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125896_2_v1 1 7/20/07 11:46:15 AM SEPTEMBER-OCTOBER 2007 VOLUME 110, NUMBER 1
FEATURES page 11 34 Honorable Forester Peter Ashton’s productive immersion in tropical forests now yields crucial information about biodiversity and threatened ecosystems TOM MOSSER
KRIS SNIBBE/HARVARD NEWS OFFICE by Christopher Reed page 59
DEPARTMENTS 40 Writing as Performance A literary scholar deconstructs his own texts 4 Cambridge 02138 to reveal what it costs to “write about the other as Communications from our readers if your life depended on it” 11 Right Now Stephen Greenblatt Calcium channels and male by contraceptives, bad bets and bad apples, the evolution of Vita: Gordon McKay faith, moderating macho 48 Brief life of an inventor with a lasting Harvard 19 Montage legacy: 1821-1903 Screen savant, dance master, Harry R. Lewis contemporary chamber music, by the poet-curator, and more 32A New England Regional 50 Bricks and Politics page 34 Section The sometimes-indelicate interaction of design, community interest, A seasonal calendar, the modern style in historic homes, and institutional desire that shapes the buildings Harvard erects and a tasty, tiny restaurant by Joan Wickersham 78 The Alumni Two politicians who have opted out, 59 John Harvard’s Journal HAA’s new president, “Justice” made The Law School’s big moving day, President Drew Faust arrives at Massachusetts mobile, Hunn Award winners, and more Hall, the Medical School’s new dean, multiplying interests for the scholar of 84 The College Pump LOUISE MURRAY/ROBERT HARDING WORLD IMAGERY/CORBIS multiple intelligences, the campus under construction Paths straight and true, and the man on the map and reconstructed, rescheduling the academic calendar, 92 Treasure inaugurating the School of Engineering and Applied Preserving pulp pleasures Sciences, University people in the news, competitors 85 Crimson Classifieds with GUTS, strong support for professorships, an unused Arboretum asset, the departing Harvard College On the cover: Harvard’s dean, student homes away from home, fresh high-rise housing complex at One Western Avenue. “Undergraduate” fellows, soccer stars, rugged women
Photograph by Jim Harrison. ROBERT ADAM MAYER playing rugby, and a preview of fall sports
page 19 Harvard Magazine 3 www.harvardmagazine.com
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Editor: John S. Rosenberg Executive Editor: Christopher Reed Senior Editor: Jean Martin 02138 Managing Editor: Jonathan S. Shaw Deputy Editor: Craig Lambert Cambridge Production and New Media Manager: Mark Felton Le professeur, global warming and deficits, outside the academy Assistant Editor: Nell Porter Brown Art Director: Jennifer Carling Assistant Art Director: Vera Leung Berta Greenwald Ledecky FAITH AND UNBELIEF Undergraduate Fellows I am surprised Casey N. Cep, Emma M. Lind that Katherine Dunn Editorial Interns: (“Faculty Faith,” July-August, page 15) Eliza M. Pickering, Anna Reinhard does not refer to the main historical Web Intern: Blaise Freeman source of the higher percentage of “non- believers” among faculty than in the gen- Contributing Editors eral public. It derives, like the secular uni- John T. Bethell, John de Cuevas, Adam versity itself, from the Enlightenment of Goodheart, Max Hall, Jim Harrison, Harbour Fraser Hodder, Christopher S. the eighteenth century and its embarrass- Johnson, Adam Kirsch, Colleen Lannon, ment about and hostility toward religion. Deborah Smullyan, Mark Steele, Janet Harvard historian Crane Brinton has Tassel, Edward Tenner stated, “The spirit of the Enlightenment is hostile to organized religion....The cor- Editorial and Business O≠ice rosiveness of the Enlightenment is 7 Ware Street, nowhere clearer than in its attack on Cambridge, Mass. 02138-4037 Tel. 617-495-5746; fax: 617-495-0324 Christianity.” The result is the continuing Website: www.harvardmagazine.com embarrassment about religion in the Reader services: academy and the fact that divinity schools of psychology and biology. A simple ques- 617-495-5746 or 800-648-4499 in secular universities are usually at the tion such as, “When did you become a bottom of the status hierarchy. I speak as nonbeliever?” might reveal that disbelief HARVARD MAGAZINE INC. President: Henry Rosovsky, Jf ’57, one raised by fine atheist parents in Green- predated the choice of discipline. If so, Ph.D. ’59, LL.D. ’98. Directors: Richard wich Village and with graduate study in maybe it wasn’t that psychology and biol- H. Gilman, M.B.A. ’83, Leslie E. physics and the philosophy of religion. ogy made these professors into nonbeliev- Greis ’80, Alex S. Jones, Nf ’82, Bill Owen C. Thomas ers, as the article suggests, but rather that Kovach, Nf ’89, Kay Kaufman Shelemay, Berkeley, Calif. their disbelief contributed to their chosen Alan J. Stone, Richard Tuck career path. Harvard Magazine (ISSN 0095-2427) is published bimonthly Academics’ belief or nonbelief in God is Jorge Colapinto by Harvard Magazine Inc., a nonprofit corporation, 7 Ware Street, Cambridge, Mass. 02138-4037, phone 617- only one part of their views on religion. Wynnewood, Pa. 495-5746; fax 617-495-0324. The magazine is supported by reader contributions and subscriptions, advertising rev- Organized religion provides powerful rit- enue, and a subvention from Harvard University. Its edi- uals and supportive communities for the Statements appear in Dunn’s report torial content is the responsibility of the editors. Periodi- cals postage paid at Boston, Mass., and additional mailing like-minded, which help to stave o≠ anxi- supposedly giving varied percentages of o≠ices. Postmaster: Send address changes to Circulation ety and despair at the present state of those who are “agnostic”; I beg to dis- Department, Harvard Magazine, 7 Ware Street, Cam- bridge, Mass. 02138-4037. Subscription rate $30 a year in a≠airs by connecting participants to rich agree. In fact, 100 percent of college pro- U.S. and possessions, $55 Canada and Mexico, $75 other foreign. (Allow up to 10 weeks for first delivery.) Sub- heritages of music, architecture, liturgy, fessors are agnostics; so are 100 percent of scription orders and customer service inquiries should be and ethical activity. For just such reasons, garage mechanics, clergy (any and all sent to the Circulation Department, Harvard Magazine, 7 Ware Street, Cambridge, Mass. 02138-4037, or call 617- one can be an agnostic and also an adher- faiths), and stockbrokers. 495-5746 or 800-648-4499, or e-mail addresschanges@har- vard.edu. Single copies $4.95, plus $2.50 for postage and ent of an organized religion. The most basic definition of “agnostic” handling. Manuscript submissions are welcome, but we David C. Balderston is someone who does not know. No one cannot assume responsibility for safekeeping. Include stamped, self-addressed envelope for manuscript re- New York City has ever known where this cosmos/exis- turn. Persons wishing to reprint any portion of Harvard tence originated, why it is here, or how it Magazine’s contents are required to write in advance for permission. Address inquiries to Catherine A. Chute, It may not take “a longitudinal study will all end up. It seems highly unlikely publisher, at the address given above. Copyright over decades” to find out why nonbeliev- that anyone will ever know. Obviously, © 2007 Harvard Magazine Inc. ers are overrepresented among professors many people pick a faith-fable of their
4 September - October 2007 M 1911. 49150/B01A-9095 pushpieces. Screwed-in crownandscrew-locked luminescent hourmarkers andhands. resistant to 150 m( antimagneticscreen.Water-Soft-iron Selfwinding mechanical movement. OVERSEAS CHRONOGRAPH © Photographer: Dany Herbreteau THAN ORE When the Lost Cityofthe Incaswas discovered inPeru, Vacheron Constantin was 156 years old. ~ 490 feet). 18K gold 250 ER FUITRUTDHISTORY UNINTERRUPTED OF YEARS ... EIAE OPERFECTION TO DEDICATED … choosing, or more likely the faith-fable my case, has demonstrated the impor- popular in their family or neighborhood. tance of speaking truth to power in the I have no quarrel with that, so long as classroom as well as outside it. Hard they don’t try to use it to control my life. though it is, I am still teaching interna- There is no great onus to being agnos- tional relations, especially American for- Publisher: Catherine A. Chute tic, other than the obvious fact that you eign policy, to the next generation! Director of Finance: Diane H. Yung will never be elected president of the Linda B. Miller ’59 Director of Circulation: Felecia Carter United States. And consider the most Adjunct professor, Brown University Director of Marketing charming and endearing quality of ag- South Wellfleet, Mass. Cara Ferragamo Murray nostics: they do not send missionaries! Director of Advertising Lyle R. Davidson, M.A.T. ’68 Editor’s note: The scholarly Stanley Robert D. Fitta Advertising Account Manager San Diego Ho≠mann discovered one mistake in the article. “The Germans didn’t get to Nice Myha Nguyen Production/Design Associate LE PROFESSEUR until after the capitulation of Italy in Congratulations Jennifer Beaumont to Craig Lambert September 1943,” he notes. “Between No- Classified Advertising Manager on his article about international-rela- vember 1942, when the Germans moved Elizabeth Connolly tions scholar Stanley Ho≠mann (“Le into most of previously unoccupied Circulation and Fundraising Professeur,” July-August, page 32). I France, and September 1943, the Nazis Manager: Lucia Whalen studied at Harvard from 1969 to 1971 be- graciously left Nice to the Italians, whose Gift Processor: Sarha J. Caraballo fore joining the British Diplomatic Ser- occupation was perfectly harmless.” Business Interns: Kathryn L. Koch, vice (from which I recently retired), and Katie McCully my memory of the Ho≠mann courses I FIX GLOBAL WARMING, DEFICITS took or audited (notably “War”) is one It was painfully gratifying to read IVY LEAGUE MAGAZINE NETWORK of my strongest from that tumultuous in Jonathan Shaw’s “Debtor Nation,” Tel. 617-496-7207 Associate Publisher, Sales time—marked as it was by the student (July-August, page 40) that nearly all the Lawrence J. Brittan, Tel. 631-754-4264 “contestation” of the period about Viet- experts agree on how serious a problem New York Advertising Sales nam. Experiencing it first hand was a are our combined national budget Beth Bernstein, Tel. 908-654-5050 political education in itself. I was fasci- deficits and trade deficits. It was disap- Mary Anne MacLean, Tel. 631-367-1988 nated by his blend of European and pointing, however, not to see any men- Tom Schreckinger, Tel. 212-327-4645 American sensibilities. tion of the best solution. Travel Advertising Sales All my professional life I have Global warming has encouraged some Northeast Media Inc., Tel. 203-255-8800 benefited from the experience of his of us to consider energy conservation Detroit Advertising Sales teaching and insights (and those of Karl and alternative sources of energy in an Media Performance Group Tel. 248-960-9447 Deutsch), and I am delighted to read that e≠ort to reduce greenhouse gases. Those Southwest Advertising Sales he is still so hale and active at Harvard. solutions are also the best way to ad- Daniel Kellner, Tel. 972-529-9687 Charles de Chassiron, M.P.A. ’71 dress those deficits. West Coast Advertising Sales London Most of the technology is already in Virtus Media Sales, Tel. 310-478-3833 place to replace every drop of imported West Coast Travel Advertising Sales As coeditor and coauthor of the petroleum by bio-fuels (not ethanol, but The Holleran Group, Tel. 707-935-9296 Ho≠mann festschrift, I read with pride artificial petroleum, produced via pyrol- and pleasure the long-overdue profile of ysis from plant waste, animal carcass Board of Incorporators Harvard’s best professor, Stanley Ho≠- waste, and “poop,” cost-e≠ective when This magazine, at first called the Harvard Bulletin, was founded in 1898. Its Board of Incorporators was char- mann. You captured his humanity as well the price of petroleum is at or above $50 tered in 1924 and remains active in the magazine’s as his brilliance, his loyalty to friends as a barrel), but so far the political will to governance. The membership is as follows: Stephen J. well as his skepticism of cant. Harvard is make that a priority is missing. It has Bailey, AMP ’94; Je≠rey S. Behrens ’89, William I. Ben- nett ’62, M.D. ’69; John T. Bethell ’54; Peter K. Bol; Fox richer for his half-century of pathbreak- been estimated that if we gained our pe- Butterfield ’61, A.M. ’64; Sewell Chan ’98, Jonathan S. ing scholarship, his inspiring career as a troleum exclusively from plants, they Cohn ’91; Philip M. Cronin ’53, J.D. ’56; John de Cuevas ’52; Casimir de Rham ’46, J.D. ’49; James F. public intellectual whose life, at least in could be sustainably grown in approxi- Dwinell III ’62; Anne Fadiman ’74; Benjamin M. mately 30 percent of our arable land, Friedman ’66, Ph.D. ’71; Robert H. Giles, Nf ’66; Owen NEWS ON OUR WEBSITE Gingerich, Ph.D. ’62; James Glassman ’69; Adam K. which is an amount not currently Goodheart ’92; Max Hall, Nf ’50; Philip C. Haughey For coverage of breaking news at needed for food production anyway. ’57, Brian R. Hecht ’92; Sarah Bla≠er Hrdy ’68, Ph.D. ’75; Ellen Hume ’68; Alex S. Jones, Nf ’82; Bill Kovach, Harvard, the editors invite you to If the United States were to stop im- Nf ’89; Florence Ladd, BI ’72; Anthony Lewis ’48, Nf visit the magazine’s website, www.