The Deadly Price of Pursuing Peace by Evelyn Gordon
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The Evolution of Neo-Conservative Foreign Policy Agenda - from the Cold War to the New Millennium Selected Issues
AD AMERICAM Journal of American Studies Vol. 8, 2008 ISSN 1896-9461 ISBN 978-83-233-2533-8 Grzegorz Nycz THE EVOLUTION OF NEO-CONSERVATIVE FOREIGN POLICY AGENDA - FROM THE COLD WAR TO THE NEW MILLENNIUM SELECTED ISSUES I. THE ORIGINS 1. The history of American neo-conservatism begins in the 1960s with a group of in tellectuals from the liberal camp, who rejected the Cultural Revolution and the radi calism of the New Left. The intellectual leaders of the new movement, Norman Pod- horetz and Irving Kristol, as well as their allies and associates Nathan Glazer, Daniel Bell, Daniel Patrick Moynihan and Jeanne Kirkpatrick, among others, were later named “neo-conservatives” or “neocons” to emphasize the difference between “converted” leftist liberals and “regular” republican conservatives (Ehrman 2000: 50- -70). Notably, neo-conservatives formed their intellectual credo from the elements of many doctrines - including the thought of Hannah Arendt, Reinhold Niebuhr, Walter Lippman, Arthur Schlesinger Jr., and Leo Strauss. In general, they shared the view of the whole conservative camp, that the social crisis of the 1960s and 1970s was deep ened by the counterculture, which undermined the Judeo-Christian tradition in America and infected the roots of American society. The “regular” and “neo” conser vatives commonly believed that American society had been weakened by the effects of industrialization and suffered from the erosion of social relations, caused by the leftist-liberal campaign against religion and family. In matters of foreign policy the early neo-conservatives defended containment and anticommunism, strongly sup ported the alliance between America and Israel and raised the significance of moral issues in international policy (Podhoretz 1986, Kristol 1999, Ehrman 2000, Friedman 2005, Tokarski 2006). -
John Podhoretz
CommentaryJUNE 2019 ARE WE ALONE IN THE UNIVERSE? EXTRATERRESTRIAL INTELLIGENCE MAY BE FAR MORE UNLIKELY THAN WE THINK by Ethan Siegel MARVEL AND THE JEWS John Podhoretz THE BONES Commentary OF BRISK Meir Y. Soloveichik THE GILDED JUNE 2019 : VOLUME 147 NUMBER 6 147 : VOLUME JUNE 2019 SWEATSHOP Rob Long $5.95 US : $7.00 CANADA $7.00 : US $5.95 JUNE 2019 COVER.indd 1 5/13/19 3:58 PM Acts of terror injure hundreds of Israelis. One act from you can save thousands. In Israel, only one agency is the official ambulance, disaster-response, and blood-services agency for the nation’s 9 million people. Yet, it’s not funded by the government. When you support Magen David Adom, you get the satisfaction of knowing your gift has impact. If you value life and want to make Israel a stronger, safer place, there’s no greater way than by supporting Magen David Adom. Save a life in Israel. Support Magen David Adom at afmda.org/one-act or call 866.632.2763. JUNE 2019 COVER.indd 2 5/13/19 3:57 PM EDITOR’S COMMENTARY The Human Miracle JOHN PODHORETZ UR EARTH WOULD BE so much better if it I think this notion has something to do with the didn’t have people, wouldn’t it? That notion— environmentalist downgrade of humanity over the past Owhat you might call a view of original sin ab- half century. Some of us can believe humanity is beyond sent possibility of redemption—is the hidden backbone salvation and the world would be better without it be- of radical environmentalism. -
When Victims Rule
1 24 JEWISH INFLUENCE IN THE MASS MEDIA, Part II In 1985 Laurence Tisch, Chairman of the Board of New York University, former President of the Greater New York United Jewish Appeal, an active supporter of Israel, and a man of many other roles, started buying stock in the CBStelevision network through his company, the Loews Corporation. The Tisch family, worth an estimated 4 billion dollars, has major interests in hotels, an insurance company, Bulova, movie theatres, and Loliards, the nation's fourth largest tobacco company (Kent, Newport, True cigarettes). Brother Andrew Tisch has served as a Vice-President for the UJA-Federation, and as a member of the United Jewish Appeal national youth leadership cabinet, the American Jewish Committee, and the American Israel Political Action Committee, among other Jewish organizations. By September of 1986 Tisch's company owned 25% of the stock of CBS and he became the company's president. And Tisch -- now the most powerful man at CBS -- had strong feelings about television, Jews, and Israel. The CBS news department began to live in fear of being compromised by their boss -- overtly, or, more likely, by intimidation towards self-censorship -- concerning these issues. "There have been rumors in New York for years," says J. J. Goldberg, "that Tisch took over CBS in 1986 at least partly out of a desire to do something about media bias against Israel." [GOLDBERG, p. 297] The powerful President of a major American television network dare not publicize his own active bias in favor of another country, of course. That would look bad, going against the grain of the democratic traditions, free speech, and a presumed "fair" mass media. -
