Journal of Religion & Film Volume 17 Article 38 Issue 1 April 2013 4-1-2013 The insS of Leo McCarey Richard A. Blake S.J. Boston College,
[email protected] Recommended Citation Blake, Richard A. S.J. (2013) "The inS s of Leo McCarey," Journal of Religion & Film: Vol. 17 : Iss. 1 , Article 38. Available at: https://digitalcommons.unomaha.edu/jrf/vol17/iss1/38 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact
[email protected]. The insS of Leo McCarey Abstract Leo McCarey has received little tta ention from film scholars. His sentimentalizing his Catholic background and his preoccupation with anti-Communism obscured the lasting value of much of his work. His concern with sin and forgiveness form a major motif of his works, from the early comedies to his later serious dramas. Keywords McCarey, Catholic, Sin Author Notes Richard A. Blake, S.J., is Professor of Fine Arts (film studies) at Boston College. He is a former film reviewer, for 35 years, at America magazine, and the author of Afterimage: The ndeI lible Catholic Imagination in Six American Film Makers and Street Smart on New York films. He is the Editor of Studies in the Spirituality of Jesuits. This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol17/iss1/38 Blake: The Sins of Leo McCarey THE SINS OF LEO McCAREY I CATHOLICISM AND COMMUNISM Leo McCarey’s Catholic background undoubtedly colored his artistry, particularly his notions of sin and atonement, but few critics and historians have discussed this issue, or many of the other particular issues that arise from a close reading of his films in the context of his biography.