DOCSLIB.ORG

Ai WO Bie ZOU

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ai WO Bie ZOU Ai WO bie ZOU I G.T + drum I I E9 I Ej9/D# I E7/D I C#m7 I C j7 I Bm7 I Wo dao le zhe ge shi hou hai shi yi yang I verse1 I I E9 I Ej9/D# I E7/D I C#m7 I Ye Ii de ji mo rong yi dao ren bei shang F#m I B 11 I E I B B 11 B I Wo bu gan xiang de tai duo, yin wei wo yi ge ren I E9 I Ej9/D# I E7/D I C#m7 I F#m I B 11 I E B 11 B I Ying mian re lai de yue gang la xiang shen ying Mai wu mu di de zou zai Ieng Ieng de jie Wo mei you ni de xiao xi, yin wei wo zai xiang ni Ai wo bie zou, ru guo ni shuo, ni bu ai wo I chorus I E BID# I C#m E/B I F#m Bu yao ting jian ni zhen de shuo shu kou B11 IE I G#7 I C#m I F#m I Zai gei wo yi dian wen rou B11 BI Ai wo bie zou, ru guo ni shuo, ni bu ai wo IE B/D# I C#m E/B I F#m Bu yao ting jian ni zhen de shuo shu kou B11 IE I G#7 I C#m I F#m Zai gei wo yi dian wen rou B11 I E II E I I verse I I chorus I Bu yao ting jian ni zhen de shuo shu kou I ending! I G#7 I C#m I F#m B11 I E Zai gei wo yi dian wen rou I Am IE II AI YI GE REN HAO NAN ~~,t-. A"Pf xl {fJ( iJl {/J( ~ £ % XJ(fJll-'¥'• ni shuo ni hai shi xi huan gu dan Jt ~ {fF tB f.&: fJt ~ ~ qi shi ni pa bei wo kan chuan {fF tB ~ r fJt 1l'J El{] Jill ni pa shu yu wo men de chuan IJx\lJx\ ~ ~ :3 ::f T I* piao piao dang dang kao bu liao an ast¥Ll:tio~~1J"%):~ shi dao rujin mei you da an fjts{JJl;,C,,~{/J(~~ wo de zhen xin wei ni qian ban ::f ~ t§ ~El{]~~ 1'. xi:r-/3: bu guan xiang jian de ye duo me nan kan i$Jf i$Jf ¥j ¥j El{] iJl jianjian dan dan de shuo ~£::f~ ai shi bu ai flt !HE {fF E iG JI; El{] ~f xi xiang yao bani wangji zhen de hao nan }i!l,~B{J~ftfJt1C,,lJH4mI si nian de tong zai wo xin li jiu chan l~ l~ lPi El{] :IIA ~ zhao zhao mu mu de qi pan ;v ,- ,';fl.--Jc;-1:&_$; 7J,J2f{)(.'F.J i=t = yong yuan mei you da an ~ {iiJ 3 fJJ {fF:izHl: ~ 7J W3 t9: wei he dang chu ni xuan ze yi dao liang duan Q)r ifF -m Ja ~ fJt Jl El{] ~t xi ting ni shuo sheng ai wo zhen de hao nan I ftl.5t:i1 B{]i! Jxl Ojc ~~ cengjing shuo guo de hua feng chui yun san fti1i ft~ 5f El{] W3 Yifii zhan zai tian ping de liang duan ~ ti El{]~ xi yi yang de wei nan pt~B{J%):~ wei yi de da an ~~,t- A~fxi ai yi ge ren hao nan ast¥Ll:tio~~1J"%):~ shi dao rujin mei you da an fjts{JJl;,C,,~{/J(~~ wo de zhen xin wei ni qian ban ::f ~ t§ ~El{]~~ 1'. xi:r-/3: bu guan xiang jian de ye duo me nan kan i$Jf i$Jf ¥j ¥j El{] iJl jianjian dan dan de shuo ~£::f~ ai shi bu ai flt !HE {fF E iG JI; El{] ~f xi xiang yao bani wangji zhen de hao nan }!!-~ B{J~ftfJt,C,,lJH4 mI si nian de tong zai wo xin li jiu chan l~ l~ 1111 El{] :IIA ~ zhao zhao mu mu de qi pan ;v ,- ,';fl.--Jc;-1:&_$; 7J,J2fcx.'F.J i=1 = yong yuan mei you da an ~ {iiJ 3 fJJ {fF:izHl: ~ 7J W3 t9: wei he dang chu ni xuan ze yi dao liang duan Q)r ifF -m Ja ~ fJt Jl El{] ~t xi ting ni shuo sheng ai wo zhen de hao nan I ftl.5t:i1 B{]i! Jxl Ojc ~~ cengjing shuo guo de hua feng chui yun san fti1i ft~ 5f El{] W3 Yifii zhan zai tian ping de liang duan ~ ti El{]~ xi yi yang de wei nan pt~B{J%):~ wei yi de da an ~~,t- A~fxi ai yi ge ren hao nan flt !HE {fF E iG JI; El{] ~f xi xiang yao bani wangji zhen de hao nan }!!- ~ El{]~ ft fJt, lJ' l!H4 mI si nian de tong zai wo xin li jiu chan l~ l~ 1111 El{] :IIA f} zhao zhao mu mu de qi pan ;v ,- ,';fl.--Jc;-1:&_$; 7J,J2ff.X.'F.I i=t 7K yong yuan mei you da an ~ {iiJ 3 fJJ {fF:izHl: ~ 7J W3 t9: wei he dang chu ni xuan ze yi dao liang duan Q)r ifF -m Ja ~ fJt Jl El{] ~t xi ting ni shuo sheng ai wo zhen de hao nan I ftl.5t:i1 B{]i! Jxl Ojc ~~ cengjing shuo guo de hua feng chui yun san fti1i ft~ 5f El{] W3 Yifii zhan zai tian ping de liang duan ~ ti El{]~ xi yi yang de wei nan pt~B{J%):~ wei yi de da an ~~,t- A~fxi ai yi ge ren hao nan .
