder Sow You Entertainment Sara Cabras Co-production-Preacquisition Department Rai Ragazzi Gillian Calvert Ridge Global Distribution Director Jet Pack Distribution Lori Camm Producer BBC Adam Campbell Director of Product Macademia Gisela Canelhas Producer TM Media Kate Canning Producer/Director Canning Factory Limited Olivia Canter VP Sales Liaison NBC Universal Simone Carasco Founder Fully Worded Limited Felicity Carpenter Writer Freelance Gary Carse Creative Director Carse and Waterman Productions Adam Carter Producer BBC Children's In-house Production Amy Carter Gordon Knowledge Exchange Associate University of Sheffield Jasper Cartwright Development Assistant BBC Eryk Casemiro SVP Preschool Nickelodeon David Caskey Creator/Producer Cogsville Caroline Casojn Senior Research Manager Ofcom Brigid Casserly Multi-Platform Content Manager Nickelodeon Lana Castleman Director of Communications Writers Guild of Canada Dan Castro Director Castro+Friends Ben Cawthorne Creative Producer Cloth Cat Valerie Cazalet Partner Moore Kingston Smith Nia Ceidiog Producer Ceidiog Sule Celik Corporate Communications Specialist TRT Lynn Chadwick VP Content & Sales Huminah Huminah Animation Phil Chalk MD Factory Joseph Channon Planning Executive Nickelodeon Helen Charalambous Senior Programming Manager Warner Media Rachel Charman Creative Director What a Bee! Studios KAREN CHAUDHARI Research Director Platypus Research Ltd Meera Chauhan Illustrator Freelance Eliott Cheeseman Entertainment & Esport Lawyer Self Employed James Chen Gu General Manager, Animation Studio UYOUNG Culture & Media Co Alison Cheng Unemployed N/A Farah Cherif Senior Communications Executive ViacomCBS Networks UK Rajiv Chilaka Found and CEO of Green Gold Animation Pvt Ltd Green Gold Animation Pvt Ltd Greg Childs Editorial Director The Children's Media Conference Jenny Childs N/A Childseye Shantha Chinniah Amateur writer and illustrator N/A Darren Chouings Head of Production The Children's Media Conference Chris Chowden Innovation and Technology Manager Wired Sussex Tony Church Director Tony Church Projects Limited Jonathan Clarke Producer Distillery Films Sean Clarke Managing Director Aardman Dr. Barbie Clarke Founder Family Kids & Youth Aubrey Clarke Senior Programme Executive BBC Children's Nigel Clarke TV Presenter and Performer TV Presenter and Performer Jo Clayton Publicist BBC Jen Cleary Editorial Lead Boclips Cathy Clethero Founder / Content Creator Bangers & Smash / Pidduck Productions Joanne Cliff Managing Director Platypus Research Henry Coate Creative Director Metalback Media Emily Cohen Research Manager Sherbert Victoria Coker Head of Unscripted Development BBC Alex Collier Brilliant Writer Oddball Media Rachael Condie CRBA Exec BBC Eroulla Constantine
Recommended publications
  • Step Over to the Asian Side Yves Jeanneau Reveals That the Future of Documentary Points to Asia a Dynamic Professional Directory &Network Tool

    Step Over to the Asian Side Yves Jeanneau Reveals That the Future of Documentary Points to Asia a Dynamic Professional Directory &Network Tool

    March/April 2013 | Vol. 011 www.mediahubaccess.com INTERVIEW Alexandre Muller, Managing Director discusses new media developments at TV5Monde Asia COMPANY FOCUS CEO, Francois-Xavier Poirier, gives a glimpse of the stories behind the laughs at Novovision Step over to the Asian side Yves Jeanneau reveals that the future of documentary points to Asia A dynamic professional directory &network tool Looking for a fixer, a co-producer or OB van rental? Mediahub PROlink gives you access to all the contacts you need to plan any type of production in the world: Browse an extensive database of key contacts facilitating the organization of your production onsite: production studios, services, crews and facilities Join an international production, distribution and broadcast community where you can maximize your visibility, connect with other members and open up new business opportunities. Post any business related news through the Mediahub Message Board and spread the info to the entire Mediahub network. mediahubaccess.com EDITORIAL Director of Publication ransitions can be daunting. Al- as a prominent stop for producers Dimitri Mendjisky though most of the time it is a and documentary makers, the progression towards something time has arrived to step over to General Manager T better, not all of us are ready to the Asian side! Juliette Vivier embrace the change that follows. But, a transition is an important In our Interview of the month, EDITORIAL facet to a musical arrangement; TV5Monde’s Managing Direc- Editor-In-Chief a smooth segue from one move- tor, Alexandre Muller, is all about Suzane Avadiar ment to another is as vital as each the growth within the company.
  • 07Cmyblookinside.Pdf

