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Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
THE NEW YORK PHILHARMONIC THIS WEEK Broadcast Schedule – Spring 2020
THE NEW YORK PHILHARMONIC THIS WEEK Broadcast Schedule – Spring 2020 PROGRAM#: NYP 20-27 RELEASE DATE: March 25, 2020 Music of Our Time: Liang, Dalbavie, Shepherd, Muhly, and Pintscher Lei LIANG (b. 1972): Verge, for 18 Strings (2009) (Magnus Lindberg, conductor) Marc‐André DALBAVIE (b. 1961): Melodia, for Instrumental Ensemble (2009) (Magnus Lindberg, conductor) Sean SHEPHERD (b. 1979): These Particular Circumstances, in seven uninterrupted episodes (2009) (Alan Gilbert, conductor) Nico MUHLY (b. 1981): Detailed Instructions, for orchestra (2010) (Alan Gilbert, conductor) Matthias PINTSCHER (b. 1971): Songs from Solomon’s garden, for baritone and chamber orchestra (2009; New York Philharmonic Co‐Commission with the Frankfurt Radio Symphony Orchestra) (Alan Gilbert, conductor; Thomas Hampson, baritone) PROGRAM#: NYP 20-28 RELEASE DATE: April 1, 2020 Bernstein Conducts Bernstein BERNSTEIN: Chichester Psalms (World Premiere performance) (Leonard Bernstein, conductor; Camerata Singers, dir. Abraham Kaplan; John Bogart, boy alto) BERNSTEIN: Kaddish, Symphony No.3 (Leonard Bernstein, conductor; Camerata Singers, dir. Abraham Kaplan; Columbus Boychoir, dir. Donald Bryant; John Bogart, boy alto; Felicia Montealegre, speaker; Jennie Tourel, mezzo-soprano) BERNSTEIN: Suites 1 and 2 from the Dybbuk (Leonard Bernstein, conductor; Paul Sperry, tenor; Bruce Fifer, bass- baritone) PROGRAM#: NYP 20-29 RELEASE DATE: April 8, 2020 American Works: Gershwin, Russo, Ellington, and Copland GERSHWIN: Porgy and Bess (selections) (recorded 1954) (André Kostelantetz, conductor) RUSSO: Symphony No. 2, “Titans” (recorded 1959) (Leonard Bernstein, conductor; Maynard Ferguson, trumpet) ELLINGTON/ Marsalis: A Tone Parallel to Harlem (recorded 1999) (Kurt Masur, conductor; Jazz at Lincoln Center Orchestra, Wynton Marsalis, artistic director & trumpet) COPLAND: The Tender Land (abridged) (recorded 1965) (Aaron Copland, conductor; Joy Clements, soprano; Claramae Turner, mezzo-soprano; Richard Cassilly, tenor; Richard Fredricks, baritone; Norman Treigle, bass; Choral Art Society, dir. -
Verdi's Rigoletto
Verdi’s Rigoletto - A discographical conspectus by Ralph Moore It is hard if not impossible, to make a representative survey of recordings of Rigoletto, given that there are 200 in the catalogue; I can only compromise by compiling a somewhat arbitrary list comprising of a selection of the best-known and those which appeal to me. For a start, there are thirty or so studio recordings in Italian; I begin with one made in 1927 and 1930, as those made earlier than that are really only for the specialist. I then consider eighteen of the studio versions made since that one. I have not reviewed minor recordings or those which in my estimation do not reach the requisite standard; I freely admit that I cannot countenance those by Sinopoli in 1984, Chailly in 1988, Rahbari in 1991 or Rizzi in 1993 for a combination of reasons, including an aversion to certain singers – for example Gruberova’s shrill squeak of a soprano and what I hear as the bleat in Bruson’s baritone and the forced wobble in Nucci’s – and the existence of a better, earlier version by the same artists (as with the Rudel recording with Milnes, Kraus and Sills caught too late) or lacklustre singing in general from artists of insufficient calibre (Rahbari and Rizzi). Nor can I endorse Dmitri Hvorostovsky’s final recording; whether it was as a result of his sad, terminal illness or the vocal decline which had already set in I cannot say, but it does the memory of him in his prime no favours and he is in any case indifferently partnered. -
26 September 2008 Page 1 of 35 SATURDAY 20 SEPTEMBER 2008 La Stagione Frankfurt, Michael Schneider (Conductor)
