(8C3d3e9) Letters to Milena (The Schocken Kafka Library) Franz
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Common Sayings and Expressions in Kafka Hartmut Binder
Document generated on 09/25/2021 10:25 p.m. TTR Traduction, terminologie, re?daction Common Sayings and Expressions in Kafka Hartmut Binder Kafka pluriel : réécriture et traduction Volume 5, Number 2, 2e semestre 1992 URI: https://id.erudit.org/iderudit/037123ar DOI: https://doi.org/10.7202/037123ar See table of contents Publisher(s) Association canadienne de traductologie ISSN 0835-8443 (print) 1708-2188 (digital) Explore this journal Cite this article Binder, H. (1992). Common Sayings and Expressions in Kafka. TTR, 5(2), 41–105. https://doi.org/10.7202/037123ar Tous droits réservés © TTR: traduction, terminologie, rédaction — Les auteurs, This document is protected by copyright law. Use of the services of Érudit 1992 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Common Sayings and Expressions in Kafka Hartmut Binder Translation by Iris and Donald Bruce, University of Alberta "Bild, nur Büd"1 [Images, only images] Proverbial sayings are pictorially formed verbal phrases2 whose wording, as it has been handed down, is relatively fixed and whose meaning is different from the sum of its constituent parts. As compound expressions, they are to be distinguished from verbal metaphors; as syntactically dependant constructs, which gain ethical meaning and the status of objects only through their embedding in discursive relationships, they are to be differentiated from proverbs. -
Kafka's Uncle
Med Humanities: first published as 10.1136/mh.26.2.85 on 1 December 2000. Downloaded from J Med Ethics: Medical Humanities 2000;26:85–91 Kafka’s uncle: scenes from a world of trust infected by suspicion Iain Bamforth General Practitioner, Strasbourg, France Abstract well documented fraught relationship. But the title What happens when we heed a call? Few writers have figure of the collection—the country doctor— been as suspicious of their vocation as Franz Kafka honours a diVerent relative altogether, his uncle. (1883–1924). His story, A Country Doctor, (1919) Siegfried Löwy was born in 1867, elder ostensibly about a night visit to a patient that goes half-brother to Kafka’s mother and, following his badly wrong, suggests a modern writer’s journey to the MD, possessor of the only doctorate in the family heart of his work. There he discovers that trust, like the until his nephew. Significantly, Franz often thought tradition which might sustain him, is blighted. This of himself as a Löwy rather than a Kafka: his diary essay also examines Kafka’s attitude to illness and the entry for 25 December 1911 contains a long list of medical profession, and his close relationship with his colourful matrilineal begats, including a reference uncle, Siegfried Löwy (1867–1942), a country doctor to his maternal great-grandfather, who was a mira- in Moravia. cle rabbi. “In Hebrew my name is Amschel, like my (J Med Ethics: Medical Humanities 2000;26:85–91) mother’s maternal grandfather, whom my mother, Keywords: Franz Kafka; German literature; trust; suspi- who was six years old when he died, can remember cion; doctor-baiting; negotiation as a very pious and learned man with a long, white beard. -
Animal Studies Ecocriticism and Kafkas Animal Stories 4
Citation for published version: Goodbody, A 2016, Animal Studies: Kafka's Animal Stories. in Handbook of Ecocriticism and Cultural Ecology. Handbook of English and American Studies, vol. 2, De Gruyter, Berlin, pp. 249-272. Publication date: 2016 Document Version Peer reviewed version Link to publication University of Bath Alternative formats If you require this document in an alternative format, please contact: [email protected] General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. Sep. 2021 Animal Studies: Kafka’s Animal Stories Axel Goodbody Franz Kafka, who lived in the city of Prague as a member of the German-speaking Jewish minority, is usually thought of as a quintessentially urban author. The role played by nature and the countryside in his work is insignificant. He was also no descriptive realist: his domain is commonly referred to as the ‘inner life’, and he is chiefly remembered for his depiction of outsider situations accompanied by feelings of inadequacy and guilt, in nightmarish scenarios reflecting the alienation of the modern subject. Kafka was only known to a small circle of when he died of tuberculosis, aged 40, in 1924. However, his enigmatic tales, bafflingly grotesque but memorably disturbing because they resonate with readers’ own experiences, anxieties and dreams, their sense of marginality in family and society, and their yearning for self-identity, rapidly acquired the status of world literature after the Holocaust and the Second World War. -
November/December 2012
