DOCSLIB.ORG

LUIGI Doppelseitig Web.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
LUIGI Doppelseitig Web.Pdf ISBN 978-3-96014-703-9 Preis 22,90 € www.edition-winterwork.de Prof. Nikolaus Zieske | Ulrike Wassermann [Editors] Methods and Results of the DAAD international summer school LUIGI »Locus urbanus identitate Gießen« edition[Logo winterwork Druckerei] Bibliografische Informationen der Deutschen Nationalbibliothek: BibliografischeDie Deutsche Nationalbibliothek Informationen verzeichnet der Deutschen diese PublikationNationalbibliothek: in der Deutschen Nationalbibliografie. DieDetaillierte Deutsche bibliografische Nationalbibliothek Daten im verzeichnetInternet über diesehttp://www.d-nb.de Publikation abrufbar.in der Deutschen Nationalbibliografie. Detaillierte bibliografische Daten im Internet über http://www.d-nb.de abrufbar. Nachdruck oder Vervielfältigung nur mit Genehmigung des Verlages gestattet. Verwendung oder Verbreitung durch unautorisierte Dritte in allen gedruckten, audiovisuellen und akustischen Medien ist untersagt. Die Textrechte Nachdruckverbleiben beim oder Autor, Vervielfältigung dessen Einverständnis nur mit Genehmigung zur Veröffentlichung des Verlages hier vorliegt. gestattet. Für Satz- Verwendung und Druckfehler oder keine Ver- breitungHaftung. durch unautorisierte Dritte in allen gedruckten, audiovisuellen und akustischen Medien ist Methods and Results untersagt. Die Textrechte verbleiben beim Autor, dessen Einverständnis zur Veröffentlichung hier vor- liegt. Für Satz- und Druckfehler keine Haftung. of the DAAD international summer school LUIGI Impressum Impressum Technische Hochschule Mittelhessen »Locus urbanus identitate Gießen« Prof. Nikolaus Zieske, Ulrike Wassermann (Hrsg.) »LUIGI« Wiesenstraße 14 D-35390 Gießen Technische Hochschule Mittelhessen 01. - 14. September 2019 WiesenstraßeCopyright © 2020 14 D-35390Fachgebiet Gießen Entwerfen und Bauen im Bestand www.edition-winterwork.deProf. Nikolaus Zieske © 2020 edition winterwork Gestaltung und Text: Emily J. Hubl Alle Rechte vorbehalten. GestaltungDruck: X und Text: Emily J. Hubl DruckAufl. 1 und| X Expl.Bindung: | 2020 winterwork Borsdorf ISBN X ISBN 978-3-96014-703-9 Sponsored by: Diese Sommerschule wurde vom DAAD aus Mitteln des Auswärtigen Amts (AA) gefördert. This summer school was supported by the DAAD funded by the Federal Foreign Office. Promoter University: Technische Hochschule Mittelhessen, Germany Partner Universities: Technische Hochschule Mittelhessen, Germany | Università di Pavia, Italy | Universidad Politécnica de Madrid, Spain | Universidad Central de Chile, Chile Table of Content 9 Table of Content Introduction................................................................................................................................................................11 Timeline.....................................................................................................................................................................15 Input: Guest lectures................................................................................................................................................19 Museums – International Style | Prof. Dipl.-Ing. N. Hanenberg...................................................................................19 Intervention in the pre-existing architecture | Dr. Arq. J. Migone Rettig.......................................................................25 Museums – Strategy & Accessibility | Prof. E.M. Sierra...............................................................................................39 Cultural Heritage and Museum | Prof. A. Greco...........................................................................................................49 Teamwork & Results.................................................................................................................................................57 OMG – Outdoor Museum Gießen | Group Rhyme......................................................................................................57 The Growing City | Group Cozy...................................................................................................................................69 Roter Teppich | Group Llama.......................................................................................................................................79 Box[es] | Group Maze..................................................................................................................................................91 Historical Line | Group Jail..........................................................................................................................................99 Gallery: Workshop, Trips & Culture........................................................................................................................107 Participants of the workshop......................................................................................................................................108 Gallery.......................................................................................................................................................................110 Introduction | Prof. Dipl.