SHOWBOX at Efm 2017

Total Page:16

File Type:pdf, Size:1020Kb

SHOWBOX at Efm 2017 SHOWBOX at efm 2017 CONTACT IN EFM Suite 244, Marriott Hotel T +49 30 22000 - 1166 EXECUTIVES ATTENDING Judy AHN | Head of Int’l Business E [email protected] Luna H.Y. KIM | SVP of Int’l Sales E [email protected] Dana KIM | Assistant Manager of Int’l Sales E [email protected] To set up a meeting, please e-mail us at [email protected] UPCOMING MARKET SCREENING FEB 11 (SAT) 18:55 @ CinemaxX 17 the prison GENRE Crime Action AN EX-COP CONVICT JOINS A CRIME SYNDICATE WITHIN THE PRISON RELEASE Mar, 2017 Yu-gon (KIM Rae-won), troubled former police inspector, is imprisoned for a hit-and-run accident. While inside, he discovers that DIRECTOR NA Hyun the entire penitentiary is controlled by an inmate named Ik-ho (HAN CAST HAN Seok-kyu | The Berlin File / My Paparotti Seok-kyu) who has been running a crime syndicate from within. Soon KIM Rae-won | Gangnam Blues / Sunflower enough, Yu-gon becomes a major part of Ik-ho’s crime empire. Sold Territory : China, North America, Philippines, and Taiwan the mayor GENRE Political Drama ALL AND EVERY ASPECT OF A PERSON PURSUING ONE’S AMBITION RELEASE Q2, 2017 Byeon (CHOI Min-sik), the Mayor of Seoul in his second term, announces his plans to run for mayor again. Despite the help of his DIRECTOR PARK In-je | Moby Dick crafty campaign manager Shim (KWAK Do-won) and a young ad CAST CHOI Min-sik | Lucy / Oldboy prodigy Park (SHIM Eun-kyung), his opposing candidate stays in the KWAK Do-won | Asura : The City of Madness / lead. And soon, the dirty realities of politics soil everyone’s hands. The Wailing SHIM Eun-kyung | Miss Granny / Masquerade Sold Territory : North America and Philippines RV:RESURRECTED VICTIMS GENRE Supernatural Drama VENGEANCE BRINGS THE UNDEAD TO LIFE RELEASE Q2, 2017 Prosecutor Jin-hong (KIM Rae-won)’s dead mother (KIM Hae- sook) returns home and tries to kill him. Surreal cases called RVP DIRECTOR KWAK Kyung-taek | The Classified File / Friend (Resurrected Victims Phenomenon) are reported globally where CAST KIM Rae-won | Gangnam Blues / Sunflower murder victims come back to life to avenge the murderer, and based KIM Hae-sook | The Handmaiden / The Thieves on this, secret agents suspect that Jin-hong is the prime suspect of his mother’s murder. Sold Territory : China, North America, Philippines, and Turkey A TAXI DRIVER GENRE Drama BASED ON A TRUE STORY RELEASE Q3, 2017 May, 1980. Man-seob (SONG Kang-ho) is a taxi driver in Seoul who lives from hand to mouth, raising his young daughter alone. One day, DIRECTOR JANG Hoon | The Front Line / Secret Reunion he hears that there is a foreigner who will pay big money for a drive CAST SONG Kang-ho | Snowpiercer / The Thirst down to Gwangju city. Not knowing that he’s a German journalist Thomas Kretschmann | Wanted / King Kong (Thomas Kretschmann) with a hidden agenda, Man-seob takes the YOO Hai-jin | Luck-key / Veteran job. RYU Jun-yeol | The King / Socialphobia Sold Territory : North America and Philippines completed Luck-key GENRE Comedy Drama A HIT MAN WAKES UP WITH AMNESIA TO A SWITCHED LIFE RELEASE Oct 13, 2016 Hyung-wook (YOO Hai-jin), an infamous killer, slips on soap at a public bath and passes out, while Jae-sung (LEE Joon) who witnesses the DIRECTOR LEE Gae-byok | The Beast and the Beauty accident switches his locker key with the killer’s. Later, Hyung-wook CAST YOO Hai-jin | Veteran / The Classified File wakes up, but with amnesia and the only clue he has on him show that LEE Joon | Rough Play / Ninja Assassin he’s a totally broke nameless actor. CHO Yoon-hee | The Magician / The Con Artists IM Ji-yeon | The Treacherous / Obsessed Sold Territory : Australia & New Zealand, Brunei, China, Japan, Malaysia, Myanmar, North America, Philippines, Singapore, Taiwan, United Kingdom, Vietnam, and world in-flight vanishing time:A BOY WHO RETURNED GENRE Fantasy Drama A MYSTERIOUS CASE OF MISSING BOYS LOST IN TIME RELEASE Nov 16, 2016 13-year-old Su-rin (SHIN Eun-su) and her only friend Sung-min (GANG Dong-won) discover a magical egg holding a time-eating DIRECTOR UM Tae-hwa | INGtoogi : The Battle of Internet Trolls monster with their friends in a cave. The boys take the egg out of the CAST GANG Dong-won | Master / A Violent Prosecutor cave then disappear, leaving Su-rin behind. While the police search for SHIN Eun-su | feature debut the missing boys, a mysterious man shows up and tells Su-rin that he is Sung-min. Sold Territory : Australia & New Zealand, Brunei, China, Japan, Malaysia, Myanmar, North America, Philippines, Singapore, Taiwan, Turkey, United Kingdom, Vietnam, and world in-flight.
