Shoegaze Honors Project Notes
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63 -
In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire -
Artreview Artreview Asia
mother’s tankstation 41-43 Watling Street, Usher’s Island, Dublin, D08 NP48, Ireland Morley House, 26 Holborn Viaduct, 4th floor, London EC1A 2AT, United Kingdom +353 (1) 6717654 +44 (0) 7412581803 [email protected] [email protected] www.motherstankstation.com www.motherstankstation.com ArtReview ArtReview Asia FEATURE Lee Kit The feeling of being hit head-on... By Anthony Yung ArtReview Asia caught up with Lee Kit in Venice, where he was monitoring the reconstruction of a building – soon to be the site of the Hong Kong Pavilion – opposite the entrance of the Arsenale. His solo exhibition You (you). will open here in less than two months. During the past year, Lee’s experiences of participating in art fairs and exhibitions all over the world – from solo shows in Beijing, Hong Kong, Palermo and Tapei, to group shows at the New Museum and MoMA in New York – have transformed his work methods and expanded the dimensions of his creative practice. Oddly enough, shortly before being invited to represent Hong Kong at the Venice Biennale, he moved to Taipei; so we decided, under the circumstances, that the best approach would be to invite one of his old Hong Kong friends to catch up with him on recent events. Lee’s artistic journey began when he started by painting checked patterns onto cloths, then using these ‘paintings’ in his daily life as tablecloths, curtains or picnic sheets. He washed the cloths, he wiped his mouth with them and in 2004 he used one of them as a ‘flag’ in Hong Kong’s annual 1 July protests (held each year since the 1997 handover, in recent years to symbolise a demand for general freedoms). -
Lacrimosa Dr
Juli / August 14 AusgAbe 37 - JAhrgAng 7 Deine Lakaien LacrimoSa Dr. mark benecke Letzte inStanz opeth grA mitnehmen entombeD a.D. tis zum otto Dix SubStaat 2 eDitoriaL inhaLt Hoherlehmer Straße 5 – 15738 Zeuthen Tel. 03376/2462946 www.negatief.de Nach zweijähriger Absenz wagten wir mit der letz- 31 Ankh ten Ausgabe den Sprung ins kalte Wasser und be- 8 Astari Nite Herausgeber, Vertrieb & V.i.S.d.P.: lebten das NEGAtief neu. Viel Arbeit und Idealismus 5 CD-Tipps Bruno Kramm ([email protected]) sind in das Heft geflossen und umso erfreuter waren 6 Deine Lakaien Chefredaktion & Redaktionsleitung: wir über die positiven Resonanzen, die wir auf Face- Sascha Blach ([email protected]) book, in den Clubs, von Labels und Bands und vor 15 Digitalis Purpurea Marketing: Johannes Thon ([email protected]) allem beim Wave Gotik Treffen in Leipzig bekommen 24 Entombed A.D. Marketing Multimedia: Yvonne Brasseur 10 Lacrimosa ([email protected]) haben. Vier Tage lang stand unser eifriges Team dort Layout: Miriam Barth ([email protected]) in der Agra-Halle am NEGAtief-Stand und sorgte da- 7 Letzte Instanz Internet: Sandro Griesbach für, dass es jeder, der ohne das Heft nach Hause ge- 19 Löwenhertz Redaktion: Sascha Blach, Daniel Dreßler, Gert hen wollte, schwer hatte. Unseren WGT-Nachbericht 16 Mark Benecke Drexl, Peter Istuk, Bruno Kramm, Jennifer Laux, lest ihr ebenso in der euch nun vorliegenden Juli/ Sigmar Ost, Stephanie Riechelmann, Peter Sailer, Lea 9 Multimedia August-Ausgabe wie spannende Storys über Lacri- 14 No:Carrier Sommerhäuser, Laura Thon, Frank „Otti“ van Düren, mosa, Opeth, Letzte Instanz, Substaat oder Deine Kerstin Vielguth, Paul Winterfeld 26 Opeth Lakaien. -
6.-9.JULI 2017 1 3 BOCHUM TOTAL 2017 Vorwort
