Isleños' Spanish Language Preservation in Saint
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Chapter One Phonetic Change
CHAPTERONE PHONETICCHANGE The investigation of the nature and the types of changes that affect the sounds of a language is the most highly developed area of the study of language change. The term sound change is used to refer, in the broadest sense, to alterations in the phonetic shape of segments and suprasegmental features that result from the operation of phonological process es. The pho- netic makeup of given morphemes or words or sets of morphemes or words also may undergo change as a by-product of alterations in the grammatical patterns of a language. Sound change is used generally to refer only to those phonetic changes that affect all occurrences of a given sound or class of sounds (like the class of voiceless stops) under specifiable phonetic conditions . It is important to distinguish between the use of the term sound change as it refers tophonetic process es in a historical context , on the one hand, and as it refers to phonetic corre- spondences on the other. By phonetic process es we refer to the replacement of a sound or a sequenceof sounds presenting some articulatory difficulty by another sound or sequence lacking that difficulty . A phonetic correspondence can be said to exist between a sound at one point in the history of a language and the sound that is its direct descendent at any subsequent point in the history of that language. A phonetic correspondence often reflects the results of several phonetic process es that have affected a segment serially . Although phonetic process es are synchronic phenomena, they often have diachronic consequences. -
An Analysis of Vowels Across Word Boundaries in Veracruz, Mexican Spanish
An Analysis of Vowels across Word Boundaries in Veracruz, Mexican Spanish Janet M. Smith, Tanya L. Flores, Michael S. Gradoville Indiana University Bloomington Abstract This project examines vowels in hiatus across word boundaries in Spanish. Our findings are based on a corpus of seven female speakers of the Veracruz variety of Mexican Spanish. Previous research on vowel transitions has proposed several possible outcomes for vowel combinations across word boundaries in Spanish: hiatus, diphthong, reduction or deletion of one vowel, or creation of a new vowel. The purpose of this project was to investigate the conditions under which these outcomes actually occur in running speech using spectrographic analysis. In terms of hiatus, our results support those of a study conducted on the Spanish of northern New Mexico/Southern Colorado by Alba (2006), which concluded that maintaining hiatus was not the preferred outcome. Likewise, in the present study, 94% of our 148 tokens showed non-maintenance of hiatus. Our data did not clearly reveal a single preferred outcome among the non-maintenance tokens, but rather a mixture of tendencies. These varied widely by vowel combination and speaker. Another surprising outcome that deserves attention is centralization. Centralization was present in all four vowel combinations, occurring more frequently than anticipated, given that it is thought not to occur in Spanish. 1. Introduction Our project1 examines vowels in hiatus across word boundaries in the Spanish of seven female speakers of the Veracruz variety of Mexican Spanish. Studies that examine this topic are rare, especially within the realm of laboratory phonology using spectrographic analysis. Prior experiments on the topic have utilized aural perceptions to distinguish vowel sequences in hiatus from those that are diphthongs and it is only recently that 1 We are very grateful to Dr. -
Isleno Decima Singers of Louisiana
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2002 Isleno Decima Singers of Louisiana: an interpretation of performance and event Danielle Elise Sears Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Speech and Rhetorical Studies Commons Recommended Citation Sears, Danielle Elise, "Isleno Decima Singers of Louisiana: an interpretation of performance and event" (2002). LSU Master's Theses. 342. https://digitalcommons.lsu.edu/gradschool_theses/342 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. ISLENO DECIMA SINGERS OF LOUISIANA: AN INTERPRETATION OF PERFORMANCE AND EVENT A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts In The Department of Communication Studies by Danielle Elise Sears B.G.S., Louisiana State University, 1996 December, 2002 Acknowledgments To the many people in the Department of Communication Studies who have enthusiastically guided me along the way, I give my appreciation and gratitude. I am ever indebted to Dr. Michael Bowman whose mentorship, patience, time and friendship guided me throughout this study. I would also like to thank Dr. Ruth Bowman and Dr. Patricia Suchy for their never ending words of encouragement and votes of confidence. -
Glossary of Key Terms
