THE ART of ARCHITECTURE: Hand Drawing and Design University of Notre Dame Sept

Total Page:16

File Type:pdf, Size:1020Kb

THE ART of ARCHITECTURE: Hand Drawing and Design University of Notre Dame Sept THE ART OF ARCHITECTURE: Hand drawing and design University of notre dame Sept. 29 – Oct. 1, 2016 CONFERENCE SPEAKERS KEYNOTES Nicholas Carr "Underestimating the Human: The Limits of Automation" Thursday, 6:00 p.m. – 7:30 p.m. Author of The Shallows: What the Internet is Doing to Our Brains Graham Wyatt "Architectural Models: Three-Dimensional Sketches" Friday, 10:45 a.m. – 12:00 p.m. Robert A.M. Stern Architects, LLP Joseph Connors "Borromini and the Graphite Revolution in Early Modern Architectural Drawing" Friday, 5:00 p.m. – 6:30 p.m. Dept. of History of Art and Architecture, Harvard University Author of Borromini and the Roman Oratory PANEL DISCUSSION Thursday, 4:30 p.m. – 5:30 p.m. Christian Sottile, Michael Lykoudis, Judy DiMaio, David Mohney SESSION 1 Friday, 9:00 a.m. – 10:15 a.m. Janet Parks "The Forensics of Drawings: Reflections on American Architectural Drawings" Curator of Drawings and Archives, Columbia University Jeffrey Cohen "Tides of Graphic Intention: Resonant Shifts Among 19th Century Architectural Drawings" Dept. of Growth and Structure of Cities, Bryn Mawr College Jhennifer A. Amundson "Hand Drawing and the Genesis of the Architecture Profession in the United States” Judson University Ralph Muldrow "Drawing Charleston: From Thomas U. Walter to Albert Simons" College of Charleston Mike Ramirez "Evoking Antiquity: Nicholas Hawksmoor's Drawings and His Design Process for the London Churches" Mark O'Bryan "Teaching Architectural Orders of Construction: Aligning Hand Drawing Mastery with Thinking and Seeing" College of Design, University of Kentucky Llewellyn Seibold, Ariel Solis "Design Education with BIM: Its Prospect and Problems When Compared with Traditional Drawing Techniques" School of Architecture, Andrews University George Martin "Lessons from Carthage" College of Architecture, Art and Design, Mississippi State University David Fox "Critical Vision: How Freehand Drawing Shapes Beginning Design" College of Architecture and Design, U. of Tennessee Carl Smith (Noah Billig, Kimball Erdman) “Shaking Hands with the Landscape: Drawing and Perceptualist Endeavor in a Landscape Architecture Studio Curriculum" School of Architecture and Design, University of Arkansas Margaret McManus "On In-Line Chats: The Art of Conversation through Sketching" School of Architecture, Marywood University Joseph Zvejnieks "Bridging the Divide: Utilizing Digital Software to Produce Hand Drawn Renderings" Renderer, Ferguson & Shamamian Architects, LLP Eric Osth, David Csont "Drawing as an integral part of an international practice" Urban Design Associates Richard Cameron "Refining Architecture: The Use of Rendering in the Design Work of Atelier & Co" Atelier & Co. Richard Economakis "On Site Drawing as Corrective Measure" School of Architecture, University of Notre Dame John Cluver "The Art and Craft of Hand Drawing in Historic Preservation" Voith & Mactavish Architects LLP Marianne Cusato "Drawing with Efficiency: Making Sure the Medium Does Not Become a Stakeholder in the Design" School of Architecture, University of Notre Dame Stephen Chrisman "The Importance of Hand Drawing in Modern Practice: The Work of Ferguson and Shamamian Architects" Ferguson & Shamamian Architects, LLP Thomas D. Stroka "Disegno Oggigiorno: Hand Drawing in Architectural Practice Today" Duncan G. Stroik Architect, LLC Thomas Rajkovich "Pentimenti: On the Path to the Realization of the Idea(l)" Thomas Norman Rajkovich Architect, LTD SESSION 2 Friday, 1:30 p.m. – 2:45 p.m. Alessandro Pierattini "Ancient Greek Architecture: Design Without Drawing?" School of Architecture, University of Notre Dame Bernd Kulawik "The Role of