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Tes 3 the Mother of All Bombs
75 Nigel Coates 3 The Mother of all Bombs Freya Wigzell 8 The people here think I’m out of my mind Kristina Jaspers 20 The Adam’s Family Store Claire Zimmerman 28 Albert Kahn in the Second Industrial Revolution Laila Seewang 45 Ernst Litfaß and the Trickle-Down Effect Roberta Marcaccio 59 The Hero of Doubt Rebecca Siefert 71 Lauretta Vinciarelli, Illuminated Shantel Blakely 86 Solid Vision, or Mr Gropius Builds his Dream House Thomas Daniell 98 In Conversation with Shin Takamatsu Francesco Zuddas 119 The Idea of the Università Joanna Merwood-Salisbury 132 This is not a Skyscraper Victor Plahte Tschudi 150 Piranesi, Failed Photographer Francisco González de Canales 152 Eladio and the Whale Ross Anderson 163 The Appian Way Salomon Frausto 183 Sketches of a Utopian Pessimist Theo Crosby 189 The Painter as Designer Marco Biraghi 190 Poelzig and the Golem Zoë Slutzky 202 Dino Buzzati’s Ideal House 206 Contributors 75 224674_AA_75_interior.indd 1 22/11/2017 09:54 aa Files The contents of aa Files are derived from the activities Architectural Association of the Architectural Association School of Architecture. 36 Bedford Square Founded in 1847, the aa is the uk’s only independent London wc1b 3es school of architecture, offering undergraduate, t +44 (0)20 7887 4000 postgraduate and research degrees in architecture and f +44 (0)20 7414 0782 related fields. In addition, the Architectural Association aaschool.ac.uk is an international membership organisation, open to anyone with an interest in architecture. Publisher The Architectural Association -
Current Technologies and Trends of Retractable Roofs By
Current Technologies and Trends of Retractable Roofs by Julie K. Smith B.S. Civil and Environmental Engineering University of Washington, 2002 Submitted to the Department of Civil and Environmental Engineering in Partial Fulfillment of the Requirements for the Degree of Master of Engineering in Civil and Environmental Engineering at the Massachusetts Institute of Technology June 2003 © 2003 Julie K. Smith. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part. Signature of Author: Julie K. Smith Department of Civil and Environmental Engineering 1) May 9, 2003 Certified by:. Jerome Connor Professor/ of C il and Environmental Engineering Thesis Supervisor Accepted by: Oral Buyukozturk Professor of Civil and Environmental Engineering Chairman, Departmental Committee on Graduate Studies MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUN 0 2 2003 LIBRARIES Current Technologies and Trends of Retractable Roofs by Julie K. Smith B.S. Civil and Environmental Engineering University of Washington, 2002 Submitted to the Department of Civil and Environmental Engineering on May 9, 2003 in Partial Fulfillment of the Requirements for the Degree of Master of Engineering in Civil and Environmental Engineering Abstract In recent years, retractable roofs have become a popular feature in sport stadiums. However, they have been used throughout time because they allow a building to become more flexible in its use. This thesis reviews the current technologies of retractable roofs and discusses possible innovations for the future. Most retractable roofs use either a 2-D rigid panel system or a 2-D membrane and I-D cable system. -
Purcell IAWA Archivist Report 2012-2013 Draft.Docx.Docx
1 Archivist’s Report, FY 2013-2014 International Archives of Women in Architecture (IAWA) By Aaron D. Purcell Director of Special Collections and IAWA Archivist Overview During the past year, Special Collections continued its joint partnership with the College of Architecture and Urban Studies to acquire, arrange, describe, provide access to, and promote IAWA collections. Sherrie Bowser led the effort to process, acquire, and promote IAWA collections. With the help of students and other staff she accessioned 8 new collections and processed 6 collections. In spring 2014, Sherrie Bowser moved on to another professional position in Illinois. In October 2014, Samantha Winn began work as Collections Archivist, with responsibilities for IAWA collections. Collection Highlights ● Special Collections received 8 new IAWA collections during the past year, totaling 18.2 cubic feet of material and more than 274 Mb of digital photographs. (See Appendix 1, Acquired Accessions) ● With the help of staff, 7 IAWA collections were processed over the past year, totaling 33.6 cubic feet. (See Appendix 2, Processed Collections) ● There are now approximately 425 distinct IAWA collections totaling 1,787 cubic feet. ● Made 13 book purchases that that directly support IAWA collections (See Appendix 3, New Purchases) ● Spring 2014, visit to Linda Kiisk in Sacramento, California to appraise and ship back her collection to Virginia Tech Research, Promotion, and Selected Uses of IAWA Collections ● Held open house and sponsored exhibit for the 50th Anniversary of CAUS, Fall 2014 ● Assisted Robert Holton, Milka Bliznakov Research Prize winner, with onsite research on the role and contribution of Natalie de Blois in the design of three SOM projects (Lever House, Pepsi-Cola Headquarters, and Union Carbide) completed in New York City between 1950-1960 ● Exhibit in Special Collections, IAWA: Examples of women’s opportunities in architecture and design education, 1865-1993,” Fall 2013 ● Assisted Donna Dunay’s 1st year studio class (ca. -
