Who Are They?

Total Page:16

File Type:pdf, Size:1020Kb

Who Are They? 8 THE BIGGEST GAME IN TOWN Nevv Student Access Center quickly pick up the next ball waiting in It is like a slow void. It is like a church Is It Solution to Registration Run-around? the tube. Her amplified voice seems reso­ choir halfway through the minister's ser­ nant, deeper than when she talks in con­ mon. The next chapter of the long march out and tiring affairs they now are, a r­ R. , 'l trat, Pro9rO."I versation. She is a pro at running the This is the Ludlow Foundation; The Big J ~TILL Fo""d ~ou. takes you to the Registrar where you pick ra nging financial aid, registering and game. She is young, under 25 years of PASS GO want i '> One: A. Ludlow Kramer, former Secre­ t)e'j ihS- ~ (Em up a transfer card and return to get tile a host of other similar transactions will be age. tary of State of Washington, the head of &0 See CLOSED! signature of your new faculty. That com ­ carried out quickly, in one place. No mat­ The fat woman eats a sandwich which the Hearst 1100d Give-away, and now the (oll~(t~ q I"t:€(uiew pleted, you must now track down your ter who you are, at some point in your fl,ca.ilpW\i C Loot<IN6- is sandwiched in between her cards. Free owner of his private Foundation. -"" i ~ one SKIP A old faculty coordinator (if he / she can be academic career at Evergreen you'll come li "it~ C,.~jt food cannot be served in bingo parlors, so The Foundation receives only what Ad v; '-:CJ r'" ru;t'I. TU'lIJ! found at aI/) , get his/ her signature and re­ into contact with the offices housed in tb e she sack-lunched it today in the city of money is left over after expenses, and ex­ turn to the Registrar with the transfer access center. It's una·Joidable. Lacey. The game is being held in an old penses total 92 % of the money taken in. card grasped tightly in yo'ur sweating A big reaso n behind the drugstore in a small shopping plaza. Right Seventy-seven percent goes back to the hand. Access Center is to eliminate the great next door is the Goodwill store. players; 15 % 'is paid to the employees The Registrar approves the whole mess physical distances between the offices But in the Parlor cigarette smoke and other overhead expenditures. The and gives you a slip of paper acknowledg­ which now exist. Re)l;istrar Walker Allen streaks the ceiling, like spun glass on blue Foundation the,n distributes the remaining ing the transfer which yOI~ take to the speaks of the "seven long distance trips Christmas tree lights. The woman eats 8 % to chosen charities, everything from Cashier. At the Cashier's office you pay on campus" a student must make to reg­ with one hand, her left hand, keeping her earthquake relief to school district relief the bill for the next quarter, and receive a ister. All those trips not only take extra. score with her right hand, waiting for a when levies fail. receipt. unnecessary time but tend to confuse no t Bi ngo. ) Chance and charity. It 's back to the Registrar once again only new students, unfamiliar with Ev er­ "You ought to tr::i playing it," the floor Chance: A Ludlow Kramer himself en­ with the little rt!ceipt trailing not far be­ green, but even students, faculty and staff girl tells me. "Foir cards for a dime, ters unexpectedly. hind. Flashing the receipt, you pull out who have been around for a while. though it really is more interesting with We begin to talk. your 1. D. card which is dutifully vali­ Three remodeling plans proposed by eight. " Have you ever played Bingo? dated, thus ending another segment in the Dean Clabaugh in February were the ta r­ I smile. Do you play Bingo? "No. I try and make it a point never to great "registration game. " get of much criticism by potential Access "No. but the people who do seem to participate in the things that I do. You Evergreen administrators are gambling Center staff members. The plans called enjoy it. " She points at a slender, middle­ run the risk of becoming emotional if you that the new Student Access Center just for remodeling a portion of the Library's aged woman playing eight cards. "She do." may he the solution to this entire mess. first floor into a large bullpen type of­ comes in every Thursday and plays all [s it working 7 Larry Stenberg has been named