- porting petroleum in favor of artificial ’57; Scott Malkin ’80, J.D./M.B.A. ’83; Lisa L. Martin, Ph.D. ’90; David McClintick ’62; John P. Reardon Jr. harvardmagazine.com. There you home-grown petroleum, the major part ’60; Harriet Ritvo ’68, Ph.D. ’75; Henry Rosovsky, Jf can also register for “Editor’s High- of the trade deficit would disappear. Our ’57, Ph.D. ’59, LL.D. ’98; Barbara Rudolph ’77; Robert lights,” a summary of the contents of military budget currently exceeds the N. Shapiro ’72, J.D. ’78; Theda Skocpol, Ph.D. ’75; Peter A. Spiers ’76; Scott H. Stossel ’91; William O. Taylor each new issue, e-mailed just as that combined total of all the military bud- ’54; Sherry Turkle ’69, Ph.D. ’76; Robert H. Weiss ’54; issue is posted on the website. gets of all the other countries of the Elizabeth Winship ’43; Jan Ziolkowski. world, but without needing to “protect”
6 September - October 2007 LETTERS our foreign sources of oil, we could dras- tically reduce the military budget to a sane level. If the rest of the world were to join such a program, Middle Eastern ter- rorism aimed at us would dry up overnight without the Saudi oil money to fuel it, freeing up more of our national budget. And, somewhere along the way, Give and we would reverse the greenhouse-gases problem. It’s a win-win-win situation. When do we start? John Fitzhugh Millar ’66 get back. Williamsburg, Va
CERTIFIED BY HARVARD In his Class Day address (“I See You,” July-August, page 55), Bill Clinton re- minded the Harvard community that all humans are 99.9 percent identical in our Make a genetic makeup. He urged us to think more about our similarities and less about the di≠erences arising from one-thou- sandth part of our genetic material. Since planned gift. “For me, giving back we are so nearly alike, it seems probable that most of the vast di≠erences in peo- ple’s life circumstances can be attributed is primary, and the to the accidental factors of birth environ- ments and early education, rather than innate ability. retirement planning is However, the premise of our academic system is that our innate di≠erences are overwhelmingly important. A Harvard degree is supposed to identify its holder a happy concomitant.” as extraordinarily smart, and to certify his or her contribution as uniquely valu- able to public discourse. The tremendous power of the Harvard brand helps to sus- -Michael Cooper AB ’57, tain the belief that the only knowledge worth having is that certified by an aca- demic degree, and the only people worth LLB ’60 consulting on any question are those with academic credentials. Even though we For more information, know that brilliant academics can be please contact: clueless in areas outside their specialties, and that most of the useful knowledge Anne McClintock and wisdom of humanity is gained and Alasdair Halliday passed along outside the walls of the ivory tower, we tend to accept academic John Christel certification as the sine qua non of human Ericka Webb achievement. University Planned Giving In another of this year’s Commence- PHONE (888) 206-4213 ment speeches (page 57), Bill Gates asked FAX (617) 495-8130 Harvard University for what purpose “one of the great collec- tions of intellectual talent in the world” EMAIL [email protected] 124 Mount Auburn Street was gathered at Harvard. He indicated WEB Cambridge, MA that he thought it was to solve the com- post.harvard.edu/pgo 02138-5795 plex problems facing humanity, especially the problem of how to reduce inequity. If the Harvard community believes that the PGO 07-343
Harvard Magazine 7 LETTERS academy alone can provide the answers to ria. To subjugate a nation of tens of mil- this problem—not to mention the prob- ADDENDUM: DEATH WISHES lions of people now requires a commit- lems of nuclear proliferation, environ- In his “vita” on Wendell Phillips ment of lives, resources, and ruthlessness mental devastation, war, and global pan- (May-June, page 38), Castle Freeman that no democratic people would find ac- demics—we will fail to deliver what cited but was unable to name an el- ceptable—even if they were to employ Gates said “the world has a right to ex- derly gentleman who made the obser- Ferguson’s reprehensible “solution” of pect from us.” Much of the knowledge we vation that “he did not plan to attend drafting the unemployed, undocumented, need to solve these problems must be the funeral of Wendell Phillips [but] and imprisoned toward that e≠ort. sought outside academia. wished it known that he approved of Occupation is the essential enterprise in Only poor people, for example, really it.” Classmates Gretchen Becker ’63 erecting an empire. And it is a profoundly understand poverty. All the world’s and William C. Waterhouse ’63 have brutal and dehumanizing enterprise. This academic experts on poverty put to- informed the editors independently is especially true when the occupying force gether can never solve this problem un- that the speaker in question was Judge is fighting far from home and is unfamiliar less they are willing to learn from the Rockwood Hoar, A.B. 1835, of Concord, with the local culture. Missing from Fer- poor. One impoverished mother who Massachusetts. The reference appears guson’s thinking is the basic concept of na- has raised bright and healthy children on page 145 of Memories and Experiences of tional sovereignty and the much more could tell us more about education than Moncure Daniel Conway, an 1854 graduate e≠ective and uplifting e≠ort to lead by ex- many a professor of child development. of Harvard Divinity School. ample. That these basic lessons of modern If it wishes to help our species survive history have been lost on such an eminent into the next century, Harvard needs to money but the ability and willingness to historian is testament to the supremely find the humility to act as a convener of blend with, charm, or impress the tiny blinding nature of the hubris, jingoism, all necessary parties, rather than as the class of people who run the world. People and exceptionalism at the heart of Anglo- repository of all necessary expertise. who refuse to pretend that they are American conservatism. Given that people really di≠er very lit- significantly smarter than non-Harvar- Even the best-trained and most disci- tle in general intelligence, Harvard has dians need not apply. Harvard people are plined fighting force in human history, had to erect many barriers to keep out self-selected to over-value our di≠erences the United States military, is rife with most people and so maintain the value of and under-value our common humanity. daily horror stories highlighting the wick- its brand. These barriers include not only Such self-selection might be good for edness and futility of attempting to sub- individual survival and yet counter-pro- jugate a foreign nation in the modern ERRATA ductive for the survival of the species. It world. Ferguson’s historical insight Due to an editing error in “Debtor will take the combined genius of all hu- should be greatly improved if he would Nation” (July-August, page 40), Pres- mankind to get us through the dangers take a sabbatical from romanticizing and ident Dwight D. Eisenhower’s ac- we now face. Harvard will have to learn mythologizing the glory years of the nine- tions during the Suez crisis were in- —and to teach—the value of wisdom teenth-century British empire, civilizing accurately described. Although he with or without the proper credentials, if unruly natives around the world, and en- did block the International Monetary it is to play its optimal role during the list in the Coalition e≠ort in Iraq, where Fund from stabilizing the pound challenges ahead. he can experience firsthand the horrible sterling, he did not direct the Fed- Jane Collins ’71 reality of empire-building today. eral Reserve to orchestrate a run on Medford, Mass. Ricardo Hinkle, M.L.A. ’90 the currency. The run originated in New York City the private sector. The correct ver- WRONG-HEADED ON EMPIRE sion of the text may be found on-line It is astonishingly wrong-headed, CURRICULAR REFORM and in a PDF available for download anachronistic, and oblivious for an histo- Reporting on the debate about cur-
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professor of medi- C nation has been a costly and abject failure, arly, perhaps even anti-intellectual.” This cine Michael B. Brenner to the Na- fraught with death, destruction, misery, account is highly misleading. tional Academy of Sciences (July-Au- anger, resentment, blowback, and signifi- I have no objection to the idea that a gust, page 64), the editors ran a cant loss of strength and stature for the ag- general-education requirement should be photograph of Michael P. Brenner, gressor nation. Modern improvements in composed of subjects that will be of par- Glover professor of applied mathe- communication have made ethnic and na- ticular value to students in their lives matics and applied physics. Michael tional cohesion a much stronger and more after Harvard. What I was objecting to B. appears here. potent force against an occupying foreign were clauses in the legislation specifying military than in the days of Queen Victo- that all courses qualifying for general-ed-
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""$ "$ $$# " $ ( %%#$$"$!%$ # $$ MLK%$$#" ## "#$$ $ %" # $#$"#$ # $## $#"$"#$# '( "$ $ " $"#" " &" $# # " "# '#"" JILHGLFJEEDECL "# #%$$ $# "# # # " ($ "# "$# " "$ HBAA$" '#$& " BCGBA$ &"$#$ " &$ #% &$ '"# $# # $ "$ # " # $$ $ %"#$ ( "# ' # "#$ (#$$'$"#$"$ "!%"$# $$#$$& $$ LETTERS ucation credit must connect their subject matter with issues of practical concern to students now and later, as distinct from whatever specific intellectual interest 0.&*"..,-+,+.(.$-+0, they may have in the subject matter. Con- )""/&*$.*! %+0-!4. trary to what the general-education legis- lation passed by the Faculty demands, 2"'*+22%"-"4+0-" +)&*$ any course that ensures a broad under- #-+)*!2"'*+2%+2/+ standing of (say) fundamental physics $"/4+02%"-"4+02*//+ " should qualify for general education credit in science, whether or not it relates &* " +))+*2"(/% the physics it deals with to other matters +-(!2&!"%.,-+1&!"! of broad concern. The same is true for "3 ",/&+*( %0##"0-"! general education courses in other areas. /-*.,+-//&+*."-1& ".#+- To be sure, science courses must be avail- 2&!"--4+#!&. -&)&*/&*$ able that appeal to non-scientists, as well (&"*/"("&* (0!&*$"3" 0/&1". as literature courses for non-poets, philoso- ,-+#"..+-.,-&1/"&- -#/ phy for non-philosophers, and so on. Draw- ,.."*$"-.*!%+/"($0"./. ing connections with issues of broad and practical concern is one way to design such +))+*2"(/%+-(!2&!" courses. But the aims of general education (030-4 %0##"-"!/-*.,+-//&+* do not require that all students, whether -"!"#&*"!&*+./+*"2+-' they are scientists, poets, or philosophers, *!-+0*!/%"$(+ " must take courses of this kind. Thomas M. Scanlon Jr., Ph.D. ’68 Alford professor of natural religion, "."-1"4+0-*"3/,-")&"- +-,+-/"*!"1"*//-1"(2&/% moral philosophy, and civil polity Cambridge +))+*2"(/%+-(!2&!"%0##"0-"! -*.,+-//&+**!"3,"-&"* "/%" REUNION UNION 2-!2&**&*$."-1& "4+0!"."-1" The july-august issue has an obit for Edward A. Meany ’48. We won’t forget him. He arrived at our thirty-fifth reunion in 1983 with a charming woman he wished to wed. Someone who knew his way around local government convinced Ed and the lady to marry as part of our re- -+0!(4."-1&*$"2+-'+./+**!/%"2+-(! union. On June 6, during a boat tour of Boston Harbor, the captain headed the boat into the wind, the bride clutched a 2&**"-+#+,./"./-+2&*$ **"-&/4+),*&".&*/%"* $5&*" bouquet of plastic flowers from the dining area, and one of the three ministers in our class performed the wedding ceremony in the open on the main deck, greeted by cheers of classmates and wives. A union at the reunion, one never to be forgotten. Justin Fishbein ’48 Discover PapuaPapua New New GuineaGuinea Highland Park, Ill. A must for explorers, naturalists, art collectors and world-class scuba divers. Experience five-star wilderness lodges and deluxe expeditionary cruises.A thousand destinations in one. Be wel- SPEAK UP, PLEASE comed by a unique, friendly and colorful people, each with their own distinct cultures and traditions. Papua New Guinea Tourism Ph: (949) 752-5440 Fax: (949) 476-3741 Harvard Magazine welcomes letters 5000 Birch Street, Suite 3000 • Newport Beach, CA 92660 Email: [email protected] • Web: www.pngtourism.org.pg on its contents. Please write to “Let- ters,” Harvard Magazine, 7 Ware Street, Cambridge 02138, send comments by e-mail to [email protected], use our website, www.harvardmagazine.- com, or fax us at 617-495-0324. Letters Affluence. Influence. Readers for Life. may be edited to fit the available space. www.ivymags.com