Load more

Recommended publications
  • Records of the Medieval Sword Free
    FREE RECORDS OF THE MEDIEVAL SWORD PDF Ewart Oakeshott | 316 pages | 15 May 2015 | Boydell & Brewer Ltd | 9780851155661 | English | Woodbridge, United Kingdom Records of the Medieval Sword by Ewart Oakeshott, Paperback | Barnes & Noble® I would consider this the definitive work on the development of the form, design, and construction of the medieval sword. Oakeshott was the foremost authority on the subject, and this work formed the capstone of his career. Anyone with a serious interest in European swords should own this book. Records of the Medieval Sword. Ewart Oakeshott. Forty years of intensive research into the specialised subject of the straight two- edged knightly sword of the European middle ages are contained in this classic study. Spanning the period from the great migrations to the Renaissance, Ewart Oakeshott emphasises the original purpose of the sword as an intensely intimate accessory of great significance and mystique. There are over photographs and drawings, each fully annotated and described in detail, supported by a long introductory chapter with diagrams of the typological framework first presented in The Archaeology of Weapons and further elaborated in The Sword in the Age of Chivalry. There are appendices on inlaid blade inscriptions, scientific dating, the swordsmith's art, and a sword of Edward Records of the Medieval Sword. Reprinted as part Records of the Medieval Sword Boydell's History of the Sword series. Records of the Medieval Sword - Ewart Oakeshott - Google книги Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser.
    [Show full text]
  • Tai Chi Sword DR
    TAI CHI CHUAN / MARTIAL ARTS B2856 BESTSELLING AUTHOR OF BOOKS AND VIDEOS ON TAI CHI, MARTIAL ARTS, AND QIGONG Tai Chi Sword Chi Sword Tai DR. YANG, JWING-MING REACH FOR THE HIGHEST LEVEL OF TAI CHI PRACTICE You can achieve the highest level of tai chi practice by including tai chi sword in your training regimen. Here’s your chance to take the next step in your tai chi journey Once you have attained proficiency in the bare-hand form, and have gained listening and sensing skills from pushing hands, you are ready for tai chi sword. Tai Chi Sword The elegant and effective techniques of traditional tai chi sword CLASSICAL YANG STYLE Tai chi sword will help you control your qi, refine your tai chi skills, and master yourself. You will strengthen and relax your body, calm and focus your mind, THE COMPLETE FORM, QIGONG, AND APPLICATIONS improve your balance, and develop proper tai chi breathing. This book provides a solid and practical approach to learning tai chi sword Style Classical Yang One of the people who have “made the accurately and quickly. Includes over 500 photographs with motion arrows! greatest impact on martial arts in the • Historical overview of tai chi sword past 100 years.” • Fundamentals including hand forms and footwork —Inside Kung Fu • Generating power with the sword 傳 Magazine • 12 tai chi sword breathing exercises • 30 key tai chi sword techniques with applications • 12 fundamental tai chi sword solo drills 統 • Complete 54-movement Yang Tai Chi Sword sequence • 48 martial applications from the tai chi sword sequence DR.
