MARRIAGE MOVIES – Date Night Recommendations 50 First Dates
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First-Run Smoking Presentations in U.S. Movies 1999-2006
First-Run Smoking Presentations in U.S. Movies 1999-2006 Jonathan R. Polansky Stanton Glantz, PhD CENTER FOR TOBAccO CONTROL RESEARCH AND EDUCATION UNIVERSITY OF CALIFORNIA, SAN FRANCISCO SAN FRANCISCO, CA 94143 April 2007 EXECUTIVE SUMMARY Smoking among American adults fell by half between 1950 and 2002, yet smoking on U.S. movie screens reached historic heights in 2002, topping levels observed a half century earlier.1 Tobacco’s comeback in movies has serious public health implications, because smoking on screen stimulates adolescents to start smoking,2,3 accounting for an estimated 52% of adolescent smoking initiation. Equally important, researchers have observed a dose-response relationship between teens’ exposure to on-screen smoking and smoking initiation: the greater teens’ exposure to smoking in movies, the more likely they are to start smoking. Conversely, if their exposure to smoking in movies were reduced, proportionately fewer teens would likely start smoking. To track smoking trends at the movies, previous analyses have studied the U.S. motion picture industry’s top-grossing films with the heaviest advertising support, deepest audience penetration, and highest box office earnings.4,5 This report is unique in examining the U.S. movie industry’s total output, and also in identifying smoking movies, tobacco incidents, and tobacco impressions with the companies that produced and/or distributed the films — and with their parent corporations, which claim responsibility for tobacco content choices. Examining Hollywood’s product line-up, before and after the public voted at the box office, sheds light on individual studios’ content decisions and industry-wide production patterns amenable to policy reform. -
Adam Sandler: Mentor Of
ADAM SANDLER: MENTOR OF MIDDLE-CLASS MASCULINITY AND MANHOOD A Thesis Presented to the Faculty of California State University, Stanislaus In Partial Fulfillment of the Requirements for the Degree of Master of Arts in History By Kathleen Boone Chapman April 2014 CERTIFICATION OF APPROVAL ADAM SANDLER: MENTOR OF MASCULINITY AND FATHERHOOD by Kathleen Boone Chapman Signed Certification of Approval Page is on file with the University Library Dr. Bret E. Carroll Date Professor of History Dr. Samuel Regalado Date Professor of History Dr. Marcy Rose Chvasta Date Professor of Communications © 2014 Kathleen Boone Chapman ALL RIGHTS RESERVED DEDICATION I am dedicating this work to my three dear friends: Ronda James, Candace Paulson, and Michele Sniegoski. Ronda’s encouragement and obedience to the Lord gave me what I needed to go back to school with significant health issues and so late in life. Candace, who graduated from Stanford “back in the olden days,” to quote our kids, inspired me to follow my dream and become all God wants me to be. Michele’s long struggle with terminal kidney disease motivated me to keep living in spite of my own health issues. We have laughed and cried together over many years, but all of you have given me strength to carry on. Sorry two of you made it to heaven before I could get this finished. I also want to give credit to my husband of forty years who has been a faithful breadwinner, proof-reader, and a paragon of patience. What more could any woman ask for? He has also put up with me yelling at my computer and cursing Bill Gates – A LOT. -
Magazine MÉTROPOLE
MÉTROPOLE NICE CÔTE D’AZUR Magazine TRANSPORTS : LES MOBILITÉS DE DEMAIN MÉTROPOLE NICE CÔTE D’AZUR - NUMÉRO 1 -ÉTÉ 2021 D’AZUR MÉTROPOLE NICE CÔTE SOMMAIRE ÉTÉ 2021 - #01 À LA DÉCOUVERTE RETOUR EN IMAGES ACTUS TEMPÊTE ALEX 04-05 06-07 08-09 10-11 La Métropole et ses compétences Un budget en 3 axes Plan de relance du territoire Quelques mois plus tard INTERVIEW DOSSIER PORTRAIT HISTOIRE 12-13 14-21 22-23 26-27 Ivan Mottet En route vers de nouvelles mobilités Frédéric Gil Le rêve américain Maire de Saint-Martin-Vésubie Au sommet ! de Villefranche-sur-Mer Métropole Nice Côte d’Azur Info - Métropole Nice Côte d’Azur - 06364 Nice Cedex 4 - Directeur de la publication : Christian Estrosi Co-directeur de la publication : Nathalie Bolot - Rédacteur en chef : Jean-François Malatesta - Rédacteur en chef adjoint : Jean-Yves Sabatier Rédaction : Jean-François Malatesta, Jean-Yves Sabatier, Corinne Artusio, Frank Davit, Claudine Tillie-Trouyet - Création graphique : Serge Favreau Photos : David Nouy, Julien Véran, Philippe Viglietti, Didier Quillon - Impression et diffusion : Imprimerie Trulli 120, chemin du Moulin de la Clue 06140 Vence Dépôt légal à parution. Tirage : 37 500 exemplaires. Document certifié PEFC™, imprimé sur du papier issu de forêts gérées durablement. 