10 September - October 2007 Right Now The expanding Harvard universe
CATSPER CONTRACEPTIVE (short for “cation channel of sperm”). To un- derstand how CatSper works, Clapham’s team engineered so-called “knock-out” Slowing Sperm mice that lacked the CatSper gene. Deleting it had no e≠ect on female mice, but male mice without it “were 100 percent infertile,” any women fantasize about that’s not our field,’” Clapham says. “But I Clapham reports. it: a male birth-control pill. always think you learn something when you He then turned to two researchers MAfter all, most existing contra- go new places, so we decided to pursue it.” known for their work on sperm: the late ceptives place sole responsibil- The fact that this calcium channel appeared David Garbers of the University of Texas ity for preventing pregnancy on the fe- to be so specific intrigued him. “Rarely do Southwestern Medical Center in Dallas, male partner. And hormone-based op- you find ion channels that [exist] only in and Donner Babcock of the University of tions such as the pill, though e≠ective, one place,” he explains. They discovered Washington in Seattle. Subsequent work also come with potential side e≠ects, in- that this channel developed only in in their labs revealed that CatSper helps cluding an increased risk for life-threat- the tails of mature the sperm prepare for the final leg of ening blood clots in some women. But re- sperm, and named their journey to the egg. cent discoveries about sperm made in the it CatSper Once ejaculated, sperm ordinar- lab of David Clapham, Castañeda professor ily swim with “a sort of sinusoidal of cardiovascular research, could now make motion,” Clapham says. “The tail this fantasy real. moves back and forth in this Clapham says he never set out to unlock symmetric the mysteries of sperm; his research focuses not on reproduction, but on the ion chan- nels found in heart and nerve cells. These gateways in cell membranes allow charged molecules to flow in and out. “Ion channels are basically the transistors of cells,” Clapham ex- plains. “All cells are batteries, and ion channels are like the switches on those batteries.” He’s particularly interested in calcium channels, which play critical roles in the body by coordinating heart contrac- tions and allowing nerve cells to secrete neurotransmitters. In 1999, Clapham’s team was combing the then-new database of human genes, looking for any that would yield previously undis- covered ion channels. That’s when they stumbled upon a gene that appeared to cre- ate a calcium channel in the testes alone. “If we were narrow-minded, I guess we would have stopped there and said, ‘Well,
Illustration by Tom Mosser RIGHT NOW way that’s very beautiful, actually. It’s like a BAD BETS, BAD APPLES pennant flapping in the breeze.” But as sperm approach the egg, they undergo a process called hyperactivation. The CatSper From Anecdote channel conducts calcium, sending sperm “into a sort of hyperdrive. Their tails make an asymmetric motion that’s best described to Equation as like cracking a whip,” Clapham says. This gives sperm up to 20 times the force of nor- mal swimming, enabling them to penetrate he idea seems simple enough: thor Peter Schuck, J.D. ’65, A.M. ’72, a law the cumulus, a protective coating of cells Get detailed information about professor at Yale, propose some remedies. around the egg. Without CatSper to spark T the participants in a given social Consider the U.S. system of allocating this extra force, the sperm and egg can’t join. program—public-housing resi- kidneys for transplant. Organs that be- A new contraceptive based on these dents, say, or applicants for organ trans- come available go to those who have been findings makes sense, Clapham says. Ion plants. Then, given that we live in a world on the waiting list the longest—and are channels are common drug targets be- of limited resources, use that information consequently the sickest (and therefore cause they’re located on the easy-to-ac- to remove individuals on whom the pro- the least likely to recover). Although fair- cess surface of cells. Researchers could gram’s resources aren’t well spent, either ness seems to dictate this chronological develop a molecule to bind to the channel, because the program is unlikely to help approach, Zeckhauser and Schuck es- preventing calcium from entering the them or because they behave in ways that pouse giving at least some of the kidneys sperm tail. A man might take the drug be- hurt other participants. to people further down the list. fore intercourse, but Clapham adds that it E≠orts to put that idea into practice in Instead of policymaking by anecdote— could work in women, too, because fertil- the United States, however, have been far spending large sums on the most heart- ization occurs in the female reproductive from perfect. Numerous factors—many rending cases—the authors argue for poli- tract: “If what we’ve seen in mice is true now ingrained in the programs’ own insti- cymaking by equation. They advance a in humans—and we think that’s the tutional culture—interfere with the goal rational framework for analyzing the case—it would block fertility.” of precisely targeting government spend- benefit to society of a given policy, using Yet such a contraceptive may be a long ing, for example, toward those individuals quality-adjusted life years (QALYs: a unit time coming. One pharmaceutical firm ex- who stand to gain from it the most. In Tar- of measurement first posited in a 1976 pressed interest, but company executives geting in Social Programs: Avoiding Bad Bets, Re- paper cowritten by Zeckhauser). In terms subsequently halted all work on new con- moving Bad Apples (Brookings Institution of QALYs, the transplant recipient who traceptives. Clapham says other major Press, 2006), Ramsey professor of political lives for decades—working, raising chil- pharmaceutical companies have done the economy Richard Zeckhauser and coau- dren, paying taxes, but perhaps even more same. They have several reasons. To begin with, existing contraceptives work, so Resources should be targeted to programs there’s little motivation to develop new that benefit society the most, argues political ones. Furthermore, the enormous expense economist Richard Zeckhauser. of drug trials, which can cost hundreds of Good bet 1.0 millions of dollars, means pharmaceutical Three-time 35-year-old recidivist criminal breast cancer companies feel pressure to develop wildly in job training patient receiving popular drugs with large markets to cover Tamoxifen their costs, and they’re also leery of poten- 0.8 tial litigation. “Drug companies want low D+“Animal House” student at state risk,” Clapham says. “A drug with severe university side e≠ects is accepted by society for seri- 0.6 ous, life-threatening diseases, like cancer. When the alternative is death, one is will-
QUALITY OF BET 0.4 ing to accept problems.” Contraceptives, Unmotivated, on the other hand, are generally used by poor-performing young, healthy people, so society is less Chronically student in community tolerant of side e≠ects. Clapham also disruptive 0.2 student college notes that anticontraception attitudes Drug-dealing tenant 85-year-old pig now run strong in the United States. valve recipient “Few public companies,” he says, “want in public housing 0 political liability in any form.” Bad bet erin o’donnell 0 0.2 0.4 0.6 0.8 1.0 Bad apple Good apple david clapham e-mail address: QUALITY OF APPLE [email protected]
12 September - October 2007 Chart by Stephen Anderson 0@3/AB1/<13@7A3D3@GE63@3 A=/@3E3
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%AcaO\59][S\T]`bVS1c`S ES¸`S]\O[WaaW]\ RIGHT NOW important, living in good health and hap- Will policymakers heed this call to ac- pily—is a better investment than the per- tion? It wouldn’t be the first time Zeck- son for whom a kidney transplant may hauser has been out in front of major pol- mean only a few additional years of poor icy change. Another Zeckhauser-Schuck health. Cruel as it may seem, the authors collaboration—the 1970 article “An Al- call the people at the top of the kidney ternative to the Nixon Income Mainte- waiting list “bad bets”—cases in which nance Plan”—put forth ideas that, ac- the money spent is “wasted” in the sense cording to Zeckhauser, bear an uncanny that it could bestow greater benefit on so- resemblance to the Earned Income Tax ciety if spent elsewhere. Credit enacted by the federal govern- The authors analyze problems in nu- ment five years later. More recently, The meric terms, assigning dollar values to Early Admissions Game: Joining the Elite, lives and plotting people as points on which Zeckhauser wrote with Christo- graphs: anyone to the left of a given line is pher Avery and Andrew Fairbanks, a bad bet, anyone to the right a good bet. turned a critical eye on colleges’ early-ad- The approach may seem cold and imper- missions practices (see “Entering the sonal, but the authors argue that it will Elite,” May-June 2003, page 15). Three actually lead to the kindest and most hu- years later, Harvard, Princeton, and other mane outcomes, given that every dollar institutions announced plans to elimi- spent on medical treatment, education, or nate the programs. another social program for one person de- The new book’s main premise may not nies that same dollar to someone else. be palatable to those who believe that Zeckhauser and Schuck also discuss maligning any beneficiaries of a social “bad apples” who commit abuse or fraud, program calls the virtue of the entire pro- or simply behave badly and so detract gram into question. For their part, the au- from a social program’s goal. One example: thors avow repeatedly that they are not those who run drug-dealing operations questioning such programs’ fundamental out of their homes in public-housing de- value, but instead o≠ering a way to make velopments, but aren’t kicked out—either them a≠ordable—and therefore sustain- because of apathetic law enforcement or able—in the face of daunting projections: because the eviction process has so many if current conditions continue, funding built-in safeguards for tenants that using for Medicare will be exhausted before it becomes a long and expensive task. 2020, and for Social Security around 2040. Meanwhile, the criminal activity dimin- “We don’t think of the purpose of this ishes the other tenants’ quality of life and book as just saving resources,” Zeck- Silk Tie gives the entire community a bad name, hauser says. “We think of it as putting re- making the general public less likely to sources to their best use. Unless we prior-
Bow Tie support future expenditures for public itize correctly, we will lop o≠ some housing. The authors advise low tolerance programs that should be preserved.” for such bad behavior, but also emphasize elizabeth gudrais the importance of an accessible appeals Enamel Cufflinks process to protect “good apples” who’ve richard zeckhauser e-mail address: been excluded in error. [email protected]
BIOLOGY AND BELIEF Silver Cufflinks Foundations of Faith?