    07Cmyblookinside.Pdf

    2007 China Media Yearbook & Directory WELCOMING MESSAGE ongratulations on your purchase of the CMM- foreign policy goal of China’s media regulators is to I 2007 China Media Yearbook & Directory, export Chinese culture via TV and radio shows, films, Cthe most comprehensive English resource for books and other cultural products. But, of equal im- businesses active in the world’s fastest growing, and portance, is the active regulation and limitation of for- most complicated, market. eign media influence inside China. The 2007 edition features the same triple volume com- Although the door is now firmly shut on the establish- bination of CMM-I independent analysis of major de- ment of Sino-foreign joint venture TV production com- velopments, authoritative industrial trend data and panies, foreign content players are finding many other fully updated profiles of China’s major media players, opportunities to actively engage with the market. but the market described has once again shifted fun- damentally on the inside over the last year. Of prime importance is the run-up to the 2008 Beijing Olympiad. At no other time in Chinese history have so Most basically, the Chinese economic miracle contin- many foreign media organizations engaged in co- ued with GDP growth topping 10 percent over 2005-06 production features exploring the modern as well as and, once again, parts of China’s huge and diverse old China. But while China has relaxed its reporting media industry continued to expand even faster over procedures for the duration, it would be naïve to be- the last twelve months. lieve this signals any kind of fundamental change in the government’s position.
  • Lista Distribuidores Correccion

    Lista Distribuidores Correccion

    • 12 Yard Productions • Alex Bowen Producciones • 2929 Entertainment • All3media International • 3DD Enterteinment • Allegro Pictures • 9 Story Enterprises • Alley Cat Films • A&E Channel Home Video • Alliance Atlantos Releasing • Aardman • Alphablocks Limited • Abduction Films • Altadena Film • Acacia • AMC Networks (Walking Dead Only) • ACC Action Concept Cinema • American Cinema Independent • ACI • American Portrait Films • Acorn Group • Andrea Films • Acorn Media • Andres Wood Producciones • Actaeon Films • Anglia Television • Action Concept • Animal Planet Video • Action Concept • Animalia Productions • Action Concept Film and Stuntproduktion • Annapurna Productions • Action Image • Apollo Media Filmmanagement • Adness Entertainment • Arte France • After Dark Films • Artemis Films • Ager Film • Associated Television • AIM Group • Athena • Akkord Film Produktion • Atlantic 2000 • Alain Siritzky Productions • Atlantic Productions • Alameda Films • August Entertaiment • Alcine Pictures • AV Pictures • Alcon Entertainment • AWOL Animation • Berlin Amimation Film • Best Film and Video • Best Picture Show • Betty TV • B & B Company • Beyond International • Baby Cow Productions • Big Bright House of Tunes • Bandai Visual • Big Idea Entertainment • Banjiay Internartional • Big Light Productions • Bankside Films • Big Talk Productions • Bard Entertainment • Billy Graham Evangelistic Association / World Wide • Bardel Distribution • Pictures • BBC Worldwide • Bio Channel • BBL Distribution • BKN International • BBP Music Publishing c/o Black
  • Drug Education and Its Publics in 1980S Britain

