Boston Symphony Orchestra Concert Programs, Season 106,1986-1987
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Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
THE NEW YORK PHILHARMONIC THIS WEEK Broadcast Schedule – Spring 2020
THE NEW YORK PHILHARMONIC THIS WEEK Broadcast Schedule – Spring 2020 PROGRAM#: NYP 20-27 RELEASE DATE: March 25, 2020 Music of Our Time: Liang, Dalbavie, Shepherd, Muhly, and Pintscher Lei LIANG (b. 1972): Verge, for 18 Strings (2009) (Magnus Lindberg, conductor) Marc‐André DALBAVIE (b. 1961): Melodia, for Instrumental Ensemble (2009) (Magnus Lindberg, conductor) Sean SHEPHERD (b. 1979): These Particular Circumstances, in seven uninterrupted episodes (2009) (Alan Gilbert, conductor) Nico MUHLY (b. 1981): Detailed Instructions, for orchestra (2010) (Alan Gilbert, conductor) Matthias PINTSCHER (b. 1971): Songs from Solomon’s garden, for baritone and chamber orchestra (2009; New York Philharmonic Co‐Commission with the Frankfurt Radio Symphony Orchestra) (Alan Gilbert, conductor; Thomas Hampson, baritone) PROGRAM#: NYP 20-28 RELEASE DATE: April 1, 2020 Bernstein Conducts Bernstein BERNSTEIN: Chichester Psalms (World Premiere performance) (Leonard Bernstein, conductor; Camerata Singers, dir. Abraham Kaplan; John Bogart, boy alto) BERNSTEIN: Kaddish, Symphony No.3 (Leonard Bernstein, conductor; Camerata Singers, dir. Abraham Kaplan; Columbus Boychoir, dir. Donald Bryant; John Bogart, boy alto; Felicia Montealegre, speaker; Jennie Tourel, mezzo-soprano) BERNSTEIN: Suites 1 and 2 from the Dybbuk (Leonard Bernstein, conductor; Paul Sperry, tenor; Bruce Fifer, bass- baritone) PROGRAM#: NYP 20-29 RELEASE DATE: April 8, 2020 American Works: Gershwin, Russo, Ellington, and Copland GERSHWIN: Porgy and Bess (selections) (recorded 1954) (André Kostelantetz, conductor) RUSSO: Symphony No. 2, “Titans” (recorded 1959) (Leonard Bernstein, conductor; Maynard Ferguson, trumpet) ELLINGTON/ Marsalis: A Tone Parallel to Harlem (recorded 1999) (Kurt Masur, conductor; Jazz at Lincoln Center Orchestra, Wynton Marsalis, artistic director & trumpet) COPLAND: The Tender Land (abridged) (recorded 1965) (Aaron Copland, conductor; Joy Clements, soprano; Claramae Turner, mezzo-soprano; Richard Cassilly, tenor; Richard Fredricks, baritone; Norman Treigle, bass; Choral Art Society, dir. -
Verdi's Rigoletto
Verdi’s Rigoletto - A discographical conspectus by Ralph Moore It is hard if not impossible, to make a representative survey of recordings of Rigoletto, given that there are 200 in the catalogue; I can only compromise by compiling a somewhat arbitrary list comprising of a selection of the best-known and those which appeal to me. For a start, there are thirty or so studio recordings in Italian; I begin with one made in 1927 and 1930, as those made earlier than that are really only for the specialist. I then consider eighteen of the studio versions made since that one. I have not reviewed minor recordings or those which in my estimation do not reach the requisite standard; I freely admit that I cannot countenance those by Sinopoli in 1984, Chailly in 1988, Rahbari in 1991 or Rizzi in 1993 for a combination of reasons, including an aversion to certain singers – for example Gruberova’s shrill squeak of a soprano and what I hear as the bleat in Bruson’s baritone and the forced wobble in Nucci’s – and the existence of a better, earlier version by the same artists (as with the Rudel recording with Milnes, Kraus and Sills caught too late) or lacklustre singing in general from artists of insufficient calibre (Rahbari and Rizzi). Nor can I endorse Dmitri Hvorostovsky’s final recording; whether it was as a result of his sad, terminal illness or the vocal decline which had already set in I cannot say, but it does the memory of him in his prime no favours and he is in any case indifferently partnered. -