Radio 3 Listings for 20 – 26 September 2008 Page 1 of 35 SATURDAY 20 SEPTEMBER 2008 La Stagione Frankfurt, Michael Schneider (conductor) SAT 01:00 Through the Night (b00df694) 05:09AM With John Shea. Handel, Georg Friedrich (1685-1759) Alceste: Gentle Morpheus, son of night 01:01AM Emma Kirkby (soprano), Academy of Ancient Music, Andrew Grieg, Edvard Hagerup (1843-1907) Manze (director) Peer Gynt - suite no. 1 (Op. 46) Bergen Philharmonic Orchestra, Ole Kristian Ruud (conductor) 05:18AM Schumann, Clara (1819-1896) 01:26AM Variations on a Theme of Robert Schumann in F sharp minor Mendelssohn, Felix (1809-1847) (Op.20) Symphony no. 1 (Op. 11) in C minor Angela Cheng (piano) Bergen Philharmonic Orchestra, Andrew Litton (conductor) 05:28AM 01:57AM Svendsen, Johann (1840-1911) Schubert, Franz (1797-1828) Festival Polonaise – for orchestra (Op.12) Sonata (Op.53) in D major (D.850) Bergen Philharmonic Orchestra, Philippe Jordan (conductor) Alfred Brendel (piano) 05:37AM 02:35AM Bach, Johann Michael (1648-1694) Scarlatti, Alessandro (1660-1725) Liebster Jesu, hor mein Flehen Stabat Mater (1724) Maria Zedelius (soprano), David Cordier (alto), Paul Elliott and Valeri Popova (soprano), Penka Dilova (mezzo-soprano), Hein Meens (tenors), Michael Schopper (bass), Musica Antiqua Tolbuhin Children’s Chorus, Bulgarian National Radio Koln, Reinhard Goebel (director) Sinfonietta, Dragomir Nenov (conductor) 05:45AM 03:16AM Humperdinck, Engelbert (1854-1921) Tchaikovsky, Peter Illych (1840-1893) Overture from Hansel and Gretel Symphony No. 5 in E minor, (Op. -
POSTCARDS & PAPER COLLECTIBLES Cherryland
Ron & Alec Millard POSTCARDS & PAPER COLLECTIBLES Cherryland Auctions Mail Auction #281 Mail Auction Closing Date: Tuesday, May 7th, 2013 CherrylandPostcards.com 1. Advertising 768. Holidays & 1204. Autos 111. Animals Greetings 1247. Aviation 126. Art Cards incl. Art Nouveau 864. Military 1275. Ships 151. Artist Signed 874. Native American History 1318. Trains 412. Black & White Photos 884. Novelty 1361. Misc. Transportation 436. Black History 911. Nudes & Risque incl. Ethnic 1410. U.S. Geographical by States 459. Cameras & Related 969. Pretty Ladies 1524. World Leaders 474. Children 987. U.S. Political & Presidents 1531. Worldwide by Country 485. Circus Related & Macabre 1017. Patriotic & Propaganda 1582. Postcards by Topics 503. Expositions & Fairs 1044. W.W. I Propaganda 1621. Miscellaneous Paper 542. Famous People 1066. W.W. II Propaganda Collectibles 579. Fantasy 1080. Sports & Games 1626. Bulk Postcard Lots 658. Halloween & Easter Witches 1176. Stamp, Coin & Postcard 689. Santas & Krampus Related CHERRYLAND AUCTIONS RONALD D. MILLARD P.O. BOX 427 FRANKFORT, MI 49635 (231) 352-9758 AUCTION BIDDING Buying cards at auction is simple. Each auction is divided into many catego- ANNOUNCEMENTS ries always listed on the front page under the auction index. This can help you locate cards fast or you can read through the auction at your leisure. Dear Reader, Welcome to Auction #281. This auction will The lot descriptions can be read as follows: close 9:00 pm EST Tuesday, May 7th, 2013. Lot Number Number of cards in the lot. If no number, then he lot contains one card. Basic Category Brief Description This catalog is also available online where you We will be at the following postcard shows: 505. -
Agenda Musical De La Semana Breves Acotaciones a Cada Una De Las 21 Operas De Esta Temporada, Citadas «Por Orden De Su Aparici
