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The London List
The London List YEARBOOK 2010 FOREWORD 4 GAZETTEER 5 Commemorative Structures 6 Commercial Buildings 12 Cultural and Entertainment 18 Domestic 22 Education 32 Garden and Park 36 Health and Welfare 38 Industrial 44 Law and Government 46 Maritime and Naval 48 Military 50 Places of Worship 54 Street Furniture 62 Transport Buildings 65 Utilities and Communications 66 INDEX 68 TheListed London in London: List: yearbookyearbook 20102010 22 Contents Foreword ....................................................................................4 Gazetteer ...................................................................................5 Commemorative Structures .......................................................6 Commercial Buildings ..................................................................12 Cultural and Entertainment .....................................................18 Domestic ............................................................................................22 Education ............................................................................................32 Garden and Park ............................................................................36 Health and Welfare ......................................................................38 Industrial ..............................................................................................44 Law and Government .................................................................46 Maritime and Naval ......................................................................48 -
Herbert Baker
Sir Herbert Baker Sir Herbert Baker (9th June 1862 – 4th February 1946) was an English architect who is remembered as a dominant force in South African architecture. He was one of the three principal architects appointed to the Imperial (now Commonwealth) War Graves Commission (IWGC) when the Commission was formed in 1917; designing many memorials and cemeteries in France and Belgium in the years following the end of World War I. This helpsheet is designed to be used by primary teachers as background information on Sir Herbert Baker. There is also a set of Sir Herbert Baker fact cards which can be shared with pupils. Both this helpsheet and the fact cards can be used as part of WMT’s Art unit of work: Great artists and war memorials. Early life Baker was born at Owlets, the family farm, near Cobham, Kent. He was the fourth son of nine children of Thomas Henry and Frances Georgina Baker. As a child Baker spent much of his time walking around the neighbourhood of his home, exploring the historical ruins. While exploring he observed the time honoured materials of brick and plaster and the various aspects of timber use all of which he learned to appreciate. Between 1875 and 1881 Baker attended the nearby Tonbridge School where lifelong qualities of leadership and loyalty were instilled in him. Training and work before World War I In 1879, Baker began his architecture studies under the supervision of his cousin Arthur Baker. His education followed the accepted pattern of a three-year apprenticeship while attending classes at the Architectural Association School and the Royal Academy Schools. -
The Architecture of Sir Ernest George and His Partners, C. 1860-1922
The Architecture of Sir Ernest George and His Partners, C. 1860-1922 Volume II Hilary Joyce Grainger Submitted in fulfilment of the requirements for the degree of Ph. D. The University of Leeds Department of Fine Art January 1985 TABLE OF CONTENTS Notes to Chapters 1- 10 432 Bibliography 487 Catalogue of Executed Works 513 432 Notes to the Text Preface 1 Joseph William Gleeson-White, 'Revival of English Domestic Architecture III: The Work of Mr Ernest George', The Studio, 1896 pp. 147-58; 'The Revival of English Domestic Architecture IV: The Work of Mr Ernest George', The Studio, 1896 pp. 27-33 and 'The Revival of English Domestic Architecture V: The Work of Messrs George and Peto', The Studio, 1896 pp. 204-15. 2 Immediately after the dissolution of partnership with Harold Peto on 31 October 1892, George entered partnership with Alfred Yeates, and so at the time of Gleeson-White's articles, the partnership was only four years old. 3 Gleeson-White, 'The Revival of English Architecture III', op. cit., p. 147. 4 Ibid. 5 Sir ReginaldýBlomfield, Richard Norman Shaw, RA, Architect, 1831-1912: A Study (London, 1940). 6 Andrew Saint, Richard Norman Shaw (London, 1976). 7 Harold Faulkner, 'The Creator of 'Modern Queen Anne': The Architecture of Norman Shaw', Country Life, 15 March 1941 pp. 232-35, p. 232. 8 Saint, op. cit., p. 274. 9 Hermann Muthesius, Das Englische Haus (Berlin 1904-05), 3 vols. 10 Hermann Muthesius, Die Englische Bankunst Der Gerenwart (Leipzig. 1900). 11 Hermann Muthesius, The English House, edited by Dennis Sharp, translated by Janet Seligman London, 1979) p. -
