DOCSLIB.ORG

Jack Fairweather's

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Featuring 445 Industry-First Reviews of Fiction, Nonfiction, Children'sand YA books KIRKUSVOL. LXXXVII, NO. 13 | 1 JULY 2019 REVIEWS Jack Fairweather’s The Volunteer: One Man, an Underground Army, and the Secret Mission to Destroy Auschwitz shines a powerful spotlight on a courageous man and his impressive accomplishments in the face of unspeakable evil. It’s an inspiring story beautifully told. p. 72 from the editor’s desk: Chairman HERBERT SIMON President & Publisher Goodbye MARC WINKELMAN BY CLAIBORNE SMITH # Chief Executive Officer MEG LABORDE KUEHN [email protected] Photo courtesy Michael Thad Carter courtesy Photo Editor-in-Chief This is the column when I say goodbye. Being the CLAIBORNE SMITH editor-in-chief of Kirkus Reviews has been a dream job. [email protected] Vice President of Marketing We never want you all to think about all the thorough SARAH KALINA [email protected] fact-checking we do each issue; or the work our senior Managing/Nonfiction Editor ERIC LIEBETRAU editors do to find critics who write with authority, [email protected] Fiction Editor verve, and insight; or all the time our reviewers spend LAURIE MUCHNICK alone, reading, before others have formed an opin- [email protected] Children’s Editor ion of the book they’re reviewing; or the eagle-eyed VICKY SMITH [email protected] copy editing our copy editor, Betsy Judkins, does; or Young Adult Editor LAURA SIMEON the wonderful design work Alex Head does for us; or [email protected] Editor at Large the patient, probing journalism our features report- MEGAN LABRISE ers file each issue; or the effort to get all the jacket [email protected] Vice President of Kirkus Indie images into place in the 300-some reviews we publish KAREN SCHECHNER [email protected] each issue. We want you all to think about the books Senior Indie Editor DAVID RAPP we’re reviewing and to enjoy reading vibrant, distinc- [email protected] Indie Editor tive criticism. I’m telling you about Kirkus Reviews MYRA FORSBERG behind the scenes because publishing all those inci- [email protected] Associate Manager of Indie sive reviews every other week is a little miracle. We’re KATERINA PAPPAS Claiborne Smith [email protected] a scrappy little assembly of people who care deeply Editorial Assistant CHELSEA ENNEN about what thoughtful criticism can do for the world, how it can guide readers to the book [email protected] Mysteries Editor that’s just right for them and in the process open up the world for them. It’s a process that THOMAS LEITCH I’m really proud to have been a part of. I want to give special thanks to our chairman, Herb Contributing Editor GREGORY McNAMEE Simon, and publisher, Marc Winkelman. Meg Kuehn, Kirkus’ CEO, has taught me so much Copy Editor and encouraged me to join Kirkus in the first place in 2012 as our features editor. Meg and I BETSY JUDKINS Designer became good friends, and I’m going to miss her, as I will the rest of my colleagues. ALEX HEAD Director of Kirkus Editorial I’m going to become the full-time literary director of the San Antonio Book Festival, a job LAUREN BAILEY I’ve done on a part-time basis since the festival’s founding seven years ago. (I’m also getting [email protected] Production Editor three months off each year to work on a book—a writer’s dream!) CATHERINE BRESNER [email protected] I’m thrilled that Tom Beer is going to be the new editor-in-chief of Kirkus Reviews. I wrote Creative Lead ARDEN PIACENZA for Tom years ago when I was in grad school, and I served on the National Book Critics Circle [email protected] board of directors with him. Tom left a position as the books editor at for Kirkus. Website and Software Developer Newsday PERCY PEREZ In addition to his tenure at Newsday and the National Book Critics Circle, Tom was an editor [email protected] Advertising Director at Out magazine and has written about books and other subjects for the Village Voice, the Los MONIQUE STENSRUD [email protected] Angeles Times, Time Out New York, and other publications. Advertising Associate TATIANA ARNOLD A magazine is nothing without its readers, and we have the absolute best; thank you for [email protected] being loyal Kirkus subscribers. Graphic Designer LIANA WALKER I’m looking forward to discovering all the new books Tom and our editors tell me I should [email protected] Controller be reading. — C.S. MICHELLE GONZALES [email protected] for customer service or subscription questions, please call 1 800 316 9361 Print indexes: www.kirkusreviews.com/book-reviews/print-indexes Submission Guidelines: www.kirkusreviews.com/about/submission-guidlines - - - Kirkus Blog: www.kirkusreviews.com/blog Subscriptions: www.kirkusreviews.com/subscription Advertising Opportunities: www.kirkusreviews.com/about/advertising- Newsletters: www.kirkusreviews.com/subscription/newsletter/add Cover photo by opportunities Barney Jones 2 | 1 july 2019 | from the editor’s desk | kirkus.com | you can now purchase books online at kirkus.com contents fiction The Kirkus Star is awarded INDEX TO STARRED REVIEWS ...........................................................4 REVIEWS ...............................................................................................4 to books of remarkable EDITOR’S NOTE.....................................................................................6 merit, as determined by the PETER ORNER’S ABSURDITIES ........................................................ 