The Weekly Standard…Don’T Settle for Less
“THE ORACLE OF AMERICAN POLITICS” — Wolf Blitzer, CNN …don’t settle for less. POSITIONING STATEMENT The Weekly Standard…don’t settle for less. Through original reporting and prose known for its boldness and wit, The Weekly Standard and weeklystandard.com serve an audience of more than 3.2 million readers each month. First-rate writers compose timely articles and features on politics and elections, defense and foreign policy, domestic policy and the courts, books, art and culture. Readers whose primary common interests are the political developments of the day value the critical thinking, rigorous thought, challenging ideas and compelling solutions presented in The Weekly Standard print and online. …don’t settle for less. EDITORIAL: CONTENT PROFILE The Weekly Standard: an informed perspective on news and issues. 18% Defense and 24% Foreign Policy Books and Arts 30% Politics and 28% Elections Domestic Policy and the Courts The value to The Weekly Standard reader is the sum of the parts, the interesting mix of content, the variety of topics, type of writers and topics covered. There is such a breadth of content from topical pieces to cultural commentary. Bill Kristol, Editor …don’t settle for less. EDITORIAL: WRITERS Who writes matters: outstanding political writers with a compelling point of view. William Kristol, Editor Supreme Court and the White House for the Star before moving to the Baltimore Sun, where he was the national In 1995, together with Fred Barnes and political correspondent. From 1985 to 1995, he was John Podhoretz, William Kristol founded a senior editor and White House correspondent for The new magazine of politics and culture New Republic. -
David Hare's the Blue Room and Stanley
Schnitzler as a Space of Central European Cultural Identity: David Hare’s The Blue Room and Stanley Kubrick’s Eyes Wide Shut SUSAN INGRAM e status of Arthur Schnitzler’s works as representative of fin de siècle Vien- nese culture was already firmly established in the author’s own lifetime, as the tributes written in on the occasion of his sixtieth birthday demonstrate. Addressing Schnitzler directly, Hermann Bahr wrote: “As no other among us, your graceful touch captured the last fascination of the waning of Vi- enna, you were the doctor at its deathbed, you loved it more than anyone else among us because you already knew there was no more hope” (); Egon Friedell opined that Schnitzler had “created a kind of topography of the constitution of the Viennese soul around , on which one will later be able to more reliably, more precisely and more richly orient oneself than on the most obese cultural historian” (); and Stefan Zweig noted that: [T]he unforgettable characters, whom he created and whom one still could see daily on the streets, in the theaters, and in the salons of Vienna on the occasion of his fiftieth birthday, even yesterday… have suddenly disappeared, have changed. … Everything that once was this turn-of-the-century Vienna, this Austria before its collapse, will at one point… only be properly seen through Arthur Schnitzler, will only be called by their proper name by drawing on his works. () With the passing of time, the scope of Schnitzler’s representativeness has broadened. In his introduction to the new English translation of Schnitzler’s Dream Story (), Frederic Raphael sees Schnitzler not only as a Viennese writer; rather “Schnitzler belongs inextricably to mittel-Europa” (xii). -
The Neoconservative Persuasion: Selected Essays, 1942-2009
PHILANTHROPY / EVENT TRANSCRIPT The Neoconservative Persuasion: Selected Essays, 1942-2009 By Irving Kristol Edited by Gertrude Himmelfarb February 2, 2011 Panel Discussion of The Neoconservative Persuasion: Selected Essays, 1942-2009 By Irving Kristol Edited by Gertrude Himmelfarb Wednesday, February 2, 2011 Table of Contents Ken Weinstein 1 Amy Kass 1 Charles Krauthammer 3 Irwin Stelzer 7 Leon Kass 11 William Kristol 15 Q&A 23 Gertrude Himmelfarb (“Bea Kristol”) 30 Speaker Biographies 31 © 2011 Hudson Institute Hudson Institute is a nonpartisan, independent policy research organization. Founded in 1961, Hudson is celebrating a half century of forging ideas that promote security, prosperity, and freedom. www.hudson.org Ken Weinstein Good afternoon. I’m Ken Weinstein, CEO of Hudson Institute. I’d like to welcome everyone to today’s Book Forum on the newly published The Neoconservative Persuasion: Selected Essays 1942- 2009, by Irving Kristol, which has been edited by the redoubtable Gertrude Himmelfarb. The