    [Show full text]
  • Types of Chinese Swords There Are Generally Five Types of Swords in Chinese History, They Are Jian, Zhanmadao, Liuyedao, Wodao and Yanmaodao
    Types of Chinese Swords There are generally five types of swords in Chinese history, they are Jian, Zhanmadao, Liuyedao, Wodao and Yanmaodao. The jian is a double-edged straight sword used during the last 2,500 years in China. The first Chinese sources that mention the jian date to the 7th century BC during the Spring and Autumn Period;one of the earliest specimens being the Sword of Goujian. Historical one-handed versions have blades varying from 45 to 80 cm (17.7 to 31.5 inches) in length. The weight of an average sword of 70- centimeter (28-inch) blade-length would be in a range of approximately 700 to 900 grams (1.5 to 2 pounds). There are also larger two-handed versions used for training by many styles of Chinese martial arts. The zhanmadao is a saber with a single long broad blade, and a long handle suitable for two-handed use. Dating to 1072, it was used as an anti-cavalry weapon. This is mentioned in the "Wu Jing Zong Yao Song Military Manual" from 1072. Surviving examples include a sword that might resemble a nagamaki in construction; it had a wrapped handle 37 cm long making it easy to grip with two hands. The blade was 114 centimetres long and very straight with a slight curve in the last half. The liuye dao, or "willow leaf saber", is a type of Dao that was commonly used as a military sidearm for both cavalry and infantry during the Ming and Qing dynasties. This weapon features a moderate curve along the length of the blade.
    [Show full text]
  • Ancient-Style Prose Anthologies in Ming Dynasty (1368-1644) China
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2017 In The Eye Of The Selector: Ancient-Style Prose Anthologies In Ming Dynasty (1368-1644) China Timothy Robert Clifford University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian History Commons, and the Asian Studies Commons Recommended Citation Clifford, Timothy Robert, "In The Eye Of The Selector: Ancient-Style Prose Anthologies In Ming Dynasty (1368-1644) China" (2017). Publicly Accessible Penn Dissertations. 2234. https://repository.upenn.edu/edissertations/2234 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2234 For more information, please contact [email protected]. In The Eye Of The Selector: Ancient-Style Prose Anthologies In Ming Dynasty (1368-1644) China Abstract The rapid growth of woodblock printing in sixteenth-century China not only transformed wenzhang (“literature”) as a category of knowledge, it also transformed the communities in which knowledge of wenzhang circulated. Twentieth-century scholarship described this event as an expansion of the non-elite reading public coinciding with the ascent of vernacular fiction and performance literature over stagnant classical forms. Because this narrative was designed to serve as a native genealogy for the New Literature Movement, it overlooked the crucial role of guwen (“ancient-style prose,” a term which denoted the everyday style of classical prose used in both preparing for the civil service examinations as well as the social exchange of letters, gravestone inscriptions, and other occasional prose forms among the literati) in early modern literary culture. This dissertation revises that narrative by showing how a diverse range of social actors used anthologies of ancient-style prose to build new forms of literary knowledge and shape new literary publics.