    Drug Education and Its Publics in 1980S Britain

    International Journal of Drug Policy 88 (2021) 103029 Contents lists available at ScienceDirect International Journal of Drug Policy journal homepage: www.elsevier.com/locate/drugpo Policy Analysis Just say know: Drug education and its publics in 1980s Britain Alex Mold Centre for History in Public Health, London School of Hygiene & Tropical Medicine, 15-17 Tavistock Place, London, WC1H 9SH, United Kingdom ARTICLE INFO ABSTRACT Keywords: Until the 1980s, anti-drug education campaigns in the UK were rare. This article examines the reasons behind a Heroin policy shift that led to the introduction of mass media drug education in the mid 1980s. It focuses on two Drug education campaigns. ‘Heroin Screws You Up’ ran in England, and ‘Choose Life Not Drugs’ ran in Scotland. The campaigns Health education were different in tone, with ‘Heroin Screws You Up’ making use of fear and ‘shock horror’ tactics, whereas History of drug use ‘Choose Life Not Drugs’ attempted to deliver a more positive health message. ‘Heroin Screws You Up’ was criticised by many experts for its stigmatising approach. ‘Choose Life Not Drugs’ was more favourably received, but both campaigns ran into difficulties with the wider public. The messages of these campaigns were appro­ priated and deliberately subverted by some audiences. This historical policy analysis points towards a complex and nuanced relationship between drug education campaigns and their audiences, which raises wider questions about health education and its ‘publics’. In April 1986, the cast of teen TV soap, Grange Hill, released a song wanted to be seen to take action on drugs, leading to the introduction of titled ‘Just say no’.
  • Buses from Grange Hill

    Buses from Grange Hill

    Buses from Grange Hill 462 FR Limes Farm Estate O Copperfield GH D A LL L Hail & Ride MANOR ROA section AN E Manor Road C St. Winifred’s Church D Grange Hill M AN W A AR MANOR ROAD FO REN Grange Hill C RD T. LONG B WAY G R Manford Way G E Manford Primary School CRE RANGE E N SCEN Brocket Way T Manford Way Hainault Health Centre Destination finder Destination Bus routes Bus stops Destination Bus routes Bus stops B L Barkingside High Street 462 ,a ,c Limes Farm Estate Copperfield 462 ,b ,d Hainault Waverley Gardens Longwood Gardens 462 ,a ,c The Lowe Beehive Lane 462 ,a ,c M Brocket Way 362 ,c Manford Way 462 ,a ,c C Hainault Health Centre Chadwell Heath o High Road 362 ,c Manford Way 462 ,a ,c Manford Primary School Chadwell Heath Lane 362 ,c Manor Road St. Winifred's Church 462 ,b ,d Elmbridge Road New North Road Cranbrook Road for Valentines Park 462 ,a ,c Harbourer Road Marks Gate Billet Road 362 ,c E Eastern Avenue 462 ,a ,c N New North Road Harbourer Road 362 ,c Elmbridge Road 462 ,a ,c New North Road Yellow Pine Way 362 ,c F Buses from Grange Hill Fairlop 462 ,a ,c BusesR from Grange Hill Romford Road 362 ,c Forest Road New North Road Fremantle Road 462 ,a ,c Hainault Forest Golf Club for Fairlop Waters Yellow Pine Way Barkingside High Street Boulder Park Rose Lane Estate 362 ,c Forest Road 462 ,a ,c 462 for Fairlop Waters Boulder Park FR Limes Farm Estate W Copperfield O D Fullwell Cross for Leisure Centre 462 ,a ,c WhaleboneGH Lane North 362 ,c A Romford RoadLL L Hail & Ride G MANOR ROA section WhaleboneAN Lane North 362 ,c Gants Hill 462 ,a ,c Fairlop Romford Road Whalebone GroveE Manor Road Hainault Forest Golf Club H Woodford Avenue C 462 ,a ,c St.
  • Directed by Nancy Carlin by George Bernard Shaw