14 impartial editors of Kirkus. MYSTERY .............................................................................................40 SCIENCE FICTION & FANTASY ..........................................................51 ROMANCE ........................................................................................... 52 nonfiction INDEX TO STARRED REVIEWS ......................................................... 56 REVIEWS ............................................................................................. 56 EDITOR’S NOTE................................................................................... 58 ON THE COVER: JACK FAIRWEATHER ...........................................72 ISHA SESAY GETS THE STORY ......................................................... 78 children’s INDEX TO STARRED REVIEWS ......................................................... 89 EDITOR’S NOTE...................................................................................90 REVIEWS ............................................................................................. 91 young adult INDEX TO STARRED REVIEWS ........................................................152 REVIEWS ............................................................................................152 EDITOR’S NOTE..................................................................................154 MICHELLE RUIZ KEIL DEBUTS WITH WINGS ..............................160 Separated from her younger brother in the SHELF SPACE: OBLONG BOOKS & MUSIC ...................................172 chaos of postwar Vietnam, a refugee newly indie arrived in Texas crosses paths with a wannabe INDEX TO STARRED REVIEWS ........................................................173 rodeo cowboy as she sets off in search of her REVIEWS ............................................................................................173 sibling. Read the review on p. 162. EDITOR’S NOTE..................................................................................174 Don’t wait on the mail for reviews! You can read pre-publication reviews as INDIE Q&A: KYLIE SCOTT ............................................................... 180 they are released on kirkus.com—even before they are published in the magazine. You can also access the current issue and back issues of Kirkus Reviews on our FIELD NOTES.....................................................................................194 website by logging in as a subscriber. If you do not have a username or password, please contact customer care to set up your account by calling 1.800.316.9361 or emailing [email protected]. | kirkus.com | contents | 1 july 2019 | 3 fiction These titles earned the Kirkus Star: WE, THE SURVIVORS Aw, Tash Farrar, Straus and Giroux WE, THE SURVIVORS by Tash Aw ..................................................... 4 (336 pp.) $27.00 | Sep. 3, 2019 EVERYTHING INSIDE by Edwidge Danticat ....................................12 978-0-374-28724-5 CANTORAS by Carolina De Robertis .................................................13 A rumination on the way systems of BLOOMLAND by John Englehardt .....................................................18 power and currents of hope in modern- day Malaysia can influence a life. LIVE A LITTLE by Howard Jacobson ................................................. 20 When Lee Hock Lye clubs a Bangla- deshi stranger to death with a two-foot COLD STORAGE by David Koepp ..................................................... 24 piece of wood, everyone is searching for a motive. Even after THE PENGUIN BOOK OF ITALIAN SHORT STORIES Ah Hock has served his three-year prison sentence, an Ameri- ed. by Jhumpa Lahiri ......................................................................... 24 can-educated sociology student wants to interview him for her dissertation. She wants to understand his story. “ That’s THE BEEKEEPER OF ALEPPO Why? by Christy Lefteri .............................30 what you want to know. Just like everyone else,” he confronts her early in the novel, “But like the others, you’re going
Recommended publications
  • Seeing (For) Miles: Jazz, Race, and Objects of Performance

