EDIZIONE Anno N AUTORE C AUTORE TITOLO Esecutori

Total Page:16

File Type:pdf, Size:1020Kb

EDIZIONE Anno N AUTORE C AUTORE TITOLO Esecutori EDIZIONE Anno N_AUTORE C_AUTORE TITOLO Esecutori Direttore Solisti del Prado 1978 Vincenzo Bellini Norma The Elizabethan Sidney Orchestra and The Opera Australia Chorus Richard Bonynge Joan Sutherland, Margreta Elkins, Clifford grant, Ronald Stevens TDK 2002 Alban Berg Lulu Chorus and Orchestra of the Zurich Opera House Franz Welser-Möst Laura Aikin, Cornelia Kallisch, Peter Keller, Steve Davislim, A. Muff, P. Straka del Prado 1987 Alban Berg Wozzeck Chorus and Orchestra of the Vienna State Opera Claudio Abbado F. Grundheber, H. Behrens, W. Raffeiner, P. Langridge, H. Zednik, A. Haugland del Prado 1987 George Bizet Carmen The Metropolitan Opera Chorus and Orchestra James Levine Agnes Baltsa, José Carreras, Leona Mitchell, Samuel Ramey del Prado 1989 Arrigo Boito Mefistofele Chorus and Orchestra of the S. Francisco Opera Maurizio Arena Samuel Ramey, Gabriela Benackova, Dennis O'Neill, Judith Christin del Prado 1998 Piotr Ilijch Ciaikovski Eugene Onegin Opera and Chorus of the European Union Opera Gennadi Rozhdestvensky Vlogtman, Boylan, Burford, König, Glushchak, Boost del Prado 1992 Piotr Ilijch Ciaikovski La Donna di picche Kirov Opera & Orchestra Valery Gergiev Grigorian, Leiferkus, Filatova, Gulegina, Borodina del Prado 1987 Claude Debussy Pelléas et Mélisande Orchestra e Coro dell' Opera di Lione John Eliot Gardiner C. Alliot-Lugaz, F. Le Roux, J. van Dam, R. Soyer, J. Taillon, F. Golfier elleu multimedia 1992 Gaetano Donizetti Lucia di Lammermoor Orchestra e Coro del Teatro alla Scala Stefano Ranzani R.Bruson M.Devia V. La Scola M.Berti C.Colombara del Prado 2001 Christoph Willibald Gluck Iphigenie en Tauride Zurich Opera's Orchestra La Scintilla William Christie Juliette Galstian, Rodney Gilfry; Deon van der Walt, A. Sacharinger, M. Jankova Opera Classic Voice 2001 George Frederic Handel Rinaldo Bayerisches Staatorchester Harry Bicket D. Walker, D. York, D. Daniels, A. Köhler, E. Silins, N. Nadelmann, C. Maxwell del Prado 1989 Leos Janácek Jenufa The Glyndebourne Chorus and The London Philharmonic Orchestra Andrew Davis Alexander, Silja, Langridge, Baker, Davies TDK 2001 Gustav Mahler Das Lied von der Erde WDR Sinfonieorchester Köln Semyon Bychkov Waltraud Meier, Torsten Kerl del Prado 1993 Claudio Monteverdi L'Incoronazione di Poppea Concerto Köln René Jacobs P. Schumann, R. Croft, K. Kuhlmann, J. Gall, H. Peeters, C. Ryam elleu multimedia 1983 Wolfgang Amadeus Mozart Così fan tutte Orchestra e Coro del Teatro alla Scala Riccardo Muti D.Dessì D.Ziegler A.Corbelli J.Kundlak A.Scarabelli C.Desderi del Prado 1991 Wolfgang Amadeus Mozart Die Zauberflöte The Metropolitan Opera James Levine K. Battle,L.Serra,F.Araiza,M.Hemm,K.Moll,B.Kilduff,H.Zednik elleu multimedia 1987 Wolfgang Amadeus Mozart Don Giovanni Orchestra del Teatro alla Scala Riccardo Muti T.Allen