Página 54 LA VANGUARDIA ESPAÑOLA DOMINGO, 5 NOVIEMBRE 1972 AGENDA MUSICAL DE LA SEMANA Terminado el Festival, el panorama BREVES ACOTACIONES A CADA UNA DE LAS 21 OPERAS DE ESTA TEMPORADA, artístico, de Barcelona cambia. Al re- dactar esta nota de agenda, pode- CITADAS «POR ORDEN DE SU APARICIÓN EN ESCENA» mos señalar como acontecimientos ADRIANA LiCQUVREUR, gía. El -.reparto, por lo demás es digno de más destacados de la semana próxi- de Cisea la protagonista. Adalgisa será Bianca Be- ma la inauguración del Liceo el mar- rini; Pollione, Bruno Prevedi y como Oro- Acaso no sea una ópera de suficiente veso volverá el bajo Gwine Howell a quien tes con «Adriana Lecouvreur», que popularidad o espectacularidad para la inau- recordamos muy bien por su excelente par- tendrá a Montserrat Caballé' como guración de la temporada, pero ei reparto ticipación en «La forza del destino» cía primera figura; la segunda función, es destacado, con la presencia de nuestra la última temporada. ' gran Montserrat Caballé, que —igual como inaugural del segundo turno, para el hizo con Norma— ha querido reservar para KATIA KABANOVA, de Leca jueves con «La 'Favorita', de Donl- el Liceo su primera actuación en ésta obra que acaba de incorporar a su repertorio. Janacek zetti, con otra protagonista femenina 1 Le acompañarán, entre otros, la mezzo El único estreno en España de esta teittt de máximo relieve,, la mezzo Fiorenza Bianca Berini, varias veces aplaudida aquí porada. Lo presentará la compañía del T&at* Cossotto. (lo fue la temporada pasada) y José María tro de la Opera da Brno, capital de Mo£ Carreras que está haciendo una gran ca- ravia. -
Franco Corelli
FRANCO CORELLI THE PERFORMANCE ANNALS 1951-1981 EDITED BY Frank Hamilton © 2003 http://FrankHamilton.org [email protected] sources Gilberto Starone’s performance annals form the core of this work; they were published in the book by Marina Boagno, Fr anco Corelli : Un Uomo, Una Voce, Azzali Editori s.n.c., Parma, 1990, and in English translation Fr anco Corelli : A Man, A Voice, Baskerville Publishers, Inc., Dallas, 1996. They hav ebeen merged with information from the following sources: Richard Swift of New York and Michigan has provided dates and corrections from his direct correspodence with the theatres and other sources: Bologna (Letter from Teatro Comunale: 5/16/86); Bussetto (see Palermo); Catania (L: Teatro Massimo Bellini: 5/26/86); Enghien-les- Bains (see Napoli); Genoa (L: L’Opera de Genoa: 5/13/86); Hamburg (L: Hamburgische Staatsoper: 5/15/86); Lausanne (L: Theatre Municipal, Lausanne: 5/12/86); Lisbon (L: Teatro Nacional São Carlos: 1986); Livorno (L: Comune di Livorno: 5/31/87); Madrid (L: Teatro Nacional de La Zarzuela: 1/26/87); Modena (L: Comune di Modena: 10/16/87); Napoli (Il Mondo Lirico); Nice (L: Opera de Nice: 5/2/86, 8/5/88); Palermo (L: Teatro Massimo: 6/10/86, 10/13/88); Piacenza (L: Comune di Piacenza u. o. Teatro Municipale: 6/10/86); Rome (Opera Magazine); Rovigo (L: Accademia dei Concordi, Rovigo: 11/11/86, 2/12/87); San Remo (L: Comune di San Remo: 11/8/86); Seattle (Opera News 11/1967); Trieste (L: Teatro Comunale: 4/30/86). The following reference books are listed alphabetically by venue. -
Autografi E Manoscritti Musicali Lettere E Manoscritti Di Musicisti Tra Otto E Novecento Grandi Cantanti Del Novecento
Autografi e Manoscritti Musicali Lettere e manoscritti di musicisti tra Otto e Novecento Grandi cantanti del Novecento L I M A n t i q u a • C a t a l o g o 1 4 8 www.limantiqua.it Lim Antiqua s.a.s - Studio bibliografico Via delle Ville I, 1008 I-55100 LUCCA Telefono e Fax +39 0583 34 2218 (dalle 9 alle 13) +39 333 2551758 www.limantiqua.com/it email: [email protected] P. IVA 01286300460 Dati per bonifico: C/C postale n. 11367554 IBAN: IT 67 Q 07601 13700 000011367554 BIC: BPPIITRRXXX Orario di apertura Lunedì – Venerdì ore 9.00/14.00 Gli ordini possono essere effettuati per telefono, email o via fax. Il pagamento può avvenire tramite contrassegno, bollettino postale, bonifico sul conto postale o PayPal. Le spese di spedizione sono a carico del destinatario. I prezzi indicati sono comprensivi di IVA. Gli ordini saranno ritenuti validi e quindi evasi anche in caso di disponibilità