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Advancing the Global Land Grant Institution: Creating a Virtual Environment to Re-envision Extension and Advance GSS-related Research, Education, and Collaboration May 15, 2017 Faculty Lead Learning in Virtual Environments Ralph Hall, Associate Professor, Director of the George Glasson, Professor, Science Education, Undergraduate Program, School of Public and School of Education, CLAHS International Affairs, CAUS Hannah Scherer, Assistant Professor and Extension Specialist, Department of Agricultural, GIS/Data Visualization/Data Architecture/Data Leadership, and Community Education, CALS Analytics/Information Systems Mzuzu University Library Design Nicholas Polys, Director of Visual Computing, Affiliate Professor in the Department Computer Jack Davis, Dean, CAUS Science, COE Robert Dunay, ACSA Distinguished Professor, Peter Sforza, Director of the Center for FAIA Director, Center for Design Research, CAUS Geospatial Information Technology, CNRE Nathan King, Assistant Professor, School of Stephen Eubank, Deputy Director and Professor Architecture + Design, CAUS in NDSSL, the Biocomplexity Institute, Population Health Sciences, and Vet Med; Adjunct Professor, Community Health and Disease Systems Department of Physics Bryan Lewis, Research Associate Professor, the Andre Muelenaer, Chief, Section of Pediatric Biocomplexity Institute Pulmonology/Allergy, Carilion Children's Hospital, Associate Professor, Department of Pediatrics Water Systems/Hydrogeoscience Virginia Tech Carilion School of Medicine Penelope Muelenaer, Assistant Professor, -
New Books and Highlights Spring 2021 Welcome
New Books and Highlights Spring 2021 Welcome Visions of Heaven: Dante and the Art of Divine Light by Leonardo scholar Martin Kemp is a glorious highlight of our Spring 2021 programme, published to coincide with the 700th anniversary of Dante’s death. It is both a feast for the eyes, lavishly illustrated with masterpieces of Renaissance and Baroque painting, and a hugely original study of the impact of Dante’s vision of divine light on the artists of the Renaissance and Baroque. It is also the trailblazer for a new Lund Humphries programme of illustrated Art History books written by scholars and accessible to non-specialists. Keep an eye out in our newsletters and on our social-media channels for two new Art History series launching in Autumn 2021: Illuminating Women Artists: Renaissance and Baroque, and Northern Lights. A number of books in our Spring list uncover aspects of Design History from the more recent past. The IBM Poster Program tells a fascinating story of mid-century graphic design centred on one of the most important corporations of the 20th century; designer Greta Magnusson Grossman’s previously untold contribution to mid-century modernism is charted in an important new monograph on her work; and Arts and Crafts Pioneers explores the importance of the Victorian Century Guild of Artists and its influential periodical, The Hobby Horse, in the formation of the Arts & Crafts Movement. A growing strand of the Lund Humphries publishing programme is concerned with the interaction between contemporary visual culture and the contemporary world. The New Directions in Contemporary Art series, edited by Marcus Verhagen, launches this Spring with four thought-provoking critical texts. -
Lauretta Vinciarelli James Luna
REVIEWS mane of ebony hair like an imperial headdress is a special announce- various series to notes on a musical scale). She studied architecture at ment: god woman is divaempire. Got it? Sapienza Università di Roma before emigrating in 1969 to the United On an adjacent wall was a 2014 canvas: a triple portrait featuring, States, where she taught for many years at several institutions. In 1987, per Scott, an idealized version of singer Janet Jackson; a mystery man she commenced her transcendent spatial experiments in watercolor and named Curtis Johnson; and one “Deena Jones,” who may or may not be ink, which were never meant to be plans for actual buildings. “The the character based on Diana Ross from the 1981 musical Dreamgirls. architectural space I have painted since 1987 does not portray solutions Above them is an enormous Spielbergian spaceship from the SFO—the to specific demands of use,” she once noted. Her engagement with Skyline Friendly Organization, an interplanetary goodwill alliance. luminous watercolor on sturdy sheets of Fabriano paper, typically According to the artist, the three are cosmic ambassadors of a sort, thirty by twenty-two inches, allowed her to exemplify what it means enlightened beings from an advanced civilization consigned to earth in to “not portray,” to abandon utility in the service of unbridled imagina- order to make our stupid, circumambulating ball of dung less—ugh— tion, as other well-known and mostly male avant-garde architects dung-like. of the era—such as Walter Pichler and Lebbeus Woods—did. Now Some of the best pieces in this show are self-portraits. -