    Seeing (For) Miles: Jazz, Race, and Objects of Performance

    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2014 Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, and the American Studies Commons Recommended Citation anderson, Benjamin Park, "Seeing (for) Miles: Jazz, Race, and Objects of Performance" (2014). Dissertations, Theses, and Masters Projects. Paper 1539623644. https://dx.doi.org/doi:10.21220/s2-t267-zy28 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park Anderson Richmond, Virginia Master of Arts, College of William and Mary, 2005 Bachelor of Arts, Virginia Commonwealth University, 2001 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program College of William and Mary May 2014 APPROVAL PAGE This Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Benjamin Park Anderson Approved by T7 Associate Professor ur Knight, American Studies Program The College
  • Video Streaming Best Practices for Pr

    Video Streaming Best Practices for Pr

    VIDEO STREAMING BEST PRACTICES FOR PR Meerkat and Periscope Meerkat and Periscope are experiencing exponential growth. Since their launch in March, the two apps have seen more than 1.5 million live streams. In addition, video consumption is generally on the rise. Cisco predicts that video will account for 80 per cent of all Internet traffic in 2019, up from 64 per cent in 2014. People want to share their worlds. More importantly, they want to be invited into yours. General Electric (GE), pictured below, is taking its audience on an entirely new, experiential journey with Periscope. Meerkat and Periscope have put the spotlight on streaming video and video podcasts. Are they the latest shiny tools of the Internet or something more? We say more. With live streaming, you can engage your audience directly, in real time; boost existing PR content initiatives; and grow awareness and audience engagement. All types of brands are taking advantage of the medium, from musicians to chefs and from real estate professionals to business consultants. The only question left is how to get started with the new tools. Don’t worry; we’ve got you covered. The world is your oyster. Live streaming allows for PR aims like growing awareness and engagement as well as thought leadership. In the campaign pictured to the right, Nestle worked with influencers to “drum” up interest in its ice cream. The results speak for themselves. Nestle’s Drumstick Periscope Channel generated more than 5,000 views and more than 50,000 hearts in roughly 12 hours. Influencers (Nestle worked with four.) generated 1,500 views and more than 64,000 hearts.
  • Effects and Opportunities of Native Code Extensions For

    Effects and Opportunities of Native Code Extensions For

    Effects and Opportunities of Native Code Extensions for Computationally Demanding Web Applications DISSERTATION zur Erlangung des akademischen Grades Dr. Phil. im Fach Bibliotheks- und Informationswissenschaft eingereicht an der Philosophischen Fakultät I Humboldt-Universität zu Berlin von Dipl. Inform. Dennis Jarosch Präsident der Humboldt-Universität zu Berlin: Prof. Dr. Jan-Hendrik Olbertz Dekan der Philosophischen Fakultät I: Prof. Michael Seadle, Ph.D. Gutachter: 1. Prof. Dr. Robert Funk 2. Prof. Michael Seadle, Ph.D. eingereicht am: 28.10.2011 Tag der mündlichen Prüfung: 16.12.2011 Abstract The World Wide Web is amidst a transition from interactive websites to web applications. An increasing number of users perform their daily computing tasks entirely within the web browser — turning the Web into an important platform for application development. The Web as a platform, however, lacks the computational performance of native applications. This problem has motivated the inception of Microsoft Xax and Google Native Client (NaCl), two independent projects that fa- cilitate the development of native web applications. Native web applications allow the extension of conventional web applications with compiled native code, while maintaining operating system portability. This dissertation determines the bene- fits and drawbacks of native web applications. It also addresses the question how the performance of JavaScript web applications compares to that of native appli- cations and native web applications. Four application benchmarks are introduced that focus on different performance aspects: number crunching (serial and parallel), 3D graphics performance, and data processing. A performance analysis is under- taken in order to determine and compare the performance characteristics of native C applications, JavaScript web applications, and NaCl native web applications.
  • Discography of the Mainstream Label