2 MÉTROPOLE NICE CÔTE D’AZUR#1 - ÉTÉ 2021 LES 49 MAIRES ONT UNI LEURS COMPÉTENCES ET LEUR DYNAMISME POUR PRENDRE SOIN DE VOUS. Christian ESTROSI Président de la Métropole hères Métropolitaines et chers Métropolitains, CLa Métropole Nice Côte d’Azur vient de vivre l’une des années les plus difficiles depuis sa création en 2012. Crise sanitaire, attentat de la Basilique Notre-Dame, Tempête Alex : nous avons dû affronter tant de souffrances. -
1 Production Information in Just Go with It, a Plastic Surgeon
Production Information In Just Go With It, a plastic surgeon, romancing a much younger schoolteacher, enlists his loyal assistant to pretend to be his soon to be ex-wife, in order to cover up a careless lie. When more lies backfire, the assistant's kids become involved, and everyone heads off for a weekend in Hawaii that will change all their lives. Columbia Pictures presents a Happy Madison production, Just Go With It. Starring Adam Sandler and Jennifer Aniston. Directed by Dennis Dugan. Produced by Adam Sandler, Jack Giarraputo, and Heather Parry. Screenplay by Allan Loeb and Timothy Dowling. Based on ―Cactus Flower,‖ Screenplay by I.A.L. Diamond, Stage Play by Abe Burrows, Based upon a French Play by Barillet and Gredy. Executive Producers are Barry Bernardi, Allen Covert, Tim Herlihy, and Steve Koren. Director of Photography is Theo Van de Sande, ASC. Production Designer is Perry Andelin Blake. Editor is Tom Costain. Costume Designer is Ellen Lutter. Music by Rupert Gregson-Williams. Music Supervision by Michael Dilbeck, Brooks Arthur, and Kevin Grady. Just Go With It has been rated PG-13 by the Motion Picture Association of America for Frequent Crude and Sexual Content, Partial Nudity, Brief Drug References and Language. The film will be released in theaters nationwide on February 11, 2011. 1 ABOUT THE FILM At the center of Just Go With It is an everyday guy who has let a careless lie get away from him. ―At the beginning of the movie, my character, Danny, was going to get married, but he gets his heart broken,‖ says Adam Sandler. -
A Cross-Cultural Analysis of Lip-Syncing in American and Indian Film Lucie Alaimo
Unsung Heroes? A Cross-Cultural Analysis of Lip-Syncing in American and Indian Film Lucie Alaimo Who are these unsung heroes? They are the voice-dubbers in Hollywood film. Throughout the history of Hollywood, actors and actresses have resorted to voice-dubbing in films in which they have had singing numbers. However, in American music performance practices, especially in the popular music and film industries, lip-syncing is often criticized, leading to debate over the technique. In comparison, Bollywood films also feature voice- dubbing, and although there is hostility towards this technique in Hollywood, it is perfectly acceptable in the Indian film industry. The majority of Bollywood films feature singing, and in all, it is the role of the voice-dubbers, also known as playback singers, to provide voices for the film stars. In addition, many of Bollywood’s playback singers have become as popular as, if not more than, the actors and actresses for whom they sing. Much of the reason for this stark difference in acceptance of voice-dubbers is found in the different ideologies of authenticity surrounding the use of lip-syncing. In North America, listeners expect perfection in the performances, yet are disappointed when discovering that there are elements of inauthenticity in them. Yet in India, both film producers and audiences have accepted the need for the talents of multiple people to become involved in the film production. In this paper, I will first discuss ideologies surrounding musical authenticity, then compare how these discourses have shaped and influenced the acceptance or rejection of voice-dubbers in Hollywood and Bollywood films. -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10. -