dean of fice to hold the Center. Critics charged day. You don't see her at any of the other Kramer looks at me. "I don't know. It's the access group and plans are rolling that the plans were too costly (estimated games. working as far as the fact that we're play­ ahead in the hopes of having the center at $50,000) and the design (one large, I smile. Are most of the players regu­ ing Bingo and giving the money to chari­ functioning by next fall. open room filled with 34 desks) wouldn't lars? ties. It's a new concept. I enjoy experi­ The center will have a dramatic effect give them the privacy they needed to op­ "Some," she tells me. "It is pretty ad­ menting with new concepts." on the way students do business with the erate properly. The plans were withdrawn dicting." He smiles and lights another cigarette. college. Instead of being the long, drawn- continued page 6 We smile. I choose not to try my luck. A mid-February visit to "the biggest game in town " - Lud Kramer comes across as feisty and The people, the players, a ll look bored! tile Ludlow Foundation Bingo quarters in .lacey Vil- enthusiastic, and his enthusiasm is con­ This is what I cannot comprehend. Bored ' The Evergreen State College· Olympia,Washington 98505 La tagious. Vacant faces, blank eyes. Even the win­ Is the game growing? discuss possibilities. Her office is in the ners look dead or dying, blank, saying, Kramer smiles. " Every day." by Curt Milton by Craig Sweet four cards cost one dime. Lab building and so you trek across Red "Bingo" in flat voices, holding up the Bingo games grow in two ways; more . You know how it goes, that old familiar rlw ;,hotographer and I enter the build­ The numbers are call ed off from balls Square to talk to her. The advisor sug- THE COOPER POINT story. The quarter is ending and your "'': " h"e rving the people. It is a strange which blow around in something that winning card. The floor girl is by the win­ players playing more cards. Pros can han·· present program just isn 't what you ll1"lu rc nf voung and old, male and fe­ looks like a cafeteria grape drink machine. ner's side, calling out the numbers for dIe 16 cards a shot, amateurs four to Ne\Ns Analysis wanted. You 've got to get out but you r11<ll ,'. A re w heads turn towards us as we One at a time the balls blow up into the confirmation from the caller. Confirmed, eight. O lympia, I am assured, is a city of gests a potenhal program and sends you don 't know what programs are open or , Idnd l1\' Ihe door. The room is half tube, stopping miraculously at the top of she hands the winner a ten dollar bill, and amateurs. to the program 's coord,'lator to check it which one it would be best to get into. l'm r l \· . the tube. The call'er readIes for and grabs a new game begins. The photographer and I leave the par­ out. Where to begin ? I ex pec led mo re elderly people. It is sur­ the ball, reading out the number, B - 59. The pace seems absurdly slow. I don't lor. The players won't leave until the last Tile faculty coo rdinator welcomes you understand it. Each game takes just three game is won. The first step , us ualiy , is to contact the r-r" lIi~ t" see the young, mod couple with She then displays the nUll}ber to the play­ with open arms and urges you to com­ URNAL academic advis or and arrange a visit to Ih(>11 canh spread before them. There are ers with a semicircular movement of her minutes to play, on the average. Each Outside the building two kids on tip­ plete th e transfer as soon as possible. round of a championship fight lasts only Volume IV Number 24 April 8, 1976 :nll r ~ men tha n ex pected as well. but they a rm, repeating the number out loud into a toes try to see the action over the brown three minutes, and time just flies! Even Me iii the minority . microphone. No one on the floor seems to butcher paper with the letters BINGO ! r , Th(' people sit ~ t long tables, their cards care. n(' one looks up to see if it really is commercials on the tube go by faster than THE BIG ONE! painted on. I am tempted The Board of Trustees !'l'i ,'rl Ihem like placemats . Money is B - 50. a bingo game. to join them, but the photographer is Micheletti I' til'ci beside some of the ca rds. within T he ba ll is pl aced down on a racK until And it isn't suspense.