Glossary of Key Terms accent: a pronunciation variety used by a specific group of people. allophone: different phonetic realizations of a phoneme. allophonic variation: variations in how a phoneme is pronounced which do not create a meaning difference in words. alveolar: a sound produced near or on the alveolar ridge. alveolar ridge: the small bony ridge behind the upper front teeth. approximants: obstruct the air flow so little that they could almost be classed as vowels if they were in a different context (e.g. /w/ or /j/). articulatory organs – (or articulators): are the different parts of the vocal tract that can change the shape of the air flow. articulatory settings or ‘voice quality’: refers to the characteristic or long-term positioning of articulators by individual or groups of speakers of a particular language. aspirated: phonemes involve an auditory plosion (‘puff of air’) where the air can be heard passing through the glottis after the release phase. assimilation: a process where one sound is influenced by the characteristics of an adjacent sound. back vowels: vowels where the back part of the tongue is raised (like ‘two’ and ‘tar’) bilabial: a sound that involves contact between the two lips. breathy voice: voice quality where whisper is combined with voicing. cardinal vowels: a set of phonetic vowels used as reference points which do not relate to any specific language. central vowels: vowels where the central part of the tongue is raised (like ‘fur’ and ‘sun’) centring diphthongs: glide towards /ə/. citation form: the way we say a word on its own. close vowel: where the tongue is raised as close as possible to the roof of the mouth. -
Preceding Phonological Context Effects on Palatalization in Brazilian Portuguese/English Interphonology
Preceding Phonological Context... 63 PRECEDING PHONOLOGICAL CONTEXT EFFECTS ON PALATALIZATION IN BRAZILIAN PORTUGUESE/ENGLISH INTERPHONOLOGY Melissa Bettoni-Techio Rosana Denise Koerich Universidade Federal de Santa Catarina Abstract This article reports a study investigating the effects of the preceding context on palatalization of word-final alveolar stops by Brazilian learners of English. Thirty learners with 150 hours of formal instruction in English read a sentence list in the FL including 240 tokens of final alveolar stops in different preceding and following context combinations. The hypothesis investigated was that high vowels and rising diphthongs in the preceding context would cause more palatalization than mid and low vowels due to carryover effects from vowels to the target sound. The hypothesis was supported. A hierarchy of difficulty concerning preceding phonological contexts was established from the results. The combination of preceding and following phonological contexts was also investigated. Keywordsds: palatalization, interphonology, phonological context. Ilha do Desterro Florianópolis nº 55 p. 063-081 jul./dez. 2008 64 Melissa Bettoni-Techio & Rosana Denise Koerich 1. Introduction In general, phonologists and phoneticians agree that a universal principle of sound systems is that sound units are influenced by their adjacent elements, assuming different phonetic values, according to processes such as assimilation, elision, liaison, and epenthesis (Jackson, 1980; Laver, 1994; Wolfram & Johnson, 1982). Bearing in mind the claim that interlanguages undergo the same phonological processes of natural languages (Eckman, 1991), the above statement can be considered to be true for interlanguages as well. In Brazil, research has investigated the change of features of word- final consonants in Brazilian Portuguese (BP)/English interphonology concerning phonological context (e.g., Kluge, 2004). -
Between Natural and Unnatural Phonology: the Case of Cluster-Splitting Epenthesis Juliette Blevins the Graduate Center, CUNY
Chapter 1 Between natural and unnatural phonology: The case of cluster-splitting epenthesis Juliette Blevins The Graduate Center, CUNY A widely recognized feature of loan-word phonology is the resolution of clusters by vowel epenthesis. When a language lacking word-initial clusters borrows words from a language with initial #TRV sequences, T an oral stop and R a liquid, it is common to find vowel epenthesis, most typically vowel-copy, as in, for example: Basque <gurutze> ‘cross’ from Latin <cruce(m)>; Q’eqchi’ <kurus> ‘cross’ from Spanish <cruz> ‘cross’, or Fijian <kolosi> ‘cross’ from English <cross>. The phonological rule or sound change responsible for this pat- tern is sometimes called “cluster-splitting epenthesis”: #TRVi > #TV(i)RVi. The most widely accepted explanation for this pattern is that vowel epenthesis between the oral stop andthe following sonorant is due to the vowel-like nature of the TR transition, since #TRVi is per- ceptually similar to #TV(i)RVi. A fact not often appreciated, however, is that cluster-splitting epenthesis is extremely rare as a language-internal development. The central premise of this chapter is that #TRVi in a non-native language is heard or perceived as #TV(i)RVi when phonotactics of the native language demand TV transitions. Without this cognitive compo- nent, cluster-splitting epenthesis is rare and, as argued here, decidedly unnatural. 1 Introduction Diachronic explanations have been offered for both natural and unnatural sound pat- terns in human spoken languages. Building on the Neogrammarian tradition, as well as the experimental research program of Ohala (e.g. 1971; 1974; 1993), it is argued that natural sound patterns, like final obstruent devoicing, nasal place assimilation, vowel harmony, consonant lenition, and many others, arise from regular sound changes with clear phonetic bases (Blevins 2004, 2006, 2008, 2015; Anderson 2016). -
Masters of Traditional Arts Education Guide