Boston Symphony Orchestra Concert Programs, Season 119, 1999-2000
O Z A W A S TO N *S I 1 p"! 'ii lit E S T R 1 A 1 id III III 1 II 111 I 111 aatwoeaiSifltji -- it • **• ~~ 1999-2000 SEASON Bring your Steinway: With floor plans from acre gated community atop 2,100 to 5,000 square feet, prestigious Fisher Hill you can bring your Concert Jointly marketed by Sotheby's Grand to Longyear. International Realty and You'll be enjoying full-service, Hammond Residential Real Estate. single-floor condominium living at Priced from $1,200,000. its absolute finest, all harmoniously Call Hammond Real Estate at located on an extraordinary eight- (617) 731-4644, ext. 410. LONGYEAR. at Eisner JHfiu BROOKLINE r^^-SS—Jjf /:.'-', a 2l;>'^^~^r^iis -^—"-*' LfS^'^-h-r'^ -- .;!- 1 . -* 1 X ,--h~T >.>% j ^., ' -'^Mmm "I ?.-£ Wi iJtwym 4MS tia6 i Mm " . CORTLAND Hammond SOTHEBY'S PROPERTIES INC. E S I D E N T I A International Realty Seiji Ozawa, Music Director Bernard Haitink, Principal Guest Conductor One Hundred and Nineteenth Season, 1999-2000 Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice- Chairman Vincent M. O'Reilly, Treasurer Harvey Chet Krentzman, Vice-Chairman Ray Stata, Vice- Chairman Harlan E. Anderson Deborah B. Davis George Krupp Robert P. O'Block, Diane M. Austin, Nina L. Doggett Ed Linde ex-officio ex-officio Nancy J. Fitzpatrick R. Willis Leith, Jr. Peter C. Read Gabriella Beranek Charles K. Gifford Mrs. August R. Meyer Hannah H. Schneider Jan Brett Avram J. Goldberg Richard P. -
26 September 2008 Page 1 of 35 SATURDAY 20 SEPTEMBER 2008 La Stagione Frankfurt, Michael Schneider (Conductor)
Radio 3 Listings for 20 – 26 September 2008 Page 1 of 35 SATURDAY 20 SEPTEMBER 2008 La Stagione Frankfurt, Michael Schneider (conductor) SAT 01:00 Through the Night (b00df694) 05:09AM With John Shea. Handel, Georg Friedrich (1685-1759) Alceste: Gentle Morpheus, son of night 01:01AM Emma Kirkby (soprano), Academy of Ancient Music, Andrew Grieg, Edvard Hagerup (1843-1907) Manze (director) Peer Gynt - suite no. 1 (Op. 46) Bergen Philharmonic Orchestra, Ole Kristian Ruud (conductor) 05:18AM Schumann, Clara (1819-1896) 01:26AM Variations on a Theme of Robert Schumann in F sharp minor Mendelssohn, Felix (1809-1847) (Op.20) Symphony no. 1 (Op. 11) in C minor Angela Cheng (piano) Bergen Philharmonic Orchestra, Andrew Litton (conductor) 05:28AM 01:57AM Svendsen, Johann (1840-1911) Schubert, Franz (1797-1828) Festival Polonaise – for orchestra (Op.12) Sonata (Op.53) in D major (D.850) Bergen Philharmonic Orchestra, Philippe Jordan (conductor) Alfred Brendel (piano) 05:37AM 02:35AM Bach, Johann Michael (1648-1694) Scarlatti, Alessandro (1660-1725) Liebster Jesu, hor mein Flehen Stabat Mater (1724) Maria Zedelius (soprano), David Cordier (alto), Paul Elliott and Valeri Popova (soprano), Penka Dilova (mezzo-soprano), Hein Meens (tenors), Michael Schopper (bass), Musica Antiqua Tolbuhin Children’s Chorus, Bulgarian National Radio Koln, Reinhard Goebel (director) Sinfonietta, Dragomir Nenov (conductor) 05:45AM 03:16AM Humperdinck, Engelbert (1854-1921) Tchaikovsky, Peter Illych (1840-1893) Overture from Hansel and Gretel Symphony No. 5 in E minor, (Op. -
Franco Corelli
FRANCO CORELLI THE PERFORMANCE ANNALS 1951-1981 EDITED BY Frank Hamilton © 2003 http://FrankHamilton.org [email protected] sources Gilberto Starone’s performance annals form the core of this work; they were published in the book by Marina Boagno, Fr anco Corelli : Un Uomo, Una Voce, Azzali Editori s.n.c., Parma, 1990, and in English translation Fr anco Corelli : A Man, A Voice, Baskerville Publishers, Inc., Dallas, 1996. They hav ebeen merged with information from the following sources: Richard Swift of New York and Michigan has provided dates and corrections from his direct correspodence with the theatres and other sources: Bologna (Letter from Teatro Comunale: 5/16/86); Bussetto (see Palermo); Catania (L: Teatro Massimo Bellini: 5/26/86); Enghien-les- Bains (see Napoli); Genoa (L: L’Opera de Genoa: 5/13/86); Hamburg (L: Hamburgische Staatsoper: 5/15/86); Lausanne (L: Theatre Municipal, Lausanne: 5/12/86); Lisbon (L: Teatro Nacional São Carlos: 1986); Livorno (L: Comune di Livorno: 5/31/87); Madrid (L: Teatro Nacional de La Zarzuela: 1/26/87); Modena (L: Comune di Modena: 10/16/87); Napoli (Il Mondo Lirico); Nice (L: Opera de Nice: 5/2/86, 8/5/88); Palermo (L: Teatro Massimo: 6/10/86, 10/13/88); Piacenza (L: Comune di Piacenza u. o. Teatro Municipale: 6/10/86); Rome (Opera Magazine); Rovigo (L: Accademia dei Concordi, Rovigo: 11/11/86, 2/12/87); San Remo (L: Comune di San Remo: 11/8/86); Seattle (Opera News 11/1967); Trieste (L: Teatro Comunale: 4/30/86). The following reference books are listed alphabetically by venue. -
(2.925Mb) Ou1971november80001
OAKlAND UNIVfASITY AOCHfSHA . MICHIGAN CAMPUS PHONES SET FOR DIRECT DIALING The university's long-anticipated Training sessions on the use of switchover to CENTREX telephone the new system began last week and service goes into effect next week, wi II continue dai Iy through Friday, giving everyone on campus a private Nov. 12. The sess ions are he Id telephone number. dai Iy at 10 and II :30 a.m. and at 1:30 and 3 p.m. AI I faculty and The Office of Personnel has sent staff are urged to attend one of the NOVfMBfA 8 . 1971 out notifications to al I faculty, training sessions. staff and students of their new direct-dial numbers. The notices To add our personal boost to the also request members of the univer• switchover, the new phone number for INDIAN RELICS EXHIBITED sity community to notify their the au and "Campus Calendar" wi II be frequent callers of the change. 377-3180. Kresge Library's exhibit this month illustrates 10,000 years of Indian occupation in southeastern Michigan. Quercorum Terra Archaeo• Promote logica, Oakland's archeology club, Patrons Gallery prepared the exhibit with an emph• asis on the need for salvage and 111111111111111111111111111111111111111111111111111111111111111111111111 The University Art Gallery wi II excavation of Indian sites on campus Photos on Page 2 present an exhibition of paintings and throughout Oakland County. The entitled "Art of the Decade 1960• exhibit stresses the destructive 111111111111111111111111111111111111111111111111111111111111111111111111 1970: Paintings From the Col lec• threat to archeological remains from tions of Greater Detroit," which Anuskiewicz, Morris Louis, Kenneth urban development and untrained wi I I open Sunday, Nov. -
Edgecliff Student Newspaper
Xavier University Exhibit Journals, Publications, Conferences, and Edgecliff oC llege Newspaper Proceedings 1965-06-01 Edgecliff tudeS nt Newspaper Edgecliff olC lege - Cincinnati Follow this and additional works at: http://www.exhibit.xavier.edu/edgecliff_newspaper Recommended Citation Edgecliff oC llege - Cincinnati, "Edgecliff tudeS nt Newspaper" (1965). Edgecliff College Newspaper. Book 189. http://www.exhibit.xavier.edu/edgecliff_newspaper/189 This Book is brought to you for free and open access by the Journals, Publications, Conferences, and Proceedings at Exhibit. It has been accepted for inclusion in Edgecliff oC llege Newspaper by an authorized administrator of Exhibit. For more information, please contact [email protected]. The Edgecliff Vol. XXX Our Lady of Cincinnati, "Edgecliff," Cincinnati, Ohio, June 1, 1965 No. 8 f.dgecliff Graduates 137 at Twilight Exercises Higher. education. under pnvate the State of Ohi·o the tw o t ra d1·t ions· d.1s t an t f u t ure. " auspices . has. certain advantages. .. of public and pri·vate e d uca t.ion I n coneI us1on· h e s t a t e d : "R e- over public higher education, said meet di f th tc f J h D · · · gar ess o e ou ome o any D r. 0 n · Millett, director and :'Ten years ago," he said, " the immediate issue which may have to private institutions enrolled 45 per- be resolved here in Ohio, I hope 'Shine Your Light Before Men,' cent of all students attending col- that as graduates of this college lege in Ohio. But in these past ten which has done so much for you, years, private institutions have ex- you, in turn, will ever be alert to Father Urbain Urges Seniors panded their enrollment by about do much for this institution, and "So let your light shine before and live the true mystery of that 50 per cent while the public insti- for higher education in general. -