Recommended publications
  • 178D5.226 Babes in Arms, Cops, Laughing Gravy, Tit for Tat, Flying Deauces 350 Feet 8Mm Silent, B&W and Colour
    178D5.226 Babes in Arms, Cops, Laughing Gravy, Tit for Tat, Flying Deauces 350 feet 8mm Silent, b&w and colour. Extracts from commercial films starring Shirley Temple in Babes in Arms, Buster Keaton in Cops, Laurel and Hardy and Charley Hall in Doggy Daze extract from Laughing Gravy, opening title for Tit for Tat, Laurel and Hardy and Chaley Hall in hose race finale from Flying Deauces also animals on parade and animals from London and Whidsnape Zoos including seals, rhino, deer and birds Supplied by C. W. Cramp Noel Drewe, Circusama Yesterdays Circus Today Noel Drewe Collection 178D5.227 Ice Tricks, Hopeless Help Mates, Stagecoach, You’ll Be Surprised, Range Buster 8mm, Emi Tape Silent, b&w. Extracts from commercial films Ice Tricks (Pathetoscope release) Harrison Marks comedy Hopeless Help Mates, John Wayne in Stagecoach, Snooky the Monkey and Ready to Serve extracts from You’ll Be Surprised, a Chester comedy (once available from Kodascope), the last hold up from Range Busters starring Ray ‘Crash’ Corrigan, John King and Max ‘Alibi’ Terhune Noel Drewe, Circusama Yesterdays Circus Today Noel Drewe Collection 178D5.228 Rare Circus Shorts 1926 9.5mm, Pathescope Silent, b&w. Performing dogs, 30 feet first film released in 1926 by Pathescope Ltd, Toto Acrobat 30 feet cartoon with notched titles, Lions in Freedom 30 feet France not listed in catalogues, Elephant Bath 30 feet, elephants in India 1926, Trained Elephants 30 feet U.S.A.?, At Home with Lions 60 feet, Charles Gays U.S.A. U.S.A, India Noel Drewe, Circusama Yesterdays Circus Today Noel Drewe Collection 178D5.229 2 reels Reel 1: Wild Animals of South Africa, Dizzy Decorators, Sugar Daddies, The Blacksmith, Palace of Turkish Delights 400 feet 8mm, Photax Silent, b&w and colour.
    [Show full text]
  • RELACIONES ENTRE ARTE Y ROCK. APECTOS RELEVANTES DE LA CULTURA ROCK CON INCIDENCIA EN LO VISUAL. De La Psicodelia Al Genoveva Li
    RELACIONES ENTRE ARTE Y ROCK. APECTOS RELEVANTES DE LA CULTURA ROCK CON INCIDENCIA EN LO VISUAL. De la Psicodelia al Punk en el contexto anglosajón, 1965-1979 TESIS DOCTORAL Directores: Genoveva Linaza Vivanco Santiago Javier Ortega Mediavilla Doctorando Javier Fernández Páiz (c)2017 JAVIER FERNANDEZ PAIZ Relaciones entre arte y rock. Aspectos relevantes de la cultura rock con incidencia en lo visual. De la Psicodelia al Punk en el contexto anglosajón, 1965 - 1979 INDICE 1- INTRODUCCIÓN 1-1 Motivaciones y experiencia personal previa Pág. 5 1-2 Objetivos Pág. 6 1-3 Contenidos Pág. 8 2- CARACTERÍSTICAS ESTILÍSTICAS, TENDENCIAS Y BANDAS FUNDAMENTALES 2-1 ORÍGENES DEL ROCK 2-1-1 Características fundaMentales del rock priMitivo Pág. 11 2-1-2 La iMagen del rock priMitivo Pág. 15 2-1-2-1 El priMer look del Rock 2-1-2-2 El caudal de iMágenes del priMer Rock y el color 2-1-3 PriMeros iconos del Rock Pág. 17 2-2 BRITISH INVASION Pág. 22 2-3 MODS 2-3-1 Características principales Pág. 26 2-3-2 El carácter visual de la cultura Mod Pág. 29 2-4 PSICODELIA Y HIPPISMO 2-4-1 Características principales Pág. 32 2-4-2 El carácter visual de la Psicodelia y el Arte Psicodélico Pág. 42 2-5 GLAM 2-5-1 Características principales Pág. 55 2-5-2 El carácter visual del GlaM Pág. 59 2-6 ROCK PROGRESIVO 2-6-1 Características principales Pág. 65 2-6-2 El carácter visual del Rock Progresivo Pág. 66 2-7 PUNK 2-7-1Características principales Pág.