Hand Drawings in Studies of Ancient Architecture" ETH Zurich Lane M. Duncan "The Fourth Moon of Jupiter: Raphael Sanzio" School of Architecture, Georgia Tech Aaron Helfand "Eclecticism and Caricature in the Architecture of Edmund March Wheelwright" Albert, Richter & Tittmann Architects, Inc. Rocco Ceo "FSD: A Brief History of the Full Size Detail/Full Size Drawing, and its Role in the Construction of Vizcaya from 1913-1921" School of Architecture, University of Miami Volker M. Welter "Designing by Drawing: The Von Romberg House in Montecito, California" Dept. of History of Art and Architecture, Univeristy of California Santa Barbara Jose Lorenzo-Torres "Hand Drawings as Ways of Seeing Architectural Space" Polytechnic University of Puerto Rico Eamonn Canniffe "Drawing as an Exploration of Urban Space" School of Architecture, Manchester Metropolitan University Eric Jenkins "Designing Learning Experiences: From Experience to Design and Back Again" School of Architecture, Catholic University of America Brian Kelly "Drawn References: An Agenda for Observation, Documentation, Analysis, and Representation in Support of Architectural Field Studies" Director, Architecture Program, University of Maryland George Knight "Manual Drawing in Yale's Curriculum" Knight Architecture LLC Christine Franck "The Necessity for Drawing in the Education of the Architect" Center for Advanced Research in Traditional Architecture, College of Architecture and Planning, University of Colorado Denver Mark Alan Hewitt "Draw in Order to See: Internal and External Memory Loops in Architectural Cognition" Mark Alan Hewitt Architects Kendra Schank Smith "Understanding Architecture through Drawings" Dept. of Architectural Science, Ryerson University Margaret Tarampi "Cognitive Processes that Differentiate Computer and Hand Drawing" Center for Spatial Studies, UC Santa Barbara James Dougherty "The Role of Hand-Drawn 'Indication' in the Design of Urban Buildings” Dover, Kohl & Partners Kalinda Gathinji "The Role of Perspective in Architecture" MV+A Mushinsky Voelzke Associates Henrique Houayek "Born to See, My Task is to Draw: Cultivating Architectural Intelligence Through Observation and Hand Drawing" Clemson University John Haigh "An Architect Responds to Whether the Practice Creates a Distinction between the Artist and the Technician" Benedictine College Richard Sammons “The Art of the Working Drawing” Fairfax & Sammons Architects Lio Casas “Hand Drawing, Design, and the Art of the Architectural Conversation” Braulio Casas Architects P.A. SESSION 3 Friday, 3:15 p.m. – 4:45 p.m. Leland Roth "Building the Neural Pathways for Architecture: A Short History of Hand Drawing" University of Oregon Phil Jacks "Renaissance Architects and the Ruins of Rome: The Drawing as Palimpsest" George Washington University William Heyer "Form Follows Hand Drawing: How Modernism was Born of Hand Drawing and How Modernist Hand Drawing Techniques Can Lead to a Fuller Understanding of Architecture" William Heyer Architect Alvin Holm "How Drawing is Taught: Two Schools of Thought" Alvin Holm A.I.A. Architects David Rinehart "Student Work at Yale: 1980s to Today" Robert A. M. Stern Architects LLP Doug Cooper "Imagination's Hand" School of Architecture, Carnegie Mellon University James McElhinney "Hand Drawing as Moral Force and Design Authority" Art Students League Mario Cortes "Knowledge of Acquaintance: Knowledge Through Hand Drawing" College of Architecture and Urban Studies, Virginia Tech R. Michael Graham, Phillip J. Liederbach "Hand Drawing at Liederbach and Graham" Liederbach & Graham Architects Kahlil Hamady "The Craft, Artistry, and Practicality of Architectural Hand Drawing" Hamady Architects Sean Tobin "The Craft of Architectural Drawings" Tobin Studio PLLC Teofilo Victoria "Hand Drawing as an Introduction to Architecture" School of