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POSTCARDS & PAPER COLLECTIBLES Cherryland
Ron & Alec Millard POSTCARDS & PAPER COLLECTIBLES Cherryland Auctions Mail Auction #281 Mail Auction Closing Date: Tuesday, May 7th, 2013 CherrylandPostcards.com 1. Advertising 768. Holidays & 1204. Autos 111. Animals Greetings 1247. Aviation 126. Art Cards incl. Art Nouveau 864. Military 1275. Ships 151. Artist Signed 874. Native American History 1318. Trains 412. Black & White Photos 884. Novelty 1361. Misc. Transportation 436. Black History 911. Nudes & Risque incl. Ethnic 1410. U.S. Geographical by States 459. Cameras & Related 969. Pretty Ladies 1524. World Leaders 474. Children 987. U.S. Political & Presidents 1531. Worldwide by Country 485. Circus Related & Macabre 1017. Patriotic & Propaganda 1582. Postcards by Topics 503. Expositions & Fairs 1044. W.W. I Propaganda 1621. Miscellaneous Paper 542. Famous People 1066. W.W. II Propaganda Collectibles 579. Fantasy 1080. Sports & Games 1626. Bulk Postcard Lots 658. Halloween & Easter Witches 1176. Stamp, Coin & Postcard 689. Santas & Krampus Related CHERRYLAND AUCTIONS RONALD D. MILLARD P.O. BOX 427 FRANKFORT, MI 49635 (231) 352-9758 AUCTION BIDDING Buying cards at auction is simple. Each auction is divided into many catego- ANNOUNCEMENTS ries always listed on the front page under the auction index. This can help you locate cards fast or you can read through the auction at your leisure. Dear Reader, Welcome to Auction #281. This auction will The lot descriptions can be read as follows: close 9:00 pm EST Tuesday, May 7th, 2013. Lot Number Number of cards in the lot. If no number, then he lot contains one card. Basic Category Brief Description This catalog is also available online where you We will be at the following postcard shows: 505. -
Agenda Musical De La Semana Breves Acotaciones a Cada Una De Las 21 Operas De Esta Temporada, Citadas «Por Orden De Su Aparici
Página 54 LA VANGUARDIA ESPAÑOLA DOMINGO, 5 NOVIEMBRE 1972 AGENDA MUSICAL DE LA SEMANA Terminado el Festival, el panorama BREVES ACOTACIONES A CADA UNA DE LAS 21 OPERAS DE ESTA TEMPORADA, artístico, de Barcelona cambia. Al re- dactar esta nota de agenda, pode- CITADAS «POR ORDEN DE SU APARICIÓN EN ESCENA» mos señalar como acontecimientos ADRIANA LiCQUVREUR, gía. El -.reparto, por lo demás es digno de más destacados de la semana próxi- de Cisea la protagonista. Adalgisa será Bianca Be- ma la inauguración del Liceo el mar- rini; Pollione, Bruno Prevedi y como Oro- Acaso no sea una ópera de suficiente veso volverá el bajo Gwine Howell a quien tes con «Adriana Lecouvreur», que popularidad o espectacularidad para la inau- recordamos muy bien por su excelente par- tendrá a Montserrat Caballé' como guración de la temporada, pero ei reparto ticipación en «La forza del destino» cía primera figura; la segunda función, es destacado, con la presencia de nuestra la última temporada. ' gran Montserrat Caballé, que —igual como inaugural del segundo turno, para el hizo con Norma— ha querido reservar para KATIA KABANOVA, de Leca jueves con «La 'Favorita', de Donl- el Liceo su primera actuación en ésta obra que acaba de incorporar a su repertorio. Janacek zetti, con otra protagonista femenina 1 Le acompañarán, entre otros, la mezzo El único estreno en España de esta teittt de máximo relieve,, la mezzo Fiorenza Bianca Berini, varias veces aplaudida aquí porada. Lo presentará la compañía del T&at* Cossotto. (lo fue la temporada pasada) y José María tro de la Opera da Brno, capital de Mo£ Carreras que está haciendo una gran ca- ravia. -
Autografi E Manoscritti Musicali Lettere E Manoscritti Di Musicisti Tra Otto E Novecento Grandi Cantanti Del Novecento