-Ing. Nikolaus Zieske 11 Introduction Prof. Dipl.-Ing. Nikolaus Zieske Director of LUIGI Technische Hochschule Mittelhessen | Gießen | Germany In the university town of Gießen (Germany) a process with immigration background or less-educated citizens is currently launched for the renewal of the Museum of to share their personal life experiences and thereby be- Local History (OHM) to make it more attractive for the coming part of the urban consciousness. There is also dwellers and to integrate its place better in the everyday the tendency that universities want to make their exten- urban life. The history of Gießen is closely related to the sive and unique collections available to the public. In historical development of the over 400 years affiliated context of rebuilding a lost building, the aim is to discuss university, so it seems reasonable to tell and to exhibit architectural issues of museums in more detail and to the history of the city together with the history of the uni- formulate answers during the DAAD international sum- versity. This process of the renewal is exemplary for a mer school, which has the working title LUIGI, derived number of city museums and museums of local history, from „Locus urbanus identitate Gießen“ or „a place of which can be observed in many German cities. There identity, self-knowledge and self-development“. are multiple reasons for that. The aspects of a culture of remembrance in a rapidly changing world and the inte- Main Activities gration of diverse population groups in the urban society are eminent. A museum of local history is the memory The DAAD international summer school LUIGI was of a city and a place of cultural identity and (self-) real- held at the THM (Technische Hochschule Mittelhessen, ization. Modern museum concepts make it possible for University of Applied Sciences) in Gießen (Germany) the citizens of a city to contribute their personal horizon from the 1st - 14th September 2019. It was structured of experience into the local museum, so that the histo- as an intensive program of two working weeks with ry of the city is told multi-perspective and that a deep design workshop activities, in which students, coming sense of home can be adjust to the place of residence. from different countries, were divided into mixed groups This participation offer is a good opportunity for citizens with design-independent names to develop architectur- 12 Introduction LUIGI | DAAD international summer school 2019 Prof. Dipl.-Ing. Nikolaus Zieske 13 Fig. 1: Participants during the International Teambuilding Programme Fig. 2: Participants during a lecture of the Historian Dr. Brake about Fig. 3: Participants during their design workshop activities. They were Fig. 4: The self-organized cultural nights offered enriching insights into with R. C. Bastian from the THM | International Buddy Programme the history of the University of Gießen (JLU) divided into five groups with their own names and each with one tutor. the eating cultures of the international students. al projects from the analysis and the concept until the 13 Sept | results presentation and closing ceremony architects and engineers and experts coming from dif- gether with the design purposes, LUIGI has improved construction details. In order to improve the participants 14 Sept | participants departures ferent disciplines. They provided specific lessons and the international quantity and quality of the students and knowledge about the workshop specific themes, specif- assistance to the design activities and the general revi- teaching-staff mobility, in order to facilitate the develop- ic lessons were organized by the Scientific Committee. Participants sions, with the aim to improve the educational offer and ment of innovative practices in education and increase The working groups were constantly followed by tutors. help students to deepen the projects details, looking at the future designers sensibility on the themes related Periodical general revisions, in which students had to The Department of Architecture and Civil Engineering of sustainable and accessible architectural solutions. The to the current social needs. The results were presented present and discuss their ideas to professors and pro- the THM (promoter university) selected 7 students and participation of different professionals and representa- to the community during the closing ceremony of the fessionals,
Load more

Recommended publications
  • PRESS RELEASE the Heerlen Rooftop Project: an Ambitious Architecture Competition