    Discography of the Mainstream Label

    Discography of the Mainstream Label Mainstream was founded in 1964 by Bob Shad, and in its early history reissued material from Commodore Records and Time Records in addition to some new jazz material. The label released Big Brother & the Holding Company's first material in 1967, as well as The Amboy Dukes' first albums, whose guitarist, Ted Nugent, would become a successful solo artist in the 1970s. Shad died in 1985, and his daughter, Tamara Shad, licensed its back catalogue for reissues. In 1991 it was resurrected in order to reissue much of its holdings on compact disc, and in 1993, it was purchased by Sony subsidiary Legacy Records. 56000/6000 Series 56000 mono, S 6000 stereo - The Commodore Recordings 1939, 1944 - Billy Holiday [1964] Strange Fruit/She’s Funny That Way/Fine and Mellow/Embraceable You/I’ll Get By//Lover Come Back to Me/I Cover the Waterfront/Yesterdays/I Gotta Right to Sing the Blues/I’ll Be Seeing You 56001 mono, S 6001 stereo - Begin the Beguine - Eddie Heywood [1964] Begin the Beguine/Downtown Cafe Boogie/I Can't Believe That You're in Love with Me/Carry Me Back to Old Virginny/Uptown Cafe Boogie/Love Me Or Leave Me/Lover Man/Save Your Sorrow 56002 mono, S 6002 stereo - Influence of Five - Hawkins, Young & Others [1964] Smack/My Ideal/Indiana/These Foolish Things/Memories Of You/I Got Rhythm/Way Down Yonder In New Orleans/Stardust/Sittin' In/Just A Riff 56003 mono, S 6003 stereo - Dixieland-New Orleans - Teagarden, Davison & Others [1964] That’s A- Plenty/Panama/Ugly Chile/Riverboat Shuffle/Royal Garden Blues/Clarinet
  • Kirkus Reviews on Our Website by Logging in As a Subscriber

    Kirkus Reviews on Our Website by Logging in As a Subscriber

    Featuring 319 Industry-First Reviews of Fiction, Nonfiction, Children'sand YA books VOL.KIRKUS LXXXVIII, NO. 18 | 15 SEPTEMBER 2020 REVIEWS Laila Lalami The author confronts American inequities in Conditional Citizens p. 58 Also in this issue: Sigrid Nunez, Daniel Nayeri, and Amra Sabic-El-Rayess from the editor’s desk: The Way I Read Now Chairman BY TOM BEER HERBERT SIMON President & Publisher MARC WINKELMAN John Paraskevas # Among the many changes in my daily life this year—working from home, Chief Executive Officer wearing a mask in public, watching too much TV—my changing read- MEG LABORDE KUEHN ing habits register deeply. For one thing, I read on a Kindle now, with the [email protected] Editor-in-Chief exception of the rare galley sent to me at home and the books I’ve made TOM BEER a point of purchasing from local independent bookstores or ordering on [email protected] Vice President of Marketing Bookshop.org. The Kindle was borrowed—OK, confiscated—from my SARAH KALINA boyfriend at the beginning of the pandemic, when I left dozens of advance [email protected] reader copies behind at the office and accepted the reality that digital gal- Managing/Nonfiction Editor ERIC LIEBETRAU leys would be a practical necessity for the foreseeable future. I can’t say that I [email protected] love reading on my “new” Kindle—I’m still a sucker for physical books after Fiction Editor LAURIE MUCHNICK all these years—but I’ll admit that it fulfills its purpose efficiently. And I do [email protected] Tom Beer rather enjoy the instant gratification of going on NetGalley or Edelweiss Young Readers’ Editor VICKY SMITH and dispatching multiple books to my device in one fell swoop—a harmless [email protected] form of bingeing that affords a little dopamine rush.
  • Toxic Masculinity and the Revolutionary Anti-Hero