Autografi e Manoscritti Musicali Lettere e manoscritti di musicisti tra Otto e Novecento Grandi cantanti del Novecento L I M A n t i q u a • C a t a l o g o 1 4 8 www.limantiqua.it Lim Antiqua s.a.s - Studio bibliografico Via delle Ville I, 1008 I-55100 LUCCA Telefono e Fax +39 0583 34 2218 (dalle 9 alle 13) +39 333 2551758 www.limantiqua.com/it email: [email protected] P. IVA 01286300460 Dati per bonifico: C/C postale n. 11367554 IBAN: IT 67 Q 07601 13700 000011367554 BIC: BPPIITRRXXX Orario di apertura Lunedì – Venerdì ore 9.00/14.00 Gli ordini possono essere effettuati per telefono, email o via fax. Il pagamento può avvenire tramite contrassegno, bollettino postale, bonifico sul conto postale o PayPal. Le spese di spedizione sono a carico del destinatario. I prezzi indicati sono comprensivi di IVA. Gli ordini saranno ritenuti validi e quindi evasi anche in caso di disponibilità parziale dei pezzi richiesti. Lettere e manoscritti di musicisti tra Otto e Novecento p. 4 Grandi cantanti del Novecento p. 28 Lettere e manoscritti di musicisti tra Otto e Novecento 1. Gary Bertini (Bricheva 1927 - Israele 2005) Gary Bertini alla Scala Lettera dattiloscritta con firma e correzioni autografe, datata 11.3.1964 del direttore d’orchestra e compositore che fu direttore dell'Orchestra Sinfonica di Gerusalemme dal 1978 al 1986 e della Tokyo Metropolitan Symphony Orchestra dal 1998 al 2005, diretta a Francesco Siciliani, nella quale chiede di poter essere preso in considerazione per un ingaggio alla Scala: ”dans tous ses aspects artistiques". -
Edgecliff Student Newspaper
Xavier University Exhibit Journals, Publications, Conferences, and Edgecliff oC llege Newspaper Proceedings 1965-06-01 Edgecliff tudeS nt Newspaper Edgecliff olC lege - Cincinnati Follow this and additional works at: http://www.exhibit.xavier.edu/edgecliff_newspaper Recommended Citation Edgecliff oC llege - Cincinnati, "Edgecliff tudeS nt Newspaper" (1965). Edgecliff College Newspaper. Book 189. http://www.exhibit.xavier.edu/edgecliff_newspaper/189 This Book is brought to you for free and open access by the Journals, Publications, Conferences, and Proceedings at Exhibit. It has been accepted for inclusion in Edgecliff oC llege Newspaper by an authorized administrator of Exhibit. For more information, please contact [email protected]. The Edgecliff Vol. XXX Our Lady of Cincinnati, "Edgecliff," Cincinnati, Ohio, June 1, 1965 No. 8 f.dgecliff Graduates 137 at Twilight Exercises Higher. education. under pnvate the State of Ohi·o the tw o t ra d1·t ions· d.1s t an t f u t ure. " auspices . has. certain advantages. .. of public and pri·vate e d uca t.ion I n coneI us1on· h e s t a t e d : "R e- over public higher education, said meet di f th tc f J h D · · · gar ess o e ou ome o any D r. 0 n · Millett, director and :'Ten years ago," he said, " the immediate issue which may have to private institutions enrolled 45 per- be resolved here in Ohio, I hope 'Shine Your Light Before Men,' cent of all students attending col- that as graduates of this college lege in Ohio. But in these past ten which has done so much for you, years, private institutions have ex- you, in turn, will ever be alert to Father Urbain Urges Seniors panded their enrollment by about do much for this institution, and "So let your light shine before and live the true mystery of that 50 per cent while the public insti- for higher education in general. -
Authorization to Copy
AUTHORIZATION TO COPY I authorize Kenneth S. Schmidt to scan the book I coauthored entitled, TULSA OPERA CHRONICLES, for the purpose of making a digital copy for use on the internet in the interest of preserving the history of the Tulsa Opera. Further copies may be made from this digital copy provided they are for educational, historical, personal enjoyment, or the promotion of fine art, and for non-profit use. For any other intentions, the copyright statement below applies. Laven Sowell Jack Williams June 15, 2007 Copyright © 1992 by Jack A. Williams and Laven Sowell All rights reserved under International Copyright Law. Contents May not be reproduced in whole or in part in any form without The express written consent of the authors. Library of Congress Catalog Number 92-96949 1 2 Website produced in appreciation of Mr. Laven Sowell by Ken Schmidt, student of Mr. Sowell since September 1964, Edison Jr. High School Boys Glee Club, Edison High School Mixed Chorus, and proud alumnus of the Edison High School Concert Chorus during the 1969 / 1970 school year in Tulsa, Oklahoma. Thank you for teaching me about great music. 3 To compensate for the page numbering difference between the original book and this PDF file, please add 10 to the page number when referencing the Table of Contents and the Index, and then search or scroll in your PDF viewer. 4 5 This book is dedicated to the loyal and talented chorus members, who have for many years given unselfishly of their time and talent to help make opera possible in the city of Tulsa. -