Discovideografia 2009-2011 Discovideografia 2009-2011 145
144 DISCOVIDEOGRAFIA 2009-2011 DISCOVIDEOGRAFIA 2009-2011 145 DISCOVIDEOGRAFIA VERDIANA Aggiornamenti 2009-2011 Alessandro Turba Proprio a partire dagli anni a cui si riferiscono i presenti Aggiorna- menti le case discografiche stanno alacremente rimpolpando i propri cata- loghi di ‘provviste’, onde necessariamente far fronte a una domanda che, come è ovvio aspettarsi, troverà il suo culmine nell’anno del festeggiamen- to del bicentenario verdiano, ormai alle porte. Tale, esponenziale crescita del gettito di titoli verdiani è, però, logicamente dovuta anche all’offerta di nuovi supporti tecnologici che, a distanza di più di dieci anni dalle passate celebrazioni, si è di molto diversificata (vedi il Super Audio CD e, nell’ambito dell’audiovisivo, il Blu-ray Disc). Ma non è tutto oro quel- lo che luccica. Lo sforzo delle case discografiche, le ‘minorities’ come le ‘majors’, non è che il disperato tentativo di tenere testa a una crisi del mer- cato discografico dovuta alla libera circolazione e condivisione di mate- riali audiovisivi resa possibile da Internet; crisi da loro cercata di arginare smerciando le registrazioni dei propri cataloghi proprio attraverso questo canale, rendendole disponibili agli internauti melomani con un click. Al momento, l’irreversibilità di questa ‘crisi’ si palesa nella radicalizzazione di quanto già constatato negli anni scorsi dai precedenti titolari di questa rubrica: «l’estinzione della registrazione in studio»1. La tendenza da parte 1 CARLO MARINELLI - ANNA GRAZIA PETACCIA, Discografia verdiana, Aggiornamenti 146 DISCOVIDEOGRAFIA 2009-2011 delle case discografiche è quella, infatti, di catturare tramite videoriprese – oggi perlopiù in High Definition, grazie anche ai mezzi e alla sinergia con grandi enti televisivi – un particolare evento teatrale ‘dal vivo’, tutt’al più operando un montaggio tra le performances più riuscite, nel mentre in cui il titolo staziona nel cartellone della stagione operistica di un dato Ente Lirico. -
Boston Symphony Orchestra Concert Programs, Season 115, 1995-1996
BOSTON Vf^.'-. SYMPHONY ORCHESTRA V -1 ^\ ;: SEIJI OZAWA MUSIC DIRECTOR 9 6 S E O N The security of a trust, Fidelity investment expertise. i • A CJojjcc Compodltlon " ,. (i##^.,..'*ffZs-- -t. ' Fidelity | Just as a Beethoven score is at its best when performed by a world- Pergonal class symphony — so, too, should Trudt your trust assets be managed by a financial company recognized Servicer globally for its investment expertise. Fidelity Investments. Xhat's why Fidelity now offers a naged trust or personalized estment management account #fbr your portfolio of $400,000 or more,* For more information, visit W* -a Fidelity Investor Center or call Fidelity Pergonal Triut Servicer at 1-800-854-2829. Visit a Fidelity Investor Center Near You: Boston - Back Bay • Boston - Financial District Braintree, MA • Burlington, MA Fidelity Investments' SERVICES OFFERED ONLY THROUGH AUTHORIZED TRUST COMPANIES. TRUST SERVICES VARY BY STATE. FIDELITY BROKERAGE SERVICES, INC., MEMBER NYSE, SIPC. 3i£ Ozawa, Music Director SYMPHONY J 1 J \ORCHESTRA/ Bernard Haitink, Principal Guest Conductor £U A ^^ !M°^ ^jf One Hundred and Fifteenth Season, 1995-96 Trustees of the Boston Symphony Ore hestra, Inc. J. P. Barger, Chairman Nicholas T. Zervas, President Peter A. Brooke, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Mrs. Edith L. Dabney, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. John H. Fitzpatrie c, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson Nader F. Darehshori Edna S. Kalman Mrs. Robert B. Newman James F. Cleary Deborah B. Davis Allen Z. Kluchman Robert P. O'Block John E. Cogan, Jr. Nina L. Doggett George Krupp Peter C. -
