Shoegaze as the third wave : affective psychedelic noise, c. 1965-1991 Halligan, B Title Shoegaze as the third wave : affective psychedelic noise, c. 1965-1991 Authors Halligan, B Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/27311/ Published Date 2013 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at:
[email protected]. [A] Shoegaze as the Third Wave: Affective Psychedelic Noise, c. 1965-1991 [B] Benjamin Halligan [B] Theorising Psychedelia The idea of noise as aberrant or ‘incorrect’, unwelcome or unpleasant sound, particularly in respect to intrusions into soundscapes typically understood as given over to harmony or melody, offers a way into theorising psychedelia that breaks with the paradigms of previous critical engagements. These paradigms were too often hampered by musicology and associated critical methodologies, privileged analyses of lyrics, were distracted by anecdotal drugs lore, or nostalgically dallied with the gestural politics of the time. This chapter identifies the noise of psychedelia which, in its affective qualities, then allows for the possibility of charting its evolution across two subsequent scenes or ‘waves’: from the counterculture to that of rave and shoegaze. Charting this evolution allows for the possibility of both reconsidering what constituted psychedelic noise in the first place, and how it functioned, and extending this question of functioning, in terms of affect, ideology and even class, into these subsequent two waves.