Architecture, University of Miami Torti Gallas & Partners Jose Cornélio da Silva "The Architect as an Artist: Catching the Butterfly" School of Architecture, University of Notre Dame Anthony Visco "The Relationship between the Human Body and Architecture" Atelier for the Sacred Arts Tom Lowing "Hand Drawing Prevails in Professional Practice" School of Architecture, Andrews University Robert Gordon "The Freehand Sketchbook" Robert Gordon Associates James Douglas "The Drawing Discipline: Earning our Inheritance" RLPS Architects Alexander Fernandez "Seeing through the Hand - Drawing in Contemporary Practice" Principal and Design Director, Gensler Marlon Blackwell, David Buege "Abstract, Haptic, Optic, and Conceptual" Marlin Blackwell Architects SESSION 4 Saturday, 9:00 a.m. – 10:15 a.m. Thi Phuong-Tram Nguyen "Anamorphosis: From Drawing toward the Emergence of Space" Bartlett School of Architecture, Ph.D. cand., University College London Jesús Escobar "Drawing against the Baroque: Architectural Taste and the Royal Academy of Fine Arts in Madrid" Vittorio De Battisti Besi "Villa della Torre in Fumane: the Role of Sketching in Cartography" Università IUAV di Venezia Patricia Morgado “Teaching Freehand Perspective as a Generative Tool" College of Design, North Carolina State University Nick De Pace "A Slow Game: Projection Drawing and its Infinite Permutations" Division of Architecture + Design, Rhode Island School of Design Jaak Jurisson "Visionary Explorations in Hybrid Space - Speculative Hand Drawing and Digital Visualization" School of the Art, Institute of Chicago Craig Konyk, David Mohney "A New School with a New Agenda: The School of Public Architecture in the Michael Graves College at Kean University" Michael Graves College, Kean University Michael Mesko “Veloce: Teaching Distilled Content Quickly” Institute of Classical Architecture & Art Alan DeFrees "Online Instruction for Traditional Perspectives and Shadow Casting" School of Architecture, University of Notre Dame Victor Agran "Radical Architecture and the Generative Power of Drawing" School of
Recommended publications
  • Charleston County South Carolina PHOTOGRAPHS WRITTEN
    Snee l"a.rm Ncar 'liOW1t Pleasant HiiBS !l0. Se-87 Charleston County South Carolina \"~ /\ E; ~;: L ., ..... ~',.-. • i 0' . ['i.>l(>. Ii ,\ PHOTOGRAPHS WRITTEN HISTORIC AND DESCRIPTIVE DATA • District of South Carolina Historic American Buildings Survey Prepared at Washington Office for Southeast Unit HJ..Bf No .. S::;EF~ FARi,,; Ner<.r :,~ount Pleasant, Chp<rlestC!l County I South Ca.rolina Ouic or ercctlon: c. 1750 Present co'~dition: Excellent frDJ:O construction; rectanc),lo..r plan; marble mantel, Adam de- sign .. A,lditc.onal data, One-ti:r.e horne of Colone 1 Charles Pinckney. ,'!as in Pinckney fami ly for sevent:! years • Othe~ e~~stinG !,ccords: .~ •• Cr,.arleston l:useu.T.1 Prepared by Junior Architect James L .. Burnett, Jr .. , " Approved :' Ii \,}.. J 4/! -;c. " Addendum To: SNEE FARM HABS NO. SC-87 1240 Long Point Road • Charleston Coun~y South Carolina PHOTOGRAPHS AND WRITTEN HISTORICAL AND DESCRIPTIVE DATA • REDUCED COPIES OF IfEASURED DRAHINGS • Historic American Buildings Survey National Park Service Department of the Interior • Washington, D.C. 20013-7127 ~A6S 5(. , \O-(i\ouf)v HISTORIC AMERICAN BUILDINGS SURVEY j ~) - SNEE FARM • HABS NO. SC-87 Location: 1240 Long Point Road, Mt. Pleasant, Charleston County, South Carolina 4.6 miles NE of Mt. Pleasant on US Hwy 17; turn left on County Road 97 (Long Point Road); continue 0.7 mile and turn left on dirt road; house is 0.1 mile down dirt road on left. UTM: 17.609960.3634640 Present Owner: National Park Service Present Use: Vacant Significance: The Charles Pinckney Historic Site, known traditionally as "Snee Farm," is the ancestral country seat of Charles pinckney III, the American patriot and statesman.