book is available for sale in the back at the discounted price of $20, and I urge all of you to get one before you leave. This is a truly remarkable book, one that shows the breadth and the depth of Irving Kristol’s thought over some 67 years, which you’ll be hearing about shortly. My colleagues and I frankly feel privileged that Hudson Institute is the venue for today’s book forum, and I should thank the book’s editor, Gertrude Himmelfarb, for giving us this auspicious honor. (Applause.) We have a truly distinguished panel, who will offer their reflections shortly, but before we get underway I should note that this is Hudson Institute’s 50th anniversary year, and to mark this occasion, the Institute has begun a 50th anniversary seminar series, and today’s exceptional Book Forum is the second event in this series. -
HJR 23.1 Sadoff
38 The Henry James Review Appeals to Incalculability: Sex, Costume Drama, and The Golden Bowl By Dianne F. Sadoff, Miami University Sex is the last taboo in film. —Catherine Breillat Today’s “meat movie” is tomorrow’s blockbuster. —Carol J. Clover When it was released in May 2001, James Ivory’s film of Henry James’s final masterpiece, The Golden Bowl, received decidedly mixed reviews. Kevin Thomas calls it a “triumph”; Stephen Holden, “handsome, faithful, and intelligent” yet “emotionally distanced.” Given the successful—if not blockbuster—run of 1990s James movies—Jane Campion’s The Portrait of a Lady (1996), Agniezka Holland’s Washington Square (1997), and Iain Softley’s The Wings of the Dove (1997)—the reviewers, as well as the fans, must have anticipated praising The Golden Bowl. Yet the film opened in “selected cities,” as the New York Times movie ads noted; after New York and Los Angeles, it showed in university towns and large urban areas but not “at a theater near you” or at “theaters everywhere.” Never mind, however, for the Merchant Ivory film never intended to be popular with the masses. Seeking a middlebrow audience of upper-middle-class spectators and generally intelligent filmgoers, The Golden Bowl aimed to portray an English cultural heritage attractive to Anglo-bibliophiles. James’s faux British novel, however, is paradoxically peopled with foreigners: American upwardly mobile usurpers, an impoverished Italian prince, and a social-climbing but shabby ex- New York yentl. Yet James’s ironic portrait of this expatriate culture, whose characters seek only to imitate their Brit betters—if not in terms of wealth and luxury, at least in social charm and importance—failed to seem relevant to viewers The Henry James Review 23 (2002): 38–52. -
From Real Time to Reel Time: the Films of John Schlesinger
From Real Time to Reel Time: The Films of John Schlesinger A study of the change from objective realism to subjective reality in British cinema in the 1960s By Desmond Michael Fleming Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy November 2011 School of Culture and Communication Faculty of Arts The University of Melbourne Produced on Archival Quality Paper Declaration This is to certify that: (i) the thesis comprises only my original work towards the PhD, (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is fewer than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. Abstract The 1960s was a period of change for the British cinema, as it was for so much else. The six feature films directed by John Schlesinger in that decade stand as an exemplar of what those changes were. They also demonstrate a fundamental change in the narrative form used by mainstream cinema. Through a close analysis of these films, A Kind of Loving, Billy Liar, Darling, Far From the Madding Crowd, Midnight Cowboy and Sunday Bloody Sunday, this thesis examines the changes as they took hold in mainstream cinema. In effect, the thesis establishes that the principal mode of narrative moved from one based on objective realism in the tradition of the documentary movement to one which took a subjective mode of narrative wherein the image on the screen, and the sounds attached, were not necessarily a record of the external world. The world of memory, the subjective world of the mind, became an integral part of the narrative. -
Eyes Wide Shut, Director: Stanley Kubrick; Scenario: Stanley Kubrick, Frederic Raphael; Starring: Nicole Kidman (Alice Harford), Tom Cruise (Dr