Architecture
April Press 15 Final Cranial_Layout 1 3/8/15 12:58 PM Page 16 architecture A new book by Chatham and New York City architect George Ranalli Below: Ranalli’s book complete with clamshell shows award-winning examples of buildings and industrial products case in a vibrant red – whose design vocabulary has roots in a longer craft tradition in design has the gravitas of treasured bible. and architecture. Ace Frehley, of the rock group Kiss, wanted a house in the Connecticut countryside that expressed his need for a dwelling that would provide some respite from waking up to find fans pressing their In Situ noses against his windows. By Rich Kraham In a new, lavishly illustrated book entitled In Situ , architect George K-Loft in Chelsea, Ranalli, who owns a home on Hudson Avenue in Chatham, sums New York City. up his theoretical positions on architectural projects that he has Living room, din - ing room and been involved in here, in New York City, and around the world. kitchen as seen These include large urban projects, additions, renovations to from the entry to major landmark buildings, interiors, new constructions and the master bed - houses in the landscape. Ranalli explains that the title of his book room is from the Latin meaning “in place,” and he stresses that buildings become iconic, not because some “starchitect” has created a stunning form plopped down on a site, but because the building fits and “responds lovingly to the specificities of place.” Apparently, a host of architectural critics feel the same way. Former New York Times critic Paul Goldberger, in discussing a Ranalli project in Rhode Island to convert a school into condos, wrote: “For all its modernity, this project is an architectural experience worthy of Ranalli designs tables and other Newport, and it connects us again to the architectural traditions furniture to go of this unusual city.” Ada Louise Huxtable, an architectural critic along with his with the Wall Street Journal, wrote that Ranalli’s Saratoga Avenue interior designs. -
ANTHONY VIDLER CURRICULUM VITAE BA Architecture and Fine Arts, Hons.; Dipl
1 ANTHONY VIDLER CURRICULUM VITAE BA Architecture and Fine Arts, Hons.; Dipl. Arch., Cantab.; PhD. TU Delft. Professor, The Irwin S. Chanin School of Architecture, The Cooper Union for the Advancement of Science and Art, New York Fellow of the American Academy of Arts and Sciences. Citizenship: British. Permanent Resident, USA ACADEMIC POSITIONS 2001-present Professor, Irwin S. Chanin School of Architecture, The Cooper Union, NY. 2014-2018 Vincent Scully Visiting Professor of Architectural History, Yale University School of Architecture (Spring Semester). 2013 (Spring) Institute for Advanced Study, Princeton: Member, School of Historical Studies, 2013 -2014 Brown University: Visiting Professor of Humanities and Art History, 1998-2001: University of California Los Angeles: Professor of Art History and Architecture. 1982-1993: Princeton University: Professor of Architecture, William R. Kenan, Jr. Chair. 1972-1982: Princeton University: Associate Professor of Architecture. 1967-1972: Princeton University: Assistant Professor of Architecture. 1965-1967: Princeton University: Instructor in Architecture and Research Associate. ADMINISTRATIVE 2002-2013: Dean, School of Architecture, The Cooper Union 1993-2002: Chair, Department of Art History, UCLA 1997-1998 Dean, College of Art, Architecture, and Planning, Cornell University 1973-1993: Chair, PhD. Program, School of Architecture, Princeton University. 1980-1987: Director, European Cultural Studies Program, Princeton University. 1982-1993 Dean's Executive Committee, School of Architecture, Princeton -
Ranalli Spread
design Architect George Ranalli found Chatham, his second home, twelve years ago. Photo by Sofia Ranalli Our countryside reminds him of lands in Torrice, south of Rome, Italy. And our village architecture here influenced his design of a community building in Brooklyn that critics are hailing as one-of-its-kind architecture – in the best tradition. George 3 Saratoga photos by Paul Warchol By Rich Kraham Architect George Ranalli lives on Hudson gems like the train station are even stronger.” fifteen teaching and critic positions at eleven an enriched and more deeply referenced RanalliAvenue in Chatham for a few understandable Even if you’re not a student of architecture, educational institutions including Columbia, style. The building [Saratoga] does what so reasons. A Bronx native who also lives in Man- you can see some of the details