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Alchemical Culture and Poetry in Early Modern England
Alchemical culture and poetry in early modern England PHILIP BALL Nature, 4–6 Crinan Street, London N1 9XW, UK There is a longstanding tradition of using alchemical imagery in poetry. It first flourished at the end of the sixteenth century, when the status of alchemy itself was revitalised in European society. Here I explain the reasons for this resurgence of the Hermetic arts, and explore how it was manifested in English culture and in particular in the literary and poetic works of the time. In 1652 the English scholar Elias Ashmole published a collection of alchemical texts called Theatrum Chymicum Britannicum, comprising ‘Several Poeticall Pieces of Our Most Famous English Philosophers’. Among the ‘chemical philosophers’ represented in the volume were the fifteenth-century alchemists Sir George Ripley and Thomas Norton – savants who, Ashmole complained, were renowned on the European continent but unduly neglected in their native country. Ashmole trained in law, but through his (second) marriage to a rich widow twenty years his senior he acquired the private means to indulge at his leisure a scholarly passion for alchemy and astrology. A Royalist by inclination, he had been forced to leave his London home during the English Civil War and had taken refuge in Oxford, the stronghold of Charles I’s forces. In 1677 he donated his impressive collection of antiquities to the University of Oxford, and the building constructed to house them became the Ashmolean, the first public museum in England. Ashmole returned to London after the civil war and began to compile the Theatrum, which was intended initially as a two-volume work. -
M a K in G a N D U N M a K in Gin Early Modern English Drama
Porter MAKING AND Chloe Porter UNMAKING IN EARLY MODERN ENGLISH DRAMA Why are early modern English dramatists preoccupied with unfinished processes of ‘making’ and ‘unmaking’? And what did ‘finished’ or ‘incomplete’ mean for spectators of plays and visual works in this period? Making and unmaking in early IN EARLY MODERN ENGLISH DRAMA IN EARLY UNMAKING AND MAKING modern English drama is about the prevalence and significance of visual things that are ‘under construction’ in early modern plays. Contributing to challenges to the well-worn narrative of ‘iconophobic’ early modern English culture, it explores the drama as a part of a lively post-Reformation visual world. Interrogating the centrality of concepts of ‘fragmentation’ and ‘wholeness’ in critical approaches to this period, it opens up new interpretations of the place of aesthetic form in early modern culture. An interdisciplinary study, this book argues that the idea of ‘finish’ had transgressive associations in the early modern imagination. It centres on the depiction of incomplete visual practices in works by playwrights including Shakespeare, John Lyly, and Robert Greene. The first book of its kind to connect dramatists’ attitudes to the visual with questions of materiality, Making and Unmaking in Early Modern English Drama draws on a rich range of illustrated examples. Plays are discussed alongside contexts and themes, including iconoclasm, painting, sculpture, clothing and jewellery, automata, and invisibility. Asking what it meant for Shakespeare and his contemporaries to ‘begin’ or ‘end’ a literary or visual work, this book is invaluable for scholars and students of early modern English literature, drama, visual culture, material culture, theatre history, history and aesthetics. -
The Prolongation of Life in Early Modern English Literature and Culture, with Emphasis on Francis Bacon
THE PROLONGATION OF LIFE IN EARLY MODERN ENGLISH LITERATURE AND CULTURE, WITH EMPHASIS ON FRANCIS BACON ROGER MARCUS JACKSON A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2010 Approved by: Dr. Reid Barbour Dr. Mary Floyd-Wilson Dr. Darryl Gless Dr. James O‘Hara Dr. Jessica Wolfe ©2010 Roger Marcus Jackson ALL RIGHTS RESERVED ii ABSTRACT ROGER MARCUS JACKSON: The Prolongation of Life in Early Modern English Literature and Culture (Under the direction of Reid Barbour) Drawing upon early modern texts of poetry, theology, and natural philosophy written in England and the continent, this dissertation explores the intellectual traditions inherent in Renaissance discourses addressing the prolongation of life. It is organized around two nodal questions: Can life be prolonged? Should it be prolonged? The project hinges upon Francis Bacon (1561-1626), for whom the prolongation of life in the sense of a longer human lifespan serves as the loftiest goal of modern experimental science. Addressing the first question, Part One illustrates the texture and diversity of early modern theories of senescence and medical treatments against the ―disease‖ of old age promoted by Galen, Avicenna, medieval theologians, Jean Fernel, Marsilio Ficino, and Paracelsus. Part Two then demonstrates that Bacon‘s theory of senescence and corresponding therapies nevertheless differ from those of his predecessors and contemporaries in three regards: their attempt to isolate senescence from disease, their postulation of senescence as a process based on universal structures and actions of matter, and their deferral to further experiment for elucidation. -