Recommended publications
  • D2492609215cd311123628ab69
    Acknowledgements Publisher AN Cheongsook, Chairperson of KOFIC 206-46, Cheongnyangni-dong, Dongdaemun-gu. Seoul, Korea (130-010) Editor in Chief Daniel D. H. PARK, Director of International Promotion Department Editors KIM YeonSoo, Hyun-chang JUNG English Translators KIM YeonSoo, Darcy PAQUET Collaborators HUH Kyoung, KANG Byeong-woon, Darcy PAQUET Contributing Writer MOON Seok Cover and Book Design Design KongKam Film image and still photographs are provided by directors, producers, production & sales companies, JIFF (Jeonju International Film Festival), GIFF (Gwangju International Film Festival) and KIFV (The Association of Korean Independent Film & Video). Korean Film Council (KOFIC), December 2005 Korean Cinema 2005 Contents Foreword 04 A Review of Korean Cinema in 2005 06 Korean Film Council 12 Feature Films 20 Fiction 22 Animation 218 Documentary 224 Feature / Middle Length 226 Short 248 Short Films 258 Fiction 260 Animation 320 Films in Production 356 Appendix 386 Statistics 388 Index of 2005 Films 402 Addresses 412 Foreword The year 2005 saw the continued solid and sound prosperity of Korean films, both in terms of the domestic and international arenas, as well as industrial and artistic aspects. As of November, the market share for Korean films in the domestic market stood at 55 percent, which indicates that the yearly market share of Korean films will be over 50 percent for the third year in a row. In the international arena as well, Korean films were invited to major international film festivals including Cannes, Berlin, Venice, Locarno, and San Sebastian and received a warm reception from critics and audiences. It is often said that the current prosperity of Korean cinema is due to the strong commitment and policies introduced by the KIM Dae-joong government in 1999 to promote Korean films.
    [Show full text]
  • The Front Line Korean Movie English Subtitles Download Language
    1 / 5 The Front Line Korean Movie English Subtitles Download Language With Ha-kyun Shin, Soo Go, Seung-su Ryu, Chang-Seok Ko. A drama centered on the Korean War's final battle that will determine the border ... Chang-Seok Ko in The Front Line (2011) The Front Line (2011) Ok-bin Kim in The Front Line ... South Korea's official submission to the Best Foreign Language Film category of the .... Tamil 720p Hd Movies Download Aashiqui 2.. Pthc Collection 2013. トーク ... the front line korean movie english subtitles download language.. Total 602 Korean Movies with Myanmar Subtitle. Enjoy the ... Keywords: subtitle, download, subs, subtitles, the orhanage english subtitles. 9GAG is ... Learn American English with English language lessons from Voice of America. ... In the life-or-death frontline he met four soldier comrades who later became his best friends.. TV Show subtitles. downloads, and DVD titles are shown in Russian with ... Watch free Russian Movies & TV Series online / English subtitles Russia has quite the ... from show Watch Korea shows with subtitles in over 100 different languages Get ... for FRONT NEW RUSSIAN 8 EPISODES WWII TV SERIES DVD ENGLISH .... Along with students' rising demand to learn about Korea, the number of Korea-related courses beyond language and history has also increased. I am a political .... Movie: The Front Line; Revised romanization: Gojijeon; Hangul: 고지전; Director: Jang ... Best Film-Movie of the Year; Distributor: Showbox; Language: Korean ... of the Korean War an uneasy ceasefire is ordered, but out on the Eastern front line ... Ko Soo and Shin Ha-Kyun are in love with each other and then Lee Je- Hoon ...
