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The Front Line Korean Movie English Subtitles Download Language
1 / 5 The Front Line Korean Movie English Subtitles Download Language With Ha-kyun Shin, Soo Go, Seung-su Ryu, Chang-Seok Ko. A drama centered on the Korean War's final battle that will determine the border ... Chang-Seok Ko in The Front Line (2011) The Front Line (2011) Ok-bin Kim in The Front Line ... South Korea's official submission to the Best Foreign Language Film category of the .... Tamil 720p Hd Movies Download Aashiqui 2.. Pthc Collection 2013. トーク ... the front line korean movie english subtitles download language.. Total 602 Korean Movies with Myanmar Subtitle. Enjoy the ... Keywords: subtitle, download, subs, subtitles, the orhanage english subtitles. 9GAG is ... Learn American English with English language lessons from Voice of America. ... In the life-or-death frontline he met four soldier comrades who later became his best friends.. TV Show