    Toxic Masculinity and the Revolutionary Anti-Hero

    FIGHTING HACKING AND STALKING: TOXIC MASCULINITY AND THE REVOLUTIONARY ANTI-HERO A thesis submitted to the faculty of San Francisco State University A In partial fulfillment of 3^ the requirements for the Degree kJQ Masters of Arts *0 4S In Women and Gender Studies by Robyn Michelle Ollodort San Francisco, California May 2017 Copyright by Robyn Michelle Ollodort 2017 CERTIFICATION OF APPROVAL I certify that I have read Fighting, Hacking, and Stalking: Toxic Masculinity and the Revolutionary Anti-Hero by Robyn Michelle Ollodort, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master of Arts in Women and Gender Studies at San Francisco State University. Martha Kenney; Ph.D. Assistant Professor, Women and Gender Studies Professor, History FIGHTING, HACKING, AND STALKING: TOXIC MASCULINITY AND THE REVOLUTIONARY ANTI-HERO Robyn Michelle Ollodort San Francisco, California 2017 Through my analyses of the films Taxi Driver (1976) and Fight Club (1999), and the television series Mr. Robot (2105), I will unpack the ways each text represents masculinity and mental illness through the trope of revolutionary psychosis, the ways these representations reflect contemporaneous political and social anxieties, and how critical analyses of each text can account for the ways that this trope fails to accurately represent the lived experiences of men and those with mental illnesses. In recognizing the harmful nature of each of these representations’ depictions of both masculinity and mental illness, we can understand why such bad tropes circulate, and how to recognize and refuse them, or make them better.
  • Seacare Authority Exemption

    Seacare Authority Exemption

    EXEMPTION 1—SCHEDULE 1 Official IMO Year of Ship Name Length Type Number Number Completion 1 GIANT LEAP 861091 13.30 2013 Yacht 1209 856291 35.11 1996 Barge 2 DREAM 860926 11.97 2007 Catamaran 2 ITCHY FEET 862427 12.58 2019 Catamaran 2 LITTLE MISSES 862893 11.55 2000 857725 30.75 1988 Passenger vessel 2001 852712 8702783 30.45 1986 Ferry 2ABREAST 859329 10.00 1990 Catamaran Pleasure Yacht 2GETHER II 859399 13.10 2008 Catamaran Pleasure Yacht 2-KAN 853537 16.10 1989 Launch 2ND HOME 856480 10.90 1996 Launch 2XS 859949 14.25 2002 Catamaran 34 SOUTH 857212 24.33 2002 Fishing 35 TONNER 861075 9714135 32.50 2014 Barge 38 SOUTH 861432 11.55 1999 Catamaran 55 NORD 860974 14.24 1990 Pleasure craft 79 199188 9.54 1935 Yacht 82 YACHT 860131 26.00 2004 Motor Yacht 83 862656 52.50 1999 Work Boat 84 862655 52.50 2000 Work Boat A BIT OF ATTITUDE 859982 16.20 2010 Yacht A COCONUT 862582 13.10 1988 Yacht A L ROBB 859526 23.95 2010 Ferry A MORNING SONG 862292 13.09 2003 Pleasure craft A P RECOVERY 857439 51.50 1977 Crane/derrick barge A QUOLL 856542 11.00 1998 Yacht A ROOM WITH A VIEW 855032 16.02 1994 Pleasure A SOJOURN 861968 15.32 2008 Pleasure craft A VOS SANTE 858856 13.00 2003 Catamaran Pleasure Yacht A Y BALAMARA 343939 9.91 1969 Yacht A.L.S.T. JAMAEKA PEARL 854831 15.24 1972 Yacht A.M.S. 1808 862294 54.86 2018 Barge A.M.S.
  • Pacifying Paradise: Violence and Vigilantism in San Luis Obispo