    [Show full text]
  • Compositions-By-Frank-Zappa.Pdf
    Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish).
    [Show full text]
  • The Real Frank Zappa Book Contents
    The Real Frank Zappa Book by Frank Zappa with Peter Occhiogrosso eVersion 3.0 - click for copyright info and scan notes THIS BOOK IS DEDICATED TO GAIL, THE KIDS, STEPHEN HAWKING AND KO-KO. F.Z. August 23, 1988 06:39:37 Contents INTRODUCTION -- Book? What Book? 1 How Weird Am I, Anyway? 2 There Goes the Neighborhood 3 An Alternative to College 4 Are We Having a Good Time Yet? 5 The Log Cabin 6 Send In the Clowns 7 Drool, Britannia 8 All About Music 9 A Chapter for My Dad 10 The One You've Been Waiting For 11 Sticks & Stones 12 America Drinks and Goes Marching 13 All About Schmucks 14 Marriage (as a Dada Concept) 15 "Porn Wars" 16 Church and State 17 Practical Conservatism 18 Failure 19 The Last Word Introduction Book? What Book? I don't want to write a book, but I'm going to do it anyway, because Peter Occhiogrosso is going to help me. He is a writer. He likes books -- he even reads them. I think it is good that books still exist, but they make me sleepy. The way we're going to do it is, Peter will come to California and spend a few weeks recording answers to 'fascinating questions,' then the tapes will be transcribed. Peter will edit them, put them on floppy discs, send them back to me, I will edit them again, and that result will be sent to Ann Patty at Poseidon Press, and she will make it come out to be 'A BOOK.' One of the reasons for doing this is the proliferation of stupid books (in several languages) which purport to be About Me .
    [Show full text]
  • Frank Zappa, Captain Beefheart and the Secret History of Maximalism
    Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville is a writer and musician living in Liège, Belgium. He is the author of several books including J.G. Ballard and The American Prose Poem, which won the 1998 SAMLA Studies Book Award. He teaches English and American literatures, as well as comparative literatures, at the University of Liège, where he directs the Interdisciplinary Center for Applied Poetics. He has been playing and composing music since the mid-eighties. His most recently formed rock-jazz band, the Wrong Object, plays the music of Frank Zappa and a few tunes of their own (http://www.wrongobject.be.tf). Andrew Norris is a writer and musician resident in Brussels. He has worked with a number of groups as vocalist and guitarist and has a special weakness for the interface between avant garde poetry and the blues. He teaches English and translation studies in Brussels and is currently writing a book on post-epiphanic style in James Joyce. Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville and Andrew Norris Cambridge published by salt publishing PO Box 937, Great Wilbraham PDO, Cambridge cb1 5jx United Kingdom All rights reserved © Michel Delville and Andrew Norris, 2005 The right of Michel Delville and Andrew Norris to be identified as the authors of this work has been asserted by them in accordance with Section 77 of the Copyright, Designs and Patents Act 1988. This book is in copyright. Subject to statutory exception and to provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Salt Publishing.
    [Show full text]
  • Best Picture of the Yeari Best. Rice of the Ear
    SUMMER 1984 SUP~LEMENT I WORLD'S GREATEST SELECTION OF THINGS TO SHOW Best picture of the yeari Best. rice of the ear. TERMS OF ENDEARMENT (1983) SHIRLEY MacLAINE, DEBRA WINGER Story of a mother and daughter and their evolving relationship. Winner of 5 Academy Awards! 30B-837650-Beta 30H-837650-VHS .............. $39.95 JUNE CATALOG SPECIAL! Buy any 3 videocassette non-sale titles on the same order with "Terms" and pay ONLY $30 for "Terms". Limit 1 per family. OFFER EXPIRES JUNE 30, 1984. Blackhawk&;, SUMMER 1984 Vol. 374 © 1984 Blackhawk Films, Inc., One Old Eagle Brewery, Davenport, Iowa 52802 Regular Prices good thru June 30, 1984 VIDEOCASSETTE Kew ReleMe WORLDS GREATEST SHE Cl ION Of THINGS TO SHOW TUMBLEWEEDS ( 1925) WILLIAMS. HART William S. Hart came to the movies in 1914 from a long line of theatrical ex­ perience, mostly Shakespearean and while to many he is the strong, silent Western hero of film he is also the peer of John Ford as a major force in shaping and developing this genre we enjoy, the Western. In 1889 in what is to become Oklahoma Territory the Cherokee Strip is just a graz­ ing area owned by Indians and worked day and night be the itinerant cowboys called 'tumbleweeds'. Alas, it is the end of the old West as the homesteaders are moving in . Hart becomes involved with a homesteader's daughter and her evil brother who has a scheme to jump the line as "sooners". The scenes of the gigantic land rush is one of the most noted action sequences in film history.