S.Koptchak E.Gruberova F:Araiza A.Murray C.Desderi N.De Carolis S.Mentze Eagle Pictures 1980 Wolfgang Amadeus Mozart Don Giovanni Orchestra e Coro dell'Opera di Parigi Lorin Maazel R. Raimondi,J. Macurdy,E. Moser,K. Kanawa,K. Riege,J. Van Dam,T. Berganza,M.King Opera Classic Voice 1996 Wolfgang Amadeus Mozart Le nozze di Figaro Chorus and Orchestra of the Zurich Opera House Nikolaus Harnoncourt Rodney Gilfry, Eva Mei, Isabel Rey, Carlos Chausson, Elisabeth Nikiteanu del Prado 1990 Modest Mussorgsky Boris Godunov Orchestra e Coro Dell'Opera del Kirov, San Pietroburgo Valery Gergiev R. Lloyd, L. Diadkova, O. Kondina, S. Leiferkus TDK 2000 Jacques Offenbach La Belle Hélène Le Musiciens du Louvre - Grenoble Marc Minkowski F.Lott M:Senechal Y.Beuron L.Naouri ARTHAUS MUSIK 1993 Jacques Offenbach Le Contes d' Hoffmann Orchestra e Coro dell' Opera di Lione Kent Nagano N.Dessay B.Hendricks D.Galvez-Vallejo J. Van Dam del Prado 2002 Giovanni Paisiello Nina o sia la Pazza per Amore Chorus and Orchestra of the Opernhaus Zürich Adam Fischer Cecilia Bartoli, Jonas Kaufmann elleu multimedia 1989 Giovanni Battista Pergolesi Lo frate 'nnamorato Orchestra e Coro Teatro alla Scala Riccardo Muti A.Corbelli, N.Focile, A.Felle, B. Manca di Nissa, L. d'Intino Musicom 2000 Giovanni Battista Pergolesi Stabat Mater Filarmonica della Scala Riccardo Muti B. Frittoli, A.C. Antonacci del Prado 1986 Amilcare Ponchielli La Gioconda Chorus Ballet and Orchestra of the Vienna State Opera Adam Fischer Eva Marton, Placido Domingo, Matteo Manuguerra del Prado 1988 Giacomo Puccini La Bohème Chorus and Orchestra of the San Francisco Opera Tiziano Severini M.Freni, L.Pavarotti, G.Quilico, N.Ghiaurov, S.Dickson Opera Classic Voice 1993 Giacomo Puccini La Bohème Opera Australia Ballet & Orchestra & Chorus Julian Smith Roger Lemke, Cheryl Barker elleu multimedia 1991 Giacomo Puccini La fanciulla del West Orchestra e Coro Teatro alla Scala Lorin Maazel M. Zampieri, J. Pons, P. Domingo Open Game 2001 Giacomo Puccini Tosca Orchestra e Coro Royal Opera House Covent Garden Antonio Pappano A. Gheorghiu, R. Alagna, R. Raimondi Corriere della Sera 2002 Giacomo Puccini Turandot Wiener Philharmoniker - Staatsoper Chor Valery Gergiev G. Schnaut, J. Botha, C. Gallardo Domas ARTHAUS MUSIK 1995 Henry Purcell The Fairy Queen Orchestra and Chorus of the English National Opera Nicholas Kok Y.Kenny T.Randle S.Rice R. Van Allan elleu multimedia 1988 Gioachino Rossini Guglielmo Tell Orchestra e Coro del Teatro alla Scala Riccardo Muti G.Zancanaro C.Merritt G.Surian C.Studer del Prado 1988 Gioachino Rossini Il Barbiere di Siviglia Radio Symphony Orchestra Stuttgart Gabriele Ferro Cecilia Bartoli, David Kuebler, Gino Quilico, Carlos Feller,Robert Lloyd del Prado 1995 Gioachino Rossini La Cenerentola Houston Symphony and Houston Grand Opera Chorus Bruno Campanella C.Bartoli E.Dara R.Giménez A.Corbelli M.Pertusi Deutsche Grammophon 1981 Gioachino Rossini La Cenerentola Orchestra