    Pacifying Paradise: Violence and Vigilantism in San Luis Obispo

    PACIFYING PARADISE: VIOLENCE AND VIGILANTISM IN SAN LUIS OBISPO A Thesis presented to the Faculty of California Polytechnic State University, San Luis Obispo In Partial Fulfillment of the Requirements for the Degree Master of Arts in History by Joseph Hall-Patton June 2016 ii © 2016 Joseph Hall-Patton ALL RIGHTS RESERVED iii COMMITTEE MEMBERSHIP TITLE: Pacifying Paradise: Violence and Vigilantism in San Luis Obispo AUTHOR: Joseph Hall-Patton DATE SUBMITTED: June 2016 COMMITTEE CHAIR: James Tejani, Ph.D. Associate Professor of History COMMITTEE MEMBER: Kathleen Murphy, Ph.D. Associate Professor of History COMMITTEE MEMBER: Kathleen Cairns, Ph.D. Lecturer of History iv ABSTRACT Pacifying Paradise: Violence and Vigilantism in San Luis Obispo Joseph Hall-Patton San Luis Obispo, California was a violent place in the 1850s with numerous murders and lynchings in staggering proportions. This thesis studies the rise of violence in SLO, its causation, and effects. The vigilance committee of 1858 represents the culmination of the violence that came from sweeping changes in the region, stemming from its earliest conquest by the Spanish. The mounting violence built upon itself as extensive changes took place. These changes include the conquest of California, from the Spanish mission period, Mexican and Alvarado revolutions, Mexican-American War, and the Gold Rush. The history of the county is explored until 1863 to garner an understanding of the borderlands violence therein. v TABLE OF CONTENTS Page CHAPTER INTRODUCTION…………………………………………………………... 1 PART I - CAUSATION…………………………………………………… 12 HISTORIOGRAPHY……………………………………………........ 12 BEFORE CONQUEST………………………………………..…….. 21 WAR……………………………………………………………..……. 36 GOLD RUSH……………………………………………………..….. 42 LACK OF LAW…………………………………………………….…. 45 RACIAL DISTRUST………………………………………………..... 50 OUTSIDE INFLUENCE………………………………………………58 LOCAL CRIME………………………………………………………..67 CONCLUSION……………………………………………………….
  • Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours

    Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours

    i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism.
  • Love Languages – French

    Love Languages – French

    Love Languages – French Now that languages have become compulsory in the primary curriculum, film will be a valuable and accessible way to introduce younger learners to a new language and culture. Wendy Newman, editor of ALL’s magazine, Languages Today. Our resources are designed to be used with selected film titles, which are available free for clubs at www.filmclub.org See, think, make. Imagine intofilm.org Into Film is a trading name of Film Nation UK. Registered Charity number 1154030. Our resources are designed to be used with selected film titles, which are available free for clubs at www.filmclub.org Activity pack Love Languages – French Love Languages French This film-focused resource enables teachers and pupils to engage with French cinema to develop language, literacy and cultural appreciation skills. The activities centre on three specially curated French language films that will engage and excite your pupils: • Le Ballon Rouge/The Red Balloon • Une Vie de chat/A Cat in Paris • Kirikou et les hommes et les femmes/Kirikou and the Men and Women. This resource promotes active language learning. This activity pack is designed to be used in conjunction with the accompanying PowerPoint presentation Love Languages – French downloadable at XXXJOUPGJMNPSHTDIPPMTSFTPVSDFT This resource comprises: • film-by-film lesson and discussions ideas that can be cherry-picked or adapted to suit your students and your teaching time • three thematic approach outlines with activities for all three films, exploring a range of approaches supported by a PowerPoint presentation • six activity sheets to support storyboarding and film viewing at the end of this pack, and links to supporting resources throughout • related French vocabulary list Throughout the resource, activities are divided into those that are intended to be completed in English to enable understanding and analysis of the films; activities to enable understanding, speaking, listening and writing in French and activities that can be used to develop literacy in either English or in French.
  • Communications Business Plan

