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My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63 -
A Study of Microtones in Pop Music
University of Huddersfield Repository Chadwin, Daniel James Applying microtonality to pop songwriting: A study of microtones in pop music Original Citation Chadwin, Daniel James (2019) Applying microtonality to pop songwriting: A study of microtones in pop music. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34977/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Applying microtonality to pop songwriting A study of microtones in pop music Daniel James Chadwin Student number: 1568815 A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts University of Huddersfield May 2019 1 Abstract While temperament and expanded tunings have not been widely adopted by pop and rock musicians historically speaking, there has recently been an increased interest in microtones from modern artists and in online discussion. -
Hipster Black Metal?
Hipster Black Metal? Deafheaven’s Sunbather and the Evolution of an (Un) popular Genre Paola Ferrero A couple of months ago a guy walks into a bar in Brooklyn and strikes up a conversation with the bartenders about heavy metal. The guy happens to mention that Deafheaven, an up-and-coming American black metal (BM) band, is going to perform at Saint Vitus, the local metal concert venue, in a couple of weeks. The bartenders immediately become confrontational, denying Deafheaven the BM ‘label of authenticity’: the band, according to them, plays ‘hipster metal’ and their singer, George Clarke, clearly sports a hipster hairstyle. Good thing they probably did not know who they were talking to: the ‘guy’ in our story is, in fact, Jonah Bayer, a contributor to Noisey, the music magazine of Vice, considered to be one of the bastions of hipster online culture. The product of that conversation, a piece entitled ‘Why are black metal fans such elitist assholes?’ was almost certainly intended as a humorous nod to the ongoing debate, generated mainly by music webzines and their readers, over Deafheaven’s inclusion in the BM canon. The article features a promo picture of the band, two young, clean- shaven guys, wearing indistinct clothing, with short haircuts and mild, neutral facial expressions, their faces made to look like they were ironically wearing black and white make up, the typical ‘corpse-paint’ of traditional, early BM. It certainly did not help that Bayer also included a picture of Inquisition, a historical BM band from Colombia formed in the early 1990s, and ridiculed their corpse-paint and black cloaks attire with the following caption: ‘Here’s what you’re defending, black metal purists. -
Unpopular Culture and Explore Its Critical Possibilities and Ramifications from a Large Variety of Perspectives
15 mm front 153 mm 8 mm 19,9 mm 8 mm front 153 mm 15 mm 15 mm TELEVISUAL CULTURE TELEVISUAL CULTURE This collection includes eighteen essays that introduce the concept of Lüthe and Pöhlmann (eds) unpopular culture and explore its critical possibilities and ramifications from a large variety of perspectives. Proposing a third term that operates beyond the dichotomy of high culture and mass culture and yet offers a fresh approach to both, these essays address a multitude of different topics that can all be classified as unpopular culture. From David Foster Wallace and Ernest Hemingway to Zane Grey, from Christian rock and country to clack cetal, from Steven Seagal to Genesis (Breyer) P-Orridge, from K-pop to The Real Housewives, from natural disasters to 9/11, from thesis hatements to professional sports, these essays find the unpopular across media and genres, and they analyze the politics and the aesthetics of an unpopular culture (and the unpopular in culture) that has not been duly recognized as such by the theories and methods of cultural studies. Martin Lüthe is an associate professor in North American Cultural Studies at the John F. Kennedy-Institute at Freie Universität Berlin. Unpopular Culture Sascha Pöhlmann is an associate professor in American Literary History at Ludwig-Maximilians-Universität Munich. 240 mm Martin Lüthe and Sascha Pöhlmann (eds) Unpopular Culture ISBN: 978-90-8964-966-9 AUP.nl 9 789089 649669 15 mm Unpopular Culture Televisual Culture The ‘televisual’ names a media culture generally in which television’s multiple dimensions have shaped and continue to alter the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture. -
My Bloody Valentine Jim James
LEXINGTON HERALD-LEADER | LEXGO.COM WEEKENDER: STAYING IN FRIDAY | FEBRUARY.15.2013 | 29 MUSIC HOT TICKETS ALBUM REVIEWS CRITIC’S PICK POP Jim James My Bloody Valentine Regions of Light and Sound of God m b v | There are instances on Regions of Light and Sound of God, the new and profoundly contemplative solo album from Louisvillian Jim James, when one can’t help but think of Van Morrison. WADE PAYNE | 2010 ASSOCIATED PRESS FILE PHOTO It’s not a matter of Country singer Justin Moore is slated to perform in Corbin on April 20. style or sound, really. Yet within in the grooves sits a mix Kevin Shields’ name belongs on the short of yearning, reflection and spiritual release that could list with such creators as Ralph Ellison, Tickets on sale soon: $55.50. On sale at 10 a.m. Feb. 15. have been plucked right out of Morrison’s mighty back Henry Roth, Jeff Mangum (of Neutral Milk Wish You Were Here Pink Floyd Ticketmaster. Troubashow.com. catalogue. It’s just that in lieu of the latter’s Celtic fancy, Hotel) and Axl Rose — guys whose towering Tribute. 8 p.m. April 6. Bogart’s, Styx. 8 p.m. April 6. Horseshoe Regions of Light favors a predominantly one-man-band artistic achievements in their youth loomed Cincinnati. $12. On sale at 10 a.m. Feb. Southern Indiana, Elizabeth, Ind. sound that employs ambient orchestration, trip-hop so large that for a prolonged period they 15. Livenation.com. $35-$65. On sale at 11 a.m. Feb. 15. -