Grown-Ups Film Production Notes
PRODUCTION NOTES Release Date: June 24 th , 2010 Running time: 102 min Rating: PG 1 Grown Ups , Starring Adam Sandler, Kevin James, Chris Rock, David Spade, and Rob Schneider, is a full-on comedy about five men who were best friends when they were young kids and are now getting together with their families on the Fourth of July weekend for the first time in thirty years. Picking up where they left off, they discover that growing older doesn’t mean growing up. Columbia Pictures presents in association with Relativity Media a Happy Madison production, a film by Dennis Dugan, Grown Ups . The film stars Adam Sandler, Kevin James, Chris Rock, David Spade, Rob Schneider, Salma Hayek, Maria Bello, and Maya Rudolph. Directed by Dennis Dugan. Produced by Adam Sandler and Jack Giarraputo. Written by Adam Sandler & Fred Wolf. Executive Producers are Barry Bernardi, Tim Herlihy, Allen Covert, and Steve Koren. Director of Photography is Theo Van de Sande, ASC. Production Designer is Perry Andelin Blake. Editor is Tom Costain. Costume Designer is Ellen Lutter. Music by Rupert Gregson- Williams. Music Supervision by Michael Dilbeck, Brooks Arthur, and Kevin Grady. Credits are not final and subject to change. 2 ABOUT THE FILM Adam Sandler, Kevin James, Chris Rock, David Spade, and Rob Schneider head up an all-star comedy cast in Grown Ups , the story of five childhood friends who reunite thirty years later to meet each others’ families for the first time. When their beloved former basketball coach dies, they return to their home town to spend the summer at the lake house where they celebrated their championship years earlier. -
Drew Barrymore and Adam Sandler Are Cracking Up. Sitting Across From
Drew Barrymore and Adam Sandler are cracking up. Sitting across from each other in a booth at a Hooters restaurant in Lawrenceville, Georgia, the longtime friends have reunited here on the set of Blended, their third romantic comedy together, which opens with the scene they are currently shooting: a blind date between two recently single parents that goes from awkward to I- never-want-to-see-you-again in less time than it takes to share a plate of hot wings. Thanks to some mildly un-chivalrous behavior on the part of Jim, the schlubby sporting goods salesman played by Sandler, Barrymore’s character Lauren, a tightly- wound business owner, is forced to hurriedly chug his French onion soup, which she winds up spilling all over her pearls and prim white blouse. Sandler and Barrymore manage to keep straight faces as she deftly dribbles the soup down her chin and soaks her shirtfront, but as soon as director Frank Coraci calls “Cut!” the actors erupt into laughter. They’ve shot multiple takes, each more entertaining than the last, but Barrymore wants to keep going, to try and make the bit even funnier. “Drew’s comedy chops are at an all-time high,” says Coraci, who directed the duo in their first project together, the smash 1998 hit The Wedding Singer. (He also directed Sandler in his breakout success, The Waterboy, and the 2006 comedy Click.) “The Wedding Singer was Drew’s first straight-up comedy, and over the years she’s really honed her comedy skills. She has become a pro that can go toe-to-toe with Adam, as you can see in Blended, where she has to do a lot of heavy lifting in terms of the physical comedy.” A few months later, hanging out with a reporter in Sandler’s office, he and Barrymore are riffing on each other’s jokes and finishing each other’s sentences with the ease of two people who truly get a kick out of each other. -
Playback Singers of Bollywood and Hollywood
ILLUSION AND REALITY: PLAYBACK SINGERS OF BOLLYWOOD AND HOLLYWOOD By MYRNA JUNE LAYTON Submitted in accordance with the requirements for the degree of DOCTOR OF LITERATURE AND PHILOSOPHY in the subject MUSICOLOGY at the UNIVERSITY OF SOUTH AFRICA. SUPERVISOR: PROF. M. DUBY JANUARY 2013 Student number: 4202027-1 I declare that ILLUSION AND REALITY: PLAYBACK SINGERS OF BOLLYWOOD AND HOLLYWOOD is my own work and that all the sources that I have used or quoted have been indicated and acknowledged by means of complete references. SIGNATURE DATE (MRS M LAYTON) Preface I would like to thank the two supervisors who worked with me at UNISA, Marie Jorritsma who got me