    [Show full text]
  • Historic Building Survey of Upper King, Upper Meeting Street and Intersecting Side Streets Charleston, South Carolina
    ______________________________________________________________________________ HISTORIC BUILDING SURVEY OF UPPER KING, UPPER MEETING STREET AND INTERSECTING SIDE STREETS CHARLESTON, SOUTH CAROLINA Figure 1. Bird’s Eye of Upper King and Meeting Streets Prepared by: HPCP 290 Maymester 2009 The College of Charleston Charleston, South Carolina 29401 MAY 2009 ______________________________________________________________________________ ACKNOWLEDGMENTS Six students at the College of Charleston Historic Preservation & Community Planning Program put the following historic building survey and report for Upper King and Meeting Streets as part of a class project in May 2009 for the City of Charleston Department of Planning, Preservation & Economic Innovation. The main points of contact were Debbi Hopkins, Senior Preservation Planner for the City of Charleston and Dr. Barry Stiefel, Visiting Assistant Professor for the College of Charleston and Clemson University. Dr. Stiefel served as the Project Manager for the historic building survey and was assisted by Meagan Baco, MSHP, from the joint College of Charleston-Clemson University Graduate Historic Preservation Program, who served as Graduate Student Instructor and Principle Investigator. Ms. Baco’s Master’s Thesis, One-way to Two-way Street Conversions as a Preservation and Downtown Revitalization Tool: The Case Study of Upper King Street, Charleston, South Carolina, focused on the revitalization of the Upper King Street area. However, this survey project and report would not have been possible
    [Show full text]
  • Architecture
    April Press 15 Final Cranial_Layout 1 3/8/15 12:58 PM Page 16 architecture A new book by Chatham and New York City architect George Ranalli Below: Ranalli’s book complete with clamshell shows award-winning examples of buildings and industrial products case in a vibrant red – whose design vocabulary has roots in a longer craft tradition in design has the gravitas of treasured bible. and architecture. Ace Frehley, of the rock group Kiss, wanted a house in the Connecticut countryside that expressed his need for a dwelling that would provide some respite from waking up to find fans pressing their In Situ noses against his windows. By Rich Kraham In a new, lavishly illustrated book entitled In Situ , architect George K-Loft in Chelsea, Ranalli, who owns a home on Hudson Avenue in Chatham, sums New York City. up his theoretical positions on architectural projects that he has Living room, din - ing room and been involved in here, in New York City, and around the world. kitchen as seen These include large urban projects, additions, renovations to from the entry to major landmark buildings, interiors, new constructions and the master bed - houses in the landscape. Ranalli explains that the title of his book room is from the Latin meaning “in place,” and he stresses that buildings become iconic, not because some “starchitect” has created a stunning form plopped down on a site, but because the building fits and “responds lovingly to the specificities of place.” Apparently, a host of architectural critics feel the same way. Former New York Times critic Paul Goldberger, in discussing a Ranalli project in Rhode Island to convert a school into condos, wrote: “For all its modernity, this project is an architectural experience worthy of Ranalli designs tables and other Newport, and it connects us again to the architectural traditions furniture to go of this unusual city.” Ada Louise Huxtable, an architectural critic along with his with the Wall Street Journal, wrote that Ranalli’s Saratoga Avenue interior designs.