Transfer of Islamic Science to the West
Transfer of Islamic Science to the West IMPORTANT NOTICE: Author: Prof. Dr. Ahmed Y. Al-Hassan Chief Editor: Prof. Dr. Mohamed El-Gomati All rights, including copyright, in the content of this document are owned or controlled for these purposes by FSTC Limited. In Production: Savas Konur accessing these web pages, you agree that you may only download the content for your own personal non-commercial use. You are not permitted to copy, broadcast, download, store (in any medium), transmit, show or play in public, adapt or Release Date: December 2006 change in any way the content of this document for any other purpose whatsoever without the prior written permission of FSTC Publication ID: 625 Limited. Material may not be copied, reproduced, republished, Copyright: © FSTC Limited, 2006 downloaded, posted, broadcast or transmitted in any way except for your own personal non-commercial home use. Any other use requires the prior written permission of FSTC Limited. You agree not to adapt, alter or create a derivative work from any of the material contained in this document or use it for any other purpose other than for your personal non-commercial use. FSTC Limited has taken all reasonable care to ensure that pages published in this document and on the MuslimHeritage.com Web Site were accurate at the time of publication or last modification. Web sites are by nature experimental or constantly changing. Hence information published may be for test purposes only, may be out of date, or may be the personal opinion of the author. Readers should always verify information with the appropriate references before relying on it. -
A Science of Time: Roger Bacon and His Successors
CHAPTER SIX A SCIENCE OF TIME: ROGER BACON AND HIS SUCCESSORS 1. Bacon, the Calendar, and the Passion of Christ The acute criticism of the ecclesiastical calendar voiced in theCompotus emendatus of Reinher of Paderborn and—in somewhat more subdued form—in the works of Constabularius and Roger of Hereford fell on fertile ground in the following century, during which three well-known English scholars went on to pen influential treatises on the reform of the calendar, which took account of the deficiencies both of the Julian calendar with respect to the sun and the 19-year lunisolar cycle with respect to the moon. The three men in question were the astronomer John of Sacrobosco (ca. 1195–ca. 1256), who wrote a treatise De anni ratione (ca. 1232/35),1 Robert Grosseteste (ca. 1170–1253), chancellor of Oxford University and bishop of Hereford, who wrote a Compo- tus correctorius (ca. 1220/30), and—most importantly—the Franciscan polymath Roger Bacon (ca. 1214/20–ca. 1292).2 Bacon’s views on the calendar have gained particular fame for the strident tone in which they were expressed and for the fact that he was the first to present this kind of criticism to the only person in Latin Christendom who could have possibly authorized the desired change: Pope Clement IV (1265–68), to whom he addressed both his Opus 1 Theeditio princeps of this text can be found in John of Sacrobosco, Libellus de Sphaera, ed. Philipp Melanchthon (Wittenberg, 1538), Br–H3r. On the background, see Olaf Pedersen, “In Quest of Sacrobosco,” Journal for the History of Astronomy 16 (1985): 175–221; Jennifer Moreton, “John of Sacrobosco and the Calendar,” Viator 25 (1994): 229–44. -
Early Modern Philosophy of Technology: Bacon and Descartes
Early Modern Philosophy of Technology: Bacon and Descartes By Robert Arnăutu Submitted to Central European University Department of Philosophy In partial fulfilment of the requirements for the degree of Doctor of Philosophy in Philosophy Supervisor: Professor Hanoch Ben-Yami CEU eTD Collection Budapest, Hungary 2013 Copyright notice I hereby declare that this dissertation contains no materials accepted for any other degrees in any other institutions of higher education. Also, I declare that this dissertation contains no material previously written and/or published by any other person, except where appropriate acknowledgement has been made in the form of bibliographic reference. Robert Arnăutu June 2013 CEU eTD Collection i Abstract The contemporary understanding of technology is indebted to Bacon and Descartes, who challenged the pre-modern conceptions regarding useful material production. Although the production of artefacts has been a constant activity of humans since the dawn of history, the Ancient world tended to disvalue it, considering it a lower endeavour that aims to satisfy ignoble material needs. Technology, according to Ancient Greek thinkers, cannot surpass nature but can only bring small improvements to it; moreover, there is a difference in kind between natural things and technological artefacts; the activity of inventing and producing useful objects is unsuited for the nobility and for free men; there is an irreducible gap between proper knowledge and the production of artefacts. This approach toward technology is completely -
Agrippa's Cosmic Ladder: Building a World with Words in the De Occulta Philosophia