    PRESS RELEASE Heerlen, 18 July 2019 The Heerlen Rooftop Project: an ambitious architecture competition. SCHUNCK announces an international urban design idea competition for an urban rooftop project in the heart of the city of Heerlen (NL). The city centre of Heerlen is characterized by a dense and diverse urban rooftop landscape. Large grey and sterile roof surfaces dominate the view from above. SCHUNCK and Heerlen aim to explore this unused surface potential for gardening, arts, farming, cultural festivals, music, cinema, coffee houses, sports, tiny housing and much more. Rooftop projects in cities across the globe prove that gardens, art, recreation and/or business activity can turn ugly sterile spaces into something special. To start a transformation, SCHUNCK invites architects, urban planners, landscape architects and designers to participate in this international competition. The participants are asked to submit their design ideas for the city-centre rooftops in Heerlen to make these rooftops accessible and sustainable. More competition information on: https://schunck.nl/en/rooftop-competition/ The deadline for registration is: 25 August 2019 About The Heerlen Rooftop Project The concept for The Heerlen Rooftop Project has two principal action lines: • stimulate owners in the city centre of Heerlen to make their own rooftops accessible and sustainable. • initiate and co-organize recurring Rooftop Festivals with the municipality of Heerlen and multiple, cultural partners to encourage (local) stakeholders, participants, entrepreneurs
    [Show full text]
  • MAGALI REUS *1981, Den Haag, NL Lives in London, UK
    MAGALI REUS *1981, Den Haag, NL Lives in London, UK www.magalireus.com Education Depuis 1788 2006 - 2008 MFA Fine Art, Goldsmiths College, London, UK 2002 - 2005 BA (Hons) Fine Art, Goldsmiths College, London, UK Freymond-Guth Fine Arts 2001 - 2002 Foundation Art and Design, Gerrit Rietveld Academy, Amsterdam, Limmatstrasse 270 NL CH 8005 Zürich T +41 (0)44 240 0481 offi[email protected] www.freymondguth.com Tue – Fri 11 – 18h Solo Shows (selection) Saturday 11 – 17h Or by appointment 2015 The Hepworth Wakefield, UK Fondazione Sandretto Re Rebaudengo, Turin, IT Sculpture Centre, New York, USA 2014 The Approach, London, UK Circuit, Lausanne, CH 2013 Highly Liquid, Galerie Fons Welters, Amsterdam, NL Out of Empty, Albert Baronian Project Space, Brussels, BE 2012 BB #7: Magali Reus, BLACKBOARD at SPACE studios, London, UK Unsolo project room (1/9unosunove), Milan, IT 2011 ON, The Approach, London, UK 2010 Weekend, Galerie Fons Welters, Amsterdam, NL Background, IBID Projects, London, UK 2009 Background, La Salle de bains, Lyon, FR Some Surplus, Plan B Projects, Amsterdam, NL 2008 The Angle Between Two Walls, (with Brock Enright), MOT International, London, UK 2006 Playstation: A Billion Balconies Facing the Sun, Galerie Fons Welters, Amsterdam, NL Group Shows (selection) 2014 Monumental Fatigue, Freymond-Guth Fine Arts, Zurich, CH Frieze London, with Freymond-Guth Fine Arts Nature after Nature, Kunsthalle Fridericianum, Kassel DE To Meggy Weiss Lo Surdo, Happy Hours, CO2, Torino, IT Superficial Hygiene, De Hallen, Haarlem, NL Pool, Kestnergesellschaft, Hannover, DE Post/Post Minimal, Kunstmuseum St. Gallen, CH Andrea Rosen, New York, USA 2013 Rijksakademie Open, Rijksakademie van Beeldende Kunsten, Amsterdam, NL Silent Hardware, David Dale Gallery, Glasgow, GB Slip, The Approach, London, UK Shadows of a Doubt’, Tallinn Art Hall, Tallinn, ES, cur.
    [Show full text]
  • Context International Exhibition Mies Masterpieces Schunck* Glaspaleis
    CONTEXT SCHUNCK* Glaspaleis Université de Liège INTERNATIONAL EXHIBITION Visiting address Visiting address Bongerd 18 Place du 20-Août, 7 This programme is presented to you within the context of the 6411 JM Heerlen B-4000, Liège exhibition ‘MIES & the inheritance of modernism’ The Netherlands Belgium (from 10 April up to and including 7 August). Tel. +31 45 577 22 00 Tel. +32 4 242 79 44 www.schunck.nl www.ulg.ac.be The world-famous architect Ludwig Mies van der Rohe (1886–1969) still inspires architects. However, his work is falling into decay, like many other modernistic buildings. This evokes the question: what TU Eindhoven Rheinisch-Westfälische Technische should we preserve and how? Visiting address Hochschule Aachen (RWTH) De Zaale Visiting address 5612 AZ Eindhoven Templergraben 55 MIES MASTERPIECES The Netherlands D-52062 Aachen Tel. +31 6 463 708 67 Germany The exhibition provides some answers. You will see, feel and read www.tue.nl Tel. +49 241 809 37 57 everything about five restored masterpieces by ‘Mies’: S.R. Crown www.rwth-aachen.de Hall, Villa Tugendhat, 860-880 Lake Shore Drive, Robert F. Carr Universiteit Hasselt Memorial Chapel and Verseidag. A 20-minute video about these Visiting address buildings, projected onto a 20-meter wide screen, will have its Martelarenlaan 42 world premiere. You will also see an overview of 80 buildings de- B-3500 Hasselt signed by Mies van der Rohe. Belgium Tel. +32 11 29 21 01 SCHUNCK* GLASPALEIS www.uhasselt.be Frits Peutz’s Glaspaleis was almost demolished twice. It is now a classic example of renovation (executed by Jo Coenen and Wiel Arets) and new use (library, music school, museum for modern and contemporary art, dance school, architecture institute, art cinema, espresso bar and brasserie).