    [Show full text]
  • ANTHONY VIDLER CURRICULUM VITAE BA Architecture and Fine Arts, Hons.; Dipl
    1 ANTHONY VIDLER CURRICULUM VITAE BA Architecture and Fine Arts, Hons.; Dipl. Arch., Cantab.; PhD. TU Delft. Professor, The Irwin S. Chanin School of Architecture, The Cooper Union for the Advancement of Science and Art, New York Fellow of the American Academy of Arts and Sciences. Citizenship: British. Permanent Resident, USA ACADEMIC POSITIONS 2001-present Professor, Irwin S. Chanin School of Architecture, The Cooper Union, NY. 2014-2018 Vincent Scully Visiting Professor of Architectural History, Yale University School of Architecture (Spring Semester). 2013 (Spring) Institute for Advanced Study, Princeton: Member, School of Historical Studies, 2013 -2014 Brown University: Visiting Professor of Humanities and Art History, 1998-2001: University of California Los Angeles: Professor of Art History and Architecture. 1982-1993: Princeton University: Professor of Architecture, William R. Kenan, Jr. Chair. 1972-1982: Princeton University: Associate Professor of Architecture. 1967-1972: Princeton University: Assistant Professor of Architecture. 1965-1967: Princeton University: Instructor in Architecture and Research Associate. ADMINISTRATIVE 2002-2013: Dean, School of Architecture, The Cooper Union 1993-2002: Chair, Department of Art History, UCLA 1997-1998 Dean, College of Art, Architecture, and Planning, Cornell University 1973-1993: Chair, PhD. Program, School of Architecture, Princeton University. 1980-1987: Director, European Cultural Studies Program, Princeton University. 1982-1993 Dean's Executive Committee, School of Architecture, Princeton
    [Show full text]
  • Ranalli Spread
    design Architect George Ranalli found Chatham, his second home, twelve years ago. Photo by Sofia Ranalli Our countryside reminds him of lands in Torrice, south of Rome, Italy. And our village architecture here influenced his design of a community building in Brooklyn that critics are hailing as one-of-its-kind architecture – in the best tradition. George 3 Saratoga photos by Paul Warchol By Rich Kraham Architect George Ranalli lives on Hudson gems like the train station are even stronger.” fifteen teaching and critic positions at eleven an enriched and more deeply referenced RanalliAvenue in Chatham for a few understandable Even if you’re not a student of architecture, educational institutions including Columbia, style. The building [Saratoga] does what so reasons. A Bronx native who also lives in Man- you can see some of the details of these build- Cooper Union, Harvard, Rhode Island School much postmodernism of the 1980s failed to hattan, Ranalli “needed to be near the traffic ings in the Saratoga project pictures on the of Design, Yale, and his current position at do – it reinterprets and transforms history noise,” and one would assume the sirens of the next page. City College of New York. into something completely and satisfyingly rescue squad here on Moore Avenue not far It was through their daughter’s acquain- Now mind you, all these credentials could contemporary.” away, “so he could sleep at night.” tances at grammar school that they found not keep Ranalli, a real down-to-earth guy, Ranalli has taken this fresh approach to That said, he – with wife Anne, son Rocco, families that had a connection to Chatham.
    [Show full text]
  • The Movement of Architectural Elements Within Charleston, South Carolina
    Clemson University TigerPrints All Theses Theses 5-2009 The oM vement of Architectural Elements within Charleston, South Carolina Laura Burghardt Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Historic Preservation and Conservation Commons Recommended Citation Burghardt, Laura, "The oM vement of Architectural Elements within Charleston, South Carolina" (2009). All Theses. 596. https://tigerprints.clemson.edu/all_theses/596 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. THE MOVEMENT OF ARCHITECTURAL ELEMENTS WITHIN CHARLESTON, SOUTH CAROLINA A Thesis Presented to the Graduate School of Clemson University and the Graduate School of the College of Charleston In Partial Fulfillment of the Requirements for the Degree Master of Science Historic Preservation by Laura Ashley Burghardt May 2009 Accepted by: Jonathan H. Poston, Committee Chair Ashley Robbins Wilson Ralph C. Muldrow Robert D. Russell, Jr., Ph.D. i ABSTRACT The movement of architectural elements from one building to another within Charleston, South Carolina, is an integral part of historic preservation in the city. From the earliest days of the city’s historic preservation movement in the 1920s, preservationists have understood the importance of preserving elements of historic structures. In the early twentieth century, architectural elements were threatened by antique dealers and collectors of architecture who sought to purchase decorative elements, even out of standing houses. Buildings were also threatened with demolition as gas stations and other modern structures were constructed.