of these build- Cooper Union, Harvard, Rhode Island School much postmodernism of the 1980s failed to hattan, Ranalli “needed to be near the traffic ings in the Saratoga project pictures on the of Design, Yale, and his current position at do – it reinterprets and transforms history noise,” and one would assume the sirens of the next page. City College of New York. into something completely and satisfyingly rescue squad here on Moore Avenue not far It was through their daughter’s acquain- Now mind you, all these credentials could contemporary.” away, “so he could sleep at night.” tances at grammar school that they found not keep Ranalli, a real down-to-earth guy, Ranalli has taken this fresh approach to That said, he – with wife Anne, son Rocco, families that had a connection to Chatham. -
Mana Contemporary Fall 2018 Open House
This fall, that thoughtful emphasis will distinguish Mana Contemporary a suite of transformational projects: JOHN CHAMBERLAIN: PHOTOGRAPHS An array of panoramic color shots taken by the Fall 2018 sculptor between 1989 and 2002 using with a Open House swing-lens Widelux camera DAN FLAVIN: FLUORESCENT LIGHT A large-scale installation by the Minimalist master that fills the space of Mana’s First Floor Theater with radiant color. First shown at the Institute for the Arts at Rice University in Houston, Texas, in 1972, the work appears at Mana courtesy of the Estate of Dan Flavin. BERNARD KIRSCHENBAUM A striking large-scale installation, Plywood Arc (1973) and a metal wall work, Blue Steel Parabola 1 (1971), by the American sculptor and educator ARNULF RAINER A core selection of the artist’s cross and angel paint- ings from 1985–2000, revealing the artist’s fascination with the states that accompany religious devotion FRED SANDBACK: SCULPTURE A selection of works dating from 1967–82 presented by the Ayn Foundation, incorporating a series of early corner sculptures in metal rod and elastic cord, plus later acrylic yarn works determined by their architec- tural surroundings Lauretta Vinciarelli, Incandescent Frames (Study 1), 1998. Watercolor on paper. 30 1/4 x 22 1/4 in. Private collection ANDY WARHOL: THE ORIGINAL SILKSCREENS A stunning display of iconic prints from 1967–1987, presented by the Ayn Foundation in collaboration Opening Reception: Sunday, October 14, 1–7PM with DASMAXIMUM and expanded for this iteration with an additional work -
Guide to Chuck Hoberman Innovative Lives Presentation
Guide to Chuck Hoberman Innovative Lives Presentation NMAH.AC.0604 Alison L. Oswald 7/16/97 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical/Historical note.............................................................................................. 2 Arrangement..................................................................................................................... 2 Scope and Contents note................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Original Videos (OV 604.1-19), 1996-05-08............................................. 4 Series 2: Reference Videos (RV 604.1-7), 1996-05-08........................................... 5 Series 3: Photographs and Slides, 1996-05-08....................................................... 6 Chuck Hoberman Innovative Lives Presentation NMAH.AC.0604 Collection Overview Repository: Archives -
Oz Contributors
Oz Volume 17 Article 10 1-1-1995 Contributors Follow this and additional works at: https://newprairiepress.org/oz This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation (1995) "Contributors," Oz: Vol. 17. https://doi.org/10.4148/2378-5853.1276 This Back Matter is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Oz by an authorized administrator of New Prairie Press. For more information, please contact cads@k- state.edu. Contributors Richard Hansen is an assistant profes Pat Morton teaches architectural his Paul Shepheard is an architect living Lauretta Vinciarelli, born and educated sor in the Art department at the tory and theory at the University of and working in London, England. His in Rome and now based in New York University of Southern Colorado, where California, Riverside and SCI-Arc. She book "What is Architecture?" is pub City, Dr. Viciarelli has for the past five he teaches 3-d design and sculpture. has a doctorate from Princeton Univer lished by the MIT Press. He is current years been producing a remarkable Educated as a landscape architect at the sity and wrote her dissertation on the ly researching thematic landscapes body of watercolors of architectural University of Colorado (M.L.A.) and as 1931 Colonial Exposition in Paris. She assisted by a grant from the Graham spaces. Her work has been exhibited in a sculptor at the College of William and writes about postcolonial theory, issues Foundation for Advanced Studies in both Europe and the United States in Mary (B.A.), his creative work centers of marginality, and contemporary ar the Fine Arts, Chicago such venues as the Archive of the around the poetics of water.