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220 Superwash® Kangaroo Sweater
W185 220 Superwash® Kangaroo Sweater Designed by Amy Bahrt © 2013 Cascade Yarns® - All Rights Reserved. 220 Superwash® Kangaroo Sweater Designed by Amy Bahrt Skill Level: Intermediate Size: 2 (4, 6) Materials: Cascade Yarns® 220 Superwash® 100% Superwash Wool 100 g (3.5 oz) / 220 yds (200 m) A - 2 skeins of color #813 (Blue Velvet) B - 2 skeins of color #821 (Daffodil) C - 1 skein of color #864 (Christmas Green) D - 1 skein of color #822 (Pumpkin) US 5 & 7 knitting needles Crochet Hook G/6 Stitch Holders Yarn Needle 1 – 3/8” 4-hole Button Finished Measurements: Chest: 26 (28, 31)" Body Length 14 (15½, 17)" Sleeve Length 11½ (12, 12½)" Armhole Depth 5¾ (6¼, 6¾)" Gauge: 20 sts x 26 rows = 4" Abbreviations: BO = Bind Off CO = Cast On K = Knit P = Purl RS = Right Side St(s) = Stitch(es) WS = Wrong Side Stripe pattern: *(2 rows B, 2 rows D); repeat from* (4 rows) Back: With smaller needles and A CO 64 (70, 78)sts. Work in (K1, P1) Rib Pattern for 8 rows. Change to larger needles continue in Stockinette stitch until piece measures 14 (15½, 17)" from beginning. On WS, BO 19 (21, 25) sts for shoulder, work across 26 (28, 28) sts and place on holder, BO remaining sts for shoulder. © 2013 Cascade Yarns® - All Rights Reserved. Front: Work as back until piece measures 2¾ (4¼, 5¾)" from beginning. On RS and A, work 21(24, 28) sts, join B and work 22 sts of Kangaroo chart pattern row #1, end 21 (24, 28) sts A. -
VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 P.M
VOGU Eknitting CHICAGO THE ULTIMATE KNITTING EVENT OCTOBER 24 –26 ,2014 • PALMER HOUSE HILTON HOTEL PRINTABLE BROCHURE NEW& INSPIRATIONAL KNITWORTHY HAND KNITTING PRODUCTS CLASSES & LECTURES! VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 p.m. –7 p.m. OF EVENTS Classroom Hours: 6 p.m. –9 p.m. Friday, October 24 VOGUEknitting Registration: 8 a.m. –7:30 p.m. 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. 2-hour Classroom Hours: 9 a.m.–11 a.m., 2 p.m.–4 p.m. Marketplace: 5:00 p.m. –8:30 p.m. Please refer to VogueknittingLIVE.com for complete details. Saturday, October 25 HOTEL INFORMATION Registration: 8 a.m. –6:30 p.m. Vogue Knitting LIVE will be held in 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. downtown Chicago at the luxurious 2-hour Classroom Hours: Palmer House Hilton Hotel, located 9 a.m.–11 a.m., 2 p.m.–4 p.m. near Millennium Park in the heart of Marketplace: 10 a.m. –6:30 p.m. the theater, financial, and shopping districts of downtown Chicago. The Palmer House Hilton Hotel is within walking distance of the Windy City’s Sunday, October 26 most famous museums, shopping,a government, and corporate buildings. Registration: 8 a.m. –3 p.m. 3-hour Classroom Hours: The Palmer House Hilton Hotel 9 a.m.–12 p.m., 2 p.m.–5 p.m. -
Code of Federal Regulations GPO Access
12±3±96 Tuesday Vol. 61 No. 233 December 3, 1996 Pages 64007±64244 Briefings on How To Use the Federal Register For information on briefings in Washington, DC, and Austin, TX, see announcement on the inside cover of this issue. Now Available Online Code of Federal Regulations via GPO Access (Selected Volumes) Free, easy, online access to selected Code of Federal Regulations (CFR) volumes is now available via GPO Access, a service of the United States Government Printing Office (GPO). CFR titles will be added to GPO Access incrementally throughout calendar years 1996 and 1997 until a complete set is available. GPO is taking steps so that the online and printed versions of the CFR will be released concurrently. The CFR and Federal Register on GPO Access, are the official online editions authorized by the Administrative Committee of the Federal Register. To access CFR volumes via the World Wide Web, and to find out which volumes are available online at a given time users may go to: ★ http:www.access.gpo.gov/nara/cfr New titles and/or volumes will be added to this online service as they become