    Directed by Nancy Carlin by George Bernard Shaw

    CENTER REPERTORY COMPANY OF WALNUT CREEK Michael Butler, Artistic Director Scott Denison, Managing Director presents By George Bernard Shaw Scenic Designer Costume Designer Lighting Designer Kelly James Tighe Victoria Livingston-Hall Kurt Landisman Sound Designer Stage Manager Prop Master Lyle Barrere Gregg Rehrig* Christopher Kesel Wig Designer Judy Disbrow Cast Andy Gardner Maggie Mason Kendra Lee Oberhauser Gabriel Marin* Aaron Murphy Lisa Anne Porter* Craig Marker* Michael Ray Wisely* Directed by Nancy Carlin Margaret Lesher Theatre January 27 - February 25, 2012 Lesher Center for the Arts Season Season Partner Season Media Sponsor Foundation Sponsor Sponsor *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States The Lighting Designer is a member of United Scenic Artists Union The Director is a member of the Stage Directors and Choreographers Society Center REP is a member of Theatre Bay Area and Theatre Communications Group (TCG), The National Organization for the American Theatre CAST (in order of appearance) Craig Marker* (Captain Kendra Lee Oberhauser Bluntschli) has appeared at (Louka) is delighted to Catherine Petkoff ........................... Lisa Anne Porter* Center REP in The Mousetrap return to the Center REP Raina Petkoff .........................................Maggie Mason and The Marriage of Figaro. stage where she was last Louka .....................................Kendra Lee Oberhauser His Bay Area theater credits seen in Dracula (Mina Captain Bluntschli .................................Craig Marker* include The Glass Menagerie, Murray), Noises Off (Poppy) Russian Officer ............................ Andy Ryan Gardner Seagull, 9 Circles, Equivocation and The Women (various). Nicola ....................................................... Aaron Murphy and Bus Stop at Marin Theatre Company; The Circle Recent credits include: Reduction in Force and Major Petkoff .............................
  • Project 3 Unit 3 Mock Test3

    Project 3 Unit 3 Mock Test3

    Put the verbs in the brackets into the correct tense. Use the past simple or past continuous tense. My friends saw me when I was waiting for my girlfriend. (see, wait) ________________________________________ 1. The teacher ____________ into the classroom when we _____________ football. (come, play) ________________________________________ 2. I ___________ my girlfriend while I ________________________________________ ___________ at university. (meet, study) 3. Mark ______________ home when it ___________ to rain. (walk, start) /6 . A detective is asking questions. Write the questions. What were you doing at 6 o´clock? ________________________________________ I was walking my dog at 6 o´clock. ________________________________________ 1. _____________________________________? ________________________________________ We were sitting on a bench. /6 2. ______________________________________? . Complete the sentences with the words from the box. I saw a beautiful girl. 3._____________________________________? wind water snow volcano A short skirt and a yellow T­shirt. lightning earthquake 4. ____________________________________? 1. It rained a lot but there was no ___________. She went into the restaurant. 2. The ____________________ destroyed a lot of 5. ____________________________________? houses. She was short and slim. 3. The _______________ exploded and there /5 came out a lot of stones and lava from the . These are pictures from yesterday. Write what mountain. happened. 4. Tornado is a kind of a strong ________________ which goes very quickly. 5. A flood is a lot of _________________. 6. During an avalanche a lot of _____________ goes down a mountain and destroys everything. /6 When the boy was playing football, he fell and he broke his leg. Correct the sentences. Change only 1 word in 1. When did Grange Hill start? ___________________________________ each sentence.
  • Cartoon Business Erlands) (Neth Echt Utr 16, 20 Ch Ar 3 M -2 21

    Cartoon Business Erlands) (Neth Echt Utr 16, 20 Ch Ar 3 M -2 21

    Cartoon Business erlands) (Neth echt Utr 16, 20 ch ar 3 M -2 21 Conference > New Emerging Business Models in Animation www.cartoon-media.eu pitching event for animated transmedia projects www.cartoon-media.eu Pub-MAS-15-Digit-programme-3.indd 1 16/02/16 13:51 Partners CARTOON BUSINESS IS ORGANISED BY WITH THE SUPPORT OF IN COLLABORATION WITH CARTOON IS SPONSORED BY 3 NFF: THE GO-TO FESTIVAL FOR DUTCH CINEMA INSPIRATION CO-PRODUCTION MARKET FOR 20 EUROPEAN FEATURE LENGTH PROJECTS CALL FOR ENTRIES 15 MARCH – 15 JUNE FILMFESTIVAL.NL/PROFESSIONALS Willemien van Aalst Gerben Schermer Festival Director - NFF Festival Director - HAFF Dear participants, elcome! We are delighted to meet you in the city that both the Netherlands Film Festival (NFF) and Holland Animation Film Festival (HAFF) operate from. We are proud to host the Cartoon W Business seminar in tandem with our solid partners. Annually in late September, the Netherlands Film Festival (NFF) is a vibrant event for connecting both filmmakers and audiences. The NFF, with the concurrent Holland Film Meeting, is the authoritative festival for Dutch cinema, fostering the interests of the Dutch film and film culture by drawing wide attention to it and by deepening and broadening knowledge about the discipline. We are very happy to see our great city brighten up with scores of animation enthusiasts and professionals in March at HAFF and now at Cartoon Business as well. HAFF is one of the leading international animation festivals and official partner of Cartoon d’Or. It is important to have these events celebrate the art and build on sustaining it.
  • Seznam Frekvencí Freesat (01.02.2018)