    [Show full text]
  • Showboxatcannes 2011
    SHOWBOX AT CANNES 2011 CONTACT IN CANNES LERINS R3-S2 T +33 (0)4 92 99 33 26 EXECUTIVE ATTENDEES Judy AHN Head of Int’l Business • Sales & Acquisitions M +33 (0)6 76 22 89 41 E [email protected] SooJin JUNG General Manager • Sales M +33 (0)6 88 02 04 61 E [email protected] Sonya KIM Manager • Sales & Festival M +33 (0)6 08 50 72 51 E [email protected] June LEE Manager • Acquisitions M +33 (0)6 72 64 91 26 E [email protected] Eugene KIM Int’l Marketing M +33 (0)6 74 61 63 95 E [email protected] HIGHLIGHTS THE YELLOW SEA Genre Action, Thriller Running Time 140 min (International Version) Release Date Dec 23, 2010 Directed by NA Hong-jin (THE CHASER) Starring HA Jung-woo (THE CHASER / TAKE OFF) KIM Yun-seok ( T H E C H A S E R / W O O C H I ) Co-presented by Showbox / Mediaplex Fox International Productions On the Chinese side of Chinese-Russian-North Korean border, there is a region where North Korea, China and Russia meet is known as Yanbian Korean Autonomous Prefecture. The film tells a story of a man from here, who embarks on an assassination mission to South Korea in order to pay off his mounting debt. He is only given some money in advance and takes on the job without knowing much about his target. However, he is endangered by a FESTIVAL / MARKET SCREENINGS series of conspiracy and betrayal, and eventually realizes that he is TO BE ANNOUNCED tricked into a vicious trap.
    [Show full text]
  • Film Im Vergleich Der Kulturen
    Barbara Colette Zitturi Film im Vergleich der Kulturen Masterarbeit zur Erlangung des akademischen Grades eines Master of Arts der Studienrichtung Soziologie an der Karl-Franzens-Universität Graz Begutachter/in: Dr. Stephan Moebius Institut: Soziologie Graz/04/2012 Ehrenwörtliche Erklärung Ich erkläre ehrenwörtlich, dass ich die vorliegende Arbeit selbständig und ohne fremde Hilfe verfasst, andere als die angegebenen Quellen nicht benutzt und die den Quellen wörtlich oder inhaltlich ent- nommenen Stellen als solche kenntlich gemacht habe. Die Arbeit wurde bisher in gleicher oder ähnli- cher Form keiner anderen inländischen oder ausländischen Prüfungsbehörde vorgelegt und auch noch nicht veröffentlicht. Die vorliegende Fassung entspricht der eingereichten elektronischen Versi- on. Datum: Unterschrift: 2 Danksagung Some may think I did it on my own But that’s just not true, I would not have been able Without you by my side. Ich möchte mich bei allen bedanken, die mich beim Verfassen dieser Arbeit, auf unterschiedlichsten Ebenen unterstützt haben. Allen voran bedanke ich mich bei meinem fachlichen Betreuer Stephan Moebius, der mir während des Anfertigens der Arbeit zur Seite stand. Besonders bedanke ich mich bei meiner Familie und meinen Freunden, die meine Momente der Ver- zweiflung, aber auch meine kleinen Freuden miterleben mussten. Allen voran gilt mein Dank meiner Mama und Jo, die sowohl fachlich als auch freundschaftlich immer für mich da waren und mich wäh- rend aller Höhen und Tiefen unterstützt haben. Ich bedanke mich bei meinen Freunden in Europa und Asien, die sich für mich und meine Fragen Zeit genommen, mich auf Ideen gebracht und mir immer wieder weitergeholfen haben. Hier sind vor allem Kyung-jun und Jollok zu nennen, die mich auf die technischen Einzelheiten von Filmen aufmerksam gemacht und mich, wie viele andere, auf das Thema dieser Arbeit gebracht haben.