6.-9.JULI 2017 BERMUDA3ECK www.bochum-total.de 1 Moop Mama – SO. 09.07. 20.45 – 1LIVE Bühne 3 BOCHUM TOTAL 2017 Vorwort „Ohne Musik wäre das Leben ein Irrtum“, so der große Denker Eine ganz besondere Partnerschaft feiert in diesem Jahr ein Jubi- Friedrich Wilhelm Nietzsche. Recht hat er damit. Musik überwindet läum. 1Live hat sich vor 20 Jahren zum ersten Mal mit einer Bühne Grenzen, Musik schafft ein Miteinander und einen Austausch. Musik präsentiert. Und seit dieser Zeit haben die Wellenreiter aus Köln das ist es auch immer wieder, die unterschiedlichsten Menschen mitein- Publikum im Pott immer wieder mit tollen Konzerten von großartigen ander verbindet. In unserem Fall schafft es die Musik, dass wir nicht Bands und Künstlern beglückt. Seien es nun die Chartstürmer von nur Bands und Künstler aus der ganzen Welt in Bochum begrüßen Silbermond, Kraftklub, Frida Gold, The Boss Hoss, Casper, Mark dürfen, sondern in den letzten Jahren auch mit zahlreichen Initiativen Foster, Andreas Bourani, Seeed und vielen mehr, sie alle erlebten und Institutionen kooperieren. Wobei dieses Wort eigentlich nicht auf dieser Bühne ihre Feuertaufe. 1Live hat uns dabei nicht nur diese den ganzen Umfang der Zusammenarbeit widerspiegelt. Unter ande- großartigen Musiker auf die Bühne geholt, sondern diese auch von rem sind zu dem Polnischen Institut Düsseldorf enge Bande geknüpft großartigen Moderatoren präsentieren lassen. Stellvertretend sei worden. Auch der gelebte deutsch-polnische Bandaustausch hat hier Tobi Wienke genannt, dessen Verbindungen zu Bochum mittler- viele neue Freundschaften entstehen lassen. weile so eng sein sollen, dass er angeblich lieber Pils statt Alt trinkt. Aber im Ernst, es ist für uns einmal die Gelegenheit, Danke zu sagen. -
A Study of Microtones in Pop Music
University of Huddersfield Repository Chadwin, Daniel James Applying microtonality to pop songwriting: A study of microtones in pop music Original Citation Chadwin, Daniel James (2019) Applying microtonality to pop songwriting: A study of microtones in pop music. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34977/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Applying microtonality to pop songwriting A study of microtones in pop music Daniel James Chadwin Student number: 1568815 A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts University of Huddersfield May 2019 1 Abstract While temperament and expanded tunings have not been widely adopted by pop and rock musicians historically speaking, there has recently been an increased interest in microtones from modern artists and in online discussion. -
Hipster Black Metal?
Hipster Black Metal? Deafheaven’s Sunbather and the Evolution of an (Un) popular Genre Paola Ferrero A couple of months ago a guy walks into a bar in Brooklyn and strikes up a conversation with the bartenders about heavy metal. The guy happens to mention that Deafheaven, an up-and-coming American black metal (BM) band, is going to perform at Saint Vitus, the local metal concert venue, in a couple of weeks. The bartenders immediately become confrontational, denying Deafheaven the BM ‘label of authenticity’: the band, according to them, plays ‘hipster metal’ and their singer, George Clarke, clearly sports a hipster hairstyle. Good thing they probably did not know who they were talking to: the ‘guy’ in our story is, in fact, Jonah Bayer, a contributor to Noisey, the music magazine of Vice, considered to be one of the bastions of hipster online culture. The product of that conversation, a piece entitled ‘Why are black metal fans such elitist assholes?’ was almost certainly intended as a humorous nod to the ongoing debate, generated mainly by music webzines and their readers, over Deafheaven’s inclusion in the BM canon. The article features a promo picture of the band, two young, clean- shaven guys, wearing indistinct clothing, with short haircuts and mild, neutral facial expressions, their faces made to look like they were ironically wearing black and white make up, the typical ‘corpse-paint’ of traditional, early BM. It certainly did not help that Bayer also included a picture of Inquisition, a historical BM band from Colombia formed in the early 1990s, and ridiculed their corpse-paint and black cloaks attire with the following caption: ‘Here’s what you’re defending, black metal purists. -
Mysterious Skin L'été De Mes Huit Ans, 5 Heures Ont Disparu De Ma Vie…