    [Show full text]
  • Weaponry During the Period of Disunity in Imperial China with a Focus on the Dao
    Weaponry During the Period of Disunity in Imperial China With a focus on the Dao An Interactive Qualifying Project Report Submitted to the Faculty Of the WORCESTER POLYTECHNIC INSTITUTE By: Bryan Benson Ryan Coran Alberto Ramirez Date: 04/27/2017 Submitted to: Professor Diana A. Lados Mr. Tom H. Thomsen 1 Table of Contents Table of Contents 2 List of Figures 4 Individual Participation 7 Authorship 8 1. Abstract 10 2. Introduction 11 3. Historical Background 12 3.1 Fall of Han dynasty/ Formation of the Three Kingdoms 12 3.2 Wu 13 3.3 Shu 14 3.4 Wei 16 3.5 Warfare and Relations between the Three Kingdoms 17 3.5.1 Wu and the South 17 3.5.2 Shu-Han 17 3.5.3 Wei and the Sima family 18 3.6 Weaponry: 18 3.6.1 Four traditional weapons (Qiang, Jian, Gun, Dao) 18 3.6.1.1 The Gun 18 3.6.1.2 The Qiang 19 3.6.1.3 The Jian 20 3.6.1.4 The Dao 21 3.7 Rise of the Empire of Western Jin 22 3.7.1 The Beginning of the Western Jin Empire 22 3.7.2 The Reign of Empress Jia 23 3.7.3 The End of the Western Jin Empire 23 3.7.4 Military Structure in the Western Jin 24 3.8 Period of Disunity 24 4. Materials and Manufacturing During the Period of Disunity 25 2 Table of Contents (Cont.) 4.1 Manufacturing of the Dao During the Han Dynasty 25 4.2 Manufacturing of the Dao During the Period of Disunity 26 5.
    [Show full text]
  • View Book Inside
    YMAA PUBLICATION CENTER YMAA is dedicated to developing the most clear and in-depth instructional materials to transmit the martial legacy. Our books, videos and DVDs are created in collab- oration with master teachers, students and technology experts with a single-minded purpose: to fulfill your individual needs in learning and daily practice. This downloadable document is intended as a sample only. To order this book, please click on our logo which will take you to this product’s page. An order button can be found at the bottom. We hope that you enjoy this preview and encourage you to explore the many other downloadable samples of books, music, and movies throughout our website. Most downloads are found at the bottom of product pages in our Web Store. Did you know? • YMAA hosts one of the most active Qigong and martial arts forums on the internet? Over 5,000 registered users, dozens of categories, and over 10,000 articles. • YMAA has a free quarterly newsletter containing articles, interviews, product reviews, events, and more. YMAA Publication Center 1-800-669-8892 [email protected] www.ymaa.com ISBN671 cover layout 2/14/07 10:17 AM Page 1 Martial Arts/Asian Studies/Military History E1002 A A One-of-a-Kind Reference N for Scholars and Martial Artists C I E Many Martial Artists, once they reach a certain level of proficiency with their N T barehand fighting forms, choose to expand their knowledge to include weapons C techniques. But what weapon to choose? Over the past 5000 years, the Chinese H I have developed a vast array of weapons, built for a multitude of purposes.
    [Show full text]
  • Copyright 2016 Junghwan Maeng
    CORE Metadata, citation and similar papers at core.ac.uk Provided by Illinois Digital Environment for Access to Learning and Scholarship Repository Copyright 2016 Junghwan Maeng DAO AS A VERBAL SUFFIX IN CHINESE VERBS BY JUNGHWAN MAENG THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Arts in East Asian Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Adviser: Professor Jerome Packard Abstract This thesis focuses on the resultative ending dao as a suffix to Chinese verbs. Although dao is commonly understood as a mono-morphemic verb, a preposition or a verbal complement, little attention has been given to its function as a verbal suffix. This study attempts to highlight the inflectional nature of dao first by elaborating its differences from the virtually synonymous resultative ending jian in the case of perception verbs. Based on a stativity test proposed by Lakoff (1965), it was able to prove that dao has more inflectional features compared to the jian counterpart as it shows higher compatibility with intentionality adverbs and more natural occurrences in imperative contexts. However, since the initial research only deals with a limited amount of perception verbs that allow both jian and dao as a resultative ending, it is insufficient to prove whether dao actually operates as a verbal suffix in other types of perception verbs. Thus, a wider range of perception verbs that do not take jian but dao as a resultative ending were analyzed to explore dao’s inflectional nature to Chinese perception verbs. Using Vendler’s verb classification (1965) and corpus data analysis, it was able to show that dao is the most frequent grammatical morpheme to occur directly after perception verbs and has a function of assigning the feature of achievement verb to the entire verb compound.