Longevity of ROTC Scholarships in Question As Senate Plans Vote
THE TUFTS DAILYVoI XXIV, Number 30 Where You Read It First Tuesday, March 3,1992 IAND ON YOUR RIGHT... Longevity of ROTC scholarships in question as Senate plans vote by MAUREISN LENIHAN Daily Editcmal Board The issue of Tufts’ participa- tion in the Rescrve Officer Train- ing Corps scholarship program was resurrected at Sunday‘sTufts Community Union Senate meet- ing, as sophomore Senator Andy Salzer proposed that Tufts reject the program as long as the US Department of Defense continues to bar homosexuals from military service. Salzer’sresolution,tobe voted on next Sunday, renewed last year’s debate over the appropri- ateness of accepting a scholar- ship program barring participa- lion Of members Of the TuftscOm- Andy Salzer (center) proposed that Tufts reject the ROTC program munitY solelJ’ On the basis Of until the Department &Defense stops barring homosexuals from sexual orientation. entering the military, renewing a debate begun last year. Last year, the Senate did not vote for or against a similarly different this yeardue tothe weight acceptance of any ROTC scholar- worded resolution. Members of of the faculty vote on student ships after Fall 1992. the Senate opted instead for a opinion. The vote of the faculty and I letter writing campaign to the “Last year. the faculty made Senatecanonlybeusedas recom- Department of Defenseurging the their decision after the Senate, mendalions for the Administra- admission of homosexuals into but the vote of the faculty carries tion mdTruWes. Hm’ever. these the military. The issue was subse- a lot of validity with students.” recommendations are. in theory, quently taken up by the Tufts said Salzer. -
Loveless Album Download
loveless album download Patty Loveless - On Down The Line (1990/2021) Artist : Patty Loveless Title : On Down The Line Year Of Release : 1990/2021 Label : Geffen Records Genre : Country Quality : 320 kbps | FLAC (tracks) Total Time : 00:34:16 Total Size : 85 mb | 216 mb WebSite : Album Preview. 01. Patty Loveless - Overtime 02. Patty Loveless - The Night's Too Long 03. Patty Loveless - Blue Memories 04. Patty Loveless - Some Morning Soon 05. Patty Loveless - You Can't Run Away From Your Heart 06. Patty Loveless - On Down The Line 07. Patty Loveless - I've Gotta Stop Loving You (And Start Living Again) 08. Patty Loveless - Looking In The Eyes Of Love 09. Patty Loveless - I'm That Kind Of Girl 10. Patty Loveless - Feelings Of Love. Loveless – Loveless I (2021) Band –Loveless Album –Loveless Year –2021 Genre –Alternative Rock / Post-Hardcore Country –USA Web – Facebook Quality – MP3 CBR 320 KBPS Tracklist: 1. Haunting Me 2. Better 3. Let You Know 4. For You 5. Down Again 6. Someone Else (feat. Kellin Quinn) 7. Smile 8. Control 9. I Don’t Miss You Anymore 10. Lighthouse 11. Sun 12. A Thousand Reasons 13. Exile (Bonus Track) Related posts: esxdlr. Leave a Reply Cancel reply. Donate. In order for us to keep TakeMetal up and running, continuously improving it and bringing you the finest metal releases, we ask you to help us paying the server bill. Weekly Top 5. At the Gates – The Nightmare of Being (2021) 1.5k views Born of Osiris – Angel Or Alien (2021) 765 views Lord Of The Lost – Judas (2021) 683 views The CEO (SEVENDUST) – Redemption (2021) 664 views Lost in Grey – Under the Surface (2021) 644 views. -
Razorcake Issue #84 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California non-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
View the Booklet Here
A 1. KEEN ON GIRLS - Sea Wave 2. Heart Noir - Left Behind 3. Greenland Sea - Who Needs the Bureau de Change 4. Red Deer People - Early Warning System 5. The Saint Valentine State - Moments are Moments 6. The Restoration - Cut Out the Noise 7. What We Did On Our Holiday - A World Apart 8. Soft Lads - Never Again 9. EVIL - Play it Sam 10. The Paris Work-In - I Will Think of What You Said ALicense: All songs on this album are licensed under Creative Commons (Attribution – Noncommercial – No Derivative Works) except the song by What We Did On Our Holiday (Copyright Let’s Say We Did/Top Sound). This means that you are free to share – to copy, distribute and transmit the work, as long as the use is non-commercial, and as long as you credit the artist, and as long as you don’t edit the artist’s work in any way. If you want to use the song in other ways than the ones mentioned above, you have to get the artist’s permission to do so. More info here: www.creativecommons.org/licenses/by-nc-nd/3.0 The songs explicitly mentioned above as not licensed under Creative Commons can not be shared freely outside of this compilation. 1 The Second Wave - Some words from ePop’s Knut: Ah, finally, after almost a year in the making, our collaboration compilation "Between Two Waves - The Second Wave" is out for all PS. Since this is of you to enjoy. called "The Second Wave", All songs on this album are made by two and two bands working together. -