    [Show full text]
  • Context International Exhibition Mies
    CONTEXT SCHUNCK* Glaspaleis Université de Liège INTERNATIONAL EXHIBITION Visiting address Visiting address Bongerd 18 Place du 20-Août, 7 This programme is presented to you within the context of the 6411 JM Heerlen B-4000, Liège exhibition ‘MIES & the inheritance of modernism’ The Netherlands Belgium (from 10 April up to and including 7 August). Tel. +31 45 577 22 00 Tel. +32 4 242 79 44 www.schunck.nl www.ulg.ac.be The world-famous architect Ludwig Mies van der Rohe (1886–1969) still inspires architects. However, his work is falling into decay, like many other modernistic buildings. This evokes the question: what TU Eindhoven Rheinisch-Westfälische Technische should we preserve and how? Visiting address Hochschule Aachen (RWTH) De Zaale Visiting address 5612 AZ Eindhoven Templergraben 55 MIES MASTERPIECES The Netherlands D-52062 Aachen Tel. +31 6 463 708 67 Germany The exhibition provides some answers. You will see, feel and read www.tue.nl Tel. +49 241 809 37 57 everything about five restored masterpieces by ‘Mies’: S.R. Crown www.rwth-aachen.de Hall, Villa Tugendhat, 860-880 Lake Shore Drive, Robert F. Carr Universiteit Hasselt Memorial Chapel and Verseidag. A 20-minute video about these Visiting address buildings, projected onto a 20-meter wide screen, will have its Martelarenlaan 42 world premiere. You will also see an overview of 80 buildings de- B-3500 Hasselt signed by Mies van der Rohe. Belgium Tel. +32 11 29 21 01 SCHUNCK* GLASPALEIS www.uhasselt.be Frits Peutz’s Glaspaleis was almost demolished twice. It is now a classic example of renovation (executed by Jo Coenen and Wiel Arets) and new use (library, music school, museum for modern and contemporary art, dance school, architecture institute, art cinema, espresso bar and brasserie).
    [Show full text]
  • Copyrighted Material
    25_662945 bindex.qxp:interior pages 3/5/08 11:47 AM Page 567 Index Entries in italic type refer to illustrations Aalto, Alvar, 18, 129, 170, 271, 291, 360, 476, 492, American Embassy. See United States Embassy Baker House Dormitory, Massachusetts Institute 492, 493, 493–494, 494, 495 American Houses, Inc., 148–149, 309 of Technology, Cambridge, Massachusetts, Abramovitz, Max, 372, 372, 373, 375 American Institute of Architects (AIA), 278, 432, 291, 494 accessibility 436 Bankers Trust Building, New York, New York, 80 airport terminal preservation, 425 American National Exhibition, Moscow, USSR banking industry, 39–40 Raymond M. Hilliard Center, Chicago, Illinois, (1959), 141 Bankside Power Station, Southwark, London, 293, 295 American Radiator Company, 309 England, 449 A. Conger Goodyear House, Old Westbury, New American Society for Testing Materials (ASTM), Barbican housing estate, London, England, 86, 98 York, 213 113, 128 Barcelona chair, 7, 185, 189, 189 acrylic sealants, 133 Ammann & Whitney, 95, 427, 431 Barcelona Pavilion, Barcelona, Spain (1929), 10, adaptive reuse, 34 Amoco Building (Aon Center), Chicago, Illinois, 38, 50, 51, 52, 171, 182, 183, 184, 185, 185, Advance Development Company, 264 129, 131, 476, 496, 497, 498 186, 187–188, 188, 189, 189, 190–193 advocacy, viii design, 496 design description, 187–189 Agnelli, Giovanni, 454–455 generally, 496 generally, 185–187 Ain, Gregory, 261–262, 263, 263, 264, 265, 266, historical development, 496–498 historical perspective, 189–190 266, 326 preservation issues, 498 reconstruction, 190–193, 201 Air Commerce Act of 1926, 420 Anaheim Ice (Disney Ice Skating Rink), Bard Awards, 279 Air France, 424 Anaheim, California, 107 Barragán, Luis, 5 airline industry, 31, 395, 396, 422, 424, 431.