    [Show full text]
  • ACTIVITY BOOK by Gavin King Weclome to the Jianfa Activity Book This Book Is Dedicated to the Art of Historical Chinese Swordsmanship
    JuniorJianfa Chinese Swordsmanship for Children ACTIVITY BOOK by Gavin King Weclome to the jianfa activity book This book is dedicated to the art of historical Chinese swordsmanship. It has been written with the intent of sharing the magic of the martial arts and swordsmanship with the next generation. I would like to thank my teacher Scott M. Rodell for not only generously giving me the knowledge to produce this book, but also for all his support and encouragement. Rodell Laoshi also kindly donated the artwork for this work from his anime series "Jianke - The Last Swordsman". The book is published for free distribution and maybe used in whole or part. It is made freely available for public usage. Please just include a credit to the source. Written by Gavin King. Produced by The Great River Taoist Center www.grtc.org COLOURING EXERCISE what is jianfa? Jianfa means "Sword Method". It is the Chinese art of Swordsmanship. In Jianfa we use a sword called a "Jian". A Jian is a double edged straight sword that is very sharp on both sides. A person who studies Jianfa is referred to as a Jianke (Swordsperson). Someone who teaches Jianfa is called Laoshi (Teacher). Basic cuts of jianfa Ci (Thrust) - A powerful thrust. Dian (Point) - A short jabbing thrust. Liao (Lift) - An upwards sliding slash. Tiao (Spring) - A springing upward cut using the tip of the sword. Pi (Split) - A downward slicing cut. Hua (Slash) - A horizontal Slash Zha (Poke) - A downward poking thrust. Mo (Wipe) - A movement that comes underneath duifang's sword to knock it off centre.
    [Show full text]
  • Sample File Gladius: Double-Edged Sword of Roman Design Between 65 and 70 Cm Long
    he sword has been an iconic weapon in role-playing games from the earliest days. Who Thasn’t played a game where at least one player played a character wielding a mighty sword — be it a simple longsword, heavy bastard sword, versatile short sword, massive two-handed sword, or dextrous rapier? Swords, in their many flavors and varieties have filled the pages of role-playing games, fantasy books, and other writings for generations. But when you play your games, whether set in far off fantasy lands or in Norman England, do your swords all look alike? What sets one longsword apart from another? Sure, they all do the same amount of damage, but what makes them special? Swords have been around in human history since the Bronze Age, or maybe even earlier. They reached their height of variety and versatility in the European Middle Ages and have found a place among the armies of the world, stretching across Europe, Africa, and Asia. In basic terms, a sword is a bladed (edged) weapon used for cutting and thrusting. The exact definition, style, and name depends on which age of history you are examining and the culture that created the weapon. From saifs, daos, khopesh, katanas, spatha, talwar, and Viking swords to Norman Longswords, Zweihanders, scimitars, rapiers, epee, and cavalry sabers, swords have found a place in our history. These weapons were all designed to meet a specific need for the wielder - whether functional or emotional or both. From purely utilitarian functionality to great works of art, swords run the gamut of form and function, which is probably why they are so important in role-playing games.
    [Show full text]
  • Claymore Free Ebook
    FREECLAYMORE EBOOK Norihiro Yagi | 192 pages | 23 Jun 2011 | Viz Media, Subs. of Shogakukan Inc | 9781421539355 | English | San Francisco, United States Claymore - The history of Clare: Priscilla digs Claymore into her rage during the fight against Teresa. When the Claymore ends, the Claymore called Clare begins her march to battle. The battle against a rare male Awakened Being rages on a mountain from which no Claymore has Claymore returned. As flesh is torn, and despair sets in, Clare surprises her new comrades. If Clare can land one blow against Riful, the Awakened Being will reveal more information about Priscilla. Miles away, Claymore lumbering horde of towering madness is Claymore the march. Looking for a movie the entire family can enjoy? Check out our picks for family friendly movies movies that transcend all ages. For even more, visit our Family Entertainment Guide. See the full list. In a world rife Claymore deadly creatures called "youma", a young silver eyed woman, Clare, works on behalf of an organization that trains female youma halfbreeds into warriors with the ability to destroy these creatures. Considered a rogue for picking up a stray child and almost losing herself to her youma side by "Awakening", she is constantly assigned rather dangerous missions. Written by Anonymous. I've always been a fan of anime series, Claymore favourite being Berserk. I tend to focus a lot on the pacing Claymore the built tension when I watch anime, and Berserk is The master of pacing. Another thing I tend to focus on Claymore character development and overall sentimentality of the show.