del Teatreo alla Scala Claudio Abbado F. von Stade, F. Araiza, C. Desderi, P. Montarsolo elleu multimedia 1992 Gioachino Rossini La donna del lago Orchestra e Coro del Teatro alla Scala Riccardo Muti R.Blake G.Surian C.Merritt J.Anderson del Prado 1990 Gioachino Rossini Semiramide Metropolitan Opera Orchestra James Conlon June Anderson, Marilyn Horn, Stanford Olsen, Samuel Ramey Warner Music Vision 1984 Johann Strauss Die Fledermaus The Royal Opera, Covent Garden Placido Domingo Kiri Te Kanawa, Hermann Prey, Hildegard Heichele, Benjamin Luxon del Prado 1994 Richard Strauss Arabella The Metropolitan Opera Chorus and Orchestra Christian Thielemann Te Kanawa, Brendel, McLaughlin, Kuebler, Dernesch Deutsche Grammophon 1989 Richard Strauss Ariadne auf Naxos The Metropolitan Opera Orchestra James Levine Jessye Norman, Kathleen Battle, Tatiana Troyanos, James King, F.F. Nentwig Sony 1984 Richard Strauss Der Rosenkavalier Konzertvereinigung Wiener Staatsopernchor Herbert von Karajan A. Tomowa-Sintow, A. Baltsa, J. Perry, K. Moll del Prado 1994 Richard Strauss Der Rosenkavalier Chor und Orchester der Wiener Staatsoper Carlos Kleiber Lott, Von Otter, Bonney, Moll del Prado 1989 Richard Strauss Elektra Wien Staatsoper Orchestra und Chor Claudio Abbado E. Marton, B. Fassbaender,C. Studer, J. King,F. Grundheber del Prado 1997 Richard Strauss Salome Orchestra of the Royal Opera House, CoventGarden Christoph von Dohnányi Catherine Malfitano, Bryn Terfel, Kenneth Riegel, Anja Silja del Prado 1989 Giuseppe Verdi Aida Metropolitan Orchestra, Chorus and Ballet James Levine A.Millo P.Domingo D.Kavrakos D.Zajick P.Burchuladze S.Milnes elleu multimedia 1991 Giuseppe Verdi Attila Orchestra e Coro del Teatro alla Scala Riccardo Muti S.Ramey G.Zancanaro C.Studer K.Kaludov Corriere della Sera 1994 Giuseppe Verdi Don Carlo (4 atti di Mery e Du Locle) Orchestra e Coro Teatro alla Scala Riccardo Muti Luciano Pavarotti, Samuel Ramey, Daniela Dessì, Paolo Coni, Luciana D'Intino Corriere della Sera 2001 Giuseppe Verdi Falstaff Orchestra e Coro del Teatro alla Scala Riccardo Muti A.Maestri, B.Frittoli, J.D.Florez,R.Frontali,B.Manca di Nissa, A.C. Antonacci elleu multimedia 1989 Giuseppe Verdi I Vespri siciliani Orchestra e Coro del teatro alla Scala Riccardo Muti G.Zancanaro C.Merritt C.Studer del Prado 1988 Giuseppe Verdi Il Trovatore The Metropolitan Opera Chorus and Orchestra James Levine Luciano Pavarotti, Sherrill Milnes, Eva Marton, Dolora Zajick del Prado 1998 Giuseppe Verdi La Forza del destino Kirov Opera & Orchestra Valery Gergiev Gorchakova, Putilin, Grigorian, Tarasova del Prado 1994 Giuseppe Verdi La Traviata Orchestra of the Royal Opera House, Covent Garden Georg Solti Angela Gheorghiu, Frank Lopardo, Leo Nucci del Prado 1987 Giuseppe Verdi Macbeth Chorus and Orchestra of the Deutsche Oper Berlin Giuseppe Sinopoli Renato Bruson, Mara Zampieri, Goetz Rose, David Griffith, James Morris Corriere della Sera 2001 Giuseppe Verdi