    Seznam Frekvencí Freesat (01.02.2018)

    Seznam frekvencí freeSAT (01.02.2018) Vážený zákazníku, seznam frekvencí vám umožní naladit všechny programy obsažené v programových balících, které máte aktivovány. Naladění satelitního přijímače od freeSAT Satelitní přijímač od freeSAT si všechny frekvence naladí automaticky. V případě jakýchkoli změn proběhne automatické přeladění všech programů, které jsou aktivovány a programů FTA (volně vysílané kanály bez kódování), a to bez jakékoliv potřeby zásahu uživatele. Naladění vlastního satelitního přijímače Pokud máte vlastní satelitní přijímač, ujistěte se, že jste si naladili všechny programy z programových balíků, které máte aktivovány. Pro ladění kanálů podle uvedeného seznamu se prosím řiďte návodem k použití k vašemu satelitnímu přijímači. Poz.* Tier Balík Transpondér Satelit Frekv. Polarizácia Formát SymbolRate FEC 1 ČT1 freeSAT light BSS01 Thor 6 11.727 V DVB-S 28000 7/8 2 ČT2 freeSAT light BSS03 Thor 6 11.766 V DVB-S 28000 7/8 3 Nova freeSAT light BSS05 Thor 6 11.804 V DVB-S 28000 7/8 4 Prima freeSAT light BSS01 Thor 6 11.727 V DVB-S 28000 7/8 5 ČT24 freeSAT light BSS19 Thor 6 12.073 V DVB-S 28000 7/8 6 Prima Cool freeSAT light BSS05 Thor 6 11.804 V DVB-S 28000 7/8 7 Jednotka freeSAT light BSS05 Thor 6 11.804 V DVB-S 28000 7/8 8 Dvojka freeSAT light BSS05 Thor 6 11.804 V DVB-S 28000 7/8 9 Prima Max freeSAT medium HD BSS35 Thor 6 12.380 V DVB-S2 30000 3/4 10 JOJ family freeSAT light BSS35 Thor 6 12.380 V DVB-S2 30000 3/4 11 Markíza International freeSAT light BSS13 Thor 6 11.958 V DVB-S 28000 7/8 14 TV Barrandov freeSAT light
  • 2018 Radio Finalists

    2018 Radio Finalists

    2018 RADIO FINALISTS CATEGORY ORGANISATION/ SYNOPSIS/REMARK ENTRY TITLE ‘Gook Jue’ (Cantonese for ‘living in an oven’, and the same pronunciation of a slang meaning ‘optionless’) is the theme of this episode, with the current housing problem as the theme. Lau, Tse-ling, a 28-year-old young lady, is desperate to move out, and decides to purchase a 128 Radio Television Hong Kong square feet unit. She is met with objection from the seniors in her family, however. Meanwhile, RTHK - Hong Kong “Twenty Years” Leung, Queenie, Lau’s mother, is faced with the risk of closing her small beauty salon in a shopping centre located in a public housing estate. Their story reflects the housing crisis, with property prices sky-rocketing unceasingly; it also reveals the anxieties of a large population in Hong Kong where their housing needs can never be met. The play is set in a militant training camp located in an isolated hill terrain' where cunningly, Religion is amalgamated with politics and innocent youngsters are brain-washed to turn into Maniacs eager to commit suicide and therewith kill others. Religion mixed with politics FINALIST transforms thought process of individuals, developing a parallel psyche, which when combined with doctrine of terrorism, becomes devastating for the whole world. Through such All India Radio ideological brain-wash, innocent victims, often emotionally fragile, are exploited to seek AIR - India vengeance and transform into killers taking hundreds of innocent lives without any remorse, in DRAMA “Brain-Wash” the quest for Jannat (paradise) and 'Eternal Bliss' after death, The protagonist in this play has had an awakening and is struggling to come out of this death trap along with his companion with whom he reasons and succeeds finally.The play portrays a reverse brain-wash, which turns them back into sensible human beings Who are ready to accept the world and its inhabitants and live in perfect mutual harmony.
  • Playing to Win at the Lopez Achievement Awards 2019 Story on Page 6