available. The initial titles introduced include: ★ Title 20 (Parts 400±499)ÐEmployees' Benefits (Social Security Administration) ★ Title 21 (Complete)ÐFood and Drugs (Food and Drug Administration, Drug Enforcement Administration, Office of National Drug Control Policy) ★ Title 40 (Almost complete)ÐProtection of Environment (Environmental Protection Agency) For additional information on GPO Access products, services and access methods, see page II or contact the GPO Access User Support Team via: ★ Phone: toll-free: 1-888-293-6498 ★ Email: [email protected] federal register 1 II Federal Register / Vol. -
KNIT-A-BIT, LLC 16925 S. Beckman Rd. Oregon City, OR 97045-9366 (503) 631-4596
KNIT-A-BIT, LLC 16925 S. Beckman Rd. Oregon City, OR 97045-9366 (503) 631-4596 Adaptation of Gene Bailey's "WONDER DRESS" by Pat Groves Machine: standard gauge with ribber Yarn: 2 pounds of Krinklespun, 2 strands for skirt and collar (tuck pattern) 3 strands for ribbing and stocking stitch Stitch size (tension) on the Passap: 5 for stocking stitch 2 1/2 for the ribbing 3 1/4 for the tuck. Dress is knit straight from hem to neck (except for neck shaping and if desired armhole shaping) using three different stitch patterns. Skirt is a double bed tuck pattern which changes to 1:1 rib 3" below the waist, has a casing for elastic at the waist, changes to stocking stitch for the bodice. Neckline is your choice, the model was a slight scoop. The sleeves are stocking stitch with 1:1 rib at the wrist. The collar is the same pattern as the skirt or you could knit the sleeves in the same tuck pattern as the skirt. You can change the sleeve to the lace pattern and also change the collar to stockinette – it’s your choice, just make the necessary adjustments to the pattern. Knit three swatches and calculate the following gauges: (Passap knitters: You may want to do the stocking stitch swatch on the back bed - see the note under Bodice). Stocking stitch --- stitches/inch - A = . rows/inch - B = . 1:1 rib rows/inch - C = . Tuck stitch rows/inch - D = . The tuck pattern is a double bed pattern with needles tucking on the main bed and knitting on the other bed. -
Ribbing Increases by Vanessa Montileone
swatch a swatch b swatch c ON YOUR WAY TO THE MASTERS Ribbing Increases by vanessa montileone swatch d swatch e swatch f 66 Cast On • February – April 2007 Increasing is an integral part of knitting location to hide an increase. Masters whether used for shaping or decoration. Program level 1 requires swatches of single There is a plethora of written information and double rib with increases on the last concerning the various increase techniques row. The increases are to be unobtrusive and “Never accept but little is written concerning the use of evenly spaced. There are many formulas increases in ribbing. Level 1 of the TKGA for figuring how to space increases and a the WORD Master Hand Knitting Program asks general rule of thumb is not to increase in that increases be placed in the last row of an edge stitch. Increases placed at the edge of any expert ribbing and that they be unobtrusive. In form a jagged line that is visible and makes other words the increases should blend seaming difficult. What increase would without first into the ribbing pattern. Knitters must first work best? The make 1, although one of the checking it out have knowledge of the various increases least visible in stockinette, does not work and their characteristics before they can well in ribbing. It creates an open area for yourself.” chose which increase is best suited for the under the strand in which the increase is pattern stitch being knitted. made. That open area can be visible in the ribbing. The lifted increase is the second – Maggie Righetti A brief review of four commonly used best increase in ribbing. -
Pilling Performance and Abrasion Characteristics of Selected Basic Weft Knitted Fabrics