Otello (4 atti di Arrigo Boito) Orchestra e Coro del Teatro alla Scala Riccardo Muti Placido Domingo, Leo Nucci, Barbara Frittoli, Cesare Catani del Prado 1991 Giuseppe Verdi Un ballo in maschera Tje Metropolitan Opera Orchestra and Chorus James Levine Luciano Pavarotti, Leo Nucci, aprile Millo, Florence Quivar del Prado 1990 Richard Wagner Das Rheingold The Metropolitan Opera Orchestra James Levine Morris Held Baker Jerusalem Wlashiha Zednik Rootering Salminen Ludwig Haggander del Prado 1995 Richard Wagner Die Meistersinger von Nürnberg Chorus and Orchestra of the Deitsche Oper Berlin Rafael Frühbeck de Burgos Wolfgang Brendel, Eva Johansson, Gösta Winbergh del Prado 1989 Richard Wagner Die Walküre The Metropolitan Opera Orchestra James Levine Behrens, Norman, Ludwig, Lakes, Morris, Moll del Prado 1990 Richard Wagner Götterdämmerung Metropolitan Opera
Recommended publications
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • RSTD OPERN Nov Dez 212X476 15.10.12 17:48 Seite 1
    RSTD OPERN_Nov_Dez_212x476 15.10.12 17:48 Seite 1 Opernprogramm November 2012 November Franz Liszt Legende der heiligen Elisabeth 20.00 - 22.35 Hermann: Kolos Kováts, Sophie: Éva Farkas, Ludwig: Sándor Sólyom-Nagy, Elisabeth: Éva Marton, 1 Friedrich II. von Hohenstaufen: József Gregor, Ungarischer Magnat: István Gáti, Seneschal: István Gáti. Donnerstag Ungarische Nationalphilharmonie, Leitung: Árpád Joó, 1984. November Léo Delibes Lakmé 20.00 - 21.55 Nilakantha: Clifford Grant, Lakmé: Joan Sutherland, Mallika: Huguette Tourangeau, Hadji: Graeme Ewer, 3 Gerald: Henri Wilden, Frederick: John Pringle, Ellen: Isobel Buchanan. Samstag Australian Opera Chorus, Elizabethan Sydney Orchestra, Leitung: Richard Bonynge, 1976. November Bedrichˇ Smetana Die verkaufte Braut 20.00 - 22.25 Marenka: Dana Burešová, Jenik: Tomáš Juhás, Kecal: Jozef Benci, Vašek: Aleš Vorácek, 6 Mícha: Gustáv Belácek, Háta: Lucie Hilscherová, Krušina: Svatopluk Sem, Ludmila: Stanislava Jirku. Dienstag BBC Singers, BBC Symphony Orchestra, Leitung: Jirí Belohlávek, 2011. November Wolfgang Amadé Mozart Le nozze di Figaro 20.00 - 23.00 Almaviva: Tom Krause, Gräfin: Anna Tomowa-Sintow, Susanna: Ileana Cotrubas, Figaro: José van Dam, Cherubino: Frederica 8 von Stade, Bartolo: Jules Bastin, Marcellina: Jane Berbié, Basilio: Heinz Zednik, Don Curzio: Kurt Equiluz. Donnerstag Chor und Orchester der Wiener Staatsoper, Leitung: Herbert von Karajan, 1977. November Christoph Willibald Gluck Alceste 20.00 - 22.25 Admete: Paul Groves, Alceste: Anne Sofie von Otter, Oberpriester: Dietrich Henschel, Euandros: Yann Beuron, 10 Herakles: Dietrich Henschel, Herold: Ludovic Tézier, Orakel: Nicolas Testé, Apollo: Ludovic Tézier. Samstag Monteverdi Choir, English Baroque Soloists, Leitung: Sir John Eliot Gardiner, 1999. November Christoph Willibald Gluck Paride ed Elena 20.00 - 22.30 13 Paride: Magdalena Kožená, Elena: Susan Gritton, Amore: Carolyn Sampson, Pallade: Gillian Webster.