Eyes Wide Shut 145 Movie Review Eyes Wide Shut, Director: Stanley Kubrick; Scenario: Stanley Kubrick, Frederic Raphael; Starring: Nicole Kidman (Alice Harford), Tom Cruise (Dr. William ‘Bill’ Harford), Madison Eginton (Helena Harford), Sydney Pollack (Victor Ziegler), 1999/USA, 159 min., adaptation from Traumnovella by Arthur Schnitzler. Reviewed by: Bora Erdagi1 Eleven years after its release, it is worth remembering Stanley Kubrick’s last film Eyes Wide Shut for its critique of dehumanized (bourgeois) lifestyles of our times. Kubrick worked on the screenplay for quite a long time and could finish shooting only months before his death. The inspiration was the novelTraumnovella by Arthur Schnitzler who was a close friend of Sigmund Freud. The film is an at- tempt to question the notions of love, trust, and sexuality in order to unfold the taken-for-granted relations between these notions. It also reveals the role these no- tions play in constructing and reconstructing social bodies in a certain way. It tells the story of an upper-middle class New York couple (Bill Harford performed by Tom Cruise and Alice Harford performed by Nicole Kidman) who lose their way upon having a few existential crises in three consecutive days. The diverse routes Alice and Bill take to deal with their own traumas opens up the possibility to ob- serve the conditions of different levels of (un)consciousness. Alice, as opposed to Bill, is neither attached in an unbounded way to the dream she was thrown into nor is she too heavily involved in the circumstances surrounding her way of life. Bill, on the other hand, is capable of easily justifying the conditions of his life through his instrumental rationality; nevertheless, he easily falls apart within the first crisis. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
The Holocaust
7/1/2019 Political Science The Holocaust THE HOLOCAUST/THE SHOAH Political Science 4313 Dr. Arnold Leder with the assistance of Delaina Toothman Password protected materials for this course can be viewed @ http://www.arnoldleder.com/readings/index.html. Scroll to the section on "The Holocaust/Shoah". Password and user name for access will be provided to students in the course. For the online link to this web syllabus as well as links to posted web syllabi for other courses taught by Dr. Leder see: http://www.arnoldleder.com/. Department Of Political Science/Texas State University http://www.polisci.txstate.edu/ UAC/Undergraduate Academic Center 355; Telephone number: (512) 245-2143; Fa x number: (512) 245-7815 Liberal A rts Computer Lab: UAC/Undergraduate Academic Center 440; Website: http://www.polisci.txstate.edu/resources/computer-lab.htm Office: UAC 363 Office Hours: MWF 8:00-8:50 a.m. & by appointment. Texas State University Academic Calendar Texas State University Final Exam Schedul e Selected Web Resources For Texas State University Texas State University Library Locating Periodicals @ Texas State University Library Web Resources For The Shoah/Holocaust-Links To Many Websites Including: Yad Vashem @ http://www.yadvashem.org/ United States Holocaust Memorial Museum @ http://www .ushmm.org/ The Jewish Virtual Library/The Holocaust http://www.jewishvirtuallibrary .org/jsource/holo.html ------------------------------------------ OVERVIEW OF COURSE Course Title: THE SHOAH (THE HOLOCAUST) Holocaust Photo Link: Jewish Boy With Hands Up Faces German Stormtroopers/Warsaw Ghetto Uprising-April-May 1943 Documentary Film on the history of anti-Semitism: European Antisemitism from Its Origins to the Holocaust" (13 minutes) United States Holocaust Memorial Museum @ https://www.ushmm.org/confront-antisemitism/european-antisemitism-from-its-origins-to-the- holocaust An introduction to the history of antisemitism from the days of the early Christian church until the era of the Holocaust in the mid-20th century. -
The Vision Thing”: George H.W
“The Vision Thing”: George H.W. Bush and the Battle For American Conservatism 19881992 Paul Wilson A thesis submitted in partial fulfillment of the requirements for the degree of BACHELOR OF ARTS WITH HONORS DEPARTMENT OF HISTORY UNIVERSITY OF MICHIGAN April 1, 2012 Advised by Professor Maris Vinovskis For my Grandfather, who financed this project (and my education). For my beautiful Bryana, who encouraged me every step of the way. Introduction............................................................................................................................................. 6 Chapter One: The Clash of Legacies.......................................................................................... 14 Chapter Two: The End of the Cold War and the New European Order ................ 42 Chapter Three: 1992 and the Making of Modern American Conservatism....... 70 Conclusion............................................................................................................................................ 108 Bibliography....................................................................................................................................... 114 4 ACKNOWLEDGEMENTS Many thanks to the University of Michigan library system for providing access to the material used in the making of this thesis. Thanks to Professor Maris Vinovskis, who provided invaluable knowledge and mentorship throughout the whole writing process. Much gratitude goes to Dr. Sigrid Cordell, who always found the resources I needed to complete this