parziale dei pezzi richiesti. Lettere e manoscritti di musicisti tra Otto e Novecento p. 4 Grandi cantanti del Novecento p. 28 Lettere e manoscritti di musicisti tra Otto e Novecento 1. Gary Bertini (Bricheva 1927 - Israele 2005) Gary Bertini alla Scala Lettera dattiloscritta con firma e correzioni autografe, datata 11.3.1964 del direttore d’orchestra e compositore che fu direttore dell'Orchestra Sinfonica di Gerusalemme dal 1978 al 1986 e della Tokyo Metropolitan Symphony Orchestra dal 1998 al 2005, diretta a Francesco Siciliani, nella quale chiede di poter essere preso in considerazione per un ingaggio alla Scala: ”dans tous ses aspects artistiques". -
Discovideografia 2009-2011 Discovideografia 2009-2011 145
144 DISCOVIDEOGRAFIA 2009-2011 DISCOVIDEOGRAFIA 2009-2011 145 DISCOVIDEOGRAFIA VERDIANA Aggiornamenti 2009-2011 Alessandro Turba Proprio a partire dagli anni a cui si riferiscono i presenti Aggiorna- menti le case discografiche stanno alacremente rimpolpando i propri cata- loghi di ‘provviste’, onde necessariamente far fronte a una domanda che, come è ovvio aspettarsi, troverà il suo culmine nell’anno del festeggiamen- to del bicentenario verdiano, ormai alle porte. Tale, esponenziale crescita del gettito di titoli verdiani è, però, logicamente dovuta anche all’offerta di nuovi supporti tecnologici che, a distanza di più di dieci anni dalle passate celebrazioni, si è di molto diversificata (vedi il Super Audio CD e, nell’ambito dell’audiovisivo, il Blu-ray Disc). Ma non è tutto oro quel- lo che luccica. Lo sforzo delle case discografiche, le ‘minorities’ come le ‘majors’, non è che il disperato tentativo di tenere testa a una crisi del mer- cato discografico dovuta alla libera circolazione e condivisione di mate- riali audiovisivi resa possibile da Internet; crisi da loro cercata di arginare smerciando le registrazioni dei propri cataloghi proprio attraverso questo canale, rendendole disponibili agli internauti melomani con un click. Al momento, l’irreversibilità di questa ‘crisi’ si palesa nella radicalizzazione di quanto già constatato negli anni scorsi dai precedenti titolari di questa rubrica: «l’estinzione della registrazione in studio»1. La tendenza da parte 1 CARLO MARINELLI - ANNA GRAZIA PETACCIA, Discografia verdiana, Aggiornamenti 146 DISCOVIDEOGRAFIA 2009-2011 delle case discografiche è quella, infatti, di catturare tramite videoriprese – oggi perlopiù in High Definition, grazie anche ai mezzi e alla sinergia con grandi enti televisivi – un particolare evento teatrale ‘dal vivo’, tutt’al più operando un montaggio tra le performances più riuscite, nel mentre in cui il titolo staziona nel cartellone della stagione operistica di un dato Ente Lirico. -
Boston Symphony Orchestra Concert Programs, Season 115, 1995-1996
BOSTON Vf^.'-. SYMPHONY ORCHESTRA V -1 ^\ ;: SEIJI OZAWA MUSIC DIRECTOR 9 6 S E O N The security of a trust, Fidelity investment expertise. i • A CJojjcc Compodltlon " ,. (i##^.,..'*ffZs-- -t. ' Fidelity | Just as a Beethoven score is at its best when performed by a world- Pergonal class symphony — so, too, should Trudt your trust assets be managed by a financial company recognized Servicer globally for its investment expertise. Fidelity Investments. Xhat's why Fidelity now offers a naged trust or personalized estment management account #fbr your portfolio of $400,000 or more,* For more information, visit W* -a Fidelity Investor Center or call Fidelity Pergonal Triut Servicer at 1-800-854-2829. Visit a Fidelity Investor Center Near You: Boston - Back Bay • Boston - Financial District Braintree, MA • Burlington, MA Fidelity Investments' SERVICES OFFERED ONLY THROUGH AUTHORIZED TRUST COMPANIES. TRUST SERVICES VARY BY STATE. FIDELITY BROKERAGE SERVICES, INC., MEMBER NYSE, SIPC. 3i£ Ozawa, Music Director SYMPHONY J 1 J \ORCHESTRA/ Bernard Haitink, Principal Guest Conductor £U A ^^ !M°^ ^jf One Hundred and Fifteenth Season, 1995-96 Trustees of the Boston Symphony Ore hestra, Inc. J. P. Barger, Chairman Nicholas T. Zervas, President Peter A. Brooke, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Mrs. Edith L. Dabney, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. John H. Fitzpatrie c, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson Nader F. Darehshori Edna S. Kalman Mrs. Robert B. Newman James F. Cleary Deborah B. Davis Allen Z. Kluchman Robert P. O'Block John E. Cogan, Jr. Nina L. Doggett George Krupp Peter C. -