    [Show full text]
  • Bellini's Norma
    Bellini’s Norma - A discographical survey by Ralph Moore There are around 130 recordings of Norma in the catalogue of which only ten were made in the studio. The penultimate version of those was made as long as thirty-five years ago, then, after a long gap, Cecilia Bartoli made a new recording between 2011 and 2013 which is really hors concours for reasons which I elaborate in my review below. The comparative scarcity of studio accounts is partially explained by the difficulty of casting the eponymous role, which epitomises bel canto style yet also lends itself to verismo interpretation, requiring a vocalist of supreme ability and versatility. Its challenges have thus been essayed by the greatest sopranos in history, beginning with Giuditta Pasta, who created the role of Norma in 1831. Subsequent famous exponents include Maria Malibran, Jenny Lind and Lilli Lehmann in the nineteenth century, through to Claudia Muzio, Rosa Ponselle and Gina Cigna in the first part of the twentieth. Maria Callas, then Joan Sutherland, dominated the role post-war; both performed it frequently and each made two bench-mark studio recordings. Callas in particular is to this day identified with Norma alongside Tosca; she performed it on stage over eighty times and her interpretation casts a long shadow over. Artists since, such as Gencer, Caballé, Scotto, Sills, and, more recently, Sondra Radvanovsky have had success with it, but none has really challenged the supremacy of Callas and Sutherland. Now that the age of expensive studio opera recordings is largely over in favour of recording live or concert performances, and given that there seemed to be little commercial or artistic rationale for producing another recording to challenge those already in the catalogue, the appearance of the new Bartoli recording was a surprise, but it sought to justify its existence via the claim that it authentically reinstates the integrity of Bellini’s original concept in matters such as voice categories, ornamentation and instrumentation.
    [Show full text]
  • Verdi's Rigoletto
    Verdi’s Rigoletto - A discographical conspectus by Ralph Moore It is hard if not impossible, to make a representative survey of recordings of Rigoletto, given that there are 200 in the catalogue; I can only compromise by compiling a somewhat arbitrary list comprising of a selection of the best-known and those which appeal to me. For a start, there are thirty or so studio recordings in Italian; I begin with one made in 1927 and 1930, as those made earlier than that are really only for the specialist. I then consider eighteen of the studio versions made since that one. I have not reviewed minor recordings or those which in my estimation do not reach the requisite standard; I freely admit that I cannot countenance those by Sinopoli in 1984, Chailly in 1988, Rahbari in 1991 or Rizzi in 1993 for a combination of reasons, including an aversion to certain singers – for example Gruberova’s shrill squeak of a soprano and what I hear as the bleat in Bruson’s baritone and the forced wobble in Nucci’s – and the existence of a better, earlier version by the same artists (as with the Rudel recording with Milnes, Kraus and Sills caught too late) or lacklustre singing in general from artists of insufficient calibre (Rahbari and Rizzi). Nor can I endorse Dmitri Hvorostovsky’s final recording; whether it was as a result of his sad, terminal illness or the vocal decline which had already set in I cannot say, but it does the memory of him in his prime no favours and he is in any case indifferently partnered.
    [Show full text]
  • Integrales Discográficas De Las Sinfonías De Gustav Mahler
    MAHLER INTEGRALES DISCOGRÁFICAS DE LAS SINFONÍAS DE GUSTAV MAHLER Índice de contenidos Página Policarbonato y maheriana — Integrales: 03 Integrales de un director y una orquesta: 06 Integrales de un director y más de una orquesta: 54 Integrales de más de un director y una orquesta: 72 Integrales de más de un director y más de una 78 orquesta: Policarbonato y mahleriana su música no sonó en Alemania ni en prácticamente todos los territorios que había anexionado el nazismo. Pocos eran los directores, de la generación que dominó Iniciada la década de los años 60 del siglo XX, había la primera mitad del siglo XX, que verdaderamente creían transcurrido medio siglo desde el fallecimiento de Gustav en su obra. Destacan los casos del Willem Mengelberg, Mahler; cincuenta años en los que el mundo de la Bruno Walter y Otto Klemperer. El primero de ellos logró fonografía, y paralelamente a esta las salas de concierto, en Amsterdam, como director titular de dedicaban aún una exigua —relativa— o nula presencia la Concertgebouworkest, que la ciudad desarrollase una de la obra de Mahler. A lo largo de esa década ese singular y profunda tradición mahleriana. Los otros dos parcial oscurantismo iba a llegar a su fin; el nombrado directores, judíos alemanes ambos, siempre fueron fieles a “boom Mahler" incrementó la presencia, en todos los la obra de su mentor; tanto en Europa, durante los años ámbitos, de la obra del compositor bohemio, que llevaron que pudieron interpretarla, como en su forzado exilio en desde aquellas fechas hasta nuestros días, pocos años los Estados Unidos, principalmente.