Bespoke Clothing ublic debates Watchstrap about evolution gram for evolutionary dynamics and au- & Accessories frequently pit science against reli- thor of a recent, prizewinning book on the for gion. But work by professor of subject, has worked for the last decade on Harvard Alumni P mathematics and of biology Martin questions of cooperation in biology. Al- Toll Free Nowak adds a surprising twist to that though evolution is commonly under- age-old argument. Evolution, he says, stood as competition played out in muta- Socks 1866 434 6937 might actually lead to religious beliefs. tion and natural selection, “You don’t www.SmartTurnout.com Nowak, the director of Harvard’s pro- really get very far in biology without co-
14 September - October 2007 RIGHT NOW operation,” he says. “The evolution of multicellularity and the evolution of eu- karyotic cells which have a distinct nu- cleus—the big steps—seem to be based on cooperation” and lead to “the emer- gence of something completely new in bi- ology. You get cooperation on a lower NORWEGIAN COASTAL VOYAGE level and then you get the emergence of a THE WORLD’S MOST BEAUTIFUL VOYAGE higher level: single cells cooperating to form multicellular organisms.” Researchers have long studied cooper- ative strategies for evolutionary success among their fellow human beings by using game theory. The classic “prisoner’s dilemma” involves the hypothetical case Term Life of two suspects arrested by police and Insurance GREENLAND EXCEPTIONALLY REAL held in separate cells. Each is o≠ered the LevelTerm 10 Year 15 Year 20 Year 30 Year "#$ "$# "%# &'' same deal: confess and reduce your own age 35 "() "*$ "))# +, sentence, but in doing so, implicate the age 45 ")$- "#-( "#*) ',./! other prisoner. The best outcome for age 55 "$(- "(0* "*(1 &/!2 both prisoners is for neither one to say age 65 ! anything (a form of cooperation), but when neither prisoner knows what the !! other will do, the incentive to defect (or "#$%& $&' $& ANTARCTICA plea bargain, in this case) is strong. THE WHITE CONTINENT Martin Nowak
“The Harvard Chair” There Is No Substitute For Tradition THE ARCTIC SPITSBERGEN
Nowak runs a variant of this game SWEDEN using money, and has discovered that the THE GOTA CANAL most successful players start by cooper- • Endorsed by the Harvard Alumni Association ating with each other—paying a dollar, • Enjoyed by Generations of IF YOU ARE LOOKING for exploration pro- for example, so the other player receives Harvard Students and Alumni grams within the comfort of an upscale cruise two dollars—and then continue to coop- • Sold Exclusively by the environment, we offer fantastic vacations: The erate until someone defects. This tit-for- Harvard Coop fjord-filled spectacular Norwegian Coastal Voyage with 34 ports of call; cruises visiting tat strategy, in which players cooperate Choose your School or House Seal in the largest island in the world, Greenland; our when others cooperate with them, but Antarctica programs to experience extra- Silk Screen or Laser Design $425.00. ordinary icescapes, landscapes, and a variety defect when their opposite number has Member price $382.50. Order now of penguin species; cruises in the Arctic’s last defected in a previous round, proved the through 10/31/07 and get a bonus wilderness—Spitsbergen; fantastic World seat cushion (a $44.00 value). Cruises from the Arctic to Antarctica; and most successful in a well-known com- Sweden’s enchanted waterway, the Gota puter tournament that pitted various For Ordering & Shipping Information Canal, with its 66 locks. Call your travel agent strategies against each other. But in the call: 1-800-368-1882 or fax: 1-800-242-1882 now to make your reservation, or contact us: 866 257 6070 www.hurtigruten.us real world, Nowak points out, mistakes or misunderstandings (which weren’t part of the computer simulations) can de- stroy cooperation just as surely as true The new name for Norwegian Coastal Voyage defection: “If you have two tit-for-tat Shop our complete catalogue www.thecoop.com
Photograph by Erik Jacobs Harvard Magazine 15 RIGHT NOW players playing against each other and “Hopeful, because if we haven’t met prior one defects by mistake, the other to the first time we interact, the winning will retaliate, and then the first will strategy must actually assume retaliate, and so on.” the best of the other per- Nowak has shown mathemati- son. Generous, be- cally that in an error-filled cause the win- world, a more gen- ning strategy is erous variant of happy with a tit for tat—in somewhat small- which if one er piece of a pie”: player defects, the strategy wins the other “for- not by getting a gives” and still cooper- bigger slice of any ates a certain amount of the time— one transaction, is more successful. (Players who are but by cooperating too forgiving, or always cooperate, successfully in many trans- however, are exploited by others.) actions. “Forgiving, because if In other words, says Nowak, “To I’m in a relationship and some- win the prisoner’s dilemma in a one defects, and I always hit world of errors, you must know how back—that’s a losing strategy. to forgive. Natural selection leads to I have to have a mechanism forgiveness.” to forgive a failure to coop- This simple form of interaction, erate. known as direct reciprocity, relies on “Religions want to repeated encounters between two people. understand what But direct reciprocity fails to explain a opment of human language, which he causes su≠ering and whole range of observed “cooperative” or calls the most important invention of the they also want to help altruistic human behaviors in which indi- last 500 million years. “Prior to the inven- people. When you study their prescrip- viduals perform selfless acts for others tion of language, evolution was based on tions for how to live one’s life, what is without apparent expectation of a recip- genetics only,” he explains. “With human formulated is how to live the best possi- rocal act. Nowak wanted to explain such language, we have the machinery for un- ble life right now. The work on coopera- ad hoc actions, and in 1998, he formulated limited cultural evolution.” tion shows which kinds of behavior are a much more powerful mechanism, “indi- Religion is a form of social behavior that important for human evolution,” he ex- rect reciprocity,” by which evolution can Nowak studies as part of a joint-research plains, and it “seems that religion actu- lead to cooperation. project with the Divinity School on the ally helps people to behave accordingly: Indirect reciprocity relies on reputation. “Evolution and Theology of Cooperation.” to cooperate with each other.” Observers watch the game and tell others Religion, like language, is a human univer- jonathan shaw what they’ve seen. “Indirect reciprocity is sal, he points out: every civilization has dis- powerful because I gain experience even covered it. And he finds it remarkable that martin nowak e-mail address: without playing,” Nowak explains. Hu- the winning cooperative strategies in both [email protected] mans “are obsessed with finding out about direct and indirect reciprocity require play- martin nowak website: each other and...monitoring the social net- ers to be hopeful, generous, and forgiving, www.ped.fas.harvard.edu/people/fac- work of the group. There are empirical traits often encouraged by religions. ulty/index.html studies of what people actually talk about on British trains, for example, or in small- scale societies, sitting around fireplaces. GETTING IT RIGHT ON THE RIG Sixty percent of the conversations” deal with interactions with others. When indirect reciprocity is incorpo- Manhood Reconsidered rated into Nowak’s game, cooperative players tend to find each other and form clusters, because a single defector can ex- s a professor at Harvard from the campus, at two oil platforms in ploit and “pop” a bubble of cooperation. Business School, Robin J. Ely has the Gulf of Mexico. Before her first trip to The ability to communicate about reputa- A had her share of experience the rigs, in 2001, Ely thought she knew the tion thus becomes extremely important with how men (who constitute type of men she’d encounter there. After to a cooperative player’s success. 80 percent of the school’s faculty) conduct interviewing some of the workers, though, Nowak, in fact, has demonstrated themselves in the workplace. But her re- she was stunned: “I called my colleague mathematically how indirect reciprocity search on how a work environment can and said, ‘Where’s the masculinity?!’” provides selective pressure for the devel- influence masculine norms took place far “I just didn’t see it, not in the traditional
16 September - October 2007 Illustration by Keith A. Negley % %
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! %$% %"%$% %%### "! RIGHT NOW way,” she recalls. “Some of [the men] were tional features the parent company had the macho prototype, the older men in- big and burly; many drove Harleys and put in place to make the workplace safer. variably responded, “Oh yeah, it used to were into hunting and fishing; and their As part of an initiative called “Safety be like that.” One 27-year veteran spoke of humor—while never mean-spirited— 2000,” the rig workers were trained to put the old days on drilling rigs, when “the could be gross in that ‘peculiarly male’ safety above image and to speak up when guy that was in charge was the one who way, such as farting and then laughing they were unsure about something. Be- could basically outperform and out-shout about it.” But the workers on the two rigs cause safety was such an easy goal to sup- and out-intimidate all the others.” But by (which were dubbed Rex and Comus) port, the men took the program to heart, creating policies and norms that shifted surprised her by how openly they ex- Ely noticed, even when that meant break- the men’s focus from proving their mas- pressed their vulnerability, in terms of ing masculine norms. During a bumpy he- culinity to engaging in larger goals—en- both physical limitations and emotional licopter ride, for instance, one man said, suring safety, building a community, and concerns. The typical image of masculin- “I don’t feel safe.” Rather than mock him, advancing the company’s mission—their ity, she explains, is one of impenetrable the other men took his concern seriously employer was able to reshape their previ- infallibility: manly men don’t like to say and worked to rectify the problem. ous notions of what a manly man should they don’t know, or need help, or are Fear wasn’t the only emotion workers look and sound like. scared. The men at Rex and Comus were on Rex and Comus communicated open- Ely and Meyerson plan a comprehen- quick to do just that. ly. Because any outside issue could be a sive follow-up survey of a broad sample of oil platforms, to test in a Dangerous work more varied population their can lead to new definitions of hypothesis that certain orga- masculinity. nizational features can break down employees’ need to project a macho image. Meanwhile, their work adds an interesting case study to gender literature, which tends to focus only on wo- men. But Ely notes that fur- ther research is needed to determine how generally ap- plicable their findings are. After hearing about her re- search, she says, an executive from another oil company expressed interest in having her team observe his firm’s corporate headquarters and suggest ways to break down the masculine norms there. She believes it might be di∞- cult to replicate the oil-rig situation, where workers live, eat, and sleep on the rigs
STEVE CHENN/CORBIS for two-week stints (which Ely, who focuses on organizational be- distraction, and any distractions could be makes them a captive audience for orga- havior, had not explicitly studied mas- dangerous, they stayed closely attuned to nizational-change e≠orts), and where culinity before, and when she first set o≠ each other’s emotional states. One work- their work is so dangerous. “Not dying, for the oil platforms, neither she nor her er spoke to the researchers about a team not blowing up, not losing legs—that coauthor, Debra E. Meyerson, an associate member who returned to work only a few meant a lot to them,” Ely says. “In the cor- professor of education and organizational days after his daughter had been shot at: porate environment, you don’t have that behavior at Stanford University’s School “He told us, ‘This is what I’m dealing with compelling incentive to change.” of Education, knew what shape their pro- at home. If you all would please keep me samantha henig ject would take. Ely’s initial reaction focused and understand if I’m a little dis- prompted them to investigate why the tracted, I’d appreciate it.’ And people robin ely e-mail address: workers were so unexpectedly in touch were very supportive of him for that.” [email protected] with their emotions and shortcomings. In The work environment for these men, robin ely website: their paper, as yet unpublished, they who ranged in age from about 21 to 58, http://dor.hbs.edu/fi_redirect.jhtml?fa argue that the soft side the workers dis- wasn’t always so touchy-feely. When Ely [email protected] played was a by-product of organiza- voiced surprise at how far they were from &loc=extn