Hamtramck New Build~Ng Sought by Pointes
I I All th~ News of All the Pointes o *:~ * l ,Every Thursday o ,', ews Morning r', Home of tbe News , ' Complete News Coverage of All the Pointes I Entered as Second Class Mattt=r 7c Per Copy VOLUME 23-N0.4 ~ at the Post qUlce at Detroit, Mich, GROSSE POINTE, MICHIGAN, JANUARY 25, 1962 $4.00 Per Year 20 PAGES-TWO SECTIONS-SECTION I --"'i'; J -----------------------------------------------------------------------------------------------~<.}<> o II"EADLINES Tuxis Club Readying Annual Product,ion Useo!Hamtramck New Build~ng of tbe . Z F .Z. IORl Club SIte \VEI~K' } DlSpOSa aCl lty Bein~ Fought As Compilcd by tbe Grossl! Pointe '1'\ eu'S Residents and Little League Sought by Pointes Chief Objectors to Proi~ ;Thu.n;day, January 18 ~TEPS TOWAHD renewal of ect for Exceptional '" l'nited Stiltcs aid and trade Park Mayor Kenneth Cunningham Sends Letter Propos- Children \Ilth _the Dominican Republic \\'LTC h;l!tC'd \\'ednesday. pend- ing that His Municipality, Farms, and GP City Plans to build a $75-80,000 l!l ~ ,.ll1 in\'('stigation of Santo Share Costs of Operating Plant building on Neighborhood ))omin~o',; Ilew milital'Y govC'l'n- menl, Amcriean officials fear Factors in the disposing of rubbish in the future Club property, ~t the cor- thC' t'Jribbean' 'Janel may have have prompted three Pointe communities to seek a pos-: nero of Charlevoix and St. ~ traded one dictatorship for an- sible Rubbish Disposal Authority partnership with Ham- i Clalr, to be used, as a scho~l othcl", \\'ithdrawal of "Uni7.ed, tramck it was disclosed by Park City Manao'er Robert' by t~e Found~tlOn fur E>-,- ::-;tates recognition and canccl- Slone ~n Thursday, January 18. -
Authorization to Copy
AUTHORIZATION TO COPY I authorize Kenneth S. Schmidt to scan the book I coauthored entitled, TULSA OPERA CHRONICLES, for the purpose of making a digital copy for use on the internet in the interest of preserving the history of the Tulsa Opera. Further copies may be made from this digital copy provided they are for educational, historical, personal enjoyment, or the promotion of fine art, and for non-profit use. For any other intentions, the copyright statement below applies. Laven Sowell Jack Williams June 15, 2007 Copyright © 1992 by Jack A. Williams and Laven Sowell All rights reserved under International Copyright Law. Contents May not be reproduced in whole or in part in any form without The express written consent of the authors. Library of Congress Catalog Number 92-96949 1 2 Website produced in appreciation of Mr. Laven Sowell by Ken Schmidt, student of Mr. Sowell since September 1964, Edison Jr. High School Boys Glee Club, Edison High School Mixed Chorus, and proud alumnus of the Edison High School Concert Chorus during the 1969 / 1970 school year in Tulsa, Oklahoma. Thank you for teaching me about great music. 3 To compensate for the page numbering difference between the original book and this PDF file, please add 10 to the page number when referencing the Table of Contents and the Index, and then search or scroll in your PDF viewer. 4 5 This book is dedicated to the loyal and talented chorus members, who have for many years given unselfishly of their time and talent to help make opera possible in the city of Tulsa.