    [Show full text]
  • Reader Module 2
    MOOC Zero-Energy Design Course Reader Module 2 This reader provides additional information for the Massive Open Online Course (MOOC) Zero Energy Design. Andy van den Dobbelsteen Eric van den Ham Tess Blom Kees Leemeijer Special thanks to BOOM (environmental research and design) for the use of the book Energie Vademecum and to BuildDesk / ROCKWOOL international A/S for translation of Energie vademecum. 1 Content 1. Climate zones ..................................................................................................... 4 2. History of climatic design ................................................................................... 7 2.1. Shelter......................................................................................................................................................................................... 7 2.2. Heating ....................................................................................................................................................................................... 8 2.3. Light & Sight .............................................................................................................................................................................. 10 2.4. Cooling ...................................................................................................................................................................................... 12 2 1 Climate zones 3 1. Climate zones If we look at the world climate, the Köppen climate classification is most widely
    [Show full text]
  • VERY CONTEMPORARY Is the Network of Contemporary Art Venues La Châtaigneraie Architecture Are in Dialogue with the Community and the Wider in the Meuse-Rhine Euregion
    2h n i m 0 3 h 2 1h in 30 m m 0 i n n 2h 3 i min m 2 30 h 5 4 Museum De CIAP Domijnen 3 0 m in 1h 30 mi n Leopold-Hoesch- 4 0m in SCHUNCK in Museum 0m 3 1h in m 0 3 1h 1h in m in 30 m 30 1h min 20 h 1 h 1 in m 0 3 0 2 m i n Bureau Europa 2 h 1 h 3 Very 5 1h m i n 3 h 3 1 h h 3 Ludwig Forum 0 Contemporary m i n Aachen The Network of Contemporary Art 1 venues in the Meuse-Rhine Euregion h in m 2 0 0 3 m 1h in 1h m 1h in 0 h 3 2 4 0 in m i m n 0 3 m 3 5 in 5 m i n 1 h 3 h SPACE Collection 1 h 3 0 m i n IKOB – Museum of Contemporary Art Kunsthaus NRW NAK Kornelimünster Neuer Aachener Kunstverein La Châtaigneraie h 1 n i m h 5 1 h 1 2 h 1 h 1 in h m 20 4 n in i 15m h m 1h 1 0 3 1h 3 0 min Very BELGIUM THE NETHERLANDS GERMANY Contemporary CIAP Museum De Domijnen Kunsthaus NRW Kornelimünster The Network of Contemporary Art Founded in 1976 by a group of art-loving citizens, CIAP is a platform DE DOMIJNEN was created in January 2015. DE DOMIJNEN’s The exhibition program of the KUNSTHAUS NRW KORNELIMÜN- venues in the Meuse-Rhine Euregion for contemporary arts based at C-mine – a revitalised mining site museum of contemporary art is located in the complex Ligne in STER offers an insight into North Rhine-Westphalia’s current and in the city of Genk (BE).
    [Show full text]
  • EDUCATION and REUSE the Public Authorities, the Professionals and the Educational Community
    docomomo International is a non-profit organization dedicated to the documentation and conservation of buildings, sites and neighborhoods of the Modern Movement. It aims at: • Bringing the significance of the architecture of the Modern Movement to the attention of the public, EDUCATION AND REUSE the public authorities, the professionals and the educational community. • Identifying and promoting the surveying of the Modern Movement's works. • Fostering and disseminating the development International committee for of appropriate techniques and methods of conservation. • Opposing destruction and disfigurement documentation and conservation of significant works. • Gathering funds for documentation and conservation. • Exploring and of buildings, sites and neighbourhoods of the developing knowledge of the Modern Movement. modern movement docomomo International wishes to extend its field of actions to new territories, establish new Journal 61 — 2019/03 partnerships with institutions, organizations and NGOs active in the area of modern architecture, develop and publish the international register, and enlarge the scope of its activities in the realm of research, documentation and education. EDUCATION AND REUSE EDUCATION Journal 61 With the support of With the special collaboration of With the support of the Erasmus+ Programme of the European Union DJ 61_capa.indd 1 15/11/2019 01:33 Editor Pokfulam Road, Pokfulam docomomo Kosovo [email protected] docomomo Taiwan Ana Tostões Phone: 852 2859 7962 Bekim Ramku, president Rémi Wang, secretary Guest editor [email protected] Rudina Voca, secretary docomomo Portugal Department of Architecture, Michel Melenhorst http://docomomo.hk Hekuran Fetahu, treasurer See docomomo Iberia. National Taipei University of Technology Editorial Board Hakif Zejnullahu, S11 1/4 1, Chunghsiao E.