THE METROPOLITAN OPERA on PIRATE CD COMPILED by FRANK HAMILTON © 2011 [email protected]
THE METROPOLITAN OPERA ON PIRATE CD COMPILED BY FRANK HAMILTON © 2011 http://FrankHamilton.org [email protected] This chronological discography of radio broadcasts and in-house recordings on compact discs is devoted mainly to non-commercial issues. There are still some mistakes such as roles assigned improperly. There have been MET issues on foreign labels without international distribution that I have not had access to, and I have not included those here. I wish to thank Pierre Guillemette of Candiac, Quebec, for the countless corrections that he made in the early stages of this project, and Bill DePeter of New York for his major contributions. Compact disc serial numbers are followed by the total number of CDs in the set, and this is followed by the year of issue when known. 1933 3/03/33: Tristan und Isolde (excerpt): FRIDA-LEIDER-GESELLSCHAFT FLG 11031933 1 2003 Isolde Frida Leider Tristan Lauritz Melchior Brangäne Maria Olszewska Kurwenal Friedrich Schorr König Marke Ludwig Hofmann Melot Arnold Gabor Ein junger Seemann Hans Clemens Ein Hirt Hans Clemens Der Steuermann James Wolfe maestro direttore Artur Bodanzky Kennst du der Mutter Künste nicht? — Herr Tristan trete nah! (Akt I,3) 3/11/33: Tristan und Isolde (excerpts): FRIDA-LEIDER-GESELLSCHAFT FLG 11031933 1 2003 cast same as 3/03/35 except: Kurwenal Gustav Schützendorf Vorspiel (fragment) Nimmermehr ! Nicht heut’ noch morgen ! — Zerschlag es [dies trotzige Schiff] (Akt I,1) wehe mein Kind! - Mir erkoren — Was wohl erwidertest du? (Akt I,2) [Fluch dir, Ver]ruchter ! — nicht hell zu sehn noch hören? (Akt I,3) Kennst du der Mutter Künste nicht? — Ehrfurcht hielt mich in Acht (Akt I,3) Dem Freund zulieb erfand er diese List? — sind untertan ihr, die sie webt aus [Lust] (Akt II,1) [Nie erwa]chen ! - Soll der Tag noch Tristan wecken ? — Hehr erhabne Liebesnacht! (Akt II,2) Der öde Tag zum letztenmal! — Das sollst du, Herr, mir sagen, ob [ich] (Akt II,3) [meiner Ehren Ende] erreiche? — warum mir diese Schmach? (Akt II,3) [Dein Blick, Isolde,] blendet’ auch ihn — Schluß des II. -
WNIB Program Schedule December 1972
PROGRAM SCHEDULE WNIB 97.1 fm December, 1972 RCA Italiana Opera Orch/Erich Leinsdorf (RCA LSC 6179) PROGRAM SCHEDULE 6:25 GLAZOUNOV Carnaval Overture, ()p, 45 - Boston Pops/Arthur Fiedler (RCA 3130) SMETANA Prague Carnival - Bavari NIB 97.1 fm December, 1972 an Radio Orch/Rafael Kubelik (DG 2530 248) BERLIOZ Roman Carnival Overture, Op, 9 - London Sym/Colin Davis (Phi 835 367) 7 PM CHICAGO AUDUBON COMPASS Environmental news prepared by the . Chicago Audubon Society. Marcella Gewirth WNIB Program Schedule is published by Radio Station WNIB, 25 East Chestnut, Chicago, reports. lllinoi 60611. Phone: 337 - 5252.. Subscription rates: one year, $5.00; two years $9.00; three ears $12.00. SATURDAY 2 CO ER: "December Morning," a photograph taken by Samuel W. Kipnis, noted Chicago pho ographer. Other winter scenes as i;ihotographed by Mr. Kipnis and Mildred Glueck, 9AM THE BACH HOUR not Chicago nature photographer, appear throughout this issue. BACH Fugue in g ("Great") - Phila delphia Orch/Eugene Ormandy (Col M 31349) BACH Violin Concerto in E - Itzhak Perlman, vn; English Chamber Orch/Daniel Barenboim (Ang S 36841) BACH Chromatic Fantasy & Fugue in d - Igor Kipnis, hpsd (Ang S 36055) BACH Passacaglia & Fugue in c - Fernando Germani, organ (Ser S 60196) 10 AM MOZART TIDS MORNING 2 PM FOSTER "Jeanie with the light brown MOZART 6 German Dances, K. 536 1 hair"; "There's a good time coming"; "Was my - Vienna Mozart Ens/WilUBoskovskY (Lon CS 6491) brother in the battle?"; "Sweetly she sleeps, 9 AM K "Cypresses" for String MOZART Bassoon Concerto in Bb,K. my Alice fair"; "If you've ~nly got a moustache"; Quartet - Dvor k Quartet (Cr 22 16 0082) 191-Milan Turkovic, bsn; Bamberg Sym/Hanns & "Gentle Annie" - Jan De!Gaetani,ms; Leslie SME ANA "Wallenstein's Camp" Martin Schneidt (DG 2530 270) Guinn,bt; Gilbert Kalish,p1& meloden (None H (Sym Poem) - avarian Radio Orch/Rafael 71268) ' MOZART Violin Concerto #3 in G, K. -