From the Office By Daniel D. Skwire His complaints about his duties were epic, but Kafka clearly drew satisfaction from working his day job at the Workers’ Accident Insurance Institute of the Kingdom of Bohemia in Prague. ITTLE KNOWN DURING HIS LIFETIME, ghastly machine to torture and execute his prisoners. And in Franz Kafka has come to be recognized as one of The Trial, a man must defend himself in court without being the greatest writers of the 20th century. His works informed of the crime he has been accused of committing. These include some of the most disturbing and enduring portraits of disillusionment, anxiety, and despair anticipate the images of modern fiction. The hero of The Metamor- subsequent horrors of mid-20th-century war and inhumanity. phosis, for example, awakens one morning to find he has been Many of the details of Kafka’s own life are scarcely more Ltransformed into a giant insect. Kafka’s short story “In the Penal cheerful. A sickly individual, he struggled with tuberculosis and Colony” features an officer in a prison camp who maintains a other illnesses before dying at the age of 40. His relationships 20 CONTINGENCIES NOV | DEC.12 WWW.CONTINGENCIES.ORG of Franz Kafka Kafka's desk at the Worker's Accident Insurance Institute in Prague with women were unsuccessful, and he never married despite their occupations. An examination of Kafka’s insurance career being engaged on several occasions. He lived with his parents humanizes him and sheds light on his writing by showing his for most of his life and complained bitterly that his work in the dedication, accomplishments, and sense of humor alongside his insurance profession kept him from his true calling of writing—a many frustrations. -
Gramophone, Film, Typewriter
EDITORS Timothy Lenoir and Hans Ulrich Gumbrecht GRAMOPHONE, FILM, TYPEWRITER FRIEDRICH A. KITTLER Translated, with an Introduction, by GEOFFREY WINT HROP-YOUNG AND MICHAEL WUTZ STANFORD UNIVERSITY PRESS STANFORD, CALIFORNIA The publication of this work was assisted by a subsidy from Inter Nationes, Bonn Gramophone, Film, Typewriter was originally published in German in I986 as Grammophon Film Typewriter, © I986 Brinkmann & Bose, Berlin Stanford University Press Stanford, California © I999 by the Board of Trustees of the Leland Stanford Junior University Printed in the United States of America erp data appear at the end of the book TRANSLATORS' ACKNOWLEDGMENTS A translation by Dorothea von Mucke of Kittler's Introduction was first published in October 41 (1987): 101-18. The decision to produce our own version does not imply any criticism of the October translation (which was of great help to us) but merely reflects our decision to bring the Introduction in line with the bulk of the book to produce a stylisti cally coherent text. All translations of the primary texts interpolated by Kittler are our own, with the exception of the following: Rilke, "Primal Sound," has been reprinted from Rainer Maria Rilke, Selected Works, vol. I, Prose, trans. G. Craig Houston (New York: New Directions, 1961), 51-56. © 1961 by New Directions Publishing Corporation; used with permis sion. The translation of Heidegger's lecture on the typewriter originally appeared in Martin Heidegger, Parmenides, trans. Andre Schuwer and Richard Rojcewicz (Bloomington: Indiana Univ. Press, 1992), 80-81, 85-8 6. We would like to acknowledge the help we have received from June K. -
Franz Kafka's
Kafka and the Universal Interdisciplinary German Cultural Studies Edited by Irene Kacandes Volume 21 Kafka and the Universal Edited by Arthur Cools and Vivian Liska An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 4.0 License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. ISBN 978-3-11-045532-8 e-ISBN (PDF) 978-3-11-045811-4 e-ISBN (EPUB) 978-3-11-045743-8 ISSN 1861-8030 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2016 Walter de Gruyter GmbH, Berlin/Boston Cover image: Franz Kafka, 1917. © akg-images / Archiv K. Wagenbach Printing and binding: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Table of Contents Arthur Cools and Vivian Liska Kafka and the Universal: Introduction 1 Section 1: The Ambiguity of the Singular Stanley Corngold The Singular Accident in a Universe of Risk: An Approach to Kafka and the Paradox of the Universal 13 Brendan Moran Philosophy and Ambiguity in Benjamin’s Kafka 43 Søren Rosendal The Logic of the “Swamp World”: Hegel with Kafka on the Contradiction of Freedom 66 Arnaud Villani The Necessary Revision of the Concept of the Universal: Kafka’s “Singularity” 90 Section 2: Before the Law Eli Schonfeld Am-ha’aretz: The Law of the Singular. -
TABLE of CONTENTS Einleitung Zur Zweiten Auflage Xiii
