Oral History Interview with Walker Evans, 1971 Oct. 13-Dec. 23
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Pressemappe American Photography
Exhibition Facts Duration 24 August – 28 November 2021 Virtual Opening 23. August 2021 | 6.30 PM | on Facebook-Live & YouTube Venue Bastion Hall Curator Walter Moser Co-Curator Anna Hanreich Works ca. 180 Catalogue Available for EUR EUR 29,90 (English & German) onsite at the Museum Shop as well as via www.albertina.at Contact Albertinaplatz 1 | 1010 Vienna T +43 (01) 534 83 0 [email protected] www.albertina.at Opening Hours Daily 10 am – 6 pm Press contact Daniel Benyes T +43 (01) 534 83 511 | M +43 (0)699 12178720 [email protected] Sarah Wulbrandt T +43 (01) 534 83 512 | M +43 (0)699 10981743 [email protected] 2 American Photography 24 August - 28 November 2021 The exhibition American Photography presents an overview of the development of US American photography between the 1930s and the 2000s. With works by 33 artists on display, it introduces the essential currents that once revolutionized the canon of classic motifs and photographic practices. The effects of this have reached far beyond the country’s borders to the present day. The main focus of the works is on offering a visual survey of the United States by depicting its people and their living environments. A microcosm frequently viewed through the lens of everyday occurrences permits us to draw conclusions about the prevalent political circumstances and social conditions in the United States, capturing the country and its inhabitants in their idiosyncrasies and contradictions. In several instances, artists having immigrated from Europe successfully perceived hitherto unknown aspects through their eyes as outsiders, thus providing new impulses. -
Press Release
Press Release Contact: Whitney Museum of American Art Whitney Museum of American Art 945 Madison Avenue at 75th Street Stephen Soba, Kira Garcia New York, NY 10021 (212) 570-3633 www.whitney.org/press www.whitney.org/press March 2007 Tel. (212) 570-3633 Fax (212) 570-4169 [email protected] WHITNEY MUSEUM TO PRESENT A TRIBUTE TO LINCOLN KIRSTEIN BEGINNING APRIL 25, 2007 Pavel Tchelitchew, Portrait of Lincoln Kirstein, 1937 Courtesy of The School of American Ballet, Photograph by Jerry L. Thompson The Whitney Museum of American Art is observing the 100th anniversary of Lincoln Kirstein’s birth with an exhibition focusing on a diverse trio of artists from Kirstein’s circle: Walker Evans, Elie Nadelman, and Pavel Tchelitchew. Lincoln Kirstein: An Anniversary Celebration, conceived by guest curator Jerry L. Thompson, working with Elisabeth Sussman and Carter Foster, opens in the Museum’s 5th-floor Ames Gallery on April 25, 2007. Selections from Kirstein’s writings form the basis of the labels and wall texts. Lincoln Kirstein (1906-96), a noted writer, scholar, collector, impresario, champion of artists, and a hugely influential force in American culture, engaged with many notable artistic and literary figures, and helped shape the way the arts developed in America from the late 1920s onward. His involvement with choreographer George Balanchine, with whom he founded the School of American Ballet and New York City Ballet, is perhaps his best known accomplishment. This exhibition focuses on the photographer Walker Evans, the sculptor Elie Nadelman, and the painter Pavel Tchelitchew, each of whom was important to Kirstein. -
M. H< Fass Collection