Muhammet Akaydin, Yahya Can Pilling Performance and Abrasion Characteristics of Selected Basic Weft Knitted Fabrics Pamukkale University, Abstract Denizli Vocational Scholl, The aim of this study was the determination of the effects of dyeing, knit construction and Denizli, Turkey the thread yarn production type on the abrasion resistance and pilling performance of E-mail: [email protected] selected basic weft knitted fabrics. For this aim jersey and interlock fabrics were produced from 100% cotton ring and compact yarns. Some of the fabrics produced were dyed. The abrasion resistance and pilling performance of raw and dyed fabrics were measured. The results obtained were classified according to the knit construction, whether the fabric was raw or dyed, and the properties of the yarn from which the fabric was produced. According to the results obtained, the abrasion resistance and pilling performance of interlock fabrics were found to be higher than those of jersey fabrics, those of dyed fabrics higher than those of raw fabrics, and those of fabrics produced from compact yarns were higher than those fabrics produced from ring yarns. Key words: abrasion resistance, compact yarn, pilling, weft knitted fabric. Abrasion resistance and pilling perform- ported that 100 % cotton samples knitted ance are two of the most important me- from ring spun yarns tend to have lower chanical characteristics of fabrics. The pilling rates than those constructed from resistance of a fabric against the force of 100 % cotton open-end spun yarns [9]. friction is known as the abrasion resist- ance. In general, pilling is a fabric defect Akaydin studied basic knitted fabrics observed as small fiber balls or a group from ring combed and compact yarns and consisting of intervened fibers that are determined that the abrasion resistance attached to the fabric surface by one or and pilling performance of supreme fab- more fibers [1]. -
Free Pattern: Beginner Socks for Magic Loop, TOE-UP Or TOP-DOWN by Liat Gat of Knitfreedom
Free Pattern: Beginner Socks for Magic Loop, TOE-UP or TOP-DOWN by Liat Gat of KNITFreedom Materials Yarn: 150-400 yds fingering-weight yarn (amount of yarn needed depends on length of cuff). If working two socks at one time, separate yarn into two balls of equal yardage. Gauge: 7 sts/in in St st. Needles: 1 or 2 40-inch circular needle(s) OR set of DPNs, in whatever size required for YOU to obtain gauge. I used US #2. What kind of needles you require depends on how you prefer to knit in the round. I prefer magic loop, which requires one circular needle. Notions: Stitch markers, tapestry needle, scissors. Sizes: S, M, L Finished Measurements: Foot circumference: 7[8,9] inches, unstretched Length: customizable to exact foot size Abbreviations/Terms: (all links go to KNITFreedom videos) CO: cast on PM: place marker BOR: beginning of round M1L: make one left M1R: make one right K2tog: knit 2 together P2tog: purl 2 together SSK: slip, slip, knit instep: the part of the sock opposite the heel (front of ankle). Beginner Socks for Magic Loop, TOE-UP VERSION Want to watch a complete KNITFreedom Video Course showing every step of this project, including how to knit these socks two-at-a-time? Click Here To Learn More! Pattern Notes: Sock is worked in the round from toe to cuff. The heel shaping is taken directly from Fleegle's blog and is famously known as the Fleegle Heel. Pattern Instructions: Toe Using Judy's Magic Cast-On, CO 12(16,20) sts, 6(8,10) on each needle. -
Memory in the Fingers: an Exploration of Knitting Through the Lens of Modern Knitters' Lives Sinclair Rishel University of Mississippi