    Communications Business Plan

    1 5. Team Letter 7. Mission, Vision & Values 6. What is Citizen-Centric? 9. Organizational Chart CONTENTS 14. SWOT 20. Audience Demographics 16. Department Highlights 23. What We Do 18. Collaboration Workload 24. Five Year Implementation Table by Goal 2 10. Executive Summary 11. Benchmarking: Statistically Valid Survey 11. Industry Trends & Best Practices 12. Citizen Survey Data CONTENTS 32. Fiscal Outlook 33. Future 34. Staff Time 3 David Graham Assistant City Manager Sarah Prohaska Communications Director Nicole Hricik Marketing Supervisor & Communications Liaison Melissa Yunas Project Manager Maureen Kenyon Social Media Coordinator/Digital Storyteller Benjamin Elliott Digital Video Producer Matt Dutiel Digital Video Producer Avi Monina Digital Media Production Coordinator Gustavo Nadasi Digital Technology Coordinator Patricia D’Abate Web Content & Graphic Specialist Alyssa Taylor Graphic/Digital Content Specialist 4 Team Letter The last decade has ushered in dramatic change in the ways people receive news and information. The evening television news and the morning newspaper are no longer the definitive source of news. People now have a multitude of channels from which they receive information – a 140-character tweet, a Facebook video, local news blog or live streamed video. Technology has provided an ever- expanding host of venues for sharing information with names like Meerkat, Instagram, Periscope and Snapchat. People can download and digest information anywhere at any time with tablets and smart phones. For a large, diverse City like Port St. Lucie, it can be challenging to communicate to every audience in the particular ways that resonate with each one. However, the City’s communications team enjoys and thrives on these challenges.
  • Picador April 2015

    Picador April 2015

    PICADOR APRIL 2015 A MAJOR PUBLISHING EVENT On the Run Fugitive Life in an American City Alice Goffman A riveting, groundbreaking account of how the war on crime has torn apart inner­city communities by a rising star in sociology Forty years in, the tough on crime turn in American politics has spurred a prison boom that disproportionately affects black communities. It has also torn at the lives of those on the outside. As arrest quotas and high tech surveillance SOCIAL SCIENCE / SOCIOLOGY / URBAN criminalize entire blocks, a climate of fear pervades daily life. Alice Goffman Picador | 4/7/2015 spent six years in one Philadelphia neighborhood, documenting the routine stops, 9781250065667 | $16.00 / $18.50 Can. searches, and beatings that young men navigate as they come of age. We see Trade Paperback | 304 pages | Carton Qty: 5.5 in W | 8.3 in H | 1 lb Wt how families endure raids and interrogations and how "clean" residents struggle to go to school and work as cops chase their neighbors. While recognizing the drug Other Available Formats: trade’s damage, On the Run reveals a justice system gone awry. This exemplary Ebook ISBN: 9781250065674 work highlights the failures of the War on Crime, and presents a compassionate MARKETING chronicle of the families caught in the midst of it. • NEXT SELECTION • National Print and Online Coverage • For readers of Michelle Alexander, Cornel West, and Sudhir Venkatesh • National Public Radio Campaign • National Author Tour • Explosive topic under national debate • Advance Reading Copies • Extensive university