The Norman Shaw Buildings House of Commons Information Office Factsheet G13
Factsheet G13 House of Commons Information Office General Series The Norman Shaw Revised March 2015 Buildings Factsheet G13 House of Commons Information Office General Series The Norman Shaw Revised March 2015 Buildings Contents Introduction 2 Construction of the Buildings 2 The architect 2 This factsheet has been archived so the The Site 2 content and web links may be out of Construction and Criticism 2 date. Please visit our About Parliament Norman Shaw South 4 pages for current information. House of Commons involvement 5 House of Commons Acquisition 6 Refurbishment 6 Occupation of Norman Shaw South The Palace of Westminster is one of the 7 most famous buildings in London. Richmond House 7 However, because of increasing demands Recent changes 7 on the space in the Palace, facilities for MPs Further reading 9 and staff have expanded to include a Contact information 9 Feedback form 10 number of buildings nearby. Two of the buildings used by the Commons are the seven-story redbrick buildings on Victoria Embankment known as Norman Shaw North and South. Between 1889 and 1966 the two buildings were famous as being the home for New Scotland Yard, the headquarters of the Metropolitan Police. This Factsheet describes the two buildings and their role in the Parliamentary estate; for information on the Palace of Westminster itself please see Factsheet G11. This Factsheet is available on the internet through: http://www.parliament.uk/factsheets August 2010 FS No.G4 Ed 3.3 ISSN 0144-4689 © Parliamentary Copyright (House of Commons) 2010 May be reproduced for purposes of private study or research without permission. -
The Role of the Royal Academy in English Art 1918-1930. COWDELL, Theophilus P
The role of the Royal Academy in English art 1918-1930. COWDELL, Theophilus P. Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/20673/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version COWDELL, Theophilus P. (1980). The role of the Royal Academy in English art 1918-1930. Doctoral, Sheffield Hallam University (United Kingdom).. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk onemeia u-ny roiyiecnmc 100185400 4 Mill CC rJ o x n n Author Class Title Sheffield Hallam University Learning and IT Services Adsetts Centre City Campus Sheffield S1 1WB NOT FOR LOAN Return to Learning Centre of issue Fines are charged at 50p per hour Sheffield Haller* University Learning snd »T Services Adsetts Centre City Csmous Sheffield SI 1WB ^ AUG 2008 S I2 J T 1 REFERENCE ProQuest Number: 10702010 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10702010 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. -
Sir Reginald Blomfield
Sir Reginald Blomfield Sir Reginald Blomfield (20th December 1856 – 27th December 1942) was a renowned architect, garden designer and author. He was one of the three principal architects appointed to the Imperial (now Commonwealth) War Graves Commission (IWGC) when the Commission was formed in 1917 designing many memorials and cemeteries in France and Belgium in the years following the end of World War I. He was responsible for the Cross of Sacrifice design which features in a number of these cemeteries and is the chosen design for a number of local war memorials in the UK as well. This helpsheet is designed to be used by primary teachers as background information on Sir Reginald Blomfield. There is also a set of Sir Reginald Blomfield fact cards which can be shared with pupils. Both this helpsheet and the fact cards can be used as part of WMT’s Art unit of work: Great artists and war memorials. Early life Blomfield was born at Bow Rectory in Devon in 1856 to parents Reverend George John and Isabella. His father was the local rector. Blomfield was brought up in Kent where his father became rector for Dartford and then Aldington. He studied at Highgate School in North London and then went on to Haileybury School in Hertfordshire. From here he went to Exeter College, Oxford where he gained a first class degree in Classics. Training and work before World War I After a year of travelling Blomfield took up a place at the Royal Academy Schools in 1881. At the same time he accepted the offer from his uncle, Sir Arthur Blomfield, to become an articled pupil (similar to being an intern) in his London architect practice. -
Haileybury: a Short Architectural Guide 4 1