    [Show full text]
  • Historic Preservation and the New Deal
    University of South Carolina Scholar Commons Theses and Dissertations Summer 2019 Restoring America: Historic Preservation and the New Deal Stephanie E. Gray Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the History Commons Recommended Citation Gray, S. E.(2019). Restoring America: Historic Preservation and the New Deal. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/5433 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. RESTORING AMERICA: HISTORIC PRESERVATION AND THE NEW DEAL by Stephanie E. Gray Bachelor of Arts Mount Holyoke College, 2013 Master of Arts University of South Carolina, 2016 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in History College of Arts and Sciences University of South Carolina 2019 Accepted by: Lauren Rebecca Sklaroff, Major Professor Robert Weyeneth, Committee Member Patricia Sullivan, Committee Member Lydia Mattice Brandt, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Stephanie E. Gray, 2019 All Rights Reserved. ii DEDICATION For my mother, Lucy Gray. iii ACKNOWLEDGEMENTS It is said that writing a dissertation is a solitary venture. While that is true to some extent, no dissertation is completed without the support of many people in many places. First, I extend my deepest gratitude to my wonderful committee. To my advisor, Lauren Sklaroff, tremendous thanks for accepting me as a student and teaching me to think and write like a cultural historian.
    [Show full text]
  • Albert Simons Papers, 1864-1979 1253.00 Boxes 26/1-77
    Albert Simons papers, 1864-1979 1253.00 Boxes 26/1-77 Creator: Simons, Albert, 1890-1980. Description: 28 linear ft. Biographical/historical note: Charleston, S.C. architect. A graduate of the University of Pennsylvania, Simons was a fellow of the American Institute of Architects (A.I.A.). He served as an instructor in architecture at Clemson College and was a partner in the architectural firm of Todd, Simons & Todd. After military service in World War I, Simons returned to Charleston and with Samuel Lapham established the architectural firm of Simons & Lapham. He was a lecturer on fine arts and a professor of engineering at the College of Charleston. A recognized architectural authority, Simons was among the pioneers in Charleston's preservation and restoration movement and was a major influence in the American preservation movement. The son of T. Grange Simons and Serena D. Aiken, he married Harriet P. Stoney in 1917. Simons died in 1980. Scope and content: Papers consist of correspondence and other materials concerning Simons' professional and personal affiliations and pursuits, as well as writings, architectural drawings, and other items. Included are the papers of Harriet P. Stoney Simons and a photograph album of Simons & Lapham. Correspondence includes some personal and family letters but mostly pertains to Simons' involvement in organizations concerned with historic preservation and restoration in Charleston and nationwide; affairs of the National Academy of Design and other national arts organizations; activities of the S.C. Board of Architectural Examiners, the S.C. chapter of A.I.A., and other professional organizations; public housing projects; architectural work of Simons & Lapham; Charleston zoning and city planning matters; the Charleston Board of Architectural Review; operations and relations of the Dock Street Theater and Carolina Art Association; the Charleston Library Society; the Poetry Society of S.C.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Code Manipulation: Architecture In-Between Universal and Specific Urban Space Permalink https://escholarship.org/uc/item/7660x051 Author Dahl, Per-Johan Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Code Manipulation: Architecture In-Between Universal and Specific Urban Space A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Architecture by Per-Johan Dahl 2012 © Copyright by Per-Johan Dahl 2012 ABSTRACT OF THE DISSERTATION Code Manipulation: Architecture In-Between Universal and Specific Urban Space By Per-Johan Dahl Doctor of Philosophy in Architecture University of California, Los Angeles, 2012 Professor Dana Cuff, Chair Experiences from both academia and practice demonstrate that the legal instruments that comprise the primary tool for carrying out city planning in the U.S. have grown increasingly complex and abstract. Processing the universal rather than the specific aspects of urbanism, these zoning codes have a limited capacity to adapt to local significance and site-specific characteristics, to which architecture is much more responsive, and thus often constrain design innovation. Although various attempts have been made to improve the interconnection between the universal and the specific, we need a wider array of analytic frameworks within the discipline of architecture for evaluating the broader implications of the codes that regulate the form and use of buildings within the context of contemporary city planning. Taking architecture as an intermediary instrument, this study develops the notion of code manipulation as an analytical framework to be used for stimulating and evaluating designs beyond the constraints of code.