    [Show full text]
  • Converting Pre-Existing Buildings Into Value Added Museum Spaces
    CONVERTING PRE-EXISTING BUILDINGS INTO VALUE ADDED MUSEUM SPACES by KATHY MARCHAND REINWARDT ACADEMY MASTER THESIS 2010 SUPERVISOR PETER VAN MENSCH CONVERTING PRE-EXISTING BUILDINGS INTO VALUE ADDED MUSEUM SPACES by KATHY MARCHAND FOREWORD In 2003 I gained my certificate in the field of architectural design at the Art Academy St. Joost in Breda. I gained my certificate with the design of Scryption, museum for written communication, at a new location. The ‘new’ location was a part of the ground floor of the Tivoli parking garage in Tilburg. This was no fictitious assignment; the museum really wanted to move to this location. During the design process there were constantly questions running through my head. Why does a museum want to locate in a parking garage? What is the relation between writing a letter and a pile of concrete with cars in between it? Is there in fact any relation//similarity or contrast// area of tension//dissonance at all? And isn’t that desirable? Despite the fact I gained my certificate these questions lingered after completing my study. Every time I cycled past the location I sought answers to my questions. To no avail. I did however realise that this was the area in which I wanted to immerse myself. I decided to follow the Museology Masters at the Reinwardt Academy in Amsterdam. After all, I would never be able to have an opinion about the design of a museum if I did not know enough about the institute ‘museum’. I had hoped to find answers to the questions that were on my mind.
    [Show full text]
  • Context Internationale Expositie Topwerken Mies Schunck
    CONTEXT SCHUNCK* Glaspaleis Université de Liège INTERNATIONALE EXPOSITIE Bezoekadres Bezoekadres Bongerd 18 Place du 20-Août, 7 Dit programma wordt gepresenteerd in het kader van de 6411 JM Heerlen B-4000, Liège tentoonstelling ‘MIES & de erfenis van het modernisme’ Nederland België (van 10 april t/m 7 augustus). Tel. +31 45 577 22 00 Tel. +32 4 242 79 44 www.schunck.nl www.ulg.ac.be De wereldberoemde architect Ludwig Mies van der Rohe (1886– 1969) inspireert architecten nog steeds. Maar zijn werk raakt in verval, zoals meer modernistische gebouwen. Dat roept de vraag TU Eindhoven Rheinisch-Westfälische Technische op: wat moeten we behouden en hoe? Bezoekadres Hochschule Aachen (RWTH) De Zaale Bezoekadres 5612 AZ Eindhoven Templergraben 55 TOPWERKEN MIES Nederland D-52062 Aachen Tel. +31 6 463 708 67 Duitsland De expositie geeft daarop antwoord. U ziet, voelt en leest alles www.tue.nl Tel. +49 241 809 37 57 over vijf gerestaureerde topwerken van ‘Mies’: S.R. Crown Hall, www.rwth-aachen.de Villa Tugendhat, 860-880 Lake Shore Drive, Robert F. Carr Universiteit Hasselt Memorial Chapel en Verseidag. Een 20 minuten durende en 20 Bezoekadres meter brede video-installatie over deze gebouwen gaat in wereld- Martelarenlaan 42 première. Ook krijgt u een overzicht van 80 gebouwde werken B-3500 Hasselt van Mies van der Rohe. België Tel. +32 11 29 21 01 SCHUNCK* GLASPALEIS www.uhasselt.be Het Glaspaleis van Frits Peutz werd tweemaal bijna gesloopt. Nu is het een schoolvoorbeeld van renovatie (uitgevoerd door Jo Coenen en Wiel Arets) en herbestemming (bibliotheek, muziek- school, museum voor moderne en hedendaagse kunst, dans- school, architectuurinstituut, filmhuis, espressobar en brasserie).