INHALT / TABLE OF CONTENTS Einleitung zur zweiten Auflage xiii Introduction to the Second Edition xxxi Danksagung / Acknowledgements xlvii Einleitung zur ersten Auflage 1 Introduction to the First Edition 5 Abkürzungen / Abbreviations 7 Siglen von Werken / Abbreviations of Titles 8 Bibliographie / Bibliography 1. Gesamtausgaben / Collected Works 11,83 Deutsch - German: 11, 83 Übersetzungen - Translations: 13,86 Arabisch - Arabic: 88 Französisch - French: 13, 86 Holländisch - Dutch: 87 Italienisch - Italian: 14, 87 Japanisch - Japanese: 14, 88 Katalanisch - Catalan: 88 Koreanisch - Korean: 88 Polnisch - Polish: 89 Russisch - Russian: 89 Serbo- kroatisch - Serbo-Croatian: 89 Spanisch - Spanish: 14,90 Tschechisch - Czech: 90 2. Gesammelte Romane und Ähnliches / Collected Novels and Similar Works 15,91 Deutsch - German: 15, 91 Übersetzungen - Translations: 15,91 Englisch - English: 15, 91 Estnisch - Estonian: 91 Französisch - French: 15 Italienisch - Italian: 15,91 Japanisch - Japanese: 15 Koreanisch - Korean: 15, 91 Russisch - Russian: 91 Ungarisch - Hungarian: 92 3. Einzelausgaben der Romane / Individual Editions of Novels 16,93 a) Amerika/Der Verschollene: 16, 93 Deutsch - German: 16, 93 Übersetzungen - Translations: 16,94 Arabisch - Arabic: 16 Bulgarisch - Bulgarian: 94 Chinesisch - Chinese: 94 Dänisch - Danish: 16, 94 Englisch/Amerikanisch - English/American: 16, 94 Finnisch - Finnish: 17, 94 Französisch - French: 17, 95 Griechisch - Greek: 95 Hebräisch - Hebrew: 17, 95 Holländisch - Dutch: 17, 95 Italienisch - Itali- an: 17, 95 Japanisch -
Franz Kafka M
Univerza v Ljubljani Naravoslovnotehniška fakulteta Odelek za tekstilstvo Snežniška 5 Franz Kafka M. V. NTF-OT, NTO Ljubljana, 2011 Kazalo Kazalo.........................................................................................................................................2 Kazalo slik...............................................................................................................................3 Kazalo shem............................................................................................................................3 Kazalo tabel ............................................................................................................................3 Kazalo grafikonov...................................................................................................................3 1. Introduction.............................................................................................................................3 2. Family.....................................................................................................................................4 3. Kafka at the age of five...........................................................................................................5 4. Education................................................................................................................................5 5. Work........................................................................................................................................6 6. Later years...............................................................................................................................7 -
The Body, Corporeality, Modernity, Kafka
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ScholarBank@NUS Between Life and Death: Reading the Body in Kafka’s Shorter Fiction WONG HONGYI A THESIS SUBMITTED FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF ENGLISH LANGUAGE & LITERATURE NATIONAL UNIVERSITY OF SINGAPORE 2010 For K ACKNOWLEDGEMENTS Research into Kafka is like entering an intricate, convoluted burrow of his handiwork, the way dark and dreary, but illuminating at times. And the days pass so quickly while you are trying to find your way out that by the time you emerge from the darkness, you realise that you have stayed for much longer than you originally planned to. But perhaps that is another strategy that Kafka employs to keep his burrow free from strangers who want nothing more than a glimpse of that wonderful monstrous maze. As for the persistent ones who eventually emerge, hungry and tender, from the other side, a feast is spread out to welcome them, at the burrower’s expense. I am enjoying this feast right now. I am grateful to my supervisor, Dr John Phillips, for the guidance and friendship he has provided me with throughout the duration of my project. I want to thank Wei Wei for introducing me to Kafka in her module. Without that introduction and the complementary critical readings that came with it, I would never have written this. I would also like to thank the following people whose support and encouragement have helped me to complete my writing: Yh, Ben, Yeo Huan, and Bo. -
Slideshow 14.1