chapter 4 Agrippa’s Cosmic Ladder: Building a World with Words in the De Occulta Philosophia Noel Putnik In this essay I examine certain aspects of Cornelius Agrippa’s De occulta philosophia libri tres (Three Books of Occult Philosophy, 1533), one of the foun- dational works in the history of western esotericism.1 To venture on a brief examination of such a highly complex work certainly exceeds the limitations of an essay, but the problem I intend to delineate, I believe, can be captured and glimpsed in its main contours. I wish to consider the ways in which the German humanist constructs and represents a common Renaissance image of the universe in his De occulta philosophia. This image is of pivotal importance for understanding Agrippa’s peculiar worldview as it provides a conceptual framework in which he develops his multilayered and heterodox thought. In other words, I deal with Agrippa’s cosmology in the context of his magical the- ory. The main conclusion of my analysis is that Agrippa’s approach to this topic is remarkably non-visual and that his symbolism is largely of verbal nature, revealing an author predominantly concerned with the nature of discursive language and the linguistic implications of magical thinking. The De occulta philosophia is the largest, most important, and most complex among the works of Heinrich Cornelius Agrippa von Nettesheim (1486–1535). It is a summa of practically all the esoteric doctrines and magical practices ac- cessible to the author. As is well known and discussed in scholarship, this vast and diverse amount of material is organized within a tripartite structure that corresponds to the common Neoplatonic notion of a cosmic hierarchy. -
By Bradley Steffens
1 A millennium of science as we know it thousand years ago, a math- By Bradley Steffens ematician and scholar from Basra named Abu ‘Ali al-Hasan Aibn al-Hasan ibn al-Haytham was controversially judged to be insane and placed under house arrest. To make the most of his simple surroundings, he began to study the physiology of vision and the properties of light. Upon release, he described his investigations in a mas- sive, seven-volume treatise titled Kitâb al-Manâzir· , or Book of Optics . Although missing from the many lists of the most important books ever written, Kitâb al- Manâzir changed the course of human history, giving mankind a new and effec- tive way of establishing facts about the natural world—an approach known today as the scientific method . What sets Kitâb al-Manâzir apart from earlier thirteenth century, Kitâb al-Manâzir became one of investigations into natural phenomena is that Ibn the most copied works of medieval Muslim scholar- al-Haytham included only those ideas that could be ship. Roger Bacon, the thirteenth century English friar proven with mathematics or with concrete mani- who is sometimes credited as the first true scientist festations that he called “true demonstrations,” because of his advocacy of experimentation, not only what we refer to nowadays as experiments. The read De aspectibus but summarized its findings in part use of physical experiments to establish the validity five of his Opus Majus , or Greater Work , referring of scientific claims was a departure not only from to Ibn al-Haytham by his Latinized name, Alhazen, and the works that formed the foundation of Kitâb al- describing his experiments in detail. -
The Weight of Comparing in Medieval England
The Weight of Comparing in Medieval England David Gary Shaw Abstract1 How important and common were the practices of comparing in medieval England (1150- 1500)? Focusing on activities that tended to have a pragmatic rather than purely logical in- tention, this chapter first considers medieval comparing on technical matters such as weigh- ing and measuring for the market and for agricultural efficiency. Then, however, we consider as well the more controversial comparing of humans by examining its place in taxing and ranking people; in assessing religious diversity; and even discerning the moralizing uses of comparing in literature and art. As it turns out, comparing could be perilous when humans were the subjects. Introduction It is possible that comparison might be everywhere in history, but we might also suppose that comparing might matter less in some moments and places than oth- ers. Especially given the sense that there is something distinctive and powerful about comparison in contemporary life, it is important to try to get a sense for the range, variety, and importance of modes of comparison in other times and places. In this chapter, I inquire into the place and weight of comparative thinking in Eng- land in the later medieval period. It is not an easy task, because the definition of the comparative and of com- parative practices is hardly settled. There is probably some amount of comparative activity in all European societies and moments, but we can expect that the compo- sition of the comparative practices will vary and maybe vary significantly; and that will raise problems for making any longer-term narratives. -
The Paracelsians and the Chemists: the Chemical Dilemma in Renaissance Medicine