WIFF-2014-Program.Pdf
The Windsor International Film Festival (WIFF) is a cultural, not-for-profit organization whose mission is to recognize and celebrate the art of cinema by showcasing Canadian and international films and filmmakers. Through its exhibition, education, and community development programs, WIFF builds audiences for Canadian content and talent, provides training opportunities for emerging filmmakers, and promotes the creative economy of Windsor and Southwestern Ontario. WINDSOR INTERNATIONAL FILM FESTIVAL Denise Deziel | Debra Henderson (Vice Chair) | Mori McIntosh (Secretary) | Kim Nelson | Pat Papadeas | Sung Min Bae | Lynne Watts (Chair) | Martha Winterbottom (Treasurer) Honorary Members: Mark Boscariol, Peter Coady, Michael Reboulis, Lou Tortola WINDSOR INTERNATIONAL FILM FESTIVAL Executive Director: Vincent Georgie Managing Director: Nick Cacciato Technical Director: Sung Min Bae Administrative Manager: Michael Ruffolo Box Office Coordinators: Jen Holson and Rowena Cacciato Volunteer Coordinator: Rowena Cacciato Program Manager, 48-Hour FlickFest and 100 Mile Shorts: Svjetlana Oppen Print Traffic Coordinator: Alan Bull Graphic Design & Layout: Dave Houle WINDSOR INTERNATIONAL FILM FESTIVAL P.O. Box 591 | Station A | Windsor, ON | N9A 6M6 windsorfilmfestival.com Photo: Nick Brancaccio/Windsor Star Brancaccio/Windsor Nick Photo: Happy Birthday WIFF! 10 Years Already From humble beginnings in the fall of 2005 to what is now an established cultural force on the Canadian film scene, WIFF has a lot to celebrate in its 10th Anniversary. Every November, our passionate, loyal and enthusiastic audience turns to us to show them the very best that the world film landscape has to offer them. WIFF is a time to take risks, to explore new genres, to find out what both the world’s most established and up-and-coming filmmakers have on their minds. -
Authorization to Copy
AUTHORIZATION TO COPY I authorize Kenneth S. Schmidt to scan the book I coauthored entitled, TULSA OPERA CHRONICLES, for the purpose of making a digital copy for use on the internet in the interest of preserving the history of the Tulsa Opera. Further copies may be made from this digital copy provided they are for educational, historical, personal enjoyment, or the promotion of fine art, and for non-profit use. For any other intentions, the copyright statement below applies. Laven Sowell Jack Williams June 15, 2007 Copyright © 1992 by Jack A. Williams and Laven Sowell All rights reserved under International Copyright Law. Contents May not be reproduced in whole or in part in any form without The express written consent of the authors. Library of Congress Catalog Number 92-96949 1 2 Website produced in appreciation of Mr. Laven Sowell by Ken Schmidt, student of Mr. Sowell since September 1964, Edison Jr. High School Boys Glee Club, Edison High School Mixed Chorus, and proud alumnus of the Edison High School Concert Chorus during the 1969 / 1970 school year in Tulsa, Oklahoma. Thank you for teaching me about great music. 3 To compensate for the page numbering difference between the original book and this PDF file, please add 10 to the page number when referencing the Table of Contents and the Index, and then search or scroll in your PDF viewer. 4 5 This book is dedicated to the loyal and talented chorus members, who have for many years given unselfishly of their time and talent to help make opera possible in the city of Tulsa.