Masters of Traditional Arts Education Guide Paddy Bowman Betty Carter Alan Govenar Masters of Traditional Arts Education Guide Published by Documentary Arts, Inc. Supported in part by National Endowment for the Arts Pennsylvania Council for the Arts City of Dallas Office of Cultural Affairs Ohio Arts Council Photographs by Alan Govenar Education Guide designed by Katy Parker Copyright © 2011 by Documentary Arts, Inc. Contents Preface The National Heritage Fellowship Meeting Education Standards Opportunities for Learning Tools for Learning Educators’ Suggested Applications Overarching Student Activities Mini-Lessons Decoding Different Media Studying Photographs Reading Artist Profiles Listening to Audio Viewing Video Comparing Media Creating Multimedia Presentations Unit 1. Sense of Place Cultural Insiders and Outsiders - Sensing Place through the Five Senses Finding Clues to Sense of Place Sample Sense-of-Place Chart Unit 2. Sense of Wonder Indigenous Teachers Genres Music and Dance Crafts and Material Culture Unit 3. Sense of Discovery Fieldwork Collecting and Organizing Mapping Culminating Projects Resources Printable Student Handouts Photo Analysis Artist Bio Notes Video Analysis Listening Log ~ Musical Elements Listening Log ~ Audio Profile Artifact Analysis Exploring Sense of Place Vocabulary Fieldwork Rubric Portfolio Rubric Interview Form Release Forms Defining Folklore Folklore in Education Bibliography Folklore in Education Webography Folkstreams Films about Heritage Fellows Suggested Student Readings Preface Teachers across the country face mounting pressure to help students achieve state and national standards. With expectations continually increasing, these teachers are searching for strategies that incorporate new curriculum standards in creative, meaningful and purposeful ways. As I listen to requests from teachers and librarians in my district and throughout the nation, I hear them ask for materials that help accomplish these goals. -
The Tune Drives the Text - Competing Information Channels of Speech Shape Phonological Systems
The tune drives the text - Competing information channels of speech shape phonological systems Cite as: Roettger, Timo B. & Grice, Martine (2019). The tune drives the text - Competing information channels of speech shape phonological systems. Language Dynamics and Change, 9(2), 265–298. DOI: 10.1163/22105832-00902006 Abstract In recent years there has been increasing recognition of the vital role of intonation in speech communication. While contemporary models represent intonation – the tune – and the text that bears it on separate autonomous tiers, this paper distils previously unconnected findings across diverse languages that point to important interactions between these two tiers. These interactions often involve vowels, which, given their rich harmonic structure, lend themselves particularly well to the transmission of pitch. Existing vowels can be lengthened, new vowels can be inserted and loss of their voicing can be blocked. The negotiation between tune and text ensures that pragmatic information is accurately transmitted and possibly plays a role in the typology of phonological systems. Keywords: Intonation, epenthesis, devoicing, lengthening, phonological typology Acknowledgment Funding from the German Research Foundation (SFB 1252 Prominence in Language) is gratefully acknowledged. We would like to thank Aviad Albert, James German, Márton Sóskuthy, and Andy Wedel for their comments on earlier drafts of this manuscript. We would like to thank the Departments of Linguistics at the University of Cologne, the Goethe University in Frankfurt, Northwestern University in Evanston, the Institute of Phonetics and Speech Processing at the University of Munich, and the audience of XLanS in Lyon for their valuable input on this project. Finally, we would like to express our gratitude to three anonymous reviewers and the editor Jeff Good for their comments during the review process. -
Historical Linguistics and the Comparative Study of African Languages
Historical Linguistics and the Comparative Study of African Languages UNCORRECTED PROOFS © JOHN BENJAMINS PUBLISHING COMPANY 1st proofs UNCORRECTED PROOFS © JOHN BENJAMINS PUBLISHING COMPANY 1st proofs Historical Linguistics and the Comparative Study of African Languages Gerrit J. Dimmendaal University of Cologne John Benjamins Publishing Company Amsterdam / Philadelphia UNCORRECTED PROOFS © JOHN BENJAMINS PUBLISHING COMPANY 1st proofs TM The paper used in this publication meets the minimum requirements of American 8 National Standard for Information Sciences — Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. Library of Congress Cataloging-in-Publication Data Dimmendaal, Gerrit Jan. Historical linguistics and the comparative study of African languages / Gerrit J. Dimmendaal. p. cm. Includes bibliographical references and index. 1. African languages--Grammar, Comparative. 2. Historical linguistics. I. Title. PL8008.D56 2011 496--dc22 2011002759 isbn 978 90 272 1178 1 (Hb; alk. paper) isbn 978 90 272 1179 8 (Pb; alk. paper) isbn 978 90 272 8722 9 (Eb) © 2011 – John Benjamins B.V. No part of this book may be reproduced in any form, by print, photoprint, microfilm, or any other means, without written permission from the publisher. John Benjamins Publishing Company • P.O. Box 36224 • 1020 me Amsterdam • The Netherlands John Benjamins North America • P.O. Box 27519 • Philadelphia PA 19118-0519 • USA UNCORRECTED PROOFS © JOHN BENJAMINS PUBLISHING COMPANY 1st proofs Table of contents Preface ix Figures xiii Maps xv Tables -