    [Show full text]
  • Phillip Dang
    Phillip Dang Gender: Male Height: 5 ft. 10 in. Weight: 167 pounds Eyes: Brown Hair Length: Regular Waist: 30 Inseam: 30 Shoe Size: 9 Physique: Average / Athletic Coat/Dress Size: 38S Ethnicity: Asian, Indian/South Asian, Latin/Hispanic, Mixed, Pacific Islander / Polynesian Photos Film Credits Paper Tigers Principal Fight Performer Bao Tran/Sam Looc/Ken Quitugua/Kerry Wong Red Clover Stunts/Fight Performer Duffy McManus Television Deadliest Warrior - Ming vs. Martial Arts Performer/Expert Host Spike TV/Eric Mazer Musketeer The Nils (Pilot) Fight Performer/Stunts Alvin Hsing Aimee - Previs Fight Performer/Stunts Kim Do/Lee Whitaker Who Let You Have Girlfriend Fight Performer/Stunts Kim Do/Phillip Dang Commercial Aeropostale - Aero's Angels Fight Performer/Stunts Kim Do Generated on 09/29/2021 12:13:02 am Page 1 of 3 Stage DOTA International - Seattle Monkey King Fight Performer - Li Tianyuan Coordinator Music Videos The Slants Fight Performer/Stunts/Coordinator Peter Dang JPEG Mafia Stunts/Fight Performer Allison Caetano Motion Capture Guild Affiliations Stunt Teams Stunt Skills Stunt Skills: Reactions, Wire Work, Weapons ~ General, Motion Capture, Dialogue, Martial Arts: MMA, Low Falls 30'-Under, Martial Arts: Kung Fu, Martial Arts: Karate, Martial Arts: Tae Kwon Do, Martial Arts: Krav Maga, Martial Arts: Wushu, Weapons: Sword, Weapons: Guns, Weapons: Knife, Weapons: Staff, Weapons: Nunchaku, Chinese Swords: Butterfly Sword, Chinese Swords: Dao, Chinese Swords: Guandao, Chinese Swords: Hook Sword, Chinese Swords: Jian, Chinese Swords: Miao Dao, Chinese Swords: Nandao, Chinese Swords: Pudao, Tumbling ~ Basic, Sword Master, Martial Arts: Black Belt, Weapons: Dagger, Weapons: Broadsword, Stair Falls, Weapons: Whip Chain, Stage Fighting, Martial Arts: Kick Boxing, Weapons: Sword & Shield, Weapons: Pistol, Weapons: Rifle - AR-15, etc., Martial Arts: Wing Chun, Martial Arts: Taekwondo Unique Talents: I teach Michael Jackson style dancing.
    [Show full text]
  • Choosing Butterfly Swords by Jeffrey D
    Choosing Butterfly Swords By Jeffrey D. Modell, Esq. and Aaron Cantrell September 6, 2013 Many Chinese martial arts use “Butterfly Swords,” but they are the jewel of the Wing Chun system. Practitioners who reach their level of study are expected to practice intensely, thoughtfully and achieve an understanding that recursively improves their empty hand abilities. Butterfly Swords are a variety of Chinese saber with only one edge sharpened, a blade wider than that of the typical two- edged long sword and a specializeD-Guard. The single edge and wide blade categorize them firmly as “Dao” (“Do” in Cantonese), a term that commonly means knife. Below are a few different words you may want to take note of for the purposes of this article: Hudiedao – Butterfly Swords or Butterfly Knives Baat Jaam Do (& variations on spelling) – Wing Chun Butterfly Swords/Knives (Eight Slash/Cut Swords/Knives) Butterfly swords and especially Baat Jaam Do (“BJD”) are not a one size fits all item. Each style and lineage emphasizes different techniques. The swords must be designed to accommodate and facilitate those movements. Some schools require a weapon based on tradition regardless of whether or not it is appropriate for today’s usage. Individuals develop personal preferences, and each set of swords would ideally be fitted to the specific person’s body. There are a lot of low quality swords on the market. They are not, and do not behave, like the true weapons they seek to imitate. To gain proficiency and understanding of Wing Chun movements, you need BJD that have the weight and feel of the weapons your techniques are designed for.
    [Show full text]