    [Show full text]
  • The Potential of Virtual Heritage Reconstruction in Lost Ansonborough
    Clemson University TigerPrints All Theses Theses 5-2012 The otP ential of Virtual Heritage Reconstruction in Lost Ansonborough Caglar Aydin Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Historic Preservation and Conservation Commons Recommended Citation Aydin, Caglar, "The otP ential of Virtual Heritage Reconstruction in Lost Ansonborough" (2012). All Theses. 1353. https://tigerprints.clemson.edu/all_theses/1353 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. THE POTENTIAL OF VIRTUAL HERITAGE RECONSTRUCTION IN LOST ANSONBOROUGH A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Science Historic Preservation by Caglar Aydin May 2012 Accepted by: Ashley R. Wilson, AIA and ASID, Committee Chair Carter L. Hudgins, Ph.D. James L. Ward ABSTRACT The virtual reconstruction of vanished heritage is a well-known practice in the preservation field. The constant development in computer technologies has been improving visualization and interpretation techniques for virtual reconstructions of no longer extant or inaccessible sites. Reconstruction projects of vanished heritage sites implement various approaches because of different challenges at each site. This research involves 3D reconstructions, as well as historical research of early nineteenth century residences, Radcliffe- King and Gabriel Manigault houses in the Ansonborough neighborhood of Charleston, South Carolina, USA. The demolition of these two mansions in the first half of the twentieth century leads to the loss of the residential character at the intersection of George and Meeting Streets in Ansonborough.
    [Show full text]
  • Architecture Program Report for 2011 NAAB Visit
    Architecture Program Report for 2011 NAAB Visit Master of Architecture 138 undergraduate credit hours + 30 graduate credit hours Year of Previous Visit: 2005 Current Term of Accreditation: Six-Year Term Submitted to: The National Architectural Accrediting Board 6 September 2010 Program Administrator: Karl Puljak, Director School of Architecture [email protected] 318.257.2816 Chief administrator for academic unit in which program is located: Dr. Edward Jacobs, Dean College of Liberal Arts [email protected] 318.257.4805 Chief Administrative Officer of the Institution: Dr. Kenneth V. Rea, Vice President Academic Affairs [email protected] 318.257.4262 President of the Institution: Dr. Daniel D. Reneau, President Louisiana Tech University [email protected] 318.257.3324 Individual Submitting the Architecture Program Report: Karl Puljak Name of individual to whom questions should be directed: Karl Puljak Architecture Program Report September 2010 Table of Contents Section Page Part One Institutional Support and Commitment to Continuous Improvement 1 I.1 Identity and Self Assessment 2 1. History and Mission 3 2. Learning Culture and Social Equity 19 3. Reponses to the Five Perspectives 25 4. Long Range Planning 32 5. Program Self-Assessment 41 I.2 Resources 54 1. Human Resources and Human Resource Development 55 2. Administrative Structure and Governance 73 3. Physical Resources 76 4. Financial Resources 88 5. Information Resources 93 I.3 Institutional and Program Characteristics 103 1. Statistical Reports 104 2. Annual Reports 108 3. Faculty Credentials 117 I.4 Policy Review 122 Part Two Educational Outcomes and Curriculum 123 II.1 Student Performance Criteria 124 II.2 Curricular Framework 127 1.
    [Show full text]
  • La Sagrada Família: a Contribution on Constancy and Change
    FALL/WINTER 2014-15 La Sagrada Família: A Contribution on Constancy and Change ntoni Gaudí labored for more than four Adecades to build the Ex- piatory Temple of the Sagrada Família in Barcelona. Yet, upon his death in 1926, his master- piece was less than a quarter of the way near completion. Gaudí knew well that it only could be finished posthumously. He cultivated a unique fellowship among the craftsmen at work on the project, akin to that found in medieval workshops, which has fostered a collective effort across generations to re- alize the Sagrada Família. Prog- ress on the building continued intermittently after Gaudí’s death, coming to an abrupt halt with the outbreak of the Span- ish Civil War in 1936. Construc- tion resumed in the 1950s and the process remains ongoing, with completion projected for the centenary of Gaudí’s death in 2026. The spirit of collabora- tion that Gaudí fostered before his death has continued to nur- ture the project. The building’s public. A stunning collection of celona. The exhibition provides workshop remains a laboratory these models is at the center of an unprecedented opportunity for architectural experimenta- the exhibit Sagrada Família— to understand the extraordinary tion today, even mobilizing Gaudí’s Unfinished Masterpiece: accomplishments of the Sagrada digital technologies and three- Geometry, Construction and Site, Família’s builders who have dimensional printing to build on view in the SSA Atrium Gal- been at work on the church for upon Gaudí’s vision. lery from 29 September 2014 to nearly a century and a half.
    [Show full text]