    [Show full text]
  • Psicodelia-1.Pdf
    CÍRCULO DE BELLAS ARTES EXPOSICIÓN presidente comisario Juan Miguel Hernández León Zdenek Primus director área de Artes Plásticas del CBA Juan Barja Laura Manzano subdirectora coordinación Lidija Šircelj Virginia Gómez directora de proyectos y relaciones externas producción gráfica Pilar García Velasco SAR directora de programación montaje Laura Manzano Méndez Área de Mantenimiento del CBA directora de publicaciones seguro Carolina del Olmo Vadok Arte directora económico-financiera transporte Isabel Pozo Dobel Art CATÁLOGO CENTRO CHECO área de edición del CBA director Carolina del Olmo Stanislav Škoda Elena Iglesias Serna Hara Hernández subdirectora Iveta Gonzalezová proyecto gráfico y diseño de cubierta Estudio Joaquín Gallego impresión Brizzolis, arte en gráficas © Círculo de Bellas Artes, 2018 Alcalá, 42. 28014 Madrid www.circulobellasartes.com © de los textos: sus autores © de las fotografías y digitalización: Hana Hamplová y Marcel Rozhon Zdenek Primus, comisario de la exposición, quiere agradecer de corazón a todos aquellos que le han ayudado: Jaroslav Bezdeˇ k, Jaroslav Fajgl, Jaroslav Foršt, Karel Habal, Pavel Jasanský, Eric King, Ivo Marek, Ray Mortenson, Aleš Novák, Jaroslav Novotný, Jan Oravec, Jan Placák, Václav Prošek, Pavel Rajcˇ an, Jirˇ í Rybárˇ , Tomáš Sanetrník, Ota Semotán, Jaroslav Šteˇ drý, Pavel Váneˇ , David Webr y Vladimír Zelenka. También a la Biblioteca Nacional de la República Checa y, por supuesto, al PopMuseum de Praga, en concreto, a Radek Diestler. ISBN: 978-84-947752-8-4 Depósito Legal: M-31906-2018 [COLECCIÓN DE ZDENEK PRIMUS] Si pensamos en contracultura juvenil, las primeras imágenes que se nos vienen a la mente seguramente incluyen grupos de jóvenes melenudos, marihuana, LSD y música, mucha música.
    [Show full text]
  • Noel Drewe Collection Film 178D5
    Noel Drewe Collection Film 178D5 178D5.1 Outlook Very Black 9.5mm, Safety Film, Pathescope Noel Drewe Brittle Noel Drewe Collection 178D5.2 Monkeyland 9.5mm Noel Drewe Brittle, perforation damage Noel Drewe Collection 178D5.3 Fun at the Circus 9.5mm, Pathescope Noel Drewe , Circusama, Yesterday Circus Today Circus Noel Drewe Collection 178D5.4 At the Circus 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus 2 Reels. Sound. Featuring "Circus Karo". Includes trapeze, whip act and 'sea lions'. Original sound commentary by Geoffrey Sumner. Supplied by C. W. Cramp Noel Drewe Collection 178D5.5 A Man-Sized Pet 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Supplied by C. W. Cramp Noel Drewe Collection 178D5.6 A Fresh Start 300 feet 12 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Brittle, box rust transfer Adams, Jimmy Noel Drewe Collection 178D5.7 Circus at the Zoo 300 feet 12 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Brittle Circus USA Silent. Includes chimps Noel Drewe Collection 178D5.8 Circus Comes to Town 400 feet Harris, Ron 16 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus Silent. Features Belle Vue circus On box ‘This film purchased from Ilkeston Cine Service Supplied by C. W. Cramp Noel Drewe Collection 178D5.9 Circus Stedman of Leeds Holdings of Blackburn Ltd Cine and photographic Suppliers 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus Bertram Mills Silent. Includes King George VI and Queen Elizabeth’s coronation, so the circus must be 1936/37.