University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) 2016 Memory in the Fingers: An exploration of knitting through the lens of modern knitters' lives Sinclair Rishel University of Mississippi. Sally McDonnell Barksdale Honors College Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the Journalism Studies Commons Recommended Citation Rishel, Sinclair, "Memory in the Fingers: An exploration of knitting through the lens of modern knitters' lives" (2016). Honors Theses. 866. https://egrove.olemiss.edu/hon_thesis/866 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. Memory in the Fingers An exploration of knitting through the lens of modern knitters’ lives By Sinclair Rishel A thesis submitted to the faculty of the University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford, Mississippi April 2016 Approved by __________________________________ Advisor: Dr. Kathleen Wickham __________________________________ Reader: Ms. Ellen Meacham __________________________________ Reader: Mr. Charlie Mitchell © 2016 Sinclair Rishel ALL RIGHTS RESERVED ii Acknowledgements I would like to take this opportunity to thank those who have been instrumental in the creation of this thesis. To all of my interviewees, your stories have inspired and excited me. It was my great pleasure to tell each one and I thank you for sharing them with me. I hope I’ve done them justice. To my thesis advisor, Dr. -
4JE-02PO: Let's Learn to Knit with Increase and Decrease
4JE-02PO COOPERATIVE EXTENSION SERVICE UNIVERSITY OF KENTUCKY—COLLEGE OF AGRICULTURE Unit 2 Let’s Learn to Knit with Increase and Decrease Linda Heaton, Textiles and Clothing Specialist 18 U. S. C. 707 Agriculture & Natural Resources • Family & Consumer Sciences • 4-H/Youth Development • Community & Economic Development This publication was originally prepared by Jo Ann S. Hilliker, former state Extension specialist in clothing and textiles. Special appreciation is extended to the committee who inspired this project and who worked long hours to make it a reality. Many thanks to: Thelma Smith, Shelby County Leader Mrs. Glenn Riggs, Fayette County Leader Katherine Hixson, Harrison County Leader Jane Bailey, former Shelby County Extension Agent for Home Economics Karen Hill, former Extension Program Specialist for 4-H Mention or display of a trademark, proprietary product, or firm in text or figures does not constitute an endorsement and does not imply approval to the exclusion of other suitable products or firms. Contents Your Guide for the Project .......................4 Gauge ....................................................12 You Will Learn ..................................................4 Check the Gauge .......................................... 12 Articles You Will Make ....................................4 Care of Synthetic Yarns .........................13 Exhibit Your Work ............................................4 Machine Washing and Drying .................. 13 Add to Your Record Book ...............................5 -
Top-Down Raglan Pullover Lesson.Pdf
About Top-Down Raglan Pullovers the underarm is complete and the raglan piece joined to be worked in the round. The top-down raglan design is of "sea ms" are decreased to the neckline. From Continue increasing every other row until comparatively recent origin in terms of the top-down, the sleeve/body stitches are the piece is long/large enough to meet at swea ter design. Raglan construction was increased to the underarms and then th e the underarms. The sleeves/front/back arc created as a supplement to or replacement sleeves, front and back stitches separated separated at this point. Some designers have of the saddle shoulder sweater. See Suzanne and wo rked to the edgings as three separate the knitter work the sleeves first so they are Bryan's article "Raglan Sleeved Sweaters tubes. worked down to the wrist and finished off. from the Bottom Up" on page 46 for more Others instruct the knitter to work the body discussion o n the history of this design. Construct ion first and then the sleeves. In that instance, The hallmark of the raglan is the diagonal A top-down raglan is essentially a seamless the body is worked as a tube to the desired shaping lines moving from the top of the rectangular yoke. Once the math for gauge length and finished. Regardless of which neckline, to the underarm. Thus, the sleeve is complete, cast o n placing markers at is done first, some additional stitches may top is integrated into the neckline. This the four points dividing the back/sleeve/ be cast on for the underarms to reach the design eliminates the problem of excess front/sleeve (see Swatch 1) . -