    [Show full text]
  • Orientalism and the Fantasy of Brotherhood in South Korean Cinema’S North Korean Action Hero Films
    Vol. 1 Journal of Korean and Asian Arts SPRING 2020 Orientalism and the Fantasy of Brotherhood in South Korean Cinema’s North Korean Action Hero Films Kelly Y. Jeong / University of California at Riverside 【Abstract】 In the past decade there have been several popular South Korean action genre films that focus on North Korean spies or government agents. In these films, the North Korean protagonist has superhuman physical strength and combat capacity, as well as a kind of purity of ideology and integrity, while his Southern counterpart is older, wiser, and with more human frailties. I call this category of action sub-genre films North Korean action hero films. In this essay I argue that such films reflect the cultural unconscious of South Korea’s Orientalist fantasy about North Korean masculinity (and society), which especially manifests in the films’ plot as an intense focus on the North Korean action hero’s perfect, strong body, combined with a nod towards the ultimate superiority of his Southern counterpart. Further, the paper shows the centrality of biopolitics in the films’ plot, as both regimes subject the protagonists to neoliberal practices in order to intervene and manage their bodies and futures. The two protagonists often bond, in fact, via their anti-neoliberal characteristics. The paper will then conclude by examining the current South Korean action genre cinema in light of its use of female characters and diegetic time. 【key words】 South Korean action genre cinema, North Korean action heroes, Orientalism, Neoliberalism, Biopilitics, Gender Introduction n the past decade South Korean cinema has produced several popular action I genre films that focus on North Korean spies or government agents.
    [Show full text]
  • Hybrid Korean Screen Cultures in the Mid-2000S Films a Bold Family (2005), Over the Border (2006), and Welcome to Dongmakgol (2005)
    Concentric: Literary and Cultural Studies 46.2 September 2020: 217-245 DOI: 10.6240/concentric.lit.202009_46(2).0010 The North on Southern Screens: Hybrid Korean Screen Cultures in the Mid-2000s Films A Bold Family (2005), Over the Border (2006), and Welcome to Dongmakgol (2005) Bonnie Tilland East Asia International College Yonsei University Mirae Campus, Korea Abstract South Korean films that address North Korean themes have changed in the decades since South Korea’s democratization. Whereas films in the 1990s presented North Koreans as villains, by the 2000s most films took a more nuanced approach, presenting North Koreans as complex people with the potential to adapt in South Korean society. This paper analyzes three films from the mid-2000s dealing with North Korean issues (A Bold Family [2005], Over the Border [2006], and Welcome to Dongmakgol [2005]) in the context of the South Korean political landscape and North-South relations at the time. The paper argues that mid-2000s films represent a transitional point in the filmic depiction of North Koreans in South Korean film, opening up possibilities of hybridity in Korean identity. These films exhibit an almost ethnographic impulse to document everyday life, and as such contribute broadly to a visual anthropology of North-South Korean relations. Keywords South Korea, North Korea, film, family, visual anthropology 218 Concentric 46.2 September 2020 A grandfather on his death-bed watches home videos of Korean reunification on TV, and heals unexpectedly at the prospect of visiting his northern hometown . A video camera captures moments of village merrymaking through song and dance as the Korean War rages all around .
    [Show full text]
  • Song Kang-Ho and the Uncanny Face of the Korean Cinema
    ACTA KOR ANA VOL. 14, NO. 1, JUNE 2011: 33–71 SOMEWHERE BETWEEN ANTI-HEROISM AND PANTOMIME: SONG KANG-HO AND THE UNCANNY FACE OF THE KOREAN CINEMA By BRIAN YECIES This article explores the trajectory of Song Kang-ho’s on-screen performances from the release of his fourth film, Number 3 (1997), to one of his most recent films, Thirst (2009). As a case study, it reveals new insights about this popular and representative actor’s numerous screen personae and how they have enabled audiences to peer into a cine- matic surface that reflects back a mixture of anti-heroism and pantomime. Beneath the many costumes and performance styles he adopts, audiences have come to see a human being with everyday problems and concerns. In a way reminiscent of the French panto- mime clown Pierrot, Song’s characters reflect a depth of human feeling and compassion modulated by a comic undercurrent—the tension between these overlapping layers is precisely what holds his various personae together. Key words: Song Kang-ho, Korean Cinema, stardom, Park Chan-wook, Kim Jee-woon INTRODUCTION Every actor and actress constructs a persona over the course of his or her career, but few become stars. A star is an actor whose persona transcends the sum total of his or her performances (Belton 1994: 89). Song Kang-ho is a classic movie star whose acting ability is well known to the film industry and whose performances are appreciated by audiences in South Korea (hereafter Korea) and abroad. He has acted in some of the contemporary Korean cinema’s most profitable and critically acclaimed feature films, productions which have contributed to the national film industry’s current global notoriety.