    [Show full text]
  • Contents Price Code an Introduction to Chandos
    CONTENTS AN INTRODUCTION TO CHANDOS RECORDS An Introduction to Chandos Records ... ...2 Harpsichord ... ......................................................... .269 A-Z CD listing by composer ... .5 Guitar ... ..........................................................................271 Chandos Records was founded in 1979 and quickly established itself as one of the world’s leading independent classical labels. The company records all over Collections: Woodwind ... ............................................................ .273 the world and markets its recordings from offices and studios in Colchester, Military ... ...208 Violin ... ...........................................................................277 England. It is distributed worldwide to over forty countries as well as online from Brass ... ..212 Christmas... ........................................................ ..279 its own website and other online suppliers. Concert Band... ..229 Light Music... ..................................................... ...281 Opera in English ... ...231 Various Popular Light... ......................................... ..283 The company has championed rare and neglected repertoire, filling in many Orchestral ... .239 Compilations ... ...................................................... ...287 gaps in the record catalogues. Initially focussing on British composers (Alwyn, Bax, Bliss, Dyson, Moeran, Rubbra et al.), it subsequently embraced a much Chamber ... ...245 Conductor Index ... ............................................... .296
    [Show full text]
  • Download Booklet
    MONTEVERDI © Lebrecht Music & Arts Photo Library ???????????? Claudio Monteverdi (1567 – 1643) The Coronation of Poppea Dramma musicale in a Prologue and two acts Libretto by Giovanni Francesco Busenello, English translation by Geoffrey Dunn Prologue Fortune Barbara Walker soprano Virtue Shirley Chapman soprano Love Elizabeth Gale soprano Opera Ottone, most noble lord Tom McDonnell baritone Poppea, most noble lady, mistress of Nero, Janet Baker mezzo-soprano raised by him to the seat of empire Nero, Roman emperor Robert Ferguson tenor Ottavia, reigning empress, repudiated by Nero Katherine Pring mezzo-soprano Drusilla, lady of the court, in love with Ottone Barbara Walker soprano Seneca, philosopher, preceptor to Nero Clifford Grant bass Arnalta, aged nurse and confidante of Poppea Anne Collins mezzo-soprano Lucano, poet, intimate of Nero, nephew of Seneca Emile Belcourt tenor Valletto, page of the empress John Brecknock tenor Damigella, lady-in-waiting to the empress Iris Saunders soprano Liberto, Captain of the praetorian guard Norman Welsby baritone First soldier Robin Donald tenor Second soldier John Delaney tenor Lictor, officer of imperial justice Anthony Davey bass Pallas Athene, goddess of wisdom Shirley Chapman soprano Chorus of Sadler’s Wells Opera Orchestra of Sadler’s Wells Opera Raymond Leppard 3 compact disc one Time Page Act I 1 Sinfonia 2:55 p. 30 Prologue 2 ‘Virtue, go hide yourself away’ 7:16 p. 30 Fortune, Virtue, Love Scene 1 3 ‘Again I’m drawn here’ 8:32 p. 31 Ottone, Soldier 2, Soldier 1 4 ‘My lord, do not go yet!’ 9:54 p. 32 Poppea, Nero Scene 2 5 ‘At last my hopes have ended’ 6:38 p.