    [Show full text]
  • Frank Zappa's Legacy: Just Another Hoover? L’Héritage De Frank Zappa : Juste Un Autre « Hoover »? Ben Watson
    Document généré le 26 sept. 2021 16:13 Circuit Musiques contemporaines Frank Zappa's Legacy: Just Another Hoover? L’héritage de Frank Zappa : juste un autre « Hoover »? Ben Watson Frank Zappa : 10 ans après Résumé de l'article Volume 14, numéro 3, 2004 Dans ce texte, Ben Watson révèle un fait en apparence anodin : lorsque Zappa référait à son « oeuvre », vers la fin de sa vie, en utilisant le mot français, il le URI : https://id.erudit.org/iderudit/902325ar prononçait comme le mot anglais Hoover, qui est le nom de l’une des marques DOI : https://doi.org/10.7202/902325ar d’aspirateurs les plus connues dans le monde. Watson choisit, en utilisant un procédé parfaitement en phase avec le dédain dadaïste que Zappa affichait Aller au sommaire du numéro pour les valeurs culturelles, de transformer cette homophonie en prémisse à son essai : l’oeuvre de Zappa est, en effet, un « Hoover ». La critique académique s’entend aujourd’hui pour faire l’éloge de Zappa en tant que compositeur, mais en laissant de côté l’angle critique de son travail. En fait, ce Éditeur(s) qui rendait Zappa particulier, c’était précisément le fait qu’il reconnaissait que Les Presses de l'Université de Montréal la mise en marché et l’industrie du legs, appliquées au concept de génie, répriment le désire et annihilent la musique. En utilisant des concepts littéraires et psychoanalytiques, l’algèbre zappologique de Watson arrive à ISSN l’équation suivante : Stéphane Mallarmé + Wilhelm Reich = Frank Zappa. Après 1183-1693 (imprimé) une étude approfondie de la récurrence du motif « Hoover » dans l’oeuvre de 1488-9692 (numérique) Zappa, l’auteur examine l’héritage du compositeur, qu’il remarque particulièrement dans le travail de Project/Object, des Muffin Men, de Matt Découvrir la revue Groening avec la série télévisée The Simpsons et du trio formé des improvisateurs Eugene Chadbourne, Jimmy Carl Black et Pat Thomas.
    [Show full text]
  • Frank Zappa and Mikhail Bakhtin: Rabelais's Carnival Made Contemporary
    California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2008 Frank Zappa and Mikhail Bakhtin: Rabelais's carnival made contemporary Sarah Hill Antinora Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Music Commons Recommended Citation Antinora, Sarah Hill, "Frank Zappa and Mikhail Bakhtin: Rabelais's carnival made contemporary" (2008). Theses Digitization Project. 141. https://scholarworks.lib.csusb.edu/etd-project/141 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. FRANK ZAPPA AND MIKHAIL BAKHTIN: RABELAIS'S CARNIVAL MADE CONTEMPORARY A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition by Sarah Hill Antinora June 2008 FRANK ZAPPA AND MIKHAIL BAKHTIN: RABELAIS'S CARNIVAL MADE CONTEMPORARY A Thesis Presented to the .Faculty of California State University, San Bernardino by Sarah Hill Antinora June 2008 Approved by: Jacqued-lne Rhodes, Chaif/^English Date Bruce Golden David Carlson ABSTRACT Lustful fornication. Scatology. Gluttony. Defecation. These are just a few of the carnivalesque topoi used by satiric writers to challenge hierarchy. Mikhail Bakhtin bases his theory of carnival on the religious and agricultural festivals of the late Middle Ages, which playfully elevated the baseness of society. Bakhtin argues for the celebration of the lower body as a symbolic overturning of hierarchies as an essential release for society.