3^'W)albua í^txm s -DLM j Ajglt£r £\¿&ns : P haiq^io-pVVb -fo r M. H< fass Collection s e r ie s ■+tvß- Panivi ^ecQoVvf A dyvuVi >~St \ ¿ x t ^ n ,1*135' l*fö ¿ o ? o o ? ' 0 °l SUB SERIES b o x _____ __ ïr=t FOLDER. .... .... A f Photographs for the Farm Security Administration, 1935-1938 A Catalog of Photographic Prints Available from the Farm Security Administration Collection in the Library of Congress Introduction by Jerald C. Maddox A DACAPO PAPERBACK Library of Congress Cataloging in Publication Data Da Capo Press. Walker Evans, photographs for the Farm Security Administration, 1935-1938. (A Da Capo paperback) 1. United States—Rural conditions—Pictorial works— Catalogs. 2. Photographs—Catalogs. I. Evans, Walker, 1903- II. Maddox, Jerald C. III. United States. Farm Security Administration. IV. United States. Library of Congress. V. Title. HN57.D22 1975 779'.9'3092630973 74-23992 ISBN 0-306-80008-X First Paperback Printing 1975 ISBN 0-306-80008-X Copyright © 1973 by Da Capo Press, Inc. All Rights Reserved The copyright on this volume does not apply individually to the photographs which are illustrated. These photographs, commissioned by the Farm Security Administra'ion, U.S. Department of Agriculture, are in the public domain and may be reproduced without permission. Published by Da Capo Press A Division of Plenum Publishing Corporation 227 West 17th Street, New York, N. Y. 10011 Manufactured in the United States of America Publisher’s Preface The Prints and Photographs Division of the Library of Congress is the greatest repository of visual material documenting the development of the American nation. -
Finding Aid for Bolender Collection
KANSAS CITY BALLET ARCHIVES BOLENDER COLLECTION Bolender, Todd (1914-2006) Personal Collection, 1924-2006 44 linear feet 32 document boxes 9 oversize boxes (15”x19”x3”) 2 oversize boxes (17”x21”x3”) 1 oversize box (32”x19”x4”) 1 oversize box (32”x19”x6”) 8 storage boxes 2 storage tubes; 1 trunk lid; 1 garment bag Scope and Contents The Bolender Collection contains personal papers and artifacts of Todd Bolender, dancer, choreographer, teacher and ballet director. Bolender spent the final third of his 70-year career in Kansas City, as Artistic Director of the Kansas City Ballet 1981-1995 (Missouri State Ballet 1986- 2000) and Director Emeritus, 1996-2006. Bolender’s records constitute the first processed collection of the Kansas City Ballet Archives. The collection spans Bolender’s lifetime with the bulk of records dating after 1960. The Bolender material consists of the following: Artifacts and memorabilia Artwork Books Choreography Correspondence General files Kansas City Ballet (KCB) / State Ballet of Missouri (SBM) files Music scores Notebooks, calendars, address books Photographs Postcard collection Press clippings and articles Publications – dance journals, art catalogs, publicity materials Programs – dance and theatre Video and audio tapes LK/January 2018 Bolender Collection, KCB Archives (continued) Chronology 1914 Born February 27 in Canton, Ohio, son of Charles and Hazel Humphries Bolender 1931 Studied theatrical dance in New York City 1933 Moved to New York City 1936-44 Performed with American Ballet, founded by -
University Microfilms International 300 N
THE CRITICISM OF ROBERT FRANK'S "THE AMERICANS" Item Type text; Thesis-Reproduction (electronic) Authors Alexander, Stuart Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 23/09/2021 11:13:03 Link to Item http://hdl.handle.net/10150/277059 INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. -
Barnhart, Review of Lincoln Kirstein's Modern
ISSN: 2471-6839 Cite this article: Clara Barnhart, review of Lincoln Kirstein’s Modern, by Samantha Friedman and Jodi Hauptman, Panorama: Journal of the Association of Historians of American Art 6, no. 2 (Fall 2020), https://doi.org/10.24926/24716839.10757. Lincoln Kirstein’s Modern by Samantha Friedman and Jodi Hauptman with contributions by Lynn Garafola, Michele Greet, Michelle Harvey, Richard Meyer, and Kevin Moore New York: The Museum of Modern Art, 2019. 