18 September - October 2007 Montage Art, books, diverse creations
20 Open Book 22 An Imperial American 27 Chords from Radius 28 Rhythms of Race 30 Off the Shelf 32 Chapter and Verse
and eventually turns to burglarizing his neigh- bors’ homes. He≠ernan then segued into House- wives, which had “bold- ly flung o≠ prime- time’s imperative to topicality, and em- braced an overtly liter- ary mode. It is not an innovation, but a clever throwback, a work of thoroughgoing nostal- gia and a tribute to Virginia Heffer- Cheever’s war horse, nan in her home the suburban gothic.” office with a Savant of Screens few tools of her Later, she noted that trade: notebook “Desperate Housewives has computer, succeeded because, like Virginia He≠ernan’s literary-critical approach to flat-screen television, the best of reality tele- TV and on-line video DVDs, remote vision, it derives sus- control pense by threatening ot long ago, Virginia calls, Sifton reminded her that “you can’t its characters with Heffernan, Ph.D. ’02, who use words that would stop a reader on banishment. All of the characters look as writes about television the A train.” though they belong—but only for now.” and on-line media for the He≠ernan is no lightweight: her hip, He≠ernan says her doctoral training in New York Times, got an e- funny pieces bristle with fresh ideas. In English literature definitely a≠ects her Nmail from her boss, culture editor Sam the fall of 2004, for example, she began analyses of the video realm. “In the 1990s, Sifton ’88. He≠ernan had submitted a her review of the hit nighttime soap we were taught that all texts—from self- draft that contained the word chthonic, a opera Desperate Housewives with a synopsis help books to Tolstoy—are susceptible to term from classical mythology that refers of a 1958 John Cheever short story, “The critical methodology,” she says. “That be- to deities and other spirits living in the Housebreaker of Shady Hill,” a dark tale came an article of faith with me. I bring underworld. As a smiling He≠ernan re- about a suburbanite who loses his job everything I learned from [Harvard pro-
Photograph by Robert Adam Mayer Harvard Magazine 19 MONTAGE fessors] Helen Vendler, Philip Fisher, and In Henry Kissinger and Marc Shell to television.” The gossipy, OPEN BOOK the American Century celebrity-tracking Manhattan-based (Harvard University website Gawker has labeled He≠ernan’s Press, $27.95), Jeremi columns “pretentious,” but she remains Make the Suri examines why Henry undeterred. “Sometimes I hesitate over a Kissinger ’50, Ph.D. ’54, word or a reference because I know it Arsenal Usable did what he did. Some contributes to that e≠ect,” she admits. of his motivations origi- “But I can’t help myself.” nated at Harvard, uneasy home to the Cold Warrior from 1947 to 1968—first as a Along with Alessandra Stanley ’77, student, then a professor—from which intellectual citadel he cultivated international who also reviews television for the Times, leaders. Suri is professor of history at the University of Wisconsin.The following pas- He≠ernan tackles mainstream broadcast sage shows the young Kissinger as a fully fledged nuclear strategist. fare like American Idol, which, she wrote, “zigged at just the right time in pop-cul- ike many others, Kissinger be- task of the statesman in the nuclear ture history, revived the square spirit of lieved that the proliferation of nu- age.” Lawrence Welk, and discovered that we Lclear weapons contributed to Leaders—including politicians, nuclear still have a hymnal of Top 40 hits that we heightened dangers in war and increased strategists, and policy advisors—had to might open in unison.” But what excites rigidity in peace. When confronted with create avenues for forceful action that He≠ernan most is Screens, a column and serious challenges short of full-scale war, were neither suicidal nor complaisant. blog she invented in June 2006 to track citizens would have a tendency to think They needed courage and creativity in the latest content developments in the in terms of nuclear retaliation or noth- this endeavor. Kissinger joined other non-televised realm and to analyze the ing-at-all. With such extreme options, strategists in decades of struggle to find sociocultural fallout of various emerg- politicians would frequently err on the effective uses for the “absolute weapon” ing—and converging—media. “There’s side of conflict avoidance, as Kissinger as a symbol, a threat, and a source of had personally witnessed during the destruction. Nuclear strategy involved “It’s like doing literary 1930s, in a prenuclear era of “total war.” the careful manipulation of horrific For the German Jewish émigré, saving power for the needs of civilization. As analysis, with the democracy from the treachery of its ad- Kissinger wrote in one of his earliest re- versaries and the weakness of its own flections on the topic: “the U.S. nuclear added challenge that arsenal is no better than the willingness to use it…if we do not wish to doom I get to use my eyes ourselves to impotence in the atomic stalemate or near-stalement just around and ears.” the corner, it may be well to develop al- ternative programs.” widespread visual literacy,” she says. These lines, written only months after Screens, which will accompany He≠er- Kissinger’s thirty-first birthday and the nan this fall at she takes her column to completion of his doctorate, became the Times Magazine, is peppered with the touchstone for his career as a strate- phrases like “third-screen viewing” (i.e., gist and a policymaker.…Thomas watching video on handheld devices like Schelling, one of Kissinger’s colleagues at BlackBerrys and cell phones; the “first” Harvard, chillingly observed: “The and “second” screens are TVs and com- power to hurt is nothing new in warfare, puter monitors). “Almost all TV shows but for the United States modern tech- have an on-line component now,” she ex- nology has drastically enhanced the plains. “I’m so excited about how the In- strategic importance of pure, uncon- ternet and TV are coming together.”
TIME & LIFE PICTURES/GETTY IMAGES structive, unacquisitive pain and damage, The most enthralling case of that con- The strategist in 1958, based at Harvard whether used against us or in our own vergence might be YouTube, the populist defense. This in turn enhances the im- video-clip website, for which He≠ernan constituents required self-conscious ef- portance of war and threats of war as confesses “almost evangelical” feelings. forts to “rescue an element of choice techniques of influence, not of destruc- “Forget TV—forget TV—forget it!” she de- from the pressure of circumstance”: tion; of coercion and deterrence, not of clares. “YouTube shows 150 million to 200 “How to strive for both peace and jus- conquest and defense; of bargaining and million videos every day, all over the tice, for an end of war that does not intimidation.” Schelling echoed Kissinger world. Much of the audience doesn’t lead to tyranny, for a commitment to when he concluded: “Military strategy, speak English and lots of videos don’t need justice that does not produce cataclysm whether we like it or not, has become language: dance, opera, sports. Lonelygirl15 —to find this balance is the perpetual the diplomacy of violence.” [a series of popular YouTube videos] has not caught on internationally because it’s
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WEALTH MANAGEMENT MONTAGE too talky. You can see Marcel Marceau, or of Virginia in 1991 and then enrolled at Har- “slacker aesthetic,” its “mush politics (the [Brazilian soccer star] Ronaldinho scor- vard. But a succession of media jobs in New Free Hugs Campaign),” and its “chronic ing this soccer goal in an incredible dis- York City interrupted her graduate educa- oscillation between absurdism (‘Ask a play of virtuosity. Forget Diana; on tion: fact-checking at the New Yorker, writ- Ninja’) and emo (‘Say It’s Possible’),” she YouTube you can watch the coronation of ing patter for hosts on MTV and VH-1, wrote, “This value system is not intrinsi- the meek little Queen Elizabeth in 1953.” editing at Talk magazine and Harper’s, dis- cally worse than the one that determines He≠ernan’s own tastes run to “very ar- cussing television for Slate and the New prime-time television’s crisp, white-collar cane and esoteric stu≠,” she says. “And I Yorker. “Logistically, it was agonizing,” she aesthetic; its mainstream politics; and its like o≠beat things like Christian and re- says. “I was trying to build a career [in New chronic oscillation between punchy and ligious programming, and sci-fi.” But re- York] and finish a Ph.D. at Harvard. There sappy”—probably as cogent a summary garding YouTube, she is quick to empha- was a lot of Amtrak involved.” Yet she also of network TV’s worldview as you’re likely to find in one place. “This value system is not intrinsically worse Part of that worldview, of course, is the truism that only one television critic re- than the one that determines prime-time ally matters: the A. C. Nielsen Company, which generates the national ratings. television’s crisp, white-collar aesthetic...” He≠ernan writes a di≠erent brand of cri- tique. Her columns instruct readers not size that it “isn’t just something for found time to write stage plays and to col- so much on what to watch or avoid, but hipsters and teens, or people with exotic laborate with her friend Mike Albo on a on new ways of perceiving what they interests—pursue your existing interests. 2005 comic novel, The Underminer. He≠ernan have already chosen to bring up on their Like jazz? Try John Coltrane playing had never worked for a daily paper when screens. And He≠ernan contributes with the Miles Davis Quintet in Düssel- the Times hired her in 2003, “but the as- something that many critics lack: a will- dorf in 1960. Check out Yoko Ono’s per- sumption was that having worked for Slate, ingness to give the subjects of her re- formance art. Scary tricks with knives with very quick turnaround, I could handle views the benefit of the doubt. “If I can’t and archery, or babies laughing. There’s daily deadlines.” rise to understand why something is in- film of Ernest Hemingway catching a Handle them she has. In one Screens teresting,” she says, “it’s my failing.” man-size marlin. Interviews, in English, column, after commenting on YouTube’s craig lambert with Sigmund Freud. The second-most- viewed video on YouTube not too long ago was geriatric1927, a British World War II radar technician telling his life story in pieces. Such good oral history.” An Imperial American Four days out of five, He≠ernan works from home, where she says she watches The complex, contradictory Lincoln Kirstein the “national average” of five hours of tele- EUGENE R. GADDIS vision per day: “I sit on my couch like by everyone else, and I try not to meet televi- sion stars or producers.” Her video iPod incoln kirstein ’30 combined a long as possible. Throughout his long can download TV shows or on-line con- ferocious intelligence with manic tenure as president of the School of Amer- tent, and she also digitally records pro- energy, a belief that there was ican Ballet and general director of the grams. Recordings, not real-time viewing, nothing he could not do, and a pas- New York City Ballet, he was the formida- are essential for doing “close readings”—a Lsionate conviction that if the arts and let- ble master-impresario, the creator and habit carried over from grad school— ters flourished, beauty might save the preserver of both institutions, but he which require He≠ernan to pause the world. seemed gleeful in pointing out that the video repeatedly to make notes. One win- Kirstein preferred a certain degree of uninitiated at Lincoln Center “have trou- dow on her MacBook computer runs the personal ambiguity, if not mystery, which ble figuring out who I am.” By the 1980s, video, while another has Word open for could be attributed to both an underlying however, public recognition of his contri- note-taking. “It’s like doing literary analy- shyness and a calculated slyness. In his butions to literature, the fine arts, and sis,” she explains, “with the added chal- College class’s senior album, he declined dance had widened to the point that such lenge that I get to use my eyes and ears.” to list his field of study. (It was the fine anonymity was no longer possible. To Born in Hanover, New Hampshire (her arts.) During World II, he held the rank of John Russell, then chief art critic for the father is an emeritus professor of English at private first class in New York Times, he was “one of the most Dartmouth), He≠ernan recalls that when Martin Duber- the United States valuable of living Americans.” “A living her parents limited their children’s televi- man, Ph.D. ’57, Army, but it was national treasure,” declared Susan Sontag. sion viewing to one hour per day, “My The Worlds of said that he delayed He appeared to dismiss such encomi- brother and I wailed like The Passion of the Lincoln Kirstein sewing the stripes ums, yet Kirstein was intensely self-con- Christ.” She took her undergraduate degree (Knopf, $37.50) on his custom-tai- scious in every sense of the word, and he in English and philosophy at the University lored uniform for as had immortal longings. He documented