Shoegaze Honors Project Notes
Sam’s Top 5 Shoegaze Albums of All Time 5. Blonder Tongue Audio Baton by Swirlies Blonder Tongue Audio Baton by Swirlies was Swirlie’s debut album released in 1993. Swirlies is a band from Boston that makes noisy shoegaze guitar-based pop. That sound is very evident on Blonder Tongue Audio Baton. Blonder Tongue Audio Baton is an 11 track album with each song ranging about 3 to 5 minutes long. Blonder Tongue Audio Baton was named after a vintage tube equalizer, the album plays around with a lot of different sounds and is very experimental. Songs like “Bell”, “Jeremy Parker”, and “Pancake” definitely have a very shoegaze feel to them with noisy guitar riffs and dreamy vocals. While songs like “Wait Forever” are a little more relaxed and lowkey. As far as Shoegaze albums go, Blonder Tongue Audio Baton is very diverse. Mixing in both elements of shoegaze, indie, rock, and grunge the album has a lot going on and does not get too repetitive. Vocals from Damon Tutunjian and Seana Carmody are traded off throughout the album giving many different vibes and sounds on each song. The energy on the album is strong, really making you want to get up and play some guitar. Overall Blonder Tongue Audio Baton is a very strong shoegaze album. The length is just where it needs to be and the diversity is definitely there on most tracks. Shoegaze is a very experimental genre already and Swirlies took that to another level on Blonder Tongue Audio Baton. 4. Loveless by My Bloody Valentine Loveless by My Bloody Valentine is commonly discussed as the greatest shoegaze and indie album of all time and one of the best albums to come out of the 90s. -
Worldmags.Net
REVIEWS WorldMags.net Confronted with Camille. Yes, well, surely songs like "Struggle", this is the mind ofa "Whip It Up" and major talent at work. "Take It So Hard", it's "Heaven" is reasonably obvious what's going light-fingered but I don't on. Richards has think the old tart can tell strung together a few me anything about easy-to-remember Paradise that Smokey phrases, knocked out Robinson hasn't already a few hard-to-forget whispered infinitely run-of-the-mill riffs more gracefully. - and - hey presto! Ludicrously overrated we've got usan LP. trouper. MMOct29 Even a cynic like my CREATION good self can f i nd Felt Space Blues something to shout Lawrence, something of about, and Keith's a chameleon (its tummy, tongue is f irm ly in cheek on the My Bloody Valentine, SINGLES perhaps), is now workout of "I Could Novem6er7988:0-0 of how rockabilly Kevin Shields, Deb crooning wearily Have Stood You Up". He doesn't Googe, Bilinda Butcher he "wants to be like you". sound like he's trying too hard. andColmO'Ciosoig Babyf ace sings the It's off-the-cuff, spontaneous Baloos. Talking of The stuff and all the better for it. SINGLES the best British Jungle Book, Lawrence once Keith Richards should be creation since came to a party where used to cherished. The skeleton with My Bloody Valentine Horatio Nelson's live and told us, panic-stricken, skin on is a national institution, Feed Me With Your Kiss right hand or Thomas that the back yard was on fire. -
"When You Wake You're Still in a Daydream Nation"
"When You Wake You're Still In A Daydream Nation" En undersøkelse av støygitarestetikk i et utvalg låter av My Bloody Valentine og Sonic Youth Masteroppgave ved Institutt for Musikkvitenskap Universitetet i Oslo, februar 2006 Henning Sandsdalen Forord Det å skulle skrive en masteroppgave, og ikke minst skrive den ferdig, er en lang og omstendelig prosess. Etter å ha jobbet med denne oppgaven i drøye ett og et halvt år er det en god følelse å se den nærme seg et ferdig resultat. Prosessen fra de første forsøkene på å utvikle idéene mine og frem til nå har vært lang og slitsom, men fremfor alt svært lærerik. Jeg vil rette en stor takk til professor Stan Hawkins for grundig og oppmuntrende veiledning underveis, samt et vell av faglig inspirasjon og engasjement. Ellers har hyggelige samtaler med mine medstudenter på musikkvitenskap av både faglig og mer hverdagslig karakter vært nyttige og inspirerende å ha med seg i oppgaveprosessen. Takk til Gaute Storsve for korrekturlesing og konstruktiv tilbakemelding. Takk til Sonic Youth og My Bloody Valentine for å ha laget musikken som har inspirert meg til å skrive nettopp denne oppgaven. Og sist, men viktigst, takk til min kjære Lene for språklig korrektur, tålmodighet og oppmuntringer underveis, og til vår fantastiske sønn Eilif. Dere får meg til å føle meg som verdens aller heldigste gutt. Oslo, januar 2006 Henning Sandsdalen 2 Innhold 1. Introduksjon......................................................................................................................... 5 Innledning.....................................................................................................................