208 pp.; 170 color illus.; 94 b/w illus.; Hardcover: $55.00 (ISBN: 9781633450820) Exhibition schedule: The Museum of Modern Art, New York, March 17–June 15, 2019 Reviewed by: Clara Barnhart, Independent Scholar The remarkable contribution made by Lincoln Kirstein (1907–1996) to the modern arts in the 1930s and 1940s United States took many forms, but he is still mostly known for enhancing the status of ballet as an American art form. Given that he so successfully spearheaded the American ballet movement, and continued to preside over it into the late 1980s as director of the New York City Ballet (NYCB) and president of the School of American Ballet (SAB), Kirstein's range of artistic interests is often overlooked. Lincoln Kirstein’s Modern, the catalogue for the 2019 Museum of Modern Art (MoMA) exhibition of the same name, seeks to correct this constrictive categorization by presenting Kirstein as a “key connector and indefatigable catalyst who shaped and supported American artists and institutions in the 1930s and ’40s,” writes Samantha Friedman, cocurator of the exhibition (11). The extent of his influence on the arts has not been sufficiently examined until now; the catalogue therefore fills a significant gap in the critical literature. -
Institute of Fine Arts Alumni Newsletter, Number 55, Fall 2020
Number 55 – Fall 2020 NEWSLETTERAlumni PatriciaEichtnbaumKaretzky andZhangEr Neoclasicos rnE'-RTISTREINVENTiD,1~1-1= THEME""'lLC.IIEllMNICOLUCTION MoMA Ano M. Franco .. ..H .. •... 1 .1 e-i =~-:.~ CALLi RESPONSE Nyu THE INSTITUTE Published by the Alumni Association of II IOF FINE ARTS 1 Contents Letter from the Director In Memoriam ................. .10 The Year in Pictures: New Challenges, Renewed Commitments, Alumni at the Institute ..........16 and the Spirit of Community ........ .3 Iris Love, Trailblazing Archaeologist 10 Faculty Updates ...............17 Conversations with Alumni ....... .4 Leatrice Mendelsohn, Alumni Updates ...............22 The Best Way to Get Things Done: Expert on Italian Renaissance An Interview with Suzanne Deal Booth 4 Art Theory 11 Doctors of Philosophy Conferred in 2019-2020 .................34 The IFA as a Launching Pad for Seventy Nadia Tscherny, Years of Art-Historical Discovery: Expert in British Art 11 Master of Arts and An Interview with Jack Wasserman 6 Master of Science Dual-Degrees Dora Wiebenson, Conferred in 2019-2020 .........34 Zainab Bahrani Elected to the American Innovative, Infuential, and Academy of Arts and Sciences .... .8 Prolifc Architectural Historian 14 Masters Degrees Conferred in 2019-2020 .................34 Carolyn C Wilson Newmark, Noted Scholar of Venetian Art 15 Donors to the Institute, 2019-2020 .36 Institute of Fine Arts Alumni Association Offcers: Alumni Board Members: Walter S. Cook Lecture Susan Galassi, Co-Chair President Martha Dunkelman [email protected] and William Ambler [email protected] Katherine A. Schwab, Co-Chair [email protected] Matthew Israel [email protected] [email protected] Yvonne Elet Vice President Gabriella Perez Derek Moore Kathryn Calley Galitz [email protected] Debra Pincus [email protected] Debra Pincus Gertje Utley Treasurer [email protected] Newsletter Lisa Schermerhorn Rebecca Rushfeld Reva Wolf, Editor Lisa.Schermerhorn@ [email protected] [email protected] kressfoundation.org Katherine A. -
Thomas Demand Roxana Marcoci, with a Short Story by Jeffrey Eugenides
Thomas Demand Roxana Marcoci, with a short story by Jeffrey Eugenides Author Marcoci, Roxana Date 2005 Publisher The Museum of Modern Art ISBN 0870700804 Exhibition URL www.moma.org/calendar/exhibitions/116 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art museumof modern art lIOJ^ArxxV^ 9 « Thomas Demand Thomas Demand Roxana Marcoci with a short story by Jeffrey Eugenides The Museum of Modern Art, New York Published in conjunction with the exhibition Thomas Demand, organized by Roxana Marcoci, Assistant Curator in the Department of Photography at The Museum of Modern Art, New York, March 4-May 30, 2005 The exhibition is supported by Ninah and Michael Lynne, and The International Council, The Contemporary Arts Council, and The Junior Associates of The Museum of Modern Art. This publication is made possible by Anna Marie and Robert F. Shapiro. Produced by the Department of Publications, The Museum of Modern Art, New York Edited by Joanne Greenspun Designed by Pascale