22 September - October 2007 MONTAGE everything he did. He had his own image he published Quarry: A Collection in Lieu of struct a convincing psychological profile of preserved in oil, tempera, gouache, ink, Memoirs, a record of his New York house a complex and contradictory arbiter of pencil, and bronze. Guests at 128 East 19th and idiosyncratic acquisitions, photo- twentieth-century American culture. Street in the 1980s had the pulse-quicken- graphed by Jerry Thompson and accompa- Duberman, who is Distinguished Profes- ing experience of conversing with their nied by an autobiographical narrative. In sor Emeritus of history at the City Univer- host against a backdrop of his portraits by 1994, less than two years before his death, sity of New York, brings to his elucidation Lucien Freud (powerful but unfinished Kirstein produced Mosaic, a slim, revealing, of Kirstein’s life a long experience as a after fisticu≠s between subject and artist), but not entirely accurate volume that prizewinning biographer of other multi- Pavel Tchelitchew (a tryptych, including brought his life only to 1933, on the brink layered American figures: Charles Francis the subject as a standing nude in boxing of his fateful encounter with Russian cho- Adams, James Russell Lowell, and Paul gloves), Jamie Wyeth (who moved in for reographer George Balanchine. Robeson. A novelist and playwright as well, months to hone his skill in portraiture, Now, in time for the centennial of Kir- he is skilled at investing his story with clocking 58 sessions to achieve a likeness stein’s birth, Martin Duberman has written drama, and his extensive research on homo- in a style reminiscent of Sargent and a revelatory biography, The Worlds of Lincoln sexuality in America (he is the author of Left Eakins), Michael Leonard (Kirstein in Kirstein. Those worlds were remarkably dis- Out: The Politics of Exclusion), allows him to khaki with cats), David Langfitt (Kirstein parate, yet Duberman has fully encom- put in context Kirstein’s ever-present sex- as a retired German submarine comman- passed them in 631 pages, plus an addi- ual adventures, which occasionally involved der). Fidelma Cadmus (Kirstein’s wife of tional 65 pages of notes. This concurrent a≠airs with men and women. 50 years, who depicted him as suspicious is a tribute to his mastery The diaries Kirstein kept from the age and vulnerable), and Martin Mower (his of the archival sources, of 12 into the mid 1930s, which Harvard faculty mentor), as well as an his interviews with have been made available for the eerie self-portrait done in sanguine on Kirstein’s contem- first time, allow Duberman to paper when he was an undergraduate. He poraries, his grasp provide Kirstein’s own voice could be contemplated three-dimension- of the evolving as he lives through ado- ally in portrait heads by Isamu Noguchi American cultur- lescence and into the pe- (commissioned by Kirstein while at Har- al scene, and his riod of his first signifi- vard) and Gaston Lachaise, who also did a ability to con- cant achievements. Like striding nude. These icons kept company with sculptures of Abraham Lincoln, William Shakespeare, and Napoleon Bona- parte. Kirstein was not inaccurate when he told John Russell: “I’m an imperial American.” Kirstein made sure that his homes and collections were elegantly photographed and his diaries and cor- respondence tucked safely into institutions that were likely to endure, particularly the Dance Collection, which he had founded in the 1940s (now part of the Library of the Performing Arts at Lincoln Cen- ter). Plainly, he wanted future chroni- clers of his life to have a comprehensive body of material to help them while they were “figuring out who I am.” Such a task is not for the faint-hearted. As early as the 1950s, when his achievements were far from over, Kirstein himself had hinted that he might withdraw from the world and produce a five-volume memoir. By the 1980s, his admirers were tantalized when they heard that the work- ing title of “a monumental autobiography” was Memoirs of a Sly Fellow. Instead, in 1986,
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MONTAGE many of his letters, the diaries are explicit; anchine created in the United States a re- some readers may tire of Kirstein’s preoccu- naissance in classical dancing. During pation with his own sexuality. Yet Duber- Kirstein’s 88 years, he supported individ- man uses these sources e≠ectively to shed ual artists and museum exhibitions, 9p jfd\ d\Xjli\j# *' f] light on the widespread homosexual activ- served as an invaluable member of the 8d\i`ZXe _\Xck_ jg\e[`e^ `j ity—thoroughly liberated, though of ne- Monuments Commission that retrieved nXjk\[% cessity hidden—of the intellectual elite of much of the art looted by the Nazis, as- Kirstein’s generation. sisted in the creation of Lincoln Center More enlightening, however, is what and the American Shakespeare Festival, ÇK?<<:FEFD@JK these sources reveal about his relentless arranged the first American tour of the artistic and literary pursuits. From the Japanese Grand Kabuki, marched with opening sentence about Rose Stein’s de- Martin Luther King Jr. from Selma to termination to marry Louis Kirstein Birmingham, and published more than 15 :_Xe^\_Xje\m\iY\\eXZfi\ against the wishes of her wealthy mer- books and 500 pamphlets, articles, and chant family, Duberman keeps the narra- program notes. Zfdg\k\eZp`e_\Xck_ZXi\% tive flowing. The prose—and even the Duberman’s book moves chronologi- notes—are dense with quotations, and cally, but he wisely focuses each chapter Ç?<8CK?:8I<=@E8E:@8C the casual reader may not choose to linger on a distinct subject for clarity (“Nijin- D8E8> K_\i\`jefgi\jZi`gk`fedfi\ “Words will not flow into the ink fast mXclXYc\k_Xebefnc\[^\% enough. We have a real chance to have an Ç:% sensitive, occasionally enraged, and more accuracies: in my own field, I know that often generous son of a self-made depart- the Bushnell Auditorium in Hartford was ment-store magnate became an irresis- not part of the Wadsworth Atheneum, tible force—first among Harvard’s jeunesse nor was Hartford’s first significant collec- dorée and then on a more conspicuous tor of modern art, James Thrall Soby, con- stage. nected with the Museum of Modern Art As Duberman demonstrates in hitherto during the period in which he is first unpublished detail, Kirstein was congeni- mentioned. But these are minor blemishes tally independent and compulsively pro- in what will surely be regarded as a defin- ductive. In 1928, as a sophomore, he itive work. launched Hound & Horn, one of the most Throughout the book, Duberman per- thought-provoking literary magazines of ceptively addresses Kirstein’s prodigious its era. As a junior, along with classmates literary output on dance, painting, sculp- Edward M. M. Warburg and John Walker ture, photography, movies, biography, III, he brought forth the Harvard Society history, and poetry, acknowledging that for Contemporary Art, introducing many his writing style ranged from lyrical clar- of the most significant twentieth-century ity to language so compressed and arcane artists to Boston for the first time. In that it amounted to intellectual arro- significant ways, the Museum of Modern gance. As Duberman shows, the real Art was its successor. At Harvard, Kir- Kirstein came through in his diaries and stein also concluded that the one perfect correspondence, never more authenti- medium that would bring all the arts to- cally than in the two letters he wrote in gether was the dance. Three years after the summer of 1933 when suddenly, with graduation, with the help of the Wads- pulsating clarity, he saw Balanchine, the worth Atheneum’s director, A. Everett future of dance in America, and his own Jfg_`jk`ZXk\[<[lZXk`fe “Chick” Austin Jr., and other modernists destiny coalesce and begged Chick JZ_\[lc\[]fiNfib`e^Gif]\jj`feXcj he had met at Harvard, he arranged for Austin to help him: “This is the most im- the immigration of George Balanchine to portant letter I will ever write you as you dYX%pXc\%\[l&dYX$\ America. Through the School of American will see. My pen burns my hand as I Ballet and its company, which evolved write. Words will not flow into the ink into the New York City Ballet, he and Bal- fast enough. We have a real chance to 26 September - October 2007 MONTAGE Trader Joe’s”). The musicians seem to PERFORMANCE enjoy sticking around to chat with their listeners. Surveys show that the average age of Radius’s audience is 31—a statistic Chords from Radius most other Boston performing-arts or- ganizations would kill for. “Playing chamber music for a white, af- the Canadian composer Claude Vivier After completing her master’s degree fluent audience that is experienced in that required the musicians not only to at New England Conservatory, Mont- this kind of music doesn’t light my fire play their instruments but to whistle bach started freelancing as an oboist.To nearly as much as bringing a college complex additional parts. pay the bills, she worked in arts adminis- student into the concert hall,” says Radius always offers a free pre-perfor- tration.“On the Boston Symphony staff, oboist and impresario Jennifer Mont- mance lecture, and members of the en- I was a tiny cog in a huge machine,’’ bach ’95.“I love to play for young peo- semble enthusiastically introduce each Montbach recalls. “But it got me to ple who put many different kinds of piece during concerts. At a recent pro- thinking: why is it that educated people music onto their iPods, enjoy hanging gram, clarinetist Eron Egozy pointed out who are so interested in developments out in bookstores, and like to see inde- that Beethoven’s Quintet for Piano and in film, literature, the visual arts, and pop pendent movies.Those people are ripe Winds was so popular that the com- music are so ignorant about concert for the kind of experience that the Ra- poser later rearranged it into a quartet music, and especially about contempo- dius Ensemble offers.” for piano and strings. Egozy’s preference rary music? I hear all the time that clas- Montbach founded Radius (www.radi- was clear. “The winds contribute such a sical music isn’t relevant any more, but I usensemble.org) in 1999 to play cham- wide range of color,’’ he said.