    [Show full text]
  • A Study of Korean Phonology and Morphology in a Derivational Approach
    Ecology of PF: A Study of Korean Phonology and Morphology in a Derivational Approach Inkie Chung, Ph.D. University of Connecticut, 2007 This dissertation studies the component of PF, i.e., morphology, phonology and phonetics, in Korean in a consistently derivational approach. Using phonological arguments and an acoustic phonetic study, chapter 2 identifies the surface syllable structure. It also recognizes the two syllable structure constraints: the complex onset constraint and the branching nucleus constraint. Using this syllable structure and these constraints, chapter 3 provides a comprehensive analysis of hiatus in verbal morphology and related issues within Calabrese’s (1995, 2002a) Dynamic Phonology framework. A limited number of actual outcomes for similar hiatus configurations show that the constraint-induced repairs are not finite but limited, and subject to the general principle of economy. It is shown that economy chooses shorter derivations over longer ones, when more than one derivation is possible and yield the same final outcome. It also show's that the hiatus constraint is a non-surface, cyclic constraint, operating once per morphophonological cycle. Furthermore, it argues that certain phonological operations must be described with the traditional rule-like formalism. It is also pointed out that the syllable structure constraints identified in chapter 2 are surface constraints. Chapters 4 and 5 provide a morphological study in Distributed Morphology (Bobaljik 2000, Halle and Marantz 1993, Marantz 2006) With verbal and adjectival roots exhibiting negative and honorific suppletion, these chapters identify the morphological structure of the inflected predicates (and hence phrase structure to a certain extent) in Korean. It identifies the paradoxical situation arising from the interaction of negative Reproduced with permission of the copyright owner.
    [Show full text]
  • 3-24 November the Annual Festival of the Best of Korean Cinema Returns to London for 2011 an Introduction by the London Korean Film Festival Advisor Tony Rayns
    The London Korean Film Festival 2011 제6회 런던한국영화제 3-24 November The annual festival of the best of Korean Cinema returns to London for 2011 An Introduction by the London Korean Film Festival Advisor Tony Rayns No film culture in East Asia is more accomplished or varied than South Korea’s, and this annual festival – now in its sixth year! – does Britain a fantastic service by bringing a wide range of new Korean cinema to screens in London and other cities. Most British viewers hadn’t seen a single Korean film as recently as ten years ago, and the frequently-asked-question is: where did all this phenomenal filmmaking come from? The short answer is that South Korea emerged from a long period of ‘darkness’ in 1993, and that the resulting freedoms fuelled a surge in creativity. The longer answer is that the world has rarely seen a more radical overnight transformation of a film industry. Regulation and censorship were swept away, new film festivals and distributors brought a torrent of international films to Korea for the first time, and a new generation of producers, directors, writers and actors seized the chance to make ambitious and exciting films. In the last two decades, South Korea has developed a rich film culture. It encompasses mainstream entertainments, masterly arthouse films, animation, documentary, indie films of all shapes and sizes and even a surge in experimental filmmaking. Backing it all up are new film schools and film studies courses and prolific publications of film magazines and books. The London Korean Film Festival has a very simple aim: to bring a taste of all this to British audiences.
    [Show full text]
  • Harga Sewaktu Wak Jadi Sebelum
    HARGA SEWAKTU WAKTU BISA BERUBAH, HARGA TERBARU DAN STOCK JADI SEBELUM ORDER SILAHKAN HUBUNGI KONTAK UNTUK CEK HARGA YANG TERTERA SUDAH FULL ISI !!!! Berikut harga HDD per tgl 14 - 02 - 2016 : PROMO BERLAKU SELAMA PERSEDIAAN MASIH ADA!!! EXTERNAL NEW MODEL my passport ultra 1tb Rp 1,040,000 NEW MODEL my passport ultra 2tb Rp 1,560,000 NEW MODEL my passport ultra 3tb Rp 2,500,000 NEW wd element 500gb Rp 735,000 1tb Rp 990,000 2tb WD my book Premium Storage 2tb Rp 1,650,000 (external 3,5") 3tb Rp 2,070,000 pakai adaptor 4tb Rp 2,700,000 6tb Rp 4,200,000 WD ELEMENT DESKTOP (NEW MODEL) 2tb 3tb Rp 1,950,000 Seagate falcon desktop (pake adaptor) 2tb Rp 1,500,000 NEW MODEL!! 