Mysterious skin L'été de mes huit ans, 5 heures ont disparu de ma vie… Un film de GREGG ARAKI FESTIVAL DE VENISE 2004 FORTISSIMO FILMS ET MK2 DIFFUSION PRESENTENT Mysterious skin Un film de GREGG ARAKI Adapté du roman éponyme de SCOTT HEIM USA - 2004 - 1h39 - 35 mm - couleur - 1.85 - Dolby SRD DISTRIBUTION Mont-Blanc-Distribution 11 Rue Ferdinand Hodler Tél. +41 (0)22 700 76 00 / Fax +41 (0)22 700 76 11 www.mont-blanc-distribution.ch Synopsis A huit ans, Brian Lackey se réveille dans la cave de sa maison, le nez en sang, sans aucune idée de ce qui a pu lui arriver. Mais sa vie change complètement après cet incident : peur du noir, cauchemars, évanouissements... Dix ans plus tard, Brian est certain d’avoir été enlevé par des extraterrestres et pense que seul Neil Mc Cormick pourrait avoir la clé de l’énigme. Neil est un jeune marginal à la beauté du diable, une petite frappe dont tout le monde tombe amoureux mais qui ne s’attache à personne. Il regrette encore la relation qu’il avait établie avec son coach de baseball quand il avait huit ans. Brian tente de retrouver Neil pour dénouer le mystère qui les empêche de vivre... Notes du réalisateur Lorsque j'ai reçu en 1995 le premier roman de Scott Heim, Mysterious Skin, j'ai pensé que c'était l'histoire la plus belle, la plus poétique et la plus étrangement puissante que j'aie lue. Elle m'a littéralement ému aux larmes, ce qui ne m'était jamais arrivé avec un texte et ce qui ne s'est pas reproduit depuis. -
TREATMENT MUSIC VIDEO TITLE: “SAFE (Deine Liebe) I Can’T (Fake It)” BAND: SIX
VIDEO ART FROM A MUSICAL HEART VIDEO ART FROM A MUSICAL HEART DIRECTOR'S TREATMENT MUSIC VIDEO TITLE: “SAFE (Deine Liebe) I Can’t (Fake it)” BAND: SIX. BY SEVEN CLICKABLE LINKS THROUGHOUT https://sixbyseven.bandcamp.com/ BAND BIOGRAPHY: With a loyal international following Six. By Seven have released 3 albums with “Beggars Banquet” appeared on “Later With Jools Holland”, recorded 5 John Peel sessions, played Glastonbury and toured with The Manic Street Preachers, Ash, The Dandy Warhols and play Glastonbury again this June 2019. BAND GENRE: English/European indie rock/electronic, space-rock, shoegaze, neo-psychedelia - formed in Nottingham UK. THE SONG: Track “SAFE (Deine Liebe) I Can’t (Fake it)” is a bi-lingual song, taken from forthcoming album “Das Ist England” recorded at renowned Rockfield Studios UK. The album is definitely out there! Cosmic and groovy influenced in part by German ‘Krautrock’, DAF (German National Socialist labour organisation) and German bands of the 70’s and early 80’s which frontman and songwriter Chris Olley grew up listening to in Germany. * The video will strongly reflect these influences. * SYNOPSIS OF VIDEO NARRATIVE: A beautiful but lonely young woman home alone (eg. song title declares “SAFE” but is she)? receives a visit from a strange gang of intruders known as “SKINS” (eg. the fictitious faceless band who perform in the video). The “SKINS” have no face or identity but a whole lot of musical talent and an unrelenting playful attitude. They embark upon an evening of (eg. song phrasing) “Faking It” or not as the case may be! One member of the “SKINS” group takes a shine to the vulnerable and beautiful woman - how will she respond to this strange being’s interest in her?! Icelandic electro band GUS GUS LOOK / STYLE / INFLUENCES: Luis Bunuel/Hitchcock surrealism meets 1980’s MTV pop world! The video look, the “ SKINS’ “ dance movements, costumes and overall style will be strongly influenced by German, European and Icelandic synth and electronic dance videos from the 70’s & 80’s until present day. -
Sandspur, Vol 98 No 15, January 29, 1992