    [Show full text]
  • Architocht-Havo-Vwo
    architocht havo vwo ontdek de gebouwen van heerlen centrum LESBRIEF: Het onderzoek tijdens de architocht zul je een aantal architecten meerdere keren tegenkomen. Inleiding Voor Heerlen is Frits Peutz (1896-1974) de belangrijkste architect. Na zijn studie aan de Technische Universiteit in Delft koos hij Heerlen als werkterrein. In de stad ontwierp hij ruim 30 gebouwen in verschillende stijlen. De Sittardse architect Jos Wielders (1883-1949) was ook zeer actief in Heerlen. de kapel van het Bernardinuscollege is van zijn hand. Ook van hem zul je gebouwen gaan zien. Jan Stuyt (1868-1934) was niet alleen architect, maar ook stedebouw- kundige. Hij ontwierp naast gebouwen, ook pleinen en stratenpatronen. In Heerlen en omgeving ontwierp hij woonwijken voor de mijnwerkers, maar ook kerken, scholen, ziekenhuizen en villa’s. Burgemeester Van Grunsven, die van 1926 tot 1962 burgemeester van Heerlen was, wilde de stad moderniseren. Hiervoor riep hij de hulp in van architecten en stedebouwkundigen als Jos Klijnen en Gerard M. Holt. De laatste jaren hebben de Heerlense architecten Jo Coenen (1949) en Wiel Arets (1955) verschillende ingrepen gedaan in hun geboortestad. Samen renoveerden zij het Glaspaleis. Tot slot is de kunstenaar van de Hoppenhof, Michiel Huisman, de laatste die het rijtje sluit. Opdracht * Kies 2 architecten uit en zoek meer informatie over beide architecten. Uiteraard kan dit in schunck*, maar je kunt ook terecht bij Rijckheyt, www.rijckheyt.nl. * Het onderzoeksonderwerp is: de overeenkomsten en verschillen tussen beide architecten. Kies hiervoor 2 gebouwen uit, van iedere architect één gebouw en vergelijk deze met elkaar. Iedere architect is namelijk anders. De een is vooral modern, terwijl de ander graag traditioneel werkt.
    [Show full text]
  • Peutz-Wandeling-Heerlen-Totaal.Pdf
    Peutz Wandeling Heerlen Totaal Openluchtmuseum Heerlen Frits Peutz werd in 1896 geboren in Uithuizen (Groningen) en ging op 14 jarige leeftijd (1910) naar het jongensinternaat op Rolduc (Kerkrade). Vier jaar later (1914) ging hij studeren voor civiel ingenieur aan de TH te Delft. Na twee jaar studie (1916) neemt hij het besluit om architect te worden. In 1919 wordt zijn eerste ontwerp (Villa Winands) aan de Caumerbeeklaan realiteit. In 1920 begint hij in Heerlen een architectenbureau en studeert pas 5 jaar daarna (1925) af. Tijdens zijn studie heeft hij kennis gekregen aan een mede studente (Leonie Tissen (bella)) waar hij mee trouwt en 14 kinderen krijgt. Frits Peutz is op 24 oktober 1974 overleden en ligt begraven op de begraafplaats aan de Akerstraat. Bongerd 18 Glaspaleis Begin jaren 30 was dit de schandvlek van Heerlen, het werd dan ook het vieze hoekje genoemd. Hier stonden wat bouwvallige huisjes en schuurtjes met kapotte dakpannen half ingestorte muren, het zag er niet mooi uit. De gemeente heeft de eigenaar firma Schunck (stoffenhandelaar) een ultimatum gesteld dat ze het terrein netjes moesten maken anders zou het onteigend worden. Dat heeft Peter Schunck zich ter harte genomen. Samen met Architect Peutz, directeur van de publieke werken v.d.Ven en dochter Christine zijn ze op zoek gegaan naar voorbeeld gebouwen. Dat deden ze door ter plaatse te gaan kijken in diverse Europese steden. Een warenhuis in Nantes viel erg in de smaak vanwege de grote ramen. De opdracht voor Architect Peutz was: het maken van een overdekte, gestapelde marktplaats met veel daglicht. Op 31 mei 1935 werd dit gebouw geopend; negen verdiepingen in bauhaus stijl, zonder dragende buitengevels.
    [Show full text]