    [Show full text]
  • CHAN 3045 Bookcover.Qxd 9/7/07 1:21 Pm Page 1
    CHAN 3045 bookcover.qxd 9/7/07 1:21 pm Page 1 CHANDOS O PERA IN ENGLISH CHAN 3045(4) PETE MOO ES FOUNDATION CHAN 3045 BOOK.qxd 13/7/07 3:15 pm Page 2 Richard Wagner (1813–1883) AKG Siegfried Second Day of the Festival Play The Ring of the Nibelung Music drama in three acts Poem by Richard Wagner English translation by Andrew Porter Siegfried ......................................................................................................................Alberto Remedios tenor Mime ..........................................................................................................................Gregory Dempsey tenor Wanderer..............................................................................................................Norman Bailey bass-baritone Alberich ......................................................................................................Derek Hammond-Stroud baritone Fafner ................................................................................................................................Clifford Grant bass Erda ..............................................................................................................................Anne Collins contralto Brünnhilde........................................................................................................................Rita Hunter soprano Voice of the Woodbird ..............................................................................................Maurine London soprano Sadler’s Wells Opera Orchestra Barry Tuckwell
    [Show full text]
  • No. 90, December 2002
    No. 90, December 2002 PRESIDENT'S REPORT Dear Members For many of us, this Newsletter and Barbara McNulty's President's Reports have long been synonymous. Only now, writing my first report as president, do I realise how much of Barbara's personality was infused in her reports, making them much more than a hard act to follow. Those of you who were lucky enough to attend our AGM in July will remember the warmth and affection of the spontaneous ovation we gave Barbara when she stepped down as president. This expressed more than words could our gratitude for her tireless work on our behalf over many years on the committee, which Barbara continues in the role of secretary and as vice president "ex officio". Most of you, I suspect, think of AGMs as events you're lucky to avoid, but ours in July was very different. Our Society makes regular donations to support young talented Australians studying overseas, such as our support of the Bayreuth Scholarship, and we sponsor artists in local productions. Prior to the AGM, we had the chance to hear, in the glorious and intimate setting of the Paddington Uniting Church, the depth of talent we have helped in a small way to foster, when Lisa Harper-Brown and Stuart Skelton gave a recital, with Francis Greep and Michael Black. It was a delight to hear and see such bright, young talent, and the committee will be looking over the next few months at other ways we may be able to help singers and musicians starting out in their careers.
    [Show full text]
  • Classical Masterpieces Distribution Partner
    MUSIC LIVE MUSIC DIVERSE MIN. VERSIONS Only music (69 x Diverse) Introduction in English (08 x Diverse) 60 2586 | 61-64, 76-79 RIGHTS Not available worldwide. Please contact your regional Classical Masterpieces distribution partner. ORDER NUMBER The series Classical Masterpieces presents a rich repertoire ranging from symphonies, instru- 60 2586 | Diverse mental concertos and masses to chamber music and small solo works. Though the main emphasis is on the classical period, all other epochs in the history of music are represented as well. The orchestras featured are almost exclusively German, and the conductors and soloists are artists of international standing. Chamber Music Baroque Music 08 Wolfgang Amadeus Mozart 32 Johann Sebastian Bach 20 min. 23 min. Sonata in D major for two pianos, K 525 Suite No 1 in C major, for two oboes, Piano: Marie-José Billard and Julien Azais bassoon, string orchestra and continuo, BWV 1066 36 Ludwig van Beethoven Cologne Chamber Orchestra 11 min. Oboe: Hans-Peter Westermann Variations for cello and piano from Bassoon: Ensemble Michael McCraw Mozart’s opera “The Magic Flute” Conductor: Helmut Müller-Brühl Piano: Nerine Barrett, Cello: Claus Kanngiesser 76 Johann Sebastian Bach 29 min., Introduction in English 37 Frederic Chopin Suite No 1 in C major, for two oboes, 25 min. bassoon, strings and basso continuo, Sonata in G minor, op. 65 for cello and BWV 1066 piano Cologne Chamber Orchestra Piano: Nerine Barrett, Oboe: Hans-Peter Westermann Cello: Claus Kanngiesser Bassoon: Ensemble Michael McCraw Introduction: Marioara Trifan 98 Franz Liszt Conductor: Helmut Müller-Brühl 45 min. Works for piano: Mephisto Waltz 33 Johann Sebastian Bach Liebestraum No 3 21 min.