University of Central Florida STARS The Rollins Sandspur Newspapers and Weeklies of Central Florida 1-29-1992 Sandspur, Vol 98 No 15, January 29, 1992 Rollins College Find similar works at: https://stars.library.ucf.edu/cfm-sandspur University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the Newspapers and Weeklies of Central Florida at STARS. It has been accepted for inclusion in The Rollins Sandspur by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Rollins College, "Sandspur, Vol 98 No 15, January 29, 1992" (1992). The Rollins Sandspur. 1723. https://stars.library.ucf.edu/cfm-sandspur/1723 THE SANDSPUR Volume 98 Issue #15 Rollins College-Winter Park, Florida January 29, 1992 The Select Latin America in the "New World Order" Elect. Visiting professor of force by the U.S., arms, is not all-encompass ing in bringing about growth. The problems in offers his thoughts on Latin America such as drug trafficking, illegal emigration, and human rights abuses, are not Are Student the politics of the solved by military means. It is only a temporary solution to the internal instability in many of the Government leaders Westerm Hemisphere Latin American countries. Now, more than ever, monetary influence is U apathy locking the key to addressing the rudimentary problems BY ELIZABETH COOK in Latin America. Our economic aim must not out the rest of us from Sandspur Staff be so broad based, however, but it should be aimed at the causal factors of economic degen the university As a part of the First Columbus Quincentennial eration and political instability. -
Neil Halstead Warm, Inviting and Pastoral NPR Music
Neil Halstead: Warm, Inviting And Pastoral : NPR Music 10/31/08 1:23 PM Login | Register FAVORITE SESSIONS Neil Halstead: Warm, Inviting And Pastoral By Cheryl Waters Listen Now: Neil Halstead On KEXP add to playlist | download KEXP, October 28, 2008 - Listening to Neil Halstead, I always run through a gamut of emotions: No matter what's going on in my life, his music puts me into a blissful dream state, and I'm happy. Yet at the same time, his breathtaking voice and guitar work are beautiful enough to make me want to weep. When he performed this session at KEXP, I was eager to see what emotions he'd put me through this time. I've been a fan of Halstead's work since he was essentially a kid making fuzzy, distorted noise in the influential shoegazer band Slowdive. But now he's all grown up, and after drifting through the dusty fields of Mojave 3, he's settled into a Laura Totten stunning yet carefree style. As I listened to him in this Neil Halstead performs at KEXP studios. session, I couldn't help but think that this was the music he JUST THE MUSIC was meant to play — warm, inviting and pastoral. 'OH! MIGHTY ENGINE' add While he played songs from his latest album, Oh! Mighty Engine, I caught myself smiling at times and tearing up at others, and at the end found myself rendered speechless. 'ELEVENSES' "Wow," was I all could say to one of the most satisfying in- add studio performances I've ever heard. -
Lush: Shoegaze, Blind Spot and Reunions
Lush: Shoegaze, Blind Spot and Reunions theskinny.co.uk /music/interviews/lush-interview Lush Editor's Choice "You know, I hate the term shoegazing." Emma Anderson laughs but she's frustrated rather than amused as she reflects on the continuing and uncomfortable packaging of the scene her band Lush helped kick-start a mere quarter century ago. That time might have flown but the lazy compartmentalising has remained. "The scene was ridiculed to some extent," she continues, "but if you go back to the 90s, a lot of stuff hasn’t stood the test of time very well at all, and I can see why this has. It has a slightly other-worldly quality, I guess. It's very musical. That might sound really silly but it's not lyric-driven, it's certainly not scene-driven. It's based in music and genuine, real emotion." Hear hear. And her band's lasting qualities go some considerable way towards explaining why their unexpected regrouping late last year was greeted with such immediate warmth. With the likes of Ride and Slowdive's returns leading to a thoughtful re-evaluation of their back catalogues, Lush begin again with their credibility secure, despite elements of a largely supportive press at the time throwing them the odd bitchy barb. As we talk by phone ahead of the band's first release in 20 years – the tremendous Blind Spot EP – and a run of live shows that include two headline performances at London's vast Roundhouse, Anderson recalls those slyly negative notices with bemusement. "This has come up quite a lot actually," she says.