Slideshow 14.1. Franz Kafka (July 3, 1883 – June 3, 1924) Random House Webster’s Kaf-ka-esque (käf kuh esk') adj. 1. of, pertaining to, or characteristic of the writings of Franz Kafka. 2. marked by a senseless, disorienting, often menacing complexity: Kafkaesque bureaucracies. [1945-50] The American Heritage Dictionary Kafkaesque SYLLABICATION: Kaf·ka·esque ADJECTIVE: 1. Of or relating to Franz Kafka or his writings. 2. 2. Marked by surreal distortion and often a sense of impending danger: “Kafkaesque fantasies of the impassive interrogation, the false trial, the confiscated passport . haunt his innocence” (New Yorker). Kafka’s drawings Franz Kafka (July 3, 1883 – June 3, 1924) Short Stories Description of a Struggle (Beschreibung eines Kampfes - 1904-1905) The Judgment (Das Urteil - September 22-23, 1912) In the Penal Colony (In der Strafkolonie - October 1914) The Metamorphosis (Die Verwandlung - November-December 1915) A Country Doctor (Ein Landarzt - 1917) The Hunter Gracchus (Der Jäger Gracchus - 1917) The Great Wall of China (Beim Bau der Chinesischen Mauer - 1917) A Report to an Academy (Ein Bericht für eine Akademie - 1917) A Hunger Artist (Ein Hungerkünstler - 1922) The Burrow (Der Bau - 1923-1924) Josephine the Singer, or The Mouse Folk (Josephine, die Sängerin, oder Das Volk der Mäuse - 1924) Novels The Trial (Der Prozeß - 1925) The Castle (Das Schloß - 1926) America (Amerika - 1927) Letters Letters to Felice Letters to Ottla Letters to Milena Max Brod (May 27, 1884 - December 20, 1968) Deleuze / Guattari, Kafka: Toward a Minor Literature “Kafka deliberately kills all metaphor, all symbolism, all signification, no less than all designation. There is no longer any proper sense or figurative sense, but only a distribution of states that is part of the range of the word. -
Kafka's “Categorical Imperative” and His Sense of “Being and Non-Being”
Janus Head 169 Kafka’s “categorical imperative” and his sense of “being and non-being” Ross Crisp Abstract In this article, I begin with Kant’s notion of a “categorical imperative” as a framework from which to discuss the ontology of Franz Kafka’s writing. Since Kant’s moral law is a device for reflecting on our responses to challenging circumstances rather than one that tells us what we should always do in every situation, I draw inferences concerning Kafka’s own descriptions of his sense of being a writer in opposing phenomenal and spiritual worlds. Since Kafka cannot be understood exclusively from a Kantian perspective of autonomous will, I discuss Kafka’s experiencing in terms of the reciprocal interplay of being and non-being, and his awareness of finitude and the possibility of transcendence. I argue for a humanistic-existential vision of the reading of a literary text as an encounter that responds to the alterity of the Other and which, consistent with Kafka’s oeuvre, privileges being faithful to one’s own experiencing. -- I begin this article with Immanuel Kant’s (2005) great moral principle as a framework from which to explore Franz Kafka’s resolute stance of being a writer. I first provide a brief overview of Kant’s central idea of a “categorical imperative” that will be discussed in relation to the ontology of Kafka’s writing that he articulated in his letters, diaries and notebooks (Kafka, 1977, 1991, 1992a, 1992b, 1999, 2011).1 Kafka cannot, of course, be understood exclusively from a Kantian perspective. As Buber (2002) and others (e.g., DeLue, 2006; Gaita, 2010; Kaufmann, 2015) have argued, Kant’s philosophy did not address the wholeness of persons, their place in the cosmos, their relation to the phenomenal world, their dialogical encounters with others, and their awareness of their finitude. -
Sleep and Sleep Disorders in Franz Kafka's Narrative Works
Sleep Medicine 55 (2019) 69e73 Contents lists available at ScienceDirect Sleep Medicine journal homepage: www.elsevier.com/locate/sleep Historical Issues in Sleep Medicine Sleep and sleep disorders in Franz Kafka's narrative works * A. Iranzo a, , 1, A. Stefani b, 1,B.Hogl€ b, J. Santamaria a, on behalf of SINBAR a Neurology Service, Multidisciplinary Sleep Unit, Hospital Clinic de Barcelona, IDIBAPS, CIBERNED, Barcelona, Spain b Department of Neurology, Medical University of Innsbruck, Innsbruck, Austria article info abstract Article history: Objective: As Franz Kafka, one of the most important writers of the 20th century, suffered from severe Received 15 July 2018 chronic insomnia disorder and inadequate sleep hygiene that impaired his quality of life, we speculated Received in revised form that sleep disorders would be found in his narrative works. 2 December 2018 Methods: We read Kafka's complete literary works looking for references to sleep and sleep disorders, Accepted 18 December 2018 excluding insomnia. Available online 31 December 2018 Results: In Kafka's works, sleeping well and for a long time was used as an allegory of having a pleasant life. We found that some of his characters were disturbed by excessive daytime sleepiness and sleep Keywords: Franz Kafka attacks, circadian rhythm sleep-wake disorders, sleep-related hallucinations, sleep symptoms in the Sleepiness context of heart failure and abnormal sleep behaviors (eg, sleep-talking, sleep-crying, sleep-laughing and Parasomnia dream-enacting motor manifestations). Kafka also recalled a dream where bruxism occurred. Circadian rhythm sleep-wake disorder Conclusion: Kafka's narrative works contain characters suffering from a wide variety of sleep disorders which in some cases represent autobiographical elements but not in others indicating that he was an astute observer of people, sleep and its disorders.