    [Show full text]
  • CHAN 9836 Front.Qxd 30/8/07 1:02 Pm Page 1
    CHAN 9836 Front.qxd 30/8/07 1:02 pm Page 1 CHAN 9836 CHANDOS MAHLER Symphony No. 4 Eva Johansson soprano Danish National Radio Symphony Orchestra Leif Segerstam CHAN 9836 BOOK.qxd 30/8/07 1:03 pm Page 2 Gustav Mahler (1860–1911) AKG Symphony No. 4 in G major . G-Dur . sol majeur 1 I Bedächtig 18:11 2 II In gemächlicher Bewegung. Ohne Hast 10:34 3 III Ruhevoll 22:39 4 IV Sehr behaglich 10:10 TT 61:42 Eva Johansson soprano Danish National Radio Symphony Orchestra Leif Segerstam Gustav Mahler 2 3 CHAN 9836 BOOK.qxd 30/8/07 1:03 pm Page 4 begun until mid-July of 1899, shortly after St John’s lamb is chased by Herod and Mahler: Symphony No. 4 the composition of the song Revelge slaughtered for the celestial banquet, while (Reveille). Much changed in appearance, it St Luke kills the oxen. The pathos of was completed in draft the following summer Mahler’s music at this point is hardly In his Fourth Symphony Mahler returned to 5 Die Welt ohne Schwere (The world without (on 5 August) but in neither year was its oppressive, although the cries of the animals the scale of the First and to the conventional weight) composition easy. Mahler continued to revise are distinctly heard in the orchestra. But he scheme of four movements. From the epic 6 Das himmlische Leben (Heavenly life) it in the winter of 1900–01 and worked on introduced a darker note in his ghostly world of the Second and Third Mahler That Mahler may have first imagined the aspects of its orchestration long after the first scherzo, which at the Amsterdam retained a single soprano soloist for the finale.
    [Show full text]
  • 919X Auto Reverse Stereo Cassette Deck PEMOTE SENSOR Marlboro Red Or Longhorn 1110'S- You Get a Lot to Like
    MARCH 1S90 --''-I.- IC-I i-o-o-o 4- 0- o - ê I I -I INCORPORATING HIGH FlOILITY' 0-.1.-1,.0 1.0 0.0.-1.,1, 0041 r- ti 61 1'8 4-.41 4-11 4.14 if 0.1..1,1,0, 0,1.-1 I 0. 4 00 4 4 4 1 I 8 , 1 1 - 2-111 C.1.1-111-11 0.444-4,110,411.11,11.-108-1.-1.1- 4111-14 C-0t,11 4 .`,1 4 .1, 1,9 +.1,0..1,1.10 o -o- I p 4 0 40040-40-4 1.'0 t-4.-$--I.-I- 1-4,10.401000.11.-1.-1.11, 140.40,4041.-4,4,11.-1...0,1,101 N1,011-4'10-1,8 I- 8,1.-1-1,1,1 Nq 0.4 t4o e-s.a r a .1I .-4,40,11,110.11.1,-8,1.0.1..-1.-11I r-ro vie too ,oo .^4^0.-4.-1...5.1,1,-4,1,1,1-A Id OILL11 0.1 - .40-0041.-4,1,1-4,6.4.1,1-1,-1, 1,1 CHOOSING A CUSTOM INSTALLER J"410.1.1-4.-4.8.-1,11.11.- I -411, # I 4"..0 I .11, -1,..11.1,1..0 -10.0,10.1.1.- 414.41-.1...4.-1,14.1,4,1.........8..8...p 4.0 1.4 0.4 -4 .4 0'.I ...11.4 I 10. a - I TEST REPORTS: YAMAHA RECEIVER, .5,5 0,4 0-1..0,.8.8..10-1,11-0,...0.1.
    [Show full text]