University of Cincinnati News Record. Thursday, June 6, 1963. Vol. XLVIII
~~ ••••••. ,,--l+. University 0 JUN R LI B R .'. N'EW ~,.."~,~_. CORD Vol. XLVIII, No. 31 Cincinnati, Ohio, Thursday, June 6, 1963 Series BF 1 Z553 Student Council Passes Grad'uation Exercises,To Be Held Five, Defeats Two Issues J . " -9 I A' \ •F~Id'h.' I In its final meeting of the year May 20, Student Council I voted favorably on five issues while defeating, two, to com- une·· N rmory Ie ouse. plete their J962-63 work. The session was the first led by Three well-known local clergy- new SC president Lynn Mueller. men will participate in the Uni- A special report was given by ------'-----~ versity of Cincinnati's annual new Board of Publications ch~ir- vice-president; Ken Wolf, treas- commencement exercises-June 9, man Nancy Beamer concermng urer: Judy Gallagher recording ill the campus ArmorY-Fieldhouse.- C0l!ncil's proposal ~o have one of secr~tary; and Don Schuerman, Dr. Walter C. Langsam, UC pres- their .membe~s preside over Board. corresponding secretary. meetings. MISS Beamer defended ident, will preside over both pro- the Board's position saying that grams 'and confer degrees. the Board "feels the amendment Rev. L. H. Mayfield, chaplain is unnecessary." .Later in the Senior Rings of theChrisJ Hospital, will give meeting, Council voted down their both invocation and benediction own 'amendment and the Board at 3 p.m. exercises, when Charles of Publications will continue to Now On Sale Sawyer, prominent UC College of select its own chairman. Law graduate, will deliver the Council voted favorably on For the first time in the history address. -
Harriman to See Khrushchev Today
Weather . Distribution . ttnpemwt 47. Sunny % Jfeb « to «. Clear to. Today •W*, low new «. Tomorrow, Mr, Ugh in the Mi. Sunday, 21,825 Mr and mild. See weather. DIAL SH 1-0010 VOL. 85, NO. 217 Inu4 taiir. Kralar thnnta Mta •Meat (3lu< PMMT , RED BANK, N. J., FRIDAY, APRIL 26, 1963 7c PER COPY PAGE ONE Hint Khrushchev May Quit Laos Crisis the Issue MOSCOW, (AP) - Premier Khrushchev admits he is aging Some observers are convinced Khrushchev is determined like any mortal, and won't head the Soviet Communist Party to hold onto both jobs until he dies. Others have been specu- and government forever. But foreign opinion here was split lating that the Soviet leader might give up the secretaryship, today over whether the 69-year-old leader brought the matter the premiership or both. up in public because he plans to give up either post soon. EXPRESS DOUBT "I am already 69 and I have the right to say so," Khrush- U. S. experts in Washington expressed doubt that Khrush- Harriman to See chev told a meeting of industry and construction workers, chev Is going to step down for a while. Despite occasional "Everyone understands that I cannot hold for all time the rumors t'o- th"-e contrary- , Washingto»'-'-=--'-n authoritie-«--"•--s hav•--'e no evi-•- position I now have in the party and the state." dence that Khrushchev is in danger of being ousted from his The three-hour speech, made on Wednesday, was published Kremlin command. In full today in all Moscow newspapers. "-•Several members of the Soviet hierarchy are considered Khrushchev made no mention of quitting either post. -
LOUISE KIRKBY LUNN [C] 3044