Clio Medica, Vol7, No.3, pp. 185-199, 1972 The Paracelsians and the Chemists: the Chemical Dilemma in Renaissance Medicine ALLEN G. DEBUS* Accounts of Renaissance iatrochemistry have traditionally emphasized the con flict over the introduction of chemically prepared medicines. The importance of this cannot be denied, but the texts of the period indicate that this formed only part of a broader debate involving the relationship of chemistry to medicine - and indeed, to nature as a whole. The Paracelsian chemists argued forcefully that much - if not all - of the fabric of ancient medicine should be scrapped, and that a new medicine based on a chemical philosophy of the universe should be offered in its place. For them a proper understanding of the macrocosm and the microcosm would indicate to the true physician the correct cures for diseases. Others - who spoke with no less conviction of the benefits of chemistry for medicine - disagreed with the Paracelsians over the application of chemistry to cosmological problems. For these chemists the introduction of the new remedies and the Paracelsian principles were useful and necessary for the physician, but they were properly to be used along with the traditional Aristotelian-Galenic conceptual scheme. The purpose of the present paper is to give some indication of the deep divisions that separated chemical physicians from each other in this crucial period. By way of background it should be noted that most chemical physicians of the sixteenth and the seventeenth centuries did not consider their work to be entirely new. They openly drew upon the writings of Islamic physicians and alchemists as well as a host of Latin scholars of the Middle Ages who had turned to chemical operations as a basic tool for the preparation of medicines. -
John Dee, Willem Silvius, and the Diagrammatic Alchemy of the Monas Hieroglyphica
The Royal Typographer and the Alchemist: John Dee, Willem Silvius, and the Diagrammatic Alchemy of the Monas Hieroglyphica Stephen Clucas Birkbeck, University of London, UK Abstract: John Dee’s Monas Hieroglyphica (1564) was a work which involved a close collaboration between its author and his ‘singular friend’ the Antwerp printer Willem Silvius, in whose house Dee was living whilst he composed the work and saw it through the press. This article considers the reasons why Dee chose to collaborate with Silvius, and the importance of the intellectual culture – and the print trade – of the Low Countries to the development of Dee’s outlook. Dee’s Monas was probably the first alchemical work which focused exclusively on the diagrammatic representation of the alchemical process, combining diagrams, cosmological schemes and various forms of tabular grid. It is argued that in the Monas the boundaries between typography and alchemy are blurred as the diagrams ‘anatomizing’ his hieroglyphic sign (the ‘Monad’) are seen as revealing truths about alchemical substances and processes. Key words: diagram, print culture, typography, John Dee, Willem Silvius, alchemy. Why did John Dee go to Antwerp in 1564 in order to publish his recondite alchemical work, the Monas Hieroglyphica? What was it that made the Antwerp printer Willem Silvius a suitable candidate for his role as the ‘typographical parent’ of Dee’s work?1 In this paper I look at the role that Silvius played in the evolution of Dee’s most enigmatic work, and at the ways in which Silvius’s expertise in the reproduction of printed diagrams enabled Dee to make the Monas one of the first alchemical works to make systematic use of the diagram was a way of presenting information about the alchemical process. -
Introduction to Optics
2.71/2.710 Optics 2.71/2.710 Optics • Instructors: Prof. George Barbastathis Prof. Colin J. R. Sheppard • Assistant Instructor: Dr. Se Baek Oh • Teaching Assistant: José (Pepe) A. Domínguez-Caballero • Admin. Assistant: Kate Anderson Adiana Abdullah • Units: 3-0-9, Prerequisites: 8.02, 18.03, 2.004 • 2.71: meets the Course 2 Restricted Elective requirement • 2.710: H-Level, meets the MS requirement in Design • “gateway” subject for Doctoral Qualifying exam in Optics • MIT lectures (EST): Mo 8-9am, We 7:30-9:30am • NUS lectures (SST): Mo 9-10pm, We 8:30-10:30pm MIT 2.71/2.710 02/06/08 wk1-b- 2 Image of optical coherent tomography removed due to copyright restrictions. Please see: http://www.lightlabimaging.com/image_gallery.php Images from Wikimedia Commons, NASA, and timbobee at Flickr. MIT 2.71/2.710 02/06/08 wk1-b- 3 Natural & artificial imaging systems Image by NIH National Eye Institute. Image by Thomas Bresson at Wikimedia Commons. Image by hyperborea at Flickr. MIT 2.71/2.710 Image by James Jones at Wikimedia Commons. 02/06/08 wk1-b- 4 Image removed due to copyright restrictions. Please see http://en.wikipedia.org/wiki/File:LukeSkywalkerROTJV2Wallpaper.jpg MIT 2.71/2.710 02/06/08 wk1-b- 5 Class objectives • Cover the fundamental properties of light propagation and interaction with matter under the approximations of geometrical optics and scalar wave optics, emphasizing – physical intuition and underlying mathematical tools – systems approach to analysis and design of optical systems • Application of the physical concepts to topical