    Playing to Win at the Lopez Achievement Awards 2019 Story on Page 6

    NOVEMBER 2019 www.lopezlink.ph Kapamilya gather anew for Palaro. Story on page 10. http://www.facebook.com/lopezlinkonline www.twitter.com/lopezlinkph Playing to win at the Lopez Achievement Awards 2019 Story on page 6 Why ABS-CBN ‘Working Bally goes to is saving PH meaningfully’ Rockwell…page 12 films …page 3 at KCFI…page 9 Lopezlink November 2019 Biz News Lopezlink November 2019 Students get inspiration to SKY offers discount Viewers nationwide continue pursue dreams in PMC caravan to AAP members By Kane Choa By Kane Choa to tune in to ABS-CBN THE media industry is an ex- one is “too young to make an FILIPINOS across the coun- “FPJ’s Ang Probinsyano” “Starla” (28.1%). Completing morning block with 38% in citing yet challenging world. impact” in the entertainment try still tune in to ABS-CBN (35%) is still the top choice of the list are “Home Sweetie contrast to GMA’s 27%. But being part of it is worth industry. for their daily news and enter- viewers nationwide, while “The Home: Extra Sweet” (25.5%), The Kapamilya network it and meaningful, accord- ABS-CBN head of Creative tainment fare as the network General’s Daughter” (34.1%) “Maalaala Mo Kaya” (24.6%) emerged triumphant again in ing to media experts from Communications Management logged an average audience ended its run strongly. and “Rated K: Handa Na Ba Metro Manila as it registered a ABS-CBN who shared their Robert Labayen spoke about share of 44% in October versus “The Voice Kids” (30.2%) Kayo?” (23.2%).
  • Media Oligarchs Go Shopping Patrick Drahi Groupe Altice

    Media Oligarchs Go Shopping Patrick Drahi Groupe Altice

    MEDIA OLIGARCHS GO SHOPPING Patrick Drahi Groupe Altice Jeff Bezos Vincent Bolloré Amazon Groupe Bolloré Delian Peevski Bulgartabak FREEDOM OF THE PRESS WORLDWIDE IN 2016 AND MAJOR OLIGARCHS 2 Ferit Sahenk Dogus group Yildirim Demirören Jack Ma Milliyet Alibaba group Naguib Sawiris Konstantin Malofeïev Li Yanhong Orascom Marshall capital Baidu Anil et Mukesh Ambani Rupert Murdoch Reliance industries ltd Newscorp 3 Summary 7. Money’s invisible prisons 10. The hidden side of the oligarchs New media empires are emerging in Turkey, China, Russia and India, often with the blessing of the political authorities. Their owners exercise strict control over news and opinion, putting them in the service of their governments. 16. Oligarchs who came in from the cold During Russian capitalism’s crazy initial years, a select few were able to take advantage of privatization, including the privatization of news media. But only media empires that are completely loyal to the Kremlin have been able to survive since Vladimir Putin took over. 22. Can a politician be a regular media owner? In public life, how can you be both an actor and an objective observer at the same time? Obviously you cannot, not without conflicts of interest. Nonetheless, politicians who are also media owners are to be found eve- rywhere, even in leading western democracies such as Canada, Brazil and in Europe. And they seem to think that these conflicts of interests are not a problem. 28. The royal whim In the Arab world and India, royal families and industrial dynasties have created or acquired enormous media empires with the sole aim of magnifying their glory and prestige.