Willi, xheight Production by Marc Sapir Printed and bound by Dr. Cantz'sche Druckerei, Ostfildern, Germany This book is typeset in Univers. The paper is 200 gsm Lumisilk. © 2005 The Museum of Modern Art, New York "Photographic Memory," © 2005 Jeffrey Eugenides Photographs by Thomas Demand, © 2005 Thomas Demand Copyright credits for certain illustrations are cited in the Photograph Credits, page 143. Library of Congress Control Number: 2004115561 ISBN: 0-87070-080-4 Published by The Museum of Modern Art, 11 West 53 Street, New York, New York 10019-5497 (www.moma.org) Distributed in the United States and Canada by D.A.P./Distributed Art Publishers, New York Distributed outside the United States and Canada by Thames & Hudson Ltd., London Front and back covers: Window (Fenster). -
Exegesis. Christopher Shawne Brown East Tennessee State University
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2008 Exegesis. Christopher Shawne Brown East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Art Practice Commons, Fine Arts Commons, and the Photography Commons Recommended Citation Brown, Christopher Shawne, "Exegesis." (2008). Electronic Theses and Dissertations. Paper 1903. https://dc.etsu.edu/etd/1903 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. EXEGESIS A thesis presented to the faculty of the Department of Art & Design East Tennessee State University in partial fulfillment of the requirements for the degree Master of Fine Arts ________________________ by Christopher Shawne Brown May 2008 ___________________ Mike Smith, Committee Chair Dr. Scott Contreras-Koterbay Catherine Murray M. Wayne Dyer Keywords: photography, family album, color, influence, landscape, home, collector A B S TRACT Exegesis by Christopher Shawne Brown The photographer discusses the work in Exegesis, his Master of Fine Arts exhibition held at Slocumb Galleries, East Tennessee State University, Johnson City, Tennessee from October 29 through November 2, 2007. The exhibition consists of 19 large format color photographs representing and edited from a body of work that visually negotiates the photographer’s home in East Tennessee. The formulation of a web of influence is explored with a focus on artists who continue to pertain to Brown’s work formally and conceptually. -
Tender Land Study Guide
AARON COPLAND’S INSPIRING AMERICAN OPERA THE TENDER LAND FRIDAY OCTOBER 13TH 7:00 PM SUNDAY OCTOBER 15TH 3:00 PM WILLSON AUDITORIUM Celebrating 4 Seasons Tickets available at Intermountainopera.org or 406-587-2889 TABLE OF CONTENTS Intermountain Opera Bozeman ……………………………………………...3 The Tender Land Characters and Synopsis…….………………….….…5 The Composer and Librettist…………………………………………….6 The Tender Land Background and Inspiration……………..…………..9 Historical Context and Timeline…………………………………….….13 Further Exploration……………………………………………….…..…20 !2 Intermountain Opera Bozeman In 1978, Verity Bostick, a young singer and assistant professor of music at Montana State University at Bozeman, sparked the interest of a well-known New York opera producer, Anthony Stivanello, with her desire to form the first Montana-based opera company. For the inaugural performance of Verdi’s La Traviata in the Spring of 1979, Mr. Stivanello agreed to donate sets, costumes and his services to the production. Gallatin Valley had its own resident opera star, Pablo Elvira, who was persuaded to share his talents. A leading baritone with the Metropolitan Opera and New York City Opera, he sang Germont in La Traviata. A full-fledged professional opera company in Bozeman, MT was born! With names like Elvira and Stivanello appearing, Montana suddenly caught the interest of Eastern opera circles. The prestigious opera magazine, Opera News, assigned a reporter to cover the advent of the Intermountain Opera Association’s first year. During the second season, the Association produced The Barber of Seville, starring Pablo Elvira, and brought three stars from New York to sing leading roles. Anthony Stivanello again furnished sets and costumes and directed the production. -