started on my reading and writing, and Marc Duby, who saw me through to the end. Marni Nixon was most helpful to me, willing to talk with me and discuss her experiences recording songs for Hollywood studios. It was much more difficult to locate people who work in the Bollywood film industry, but two people were helpful and willing to talk to me; Craig Pruess and Deepa Nair have been very gracious about corresponding with me via email. Lastly, putting the whole document together, which seemed an overwhelming chore, was made much easier because of the expert formatting and editing of my daughter Nancy Heiss, sometimes assisted by her husband Andrew Heiss. Joe Bonyata, a good friend who also happens to be an editor and publisher, did a final read-through to look for small details I might have missed, and of course, he found plenty. For this I am grateful. -
Semiotic Approach to the Analysis of Interpersonal Communication in Modern Comedies
SEMIOTIC APPROACH TO THE ANALYSIS OF INTERPERSONAL COMMUNICATION IN MODERN COMEDIES Maria Kochetkova A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2010 Committee: Ellen W Gorsevski, Advisor Lara Lengel Donald McQuarie © 2010 Maria Kochetkova All Rights Reserved iii ABSTRACT Ellen W Gorsevski, Advisor The present research takes a cultural prospective on the tensions in interpersonal relations based on the movies of the 90’s, such as Sleepless in Seattle (1993), As Good As It Gets (1997), and You’ve Got Mail (1998). The romantic comedy films of the 90’s were innovative in their genre, for they have touched upon serious drama subjects, hiding behind the “romantic” and “comedy’ style. Through the prism of the semiotic analysis I try to analyze how cultural codes play into the formation of hidden conflicts in interpersonal communication, mainly loneliness. Umberto Eco’s theory of the openness of the “author’s message” permits to illustrate the many possibilities of interpretation by the audience of the given films and allows an in-depth analysis of the cultural situation. iv ACKNOWLEDGMENTS Firstly, I would like to thank my advisor, Dr Ellen Gorsevski, who has not only supported me throughout this process, but through her guidance I was able to see my research in a different way. I would like to thank my family, especially my mom and dad, Natalia and Alexander, without whom not only this project would not be possible, but only through their guidance and support I was able to understand the true meaning of education. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
OAHU - TOURS Bike Hawaii (Pick-Up at Waikiki Hotels
OAHU - TOURS Bike Hawaii (Pick-up at Waikiki Hotels. Reservations required) Package Description Type Price *Mon-Sat, 9:00am - 1:00pm* Adult $57.00 Exclusive Waterfall Hike Moderate 2 mile round-trip hike, Water & snacks provided Child (14 & under) $39.00 *Mon-Sat, 3:00pm - 5:00pm* Adult $57.00 Sail & Snorkel Adventure Sail & snorkel Adventure of Diamond Head coast. (NO LUNCH) Child (14 & under) $39.00 *(Sept-May) Tue/Thur/Sat, (June-Aug) Mon-Tue/Thur-Sat, Adult $52.00 Downhill Bike Adventure 12:00pm - 3:00pm* Easy 5 mile downhill, kids bikes & trailers, deli lunch included Child (14 & under) $39.00 *Mon/Fri, 9:00am - 1:00pm*(Not available State/Federal holidays) 2.5 mile Adult $65.00 Volcanic Rainforest Hike moderate hike, 600 feet of elevation gain, Above average fitness required, Sturdy shoes with good traction on dirt and Child (14 & under) $48.00 mud required. *Daily, 1:00pm-5:00pm Shuttle to 1,200 ft. high ridge w/ optional challenging 1/2 Adult $52.00 East Oahu Explorer with Kamehame Ridge mile round trip hike for birds eye view. Bottled water and Child (14 & under) $39.00 snacks provided. *(Sept-May) Tue/Thur/Sat, (June-Aug) Mon-Tue/Thur-Sat, 9:00am - 3:00pm* Adult $105.00 Oahu Bike & Hike Waterfall Downhill Bike Adventure & Moderate 2 mile round trip Exclusive Waterfall Hike w/lunch Child (14 & under) $70.00 *Mon/Wed/Fri (Seasonal, Sat), 9:00am - 4:00pm* Adult $126.00 Hike, Kayak & Snorkel Adventure at Kualoa Ranch Total round-trip distance: 2 mile hike/1.8 mile paddle, snorkeling w/ deli lunch Child (14 & under) $78.00 *(Sept-May) Tue/Thur/Sat, (June-Aug) Mon-Tue/Thur-Sat, 12:00pm-5:45pm* Adult $105.00 Rainforest 2 Reef Half Day Downhill Bike Adventure w/lunch, afternoon sail w/optional snorkeling.