Word-Final Vowel Epenthesis Ng E-Ching · [email protected] · National University of Singapore · 9 January 2017
A sound change with L2 origins: Word-final vowel epenthesis Ng E-Ching · [email protected] · National University of Singapore · 9 January 2017 1. Overview (1) The controversy: simplicity a. A creole is a (i) massively restructured (ii) L2 that has become an L1. b. Are creoles simple languages? i. Bioprogram: child L1 acquisition simple grammars (Bickerton 1984) Discredited: bilingual creolisation in Hawaii (Roberts 2000; Siegel 2006) ii. Creole prototype: adult L2 acquisition simple grammars (McWhorter 1998) Discredited: average phoneme inventories, syllable templates (Klein 2011) (2) My hypothesis: transmission bias a. Creoles are simple different. b. The differences are synchronic diachronic. c. Missing sound changes can be traced to child L1 learners’ cognitive biases adult L2 learners’ phonetic biases. (3) Today’s missing sound change: paragoge Word-final consonant repairs Language contact L1 transmission a. Vowel big > bigi rare b. Consonant big > bik > biʔ > bi Some terms: epenthesis: insertion paragoge: word-final epenthesis 2. Data (4) Examples of paragoge (refs. in Ng 2015: 115ff; Plag 2009: 131; Hammarberg 1994) a. Pidgins and creoles English walk > Jamaican Maroon Spirit Language waka copy vowel English school > Solomon Islands Pidgin sukulu copy vowel Portuguese doutor > São Tome dotolo ‘doctor’ copy vowel Dutch pompoen > Berbice Dutch Creole pampuna ‘pumpkin’ b. Loanword adaptation English ice > Japanese [aisu] ‘ice cream’ reduced vowel French avec ‘with’ > Korean [apεk’ɨ] ‘dating couple’ reduced vowel Arabic nūr > Swahili [nuru] ‘light’ copy vowel Malay burung > Malagasy [vorona] ‘bird’ c. L2 acquisition Mandarin English red [redə] placeless vowel Cantonese English blanket [blæŋkətə ̥̆ ] placeless vowel German Swedish familj [fəmiljə] ‘family’ placeless vowel Brazilian Portuguese English dog [dogi] 2 (5) Language contact: Paragoge is everywhere (refs. -
THE BRETON of the CANTON of BRIEG 11 December
THE BRETON OF THE CANTON OF BRIEC1 PIERRE NOYER A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Celtic Studies Program Faculty of Arts and Social Sciences The University of Sydney 2019 1 Which will be referred to as BCB throughout this thesis. CONCISE TABLE OF CONTENTS DETAILED TABLE OF CONTENTS ............................................................................................ 3 DEDICATION ............................................................................................................................... 21 ABBREVIATIONS USED IN THIS WORK ................................................................................. 24 1. INTRODUCTION ...................................................................................................................... 29 2. PHONOLOGY ........................................................................................................................... 65 3. MORPHOPHONOLOGY ......................................................................................................... 115 4. MORPHOLOGY ....................................................................................................................... 146 5. SYNTAX .................................................................................................................................... 241 6. LEXICON.................................................................................................................................. 254 7. CONCLUSION......................................................................................................................... -
National Heritage Fellowships
2020 NATIONAL HERITAGE FELLOWSHIPS NATIONAL ENDOWMENT FOR THE ARTS I 2020 NATIONAL HERITAGE FELLOWSHIPS Birchbark Canoe by Wayne Valliere Photo by Tim Frandy COVER: “One Pot Many Spoons” beadwork by Karen Ann Hoffman Photo by James Gill Photography CONTENTS MESSAGE FROM THE ACTING CHAIRMAN ...........................................................................................................................................................................................4 MESSAGE FROM THE DIRECTOR .............................................................................................................................................................................................................5 A BRIEF HISTORY OF THE NEA NATIONAL HERITAGE FELLOWSHIPS .........................................................................................................................................6 2020 NATIONAL HERITAGE FELLOWS William Bell .................................................................................................................................................................................8 Soul Singer and Songwriter > ATLANTA, GA Onnik Dinkjian ....................................................................................................................................................................... 10 Armenian Folk and Liturgical Singer > FORT LEE, NJ Zakarya and Naomi Diouf ............................................................................................................................................