VOCAL 78 rpm DISCS EDWARD LLOYD [t]. London, 1845-Worthing, 1927. Lloyd was the major British concert and oratorio tenor of the last quarter of the 19th century. He began as a chorister at Westminster Abbey and was subsequently engaged for St. Andrews and then the Chapel Royal. His solo career began in 1871, singing the tenor solo in Bach’s St. Matthew Passion at the Gloucester Festival. He received much acclaim through his singing of this work, as well as in oratorios of Händel, Mendelssohn, and other com- posers, notably Elgar. He was a particular favorite of Elgar and created the tenor solos in that composer’s Caractacus (1898) and The Dream of Gerontius (the year of his farewell, 1900). While he was no longer EDWARD LLOYD, pianist Mme. Adami and unidentified cellist heard regularly on the stage, Lloyd made a recording, circa 1907 number of records for the Gramophone Company in London, 1902 to 1911. Lloyd’s American debut was at the Cincinnati May Festival in 1888. His colleague, baritone Charles Santley, described him physically as “a nice, plump little gentleman”. The New York Times gave a more thorough description on his arrival in 1888. He “looks and acts about as much like a good-natured New York business man as anybody else. He is of medium height, stocky in build, and rather florid of face. He has pleasant dark eyes and dark hair that is just tinged with gray and is brushed down very smooth. A neat mustache is the only hair he wears on his face. -
18.4 Vocal 78S. Marcel-Sack, Pp 107-134
VOCAL 78 rpm Discs LUCILLE MARCEL [s] 2648. 12” Red Victor “A” plate Victor 76018 [508m]. TOSCA: Vissi d’arte (Puccini). Just about 1-2. $40.00. ÉMILE MARCELIN [t]. 1322. 10” acous. Purple Disque Gram. U.79 [BT845-II/ BT846-II]. ROMÉO ET JULIETTE: Salut tombeau (Gounod). Two sides. Small lbl. stkrs. Fine copy, cons . 2. $12.00. 1714. 10” elec. PW Blk. Disque Gram. P-700 [BFR31-II/ BFR32-II]. LE HULLA: Arrivera ce qui doit ariver / LE HULLA: Que cette nuit (Samuel-Rousseau). While Charles Friant created the role of Narsès in the 1923 Opéra-Comique premiere of Le Hulla , Marcelin was the tenor lead in a 1926 revival there, about the time this uncommon record was made. Lt. rubbing, 2. $30.00. 3114. 12” elec. PW Blk. Disque Gram. W-861 [CFR46-II/ CFR47-II]. WERTHER: Oui, c’est moi, je reviens [Act III] (Massenet). Two sides. With LUCY PERELLI [s]. Just about 1-2. $15.00. BLANCHE MARCHESI [s] 1851. 10” Silver Scroll elec. Victor IRCC 89 [TTP-853- 2/TTP-854-1]. DIDO AND AENEAS: When I am Laid in Earth (Purcell) / SICILIAN CART DRI- VER’S SONG (arr. Sadero). Piano acc. Agnes BedFord. Memorable performance by the 73 year LUCILLE MARCEL old singer and teacher. Pressed from orig. private HMV matrices. Label side one autographed by Marchesi. Just about 1-2. $40.00. FRANCESCO MARCONI [t] 1425. 10” Red G&T 52788 [Con366]. RIGOLETTO: Questa o quella (Verdi). Piano acc. Salvatore Cottone. Marconi enters early, hops about in a couple of other places and can’t figure out when to enter for the second verse, so Cottone continues vamping until they make contact. -
A Demise for the Du Ration Ever Hear This Decades-Old Adage: "Washington, D
THE FOGHORN TAKES A STAND: ROTC — a demise for the du ration Ever hear this decades-old adage: "Washington, D. C: first This editorial is occasioned by the ouster this past Auguslill-prepared for the tasks in store for them at Fort Lewis, is that our cadets are downgraded on this count every year. in the nation, first in politics, but last in the American League"? of fourteen cadets who are regarded as incompetent to become] The result: loss of points and over-all below-average rank- It would seem that the ROTC Department is producing few Right alongside this epithet has been added another, quite reserve officers in the United States Army. The dismissalling. Certainly the.students here are essentially the same as leaders with its program. unrelated to our country's capital. It pertains to the Hilltop probably represents the largest number of cadets ever removedjstudents from the other institutions. Moreover, we have the At this time we are not prepared to offer, situations at other and runs like this: "USF: first in basketball and soccer, first after a summer camp session at USF. We do not question the same, if not higher, standards and entrance requirements as institutions in ROTC which may account for our poor showing among Jesuit institutions, but last in ROTC." ability or the right of the ROTC faculty to reject or accept any of the others represented at summer camp. year in and year out. A glance at the catalogues of three uni This era in our one hundred and two year history is thecandidate s as they see fit for their program.