    [Show full text]
  • The Rondo Hatton Report Vol Xii
    THE RONDO HATTON REPORT VOL XII SEPTEMBER 21, 2012 IN THIS ISSUE This our twelfth issue now makes up a round dozen, marking a cycle of three years since our organ first exposed itself to the world. Not bad, not bad , though we do say so ourselves. Whether lurker, shirker or smirker , we hope y'all have enjoyed the show. This edition continues to bring you poetry and polemic from the usual suspects and more, ranging from a heartfelt plea for digital insertionism to another fine opportunity to ruin your life , dispensing essential insights into the counting of tuplets along the way. And lest ye forget: this is an open trans-continental platform for the riding of hobby horses , mechanical or otherwise. Bring yours to the races, why don'chya ? CONTENTS 1. LINGUA FRANKA PART VIII / Arjun von CAEMMERER 2. THE POVERTY OF COMPLETISM / Mimi GABIN-KHAN 3. WATERMELON IN EASTER HEY / Madge IMMANEY 4. ZAPPA SURVIVOR / Scott SCHROEN 5. WHEN COMPOSERS DECOMPOSE / Larry TESHMOW 6. ZAPPA: HEGEL, OR, NOT AGAIN (AGAIN) / Ben WATSON 1 1. LINGUA FRANKA PART VIII: An Office With A Foyer Arjun von Caemmerer Elvis may have left the building but it is Frank Zappa who has infiltrated the establishment. From each sidewall of my consulting room, off-centre and central, Zappa looks in, witness to the vagaries of each doctor-patient interaction. What’s a man like him doing in a place like this? Nothing. And everything: It is far more important to know what person the disease has than what disease the person has.
    [Show full text]
  • Alphabetical Listing of All 106 Laurel & Hardy Films
    Alphabetical listing of all 106 Laurel & Hardy films Air Raid Wardens Leave ʻEm Laughing Angora Love Liberty Another Fine Mess Live Ghost, the Any Old Port Love ʻEm and Weep Atoll K Lucky Dog, the Babes in Toyland Me and My Pal Bacon Grabbers Men OʼWar Battle of the Century, the Midnight Patrol, the Be Big Music Box, the Beau Hunks Night Owls Below Zero Nothing But Trouble Berth Marks Now Iʼll Tell One Big Business Oliver the Eighth Big Noise, the On the Loose Block-Heads On the Wrong Trek Blotto One Good Turn Bohemian Girl, the Our Relations Bonnie Scotland Our Wife Brats Pack Up Your Troubles Bullfighters, the Pardon Us Busy Bodies Perfect Day Call of the Cuckoos Pick a Star Chickens Come Home Putting Pants on Philip Chimp, the Rogue Song, the Chump at Oxford, a Sailorʼs Beware Come Clean Saps at Sea County Hospital Scram! Dancing Masters, the Second Hundred Years, the Devilʼs Brother, the Should Married Men Go Home? Dirty Work Slipping Wives Do Detectives Think? Sons of the Desert Double Whoopee Stolen Jools, the Duck Soup Sugar Daddies Early to Bed Swiss Miss Finishing Touch, the Thatʼs My Wife Fixer-Uppers, the Their First Mistake Flying Deuces, the Their Purple Moment Flying Elephants Them Thar Hills 45 Minutes From Hollywood They Go Boom From Soup to Nuts Thicker Than Water Going Bye-Bye! Tit For Tat Great Guns Towed in a Hole Habeas Corpus Tree in a Test Tube, the Hats Off Twice Two Haunting We Will Go, a Two Tars Helpmates Unaccustomed As We Are Hog Wild Way Out West Hollywood Party We Faw Down Hollywood Revue of 1929, the Why Girls Love Sailors Hoose-Gow, the Wild Poses Jitterbugs With Love and Hisses Laughing Gravy Wrong Again Laurel-Hardy Murder Case, the Youʼre Darn Tootinʼ http://www.wayoutwest.org/films/.
    [Show full text]