“If you lis- can’t imagine life without it. So I created ber music in a casual and welcoming en- ten to the version with strings, you don’t Radius as a little laboratory for me.” The vironment. The group presents four get that, so you’re missing the point.” ensemble operates on an annual budget concerts a year (the next is September Afterwards players and public gather that ranges between $18,000 and 29), these days in Killian Hall at MIT, as around a table with coffee and cookies $20,000, which comes from a combina- well as a popular annual program for (“Starbucks donates the coffee,’’ Mont- tion of donations and grants. “All of the children. Radius embraces nine core bach says, “and the cookies come from money goes to the musicians, because members (their instru- we don’t have a staff, ex- ments include two violins, cept for me,” Montbach viola, cello, flute, clarinet, explains. “We do have a oboe, French horn, and board member who is a piano) who are first-rate, grant writer, but the and the repertory min- buck stops with me.” gles standard classics by What’s stored on her Beethoven, Mozart, and own iPod? “Mostly rock Schubert with adventur- music,” says Montbach, ous contemporary works. smiling. “My husband’s a Though Montbach doesn’t drummer. I’ve recently play in every piece, each discovered Pink Martini program features music and I love them. I don’t for oboe. Radius adds listen to recorded cham- guest musicians as needed, ber music all that much. like the New England Con- To play and hear cham- servatory’s sole accordion ber music is such a joy- major, who recently played ous collaboration that I in a piece by the contem- prefer to experience it porary Russian composer live.” richard dyer Sofia Gubaidulina. Montbach says she’s Richard Dyer, A.M. ’64, proud that Radius has wrote about classical music presented pieces by nearly for the Boston Globe for a dozen living New Eng- 33 years. land composers, including three, so far, who have Colleagues from Radius Ensemble flank founder served as composers-in- and oboist Jennifer residence. A concert this Montbach at MIT’s spring featured a work by Stata Center Photograph by Pierre Chiha Harvard Magazine 27 MONTAGE have an American ballet within 3 yrs. Duberman’s monumental story ends on the presence of the “perfect creation” that time….Do you know George Balan- a somber note when the failing, bedrid- would not have happened without him. chine…the most ingenious technician in den Kirstein loses all interest in looking ballet I have ever seen….Please, please at the books on art that he had loved. Yet Eugene R. Gaddis, the DeLana archivist and cura- Chick if you have any love for anything readers will have no doubt that on certain tor of the Austin House at the Wadsworth we both do adore, rack your brains and nights—from his seat at the New York Atheneum in Hartford, Connecticut, is the author try to make this all come true….We have State Theater, as he watched the dancers of Magician of the Modern: Chick Austin the future in our hands…” [and later] materialize on stage and bring to life one and the Transformation of the Arts in “This will be no collection, but living of George Balanchine’s miraculous gifts to America and editor of the forthcoming Magic art—and the chance for perfect creation.” the world—Kirstein knew that he was in Façade: The Austin House. poems that reflect his midwestern roots as well as his ancestral Southern heritage. Rhythms of Race In January, Alfred A. Knopf published his most recent book of poems, For the African-American poet Kevin Young talks shop. Confederate Dead. His earlier Jelly Roll was a SHAUN SUTNER finalist for the National Book Award and by the Los Angeles Times Book Prize, and won the Paterson Poetry Prize. He is the t age 36, Kevin Young ’92 Young was born in Lincoln, Nebraska, author of three other poetry collec- ranks among the most accom- to Louisiana natives. As a child, he lived tions—including Black Maria, recently plished poets of his genera- in Chicago, Syracuse, Boston, and Nat- adapted for the stage and performed by tion. The recipient of Guggen- ick, Massachusetts. His late father was a the Providence Black Repertory Com- Aheim, Stegner, and NEA fellowships, he physician; his mother, who has a doctor- pany—and To Repel Ghosts: The Remix, a recently left Indiana University to be- ate in chemistry, is president and CEO retelling of the life and work of the late come Haywood professor of English and of the Mattapan Health Center in New York gra∞ti artist and painter Jean- creative writing at Emory University in Boston. Michel Basquiat. Atlanta, where he is also curator of the At Harvard, Young was one of the Young has also edited the Library of 75,000-volume Raymond Danowski Po- youngest members of the Dark Room Col- America’s John Berryman: Selected Poems and etry Library, believed to be one of the lective, an influential group of black two other poetry and prose collections. world’s largest private collections of Boston-area writers. Having spent his He divides his time between Atlanta and English-language poetry. high-school years in Kansas, he writes Belmont, Massachusetts, where he and his wife, Catherine Tuttle, live with their two children. Poet Kevin Young at Emory University Q. What made you want to become a poet? A. I took a creative-writing summer course when I was 12 or 13. I wrote short stories and was into comic books. Sud- denly I wrote a poem because we were supposed to, and the teacher liked it and passed it around. In retrospect, I don’t see why, because [my] poems were terrible. I still remember them, but they’re best left undiscussed. Q. When he heard the title of your new book, an African-American colleague of mine responded: “[Bleep] the Con- federate dead!” Are you expressing sympathy for the Confederate dead? A. I thought long and hard about the title. It’s trying to deal with the ironies of Ameri- Photograph by Kay Hinton Why Dream in Color when you can live it? For a limited time the islands of Tahiti are offering spectacular values including FREE meals* at many of our resorts. To take advantage of these remarkable offers, and register to win a Tahitian black pearl valued at $3,000, visit Harvard.TahitiTourism.com. *Available at participating Starwood Hotels and Resorts, InterContinental Hotels and Resorts, Accor Hotels, Bora Bora Lagoon Resort, Kia Ora Hotels, Le Meridien Hotels and Resorts, Le Maitai Hotels, and Pearl Resorts. WHY DREAM IN COLOR SWEEPSTAKES ABBREVIATED OFFICIAL RULES. No purchase necessary. Void where prohibited. Must be 21 or older to enter. Odds of winning depend on final qualified entries received. Valid in Continental U.S. and Hawaii. Sweepstakes ends 12/15/07. Subject to Official Rules at TahitiTourisme.com/Rules. TAHITI Harvard.TahitiTourism.com 1-877-Go-Tahiti MONTAGE can culture. It’s also, of course, ripping About Finding Relief and o≠ Robert Lowell’s For the Union Dead. I Keeping Your Back Strong, by wanted it to have power but I wasn’t try- Off the Shelf Jeffrey N. Katz, S.M. ’90, M.D., ing to be coy, because I knew someone associate professor of medi- would have that reaction. I hope the title Recent books with Harvard connections cine, with Gloria Parkinson ’83, is somewhat freeing, because I think the BF ’88 (McGraw Hill, $14.95, book is about travel and exile, but also Philosophers without Gods: Medita- paper). Why does your back ache, and about freedom. The poem “Nicodemus” is tions on Atheism and the Secular Life, what’s the smartest way to treat it? about leaving Louisiana and becoming edited by Louise M. Antony, Ph.D. ’82 what they call an “exoduster” [an (Oxford University Press, $28). Twenty The Americano: Fighting for Freedom African-American migrant who left the philosopher-atheists testify that atheists in Castro’s Cuba, by Aran Shetterly ’92 South for Kansas at the end of Recon- need not be elitist or hostile to religion (Algonquin Books, $24.95). An American struction] and going to an all-black to hold that morality is independent of janitor from Toledo became a coman- town, and sort of being connected to my the existence of God. Antony is profes- dante in Castro’s army, the only foreigner Louisiana past and my Kansas past and sor of philosophy at the University of other than Che Guevara with that rank, being connected to an American desire Massachusetts, Amherst, and nine of the and a hero in Cuba.Then Castro had him for more. contributors are Harvard alumni. shot. Exciting history, and the author has a movie deal. Q. You write a lot about Reconstruction, the The Panic of 1907: Lessons Learned South, the Civil War and slavery. Are these your from the Market’s Perfect Storm, by Jack and Lem: John F. Kennedy and main themes? Robert F. Bruner, M.B.A. ’74, D.B.A. ’82, Lem Billings, The Untold Story of an A. All these things permeate a lot of my and Sean D. Carr (Wiley, $29.95). Why Extraordinary Friendship, by David Pitts work. My first book has a lot about and how do panics unfold? The panic of (Carroll & Graf, $26.95). From the time Louisiana, where my parents are from. 1907, now celebrating its centennial, was they were schoolboys together at The Basquiat book is about race, and art, managed by private bankers J.P. Morgan, Choate until the gunfire in Dallas, John F. and history, but recent history, a history Charles F.Baker, and others, but spawned Kennedy ’40 and Kirk LeMoyne “Lem” of the ’80s. the Federal Reserve System.The authors teach at the Darden Graduate School of Q. What role does music, particularly the blues, Business Administration, University of have in your work? Virginia, where Bruner is dean. A. I think of the blues both very specifically and broadly. The blues Wayne’s College of Beauty, by David form, I think, is a mix of sorrow and Swanger, Ed.D. ’70 (BkMk Press, Univer- sass and humor. The form of the blues sity of Missouri-Kansas City, $13.95, fights the feeling of the blues. So when paper).This collection of poems has won you encounter something like Hurri- the John Ciardi Prize for Poetry. Like the cane Katrina, the blues come in a pro- patrons of Wayne’s, readers will “have found way to talk about that kind of come at last to the right place.” destruction and loss. How do you talk about exile and displacement? The Lawrence and Aaronsohn: T.E. Law- blues are a great avenue for that, and in rence, Aaron Aaronsohn, and the Seeds a way, while the new book isn’t directly of the Arab-Israeli Conflict, by Ronald about the blues, it’s about the South. Florence, Ph.D. ’69 (Viking, $27.95). Two colleagues in British intelligence had con- Q. You purposely use misspellings. Why? flicting obsessions that presaged the A. In the Basquiat book especially, Arab-Israeli conflict. As the Ottoman the power of the vernacular sometimes empire faltered, one of the two (an ar- insists on that. But you can’t just do chaeologist from Oxfordshire, later misspellings for misspelling’s sake. It’s Lawrence of Arabia) promoted Arab na- COURTESY OF THE JOHN F. KENNEDY PRESIDENTIAL LIBRARY AND MUSEUM like a blue note. You have to use a kind tionalism. The other (a Jewish agrono- Jack, Lem, and Dunker, on a European tour of precision when you’re doing some- mist from Palestine) hoped for a new in the prewar summer of 1937. Pitts writes thing like that. Mostly it comes from the that the boys always remembered Dunker as Jewish state. Each was cocksure. Histo- “the nicest German they ever met.” sound and that leads to the spelling, and rian and novelist Florence tells their not the other way around. story well. Billings were each other’s best friends, this despite the fact that Billings was gay. Q. What’s it like to curate, and to teach? Heal Your Aching Back: What a Har- Journalist Pitts has written “a Kennedy A. For me it’s a lot of fun. It allows me vard Doctor Wants You to Know book” with something new to offer. to explore the collection. I’ve taught through it, using first editions to tell the 30 September - October 2007 MONTAGE history of poetry. The real special part of it, I think, is, when we’re talking about 749*(9>4:75&9*39+742:3&:9-47.?*):8* Leaves of Grass, I bring the students Leaves of Grass. We talk about Eliot and The Waste Land, and I show them first editions of it. I show them a first edition of “Prufrock” signed by Eliot. I show them the range of poetry, how it happened. I also acquire new books. So there are very few holes in the collection. I patch those. Some of it is quite fugitive. It’s not easily findable. #%&# ""!$" #"&#"&# '" """ "" & *%*% Q. How much fun is it, being able to go out and ($("!!%)'*%*!%(!% $%*)* +%+* & find and buy great books? (!0$"!% +)!% &(!% &()# )##!% &(!$'&(*!% &%/ A. Oh, it’s great. I’m a book collector '*%*!%,%*!&%+(!% * *($&/&+('*%* by habit and inclination. *%*!%(!% $%*!) !%)** #-&+('*%*!)/&+('(&' (*/ !*2)/&+((! **&%!* Q. You’re a collector of everything, I hear, includ- ! !" !%&# & ing comic books and baseball cards. "# "!"!""&# ! !!"#" A. This is true. It’s not just by habit; &(!% *&* / * $(!%%*##*+#(&'(*/- ))&!*!&% * ,( it’s also [as a curator] by necessity. I re- &)*&'*%*#!*! *!&%!) $!##!&% *)! $#&(/&+ ally started collecting when I was in San * '*%* ( *#)&$%)/&+&+#%+'#&)!% 1*-! Francisco and I had a Stegner fellowship. ' # ! $!"&#$# There were such great used bookstores !! %!%% &"!"!# " there and there was such a history I saw &#&%%&# ! &%2*!%*!$!* in these bookstores that I didn’t see other !/&+#)&$&%1- * (!*!)%!%!,!+#&(#( &$ '%/1 ),!*/&+('*%* +(()&+()%.'(!%!% “You can’t just do '*%*))##&-)+)*&%/&+('*%* !%)*&%()& %/)!0 "%&-'(&**!% /&+('*%*!)!$'&(*%* misspellings for &%**+)*&/&((%&%!%*!## #&%)+#**!&% !)!* %%%!$ &( misspelling’s sake. It’s like a blue note. %%%!$ 99473*>);*79.8*2*39&2*8 40414;*&)2.99*).3&3)%431> You have to use a 3&88&(-:8*998 *397* 9 :.9**<943 3*<%470 &.3 9&980.11% 49&;&.1&'1*.3&1189&9*8!-*(-4.(*4+&1&<>*7.8&3 .25479&39)*(.8.439-&98-4:1)349'*'&8*)841*1>:543&);*79.8*2*39847*57*8*3 kind of precision.” 9&9.43.82&)*9-&99-*6:&1.9>4+9-*1*,&18*7;.(*894'*5*7+472*).8,7*&9*79-&39-* 6:&1.9>4+1*,&18*7;.(*85*7+472*)'>49-*71&<>*783>43*(438.)*7.3,&1&<>*7 places, whether it was for West Coast 8-4:1).3)*5*3)*391>.3;*89.,&9*9-*1&<>*7@8(7*)*39.&18&3)&'.1.9>&3)3497*1>:543 &);*79.8*2*398478*1+574(1&.2*)*=5*79.8*7.477*8:198)4349,:&7&39**&8.2.1&74:9 versions of poetry or anything else. I was (42* $-.1*9-.8+.722&.39&.38/4.397*85438.'.1.9>2489(&8*84+9-.89>5*&7*7*+*77*) in the Mission District, which had about 9449-*7&99473*>8+4757.3(.5&17*85438.'.1.9>%4:2&>'*7*85438.'1*+47(*79&.3 20 bookstores. (4898*=5*38*8*,&1+**8&7*(&1(:1&9*)57.47949-*)*):(9.434+&3>(4898*=5*38*8 " !#" " ! Q. Seamus Heaney [the Irish poet and 1995 Nobel Prize laureate] was one of your biggest influences in college. What was your relationship like? A. He was great—very thoughtful, very Disruptive Investment Portfolio Contest hands-o≠. He’d give you suggestions and meet with you, but he wasn’t rewriting your poem or anything. But I remember his suggestions were always right. He •$25,000 Grand Prize Submit your picks for was very generous. disruptive companies that •$25,000 in other prizes offer major investment Q. Who are some of your biggest influences? •Nov. 12, 2007 deadline opportunities A. People like Heaney and Yeats. Gwendolyn Brooks [the late black Amer- ican poet]. Sylvia Plath. The poetry I re- ally admire, say, is [John] Berryman. He’s Details: www.DisruptiveCapitalPartners.com Harvard Magazine 31 MONTAGE such a mix of high and low culture. I length, but you have to say what you have here. To me, poetry feels at its best when think poetry aspires to the best of both. to say. I’m just happy that Knopf has put it’s like life, which is fragmented, some- out my work and has kept it coming out. times full of language and sometimes full Q. Why do you write such long books? One re- I always admire long poems and the way of silence, but ultimately redemptive. I viewer called For the Confederate Dead they can take in a whole world, not just a think that lyrical quality is important to “hefty.” slice of the world. Poetry isn’t meant to our lives. A. It’s not as long as my last book just be devoured in one sitting. It’s some- [Black Maria]! But those were short thing you are meant to return to, some- Shaun Sutner, a reporter at the Worcester poems. I don’t like that image: the ‘slim thing you can get lost in. Telegram & Gazette since 1992, has written volume of poetry.’ I think poetry has an What I like about poetry is that it’s for the Harvard Education Letter and Com- intensity that’s not always served by not like poetry is here and life is over monwealth Magazine. Kenneth Kronenberg seeks the any interpersonal encounter there definitive source for “When fas- are at least six images involved: my cism comes to America, it will be Chapter & Verse image of me, my image of you, and wrapped in the flag and carrying a Correspondence on not-so-famous lost words my projected image (what I visual- cross,” attributed variously to Up- ize as your picture of me), your ton Sinclair, H.L. Mencken, and image of me, and your projected Huey Long, and to Sinclair Lewis’s It Can’t John Severson asks the source of “Strive social image (what you imagine is my pic- Happen Here. (On-line searches of two not, thou earthen pot, to smash the wall.” ture of you), and your image of yourself. texts of the novel yielded nothing, he says). The interaction of these images is reflect- “insightful commentary on conversa- ed in each individual’s behavior.” Clifford Straehley requests the name of tion” (January-February 2006). Judith Per- the putative author of the exhortation itz offers a further example. Concluding Send inquiries and answers to “Chapter “Do good because good is good to do. chapter three of his book Prisoners of Hate: and Verse,” Harvard Magazine, 7 Ware Fear not the threat of Hell, nor be be- The Cognitive Basis of Anger, Hostility, and Vio- Street, Cambridge 02138, or via e-mail to guiled by the promise of Heaven.” lence (1999), Aaron T. Beck writes, “…in [email protected]. mmm$^WhlWhZcW]Wp_d[$Yec b[Whd0d[miWdZceh[ Yedd[Yj0YbWiidej[i WYY[ii0'&o[Whie\XWYa_iik[i OekhYedd[Yj_edje>WhlWhZ 32 September - October 2007 New England REGIONAL SECTION Lamont Library 617-495-2454 • October 18 at 7 p.m. Extracurriculars The poems of Peruvian César Vallejo (1892-1938) are read by award-winning Harvard square o≠ers something for “Honk!” stage—traveling street bands— translator Clayton Eshleman. GY AND ETHNOLOGY; everyone this fall: saunter down to the and a “Mamapalooza” pavilion showcas- Woodberry Poetry Room. Charles River and join an ad hoc community ing moms who rock. Cabot Science Library choir as they light up the Weeks Footbridge, • October 12 at 8 p.m.; October 13 at 7 p.m. http://hcl.harvard.edu/libraries/#cabot learn the latest about animal sexuality at the www.aneveningwithchampions.org 617-495-5324 or 496-5534 Cabot Science Library, watch Olympic 617-493-8172 • Opening October 15 skaters cut the ice at the Bright Hockey Organized by Harvard undergraduates, Baby Flamingo Has Two Daddies: Sex, Center, or simply let the words of Peruvian the annual ice-skating show An Evening Gender, and Sexuality in the Animal poet César Vallejo wash over you during an with Champions raises money for the Kingdom features biological research sug- evening reading at Lamont Library. Dana-Farber Cancer Institute’s Jimmy gesting that sex and gender roles among Fund. Bright Hockey Center. animals are more fluid than previously SEASONAL • October 20-21 thought. • September 23 at 5 p.m. www.hocr.org www.revels.org Trek down to the river to watch athletes EXHIBITIONS 617-972-8300, extension 22 from around the world race in the annual Peabody Museum of Archaeology RiverSing 2007: Bridging the Charles two-day Head of the Charles regatta. and Ethnology with Voice and Light www.peabody.harvard.edu; 617-495-1027 Join Revels Inc. for this free event on the LIBRARIES • October 5-7 Weeks Footbridge in Cambridge. The www.hcl.harvard.edu/libraries Storied Walls: Murals of the Americas is procession begins at Winthrop Park. Pusey Library 617-495-2413 a weekend of lectures and tours related to • October 7, noon-6 p.m. • Continuing murals found in churches, sacred www.harvardsquare.com Family Album: The Roosevelts at Home grounds, and ceremonial rooms. Chil- The twenty-ninth annual Oktoberfest fea- features images from Sagamore Hill. dren’s programming is included. tures street performances, live music, • Opening September 11 • Opening October 25. dancing, and food from around the world, A Celebration of Charts: Two Hundred “A Good Type” showcases early Japanese as well as wares from more than 250 arti- Years of the U.S. Coast Survey highlights photographs. Among them, tinted scenes sans and merchants. New this year is the rare and exotic nautical documents. of kimono-clad geishas, samurai warriors, Left to right: A Henry Horenstein closeup, at the Harvard Museum of Natural History; a photograph of a Japanese samurai at the COURTESY OF HARVARD UNIVERSITY ART MUSEUMS ©PRESIDENT AND FELLOWS COLLEGE Peabody Museum; Migof Bloody and Blooming, 1965, by Bernard Schultze, in Making Myth Modern at the Busch-Reisinger Museum FROM LEFT TO RIGHT: HENRY HORENSTEIN/THE HARVARD MUSEUM OF NATURAL HISTORY; COURTESY THE PEABODY ARCHAEOLO Harvard Magazine 32A NEW ENGLAND REGIONAL SECTION and delicate cherry blossoms. A curator’s talk starts at 5:45 p.m. • Continuing: Vanished Kingdoms: The Wulsin Photographs of Tibet, China, and Mongolia, 1921–1925. • Continuing: The Ethnography of Lewis and Clark, with items such as bear-claw orna- ments, a painted bu≠alo robe, women’s dresses, and a whaling chief’s hat. Semitic Museum www.fas.harvard.edu/~semitic/ At Brookhaven 617-495-4631 Continuing: Ancient Egypt: Magic and the lifecare living is as good as it looks. Afterlife shows visitors some ancient views of life after death. Brookhaven at Lexington offers the security of quality on-site health care, Continuing: The Houses of Ancient Israel: opportunities for a healthy, active lifestyle and the companionship of Domestic, Royal, Divine features a full- people who share your commitment to independent living. scale replica of an Iron Age (ca. 1200-586 b.c.e.) village house. Call today for information about our priority wait list. Harvard Museum of Natural History Lexington, MA 02421 www.hmnh.harvard.edu (718) 863-9660 617-495-1027 (800) 283-1114 • Opening September 28 aboutbrookhaven.org Looking at Animals: Photographs by Henry Horenstein o≠ers a rich collection of sepia-toned close-ups of creatures from the land and sea. • Continuing: Climate Change: Our Global Experiment is an insider’s look at the science of climate. • Continuing: Nests and Eggs explores the world of birds’ eggs. Fogg Art Museum 617-495-9400/9422 • Opening October 6 Kara Walker: Harper’s Pictorial History of the Civil War (Annotated). To com- memorate the inauguration of University president Drew Faust, this exhibit includes Walker’s silhouettes silkscreened onto 15 prints from the 1866 publication. Sackler Museum 617-495-9400/9422 • Opening September 22 Gods in Color: Painted Sculptures of Classi- cal Antiquity displays full-scale color recon- structions of Greek and Roman figures jux- taposed with original statues and reliefs in Wish you were the colorless state we find today. 85B5 Busch-Reisinger Museum 617-495-2317 • Through November 4: Light Display Ma- Caribbean vacation season is just around the corner. Reach an audience you can trust chines: Two Works by László Moholy-Nagy when you advertise your rental property in the Harvard Magazine Classifieds. o≠ers the artist’s seminal kinetic sculpture, Contact us at 617-496-6686 or at classifi[email protected] Light Prop for an Electric Stage (1930), and his 32B September - October 2007 Cambridge...Revisit “Great-grandmother’s.” Arlington...Charming, bright and located in a Cambridge...Stunningly renovated oasis with 1,739 6 room, 1 bath Victorian is unspoiled, with highly sought-after Arlington neighborhood. 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Near Habitat Conservation area. $1,975,000 concierge, pool and fitness center. $1,495,000 Cambridge...Deluxe 2 bedroom, 2 bathroom Belmont...Gracious 10-room Mansard perched Cambridge...Charming one-bedroom, Back Bay- duplex in Huron Village. Private master en on a lushly landscaped hill. Grand rooms style brick rowhouse near Harvard Square. Many suite with study and marble bath. Gourmet with period details merge with 21st-century period details. Two fireplaces. Modern kitchen cook’s eat-in kitchen. $474,0000 amenities. $2,250,000 and bath. $415,000 Hammond’s Belmont Office is moving to Belmont Center in August! Our new address will be 84 Leonard Street. www.hammondre.com Cambridge, Belmont, Watertown & Somerville Residential, Commercial, Rentals & Property Management Cambridge Office 617-497-4400 • Belmont Office 617-484-1900 NEW ENGLAND REGIONAL SECTION short, experimental film Light Play: Black • October 16-21 MUSIC White Gray, with choreographed sequences, The Veiled Monologues, by Adelheid Roosen, Sanders Theatre double exposures, and special e≠ects. is based on interviews with Turkish www.fas.harvard.edu/~tickets/ • Continuing: Making Myth Modern: women in Holland and their perspectives 617-496-2222 Primordial Themes in German 20th- on intimacy, sexuality, and love. • October 19 at 8 p.m. Century Sculpture. Eight dramatic pieces • October 27 through November 18 The Harvard Glee Club joins the Prince- by artists such as Max Beckmann, Joseph Donnie Darko. Directed by Marcus Stern, ton Glee Club and the Choir of St. Beuys, and Gerhard Marcks. this is a new adaptation of the 2001 cult George’s Chapel, Windsor, England, for a film classic about a troubled teenager who concert. NATURE AND SCIENCE meets a giant rabbit who tells him of the • October 26 at 8 p.m. The Harvard-Smithsonian Center world’s end during the 1988 presidential The Harvard Jazz Band, Harvard Univer- for Astrophysics campaign. sity Band, and Harvard Wind Ensemble www.cfa.harvard.edu/events.html perform works commemorating the one- 617-495-7461. Phillips Auditorium, FILM hundredth birthday of composer Leroy 60 Garden Street. Lectures and rooftop The Harvard Film Archive Anderson ’29, A.M. ’30. viewing (weather permitting). www.harvardfilmarchive.org • October 27 at 8 p.m. • September 20 at 7:30 p.m. “Astronomy for Visit the website for complete listings. The Harvard-Radcliffe Orchestra has cho- Kids of All Ages.” 617-495-4700 sen to celebrate its two-hundredth year • October 18 at 7:30 p.m. • September 7-10 with a program that includes Beethoven’s “Fifty Years and Counting: The Dawn of the Ousmane Sembene–In Memoriam looks Fifth Symphony and Gustav Holst’s suite Space Age.” at the work of this Senegalese filmmaker. The Planets. • October 19-29 THEATER Michael Haneke: A Cinema of Provoca- Events listings also appear in the University The American Repertory Theatre tion examines the Austrian director, whose Gazette, accessible via this magazine’s www.amrep.org; 617-547-8300 works include Cache and The Piano Teacher. website, www.harvardmagazine.com. Harvard Athletics BeThere!Be There! Order Your Tickets Today Call 877-go-harvard or visit us online 32D September - October 2007 4HE (ARVARD 5NIVERSITY %MPLOYEES #REDIT 5NION IS A NOT FOR PROlT COOP ERATIVE EXCLUSIVELY SERVING THE STU DENTS ALUMNI AND STAFF OF (ARVARD !T (5%#5 WE BELIEVE OUR MEMBERS WHO ARE AND OLDER DESERVE A LITTLE SOMETHING EXTRA 3O WHEN YOU OPEN A S I X T Y CHECKING ACCOUNT WITH DIRECT DEPOSIT WELL GIVE YOU AN ADDITIONAL ON ALL OF OUR CERTIlCATE PRODUCTS !UTOMATICALLY &OR