3 Haileybury: a short architectural guide 4 1 Haileybury: a short architectural guide Foreword 2 Haileybury’s origin 3 The East India College 4 The foundation of Haileybury College 6 Late Victorian era 8 Edwardian modernisation 10 Inter-war years 12 War memorials at Haileybury 14 1945 to the present 16 Acknowledgements 17 Left: The Old Studies in the late 19th century 2 Foreword This short guide to our school’s architectural history is one of the many positive outcomes of the Conservation Management Plan which was written by Cambridge Architectural Research Ltd in 2018–19. We commissioned the Plan because we wanted to know as much as possible about the history of our school’s buildings. As we plan for the future, we are keen to ensure that we fully understand the past. As part of the consultation process that preceded the completion of the Conservation Management Plan, we surveyed our pupils to find out how they perceived the school’s buildings. In their responses, they expressed their appreciation of the school’s beauty, their affection for many of the buildings and their hope that the school will continue to conserve, as well as improve, the built environment for the benefit of future Haileyburians. The Conservation Management Plan gave us all of the Chapel as well as Simpson and Ayrton’s magnificent information that we needed to do just that. Form Room Block and Big School. Generations of Haileyburians have been fortunate What makes Haileybury so special is, of course, the enough to live, work, sleep and play in the most combination of all of these styles and buildings. -
The Design Philosophy of Gummer and Ford
Proceedings of the Society of Architectural Historians, Australia and New Zealand 30, Open Papers presented to the 30th Annual Conference of the Society of Architectural Historians, Australia and New Zealand held on the Gold Coast, Queensland, Australia, July 2-5, 2013. http://www.griffith.edu.au/conference/sahanz-2013/ Cameron Moore, “The Design Philosophy of Gummer and Ford” in Proceedings of the Society of Architectural Historians, Australia and New Zealand: 30, Open, edited by Alexandra Brown and Andrew Leach (Gold Coast, Qld: SAHANZ, 2013), vol. 2, p 487-497. ISBN-10: 0-9876055-0-X ISBN-13: 978-0-9876055-0-4 The Design Philosophy of Gummer and Ford Cameron Moore Griffith University Gummer & Ford was among New Zealand’s most prominent architectural practices during the 1920s and 1930s. The practice started operations in 1923 and closed their doors in 1961 when both founding partners retired. They were responsible for a number of important buildings in the New Zealand architectural landscape. The writings of C. Reginald Ford have some received critical attention, and indeed his business and organisational acumen has been suggested by Peter Wood as the lasting legacy of the practice of Gummer and Ford. This paper attempts to extend Wood’s argument to include the writing of William Gummer, the firm’s principal designer, to shed light on its design philosophy. In 1914 Gummer expresses his design philosophy in “The Study of Architecture, an Address to Students.” Under the heading The Art of Reason, he gives us his design philosophy in a -
Heritage Statement the Dilly, 21 Piccadilly, City of Westminster, London, W1J 0BH
Heritage Statement The Dilly, 21 Piccadilly, City of Westminster, London, W1J 0BH January 2021 Contents 1. Introduction 3 2. Review of Application Scheme 5 Appendix: Baseline Heritage Appraisal 10 Our Reference RODH3004 Date January 2021 1. Introduction 1.1 This Heritage Statement report has been prepared by Turley Heritage to provide relevant and proportionate information to the local planning authority, the City of Westminster, with regard to heritage impacts, and to accompany an application for listed building consent in relation to upgrade of doors, doorframes and door surrounds at the former Piccadilly Hotel (currently known as The Dilly), Piccadilly (‘the Site’). The Site is a Grade II* listed building, which is located within the Regent Street Conservation Area. 1.2 The requirement for this report stems from Section 66 of the Planning (Listed Buildings and Conservation Areas) Act 1990, which places a duty upon the local planning authority in determining applications for development or works that affect a listed building to have special regard to the desirability of preserving the building or its setting, or any features of special architectural or historic interest which it possesses. It is also a duty, with regard to applications within conservation areas, to pay special attention to the desirability of preserving or enhancing the character or appearance of that area. 1.3 The National Planning Policy Framework (NPPF) 2019, which provides the Government’s national planning policy for the conservation of the historic environment, -