3tb Rp - 4tb Rp - Hitachi touro Desk PRO 4tb seagate falcon 500gb Rp 715,000 1tb Rp 980,000 2tb Rp 1,510,000 Seagate SLIM 500gb Rp 750,000 1tb Rp 1,000,000 2tb Rp 1,550,000 1tb seagate wireless up 2tb Hitachi touro 500gb Rp 740,000 1tb Rp 930,000 Hitachi touro S 7200rpm 500gb Rp 810,000 1tb Rp 1,050,000 Transcend 500gb Anti shock 25H3 1tb Rp 1,040,000 2tb Rp 1,725,000 ADATA HD 710 750gb antishock & Waterproof 1tb Rp 1,000,000 2tb INTERNAL WD Blue 500gb Rp 710,000 1tb Rp 840,000 green 2tb Rp 1,270,000 3tb Rp 1,715,000 4tb Rp 2,400,000 5tb Rp 2,960,000 6tb Rp 3,840,000 black 500gb Rp 1,025,000 1tb Rp 1,285,000 2tb Rp 2,055,000 3tb Rp 2,680,000 4tb Rp 3,460,000 SEAGATE Internal 500gb Rp 685,000 1tb Rp 835,000 2tb Rp 1,215,000 3tb Rp 1,655,000 4tb Rp 2,370,000 Hitachi internal 500gb 1tb Toshiba internal 500gb Rp 630,000 1tb 2tb Rp 1,155,000 3tb Rp 1,585,000 untuk yang ingin
    [Show full text]
  • Presbyterian Theological Seminary in America Catalog)
    Presbyterian Theological Seminary in America CATALOG 2017-2018 15605 Carmenita Rd. Santa Fe Springs, CA 90670 Tel 562.926.1023 | Fax 562.926.1025 www.ptsa.edu Catalog Policies Rules governing student conduct, admissions policies, graduation requirements, and other aspects of this institution’s operations are subject to change. Please check with the administration if you have questions regarding the content of this catalog. This institution reserves the right to adopt, amend, or repeal rules and policies that apply to students. Changes in the content of this catalog will be posted on bulletin boards and shown as a supplement to this catalog. This catalog does not constitute a contract or enrollment agreement, nor does it constitute a statement of the conditions of a contract between the student and this institution. The relationship of the individual student to this institution is governed by applicable state education codes, state regulations, and college policies. Please refer to your enrollment agreement or enrollment contract for the specific terms under which you are to enroll. Changes to this catalog (which may from time to time be required by the Bureau for Private Postsecondary Education of the State of California) will be initially added by means of an addendum and will appear at the end of the catalog. This catalog is supposed to be examined annually and if necessary, it should be revised and updated then. This catalog shall be provided to prospective students or to the general public when requested, either in writing or electronically at our web site www.ptsa.edu. Nondiscrimination Policy This institution is committed to providing equal opportunities to all applicants to programs and to all applicants for employment.
    [Show full text]
  • Yi Tong-Wŏn, Taetongnyŏng Ŭl Kŭrimyŏ [Longing for the President
    POSTCOLONIAL ASPIRATION AND CONTESTATION: POLITICS AND POETICS OF NATIONALIST DISCOURSES IN TWO NATIONAL MUSEUMS OF SOUTH KOREA by Kyung Hyo Chun B.A., Seoul National University, 1998 M.A., George Washington University, 2002 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in The Faculty of Graduate Studies (Anthropology) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) October 2012 © Kyung Hyo Chun, 2012 Abstract After colonial liberation from Japan in 1945, Koreans have been eager to establish their sovereignty and to elevate national pride through nationalism. In South Korea, the nationalist discourse is ubiquitous, and generated top-down directly from the government as well as bottom-up in both traditional media and new social media. Emphasizing the unity, longevity, and distinctiveness of the Korean people by promoting nationalism based on the idea of ethnic homogeneity was a way of both redressing a traumatic colonial past and integrating modern social theories. While the nationalist discourse in South Korea constantly reinforces the uniqueness of Korean people and the worthiness of its splendid culture asserted to be of “five thousand years,” South Korean nationalism is far from being self-sufficient. One of the most significant motivational forces for nationalist consciousness in South Korea is not self-determination but its postcoloniality. South Korea’s anticolonial self definition is a direct reaction to Japanese colonialism (1910-1945), and the aggressive pervasiveness of nationalism in contemporary South Korean society is the prescribed way of rejecting and erasing a past both undesirable and regrettable. This prescribed ethnic nationalism is extremely problematic in both its ahistoricity and increasingly conspicuous irrelevancy in the face of an increasingly multiculturalizing contemporary South Korean population.
    [Show full text]