Sweater-101-Sampler-Copy.Pdf
Sweater 101 How to Plan Sweaters that Fit ... and Organize Your Knitting Life at the Same Time In print again, Sweater 101 is called “a Timeless Classic” Cheryl Brunette For Lena and Magdalena, my mother and grandmother, through whose hands a million miles of threads flowed. Table of Contents 1 Introduction .......................................... 13 Knitting in the mid- 20th Century . 13 Knitting Today . 13 Goals of Sweater 101 . 14 Tools that Enhance Sweater 101........................................ 15 Your Knitting Notebook .............................................. 16 2 Basic Sweater Styles . 17 Making Fabric • Tubes vs Flat Pieces.................................... 17 Drop Shoulder . 19 Set-In Sleeve . 20 The Raglan . 21 3 A Couple of Math Skills ............................... 22 Your Calculator Memory.............................................. 22 More-or-Less-Right Formula Explained................................. 24 More-or-Less-Right Formula in a Nutshell . 28 4 Finding Your Gauge . 29 What is Gauge? • The Gauge Swatch ................................... 29 Row Gauge . 32 The Gauge Record Sheet.............................................. 33 5 How to Size a Sweater to Get the Fit You Really Want . 35 Three Sources of Information . 35 Longer or Shorter . 37 The Non-Hourglass Figure . 38 6 How to Take Body Measurements...................... 40 7 How to Assign Pattern Measurements................ 42 8 Filling in a Picture Pattern . .44 Charting a Drop Shoulder Pattern ..................................... 46 A Drop Shoulder Charting Example & Tips ............................ 50 Knitting Shoulders Together.......................................... 51 Charting a Set-In Pattern............................................. 53 Charting a Set-In Sleeve Cap . 56 A Set-In Charting Example & Tips . 59 Charting a Raglan Pattern . 62 A Raglan Charting Example & Tips.................................... 65 9 Beyond the Basics . 68 Playing with the Neckline • Collars • Plackets . 68 The V-Neck . 70 The Square Shawl . -
Fitted & Fabulous Issue Tkga
CAST ONTHE EDUCATIONAL FITTED & JOURNAL FOR KNITTERS WWW.TKGA.COM FABULOUS FEB–APRIL 2015 HAPPY ISSUE ANNIVERSARY STITCHES TKGA MADE SIMPLE 18 KNITS FOR SPRING 2015 MICHELLE TKGA HUNTER Conference SHARES SAN DIEGO HER CALLING! KNITTING HERO ANNIVERSARY CAPE CELEBRATE 30 YEARS IN STYLE! NO. 8 Deutschland 4,90 € · BeNeLux 5,90 € · Italien 5,50 € www.lanagrossa.de Österreich 5,40 € · Schweiz CHF 7.50 AUSGABE 49 Deutschland € 7,- · Österreich € 7,50 · Schweiz CHF 10,- www.lanagrossa.de LOOKBOOK SPRING/SUMMER 2O15 Modern Luxury! Trend-Looks, für jede Gelegenheit! Die Fashionmission 50008 Summer Green-Glamour Die schönsten Looks und Trends. Von puristisch bis glamourös. Von lässig bis elegant. Modern im Design und nachhaltig im Material! Darks 4 191635 304901 Zeitlos. Modern. Edel. Linea Pura, a luxury and pure ber division of Lana Grossa continues to bring us new yarns and beautiful pat- NATURAL SELECTION! terns to complement each ber. Cot- tons, Linens, Wools and more....all pure The Lana Grossa “Filati” book is the luxury bers and “pure-glamour.” knitting fashion journal from one of the oldest and most well established knit- Designs from sweater sets to shells, ting companies in the world. This is the T-shirts, Tops, Cardigans and Accesso- The newest publication from Lana rst book available in U.S.A. in over ries. Fashions for Men and Woman. Grossa is “The Lookbook.” Direct from 3 years. The patterns are all in English the fashion runway showing all of the featuring the most current Lana Grossa Linea Pura Book #8 $15.00 newest garments in the newest collec- yarns for Spring/Summer.