ROYAL AIR FORCE MEMORIAL by Philip Ward-Jackson Location
ROYAL AIR FORCE MEMORIAL by Philip Ward-Jackson Location: At Whitehall Steps in an opening in the Embankment wall, opposite the Ministry of Defence building. Sculptor: William Reid Dick Architect: Sir Reginald Blomfield Founder: Parlanti Materials: The eagle and globe are in bronze, the eagle itself gilded, the globe darkly patinated. The pylon is in Portland stone. Dimensions: Unveiled: 13 July 1923 Inscriptions: The motto of the RAF, PER ARDUA AD ASTRA is inscribed around the frieze of the pylon on the side of the pylon facing the Embankment - PER ARDUA AD ASTRA/ IN MEMORY OF/ ALL RANKS OF THE/ ROYAL NAVAL AIR/ SERVICE ROYAL/ FLYING CORPS/ ROYAL AIR FORCE/ AND THOSE/ AIR FORCES FROM/ EVERY PART OF THE/ BRITISH EMPIRE/ WHO GAVE THEIR / LIVES IN WINNING/ VICTORY FOR/ THEIR KING/ AND COUNTRY/ 1914-1918/I BARE YOU ON EAGLES/ WINGS AND BROUGHT/ YOU UNTO/ MYSELF on the lower base, facing the Embankment - THIS INSCRIPTION IS ADDED/ IN REMEMBRANCE OF THOSE / MEN AND WOMEN OF THE/ AIR FORCES OF EVERY PART OF/ THE BRITISH COMMONWEALTH AND EMPIRE/ WHO GAVE THEIR LIVES/ 1939-1945 on the pylon on the side facing the river -1914/1918/ IN/ PERPETUAL/ MEMORY/ 1939/1945 on the base of the zodiacal globe, on the east side - F(?) PARLANTI/ LONDON This is the official memorial of the RAF, and of its constituent services. It consists of a tapering pylon of rectangular plan, whose longest axis runs parallel to the river bank. Its side faces are framed by pilaster strips, and it stands on two step-bases, a podium and two further levels of base. -
Robert Adam's Revolution in Architecture Miranda Jane Routh Hausberg University of Pennsylvania, [email protected]
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2019 Robert Adam's Revolution In Architecture Miranda Jane Routh Hausberg University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Hausberg, Miranda Jane Routh, "Robert Adam's Revolution In Architecture" (2019). Publicly Accessible Penn Dissertations. 3339. https://repository.upenn.edu/edissertations/3339 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/3339 For more information, please contact [email protected]. Robert Adam's Revolution In Architecture Abstract ABSTRACT ROBERT ADAM’S REVOLUTION IN ARCHITECTURE Robert Adam (1728-92) was a revolutionary artist and, unusually, he possessed the insight and bravado to self-identify as one publicly. In the first fascicle of his three-volume Works in Architecture of Robert and James Adam (published in installments between 1773 and 1822), he proclaimed that he had started a “revolution” in the art of architecture. Adam’s “revolution” was expansive: it comprised the introduction of avant-garde, light, and elegant architectural decoration; mastery in the design of picturesque and scenographic interiors; and a revision of Renaissance traditions, including the relegation of architectural orders, the rejection of most Palladian forms, and the embrace of the concept of taste as a foundation of architecture. -
The Stones of London's War Memorials
Urban Geology in London No. 23 The Stones of London’s War Memorials ‘If I should die, think only this of me; That there’s some corner of a foreign field That is forever England’ The Soldier, Rupert Brooke (1887-1915) Memorial at the Tower of London for the centenary of the outbreak of WWI: 'Blood Swept Lands and Seas of Red' by ceramicist Paul Cummins. The opening lines of Rupert Brooke’s famous poem (above) illustrates muCh of the sentiments assoCiated with the design of war memorials and war graves. It has beCome traditional, on the most part, for stones representing the soldiers’ Countries of origin to be used in memorials ConstruCted to Commemorate them. For example, the war memorials commemorating the British Forces killed during WWI in FranCe and Belgium, such as Thiepval and the Menin Gate, are built from briCk, with piers, vaults, Columns and the panels bearing the insCriptions of names in Portland Stone. As we will see below, stones have been imported from all over the World to Commemorate the soldiers from those Countries who fought in the European theatres of the first half of the 20th Century. Indeed there are Corners of foreign fields, or in faCt London, that are forever Australian, Canadian or Maltese. I am predominantly foCusing on memorials to WWI and WWII. Many of the War Memorials and their stones catalogued below have been previously desCribed in other Urban Geology in London Guides. These inClude the memorials in the vicinity of Hyde Park Corner (Siddall & Clements, 2013), on the ViCtoria Embankment (Siddall & Clements, 2014) and the Malta Memorial near the Tower of London (Siddall, 2014).