Sccopland on The
THE UNITED STATES ARMY FIELD BAND SOLDIERS’ CHORUS The Legacy of AARON COPLAND Washington, D.C. “The Musical Ambassadors of the Army” he Soldiers’ Chorus, founded in 1957, is the vocal complement of the T United States Army Field Band of Washington, DC. The 29-member mixed choral ensemble travels throughout the nation and abroad, performing as a separate component and in joint concerts with the Concert Band of the “Musical Ambassadors of the Army.” The chorus has performed in all fifty states, Canada, Mexico, India, the Far East, and throughout Europe, entertaining audiences of all ages. The musical backgrounds of Soldiers’ Chorus personnel range from opera and musical theatre to music education and vocal coaching; this diversity provides unique programming flexibility. In addition to pre- senting selections from the vast choral repertoire, Soldiers’ Chorus performances often include the music of Broadway, opera, barbershop quartet, and Americana. This versatility has earned the Soldiers’ Chorus an international reputation for presenting musical excellence and inspiring patriotism. Critics have acclaimed recent appearances with the Boston Pops, the Cincinnati Pops, and the Detroit, Dallas, and National symphony orchestras. Other no- table performances include four world fairs, American Choral Directors Association confer- ences, music educator conven- tions, Kennedy Center Honors Programs, the 750th anniversary of Berlin, and the rededication of the Statue of Liberty. The Legacy of AARON COPLAND About this Recording The Soldiers’ Chorus of the United States Army Field Band proudly presents the second in a series of recordings honoring the lives and music of individuals who have made significant contributions to the choral reper- toire and to music education. -
Sfmoma to Feature Exclusive U.S. Presentation of the Exhibition, Walker Evans
SFMOMA TO FEATURE EXCLUSIVE U.S. PRESENTATION OF THE EXHIBITION, WALKER EVANS Exhibition Displays Over 400 Photographs, Paintings, Graphic Ephemera and Objects from the Artist’s Personal Collection Walker Evans September 30, 2017–February 4, 2018 SAN FRANCISCO, CA (May 18, 2017)—The San Francisco Museum of Modern Art (SFMOMA) will be the exclusive United States venue for the retrospective exhibition Walker Evans, on view September 30, 2017, through February 4, 2018. As one of the preeminent photographers of the 20th century, Walker Evans’ 50-year body of work documents and distills the essence of life in America, leaving a legacy that continues to influence generations of contemporary photographers and artists. The exhibition will encompass all galleries in the museum's Pritzker Center for Photography, the largest space dedicated to the exhibition, study and interpretation of photography at any art museum in the United States. San Francisco Museum of Modern Art Walker Evans Press Release 1 “Conceived as a complete retrospective of Evans’ work, this exhibition highlights the photographer’s fascination with American popular culture, or vernacular,” explains Clément Chéroux, senior curator of photography at SFMOMA. “Evans was intrigued by the vernacular as both a subject and a method. By elevating it to the rank of art, he created a unique body of work celebrating the beauty of everyday life.” Using examples from Evans’ most notable photographs—including iconic images from his work for the Farm Security Administration (FSA) documenting the effects of the Great Depression on American life; early visits to Cuba; street photography and portraits made on the New York City subway; layouts and portfolios from his more than 20-year collaboration with Fortune magazine and 1970s Polaroids— Walker Evans explores Evans’ passionate search for the fundamental characteristics of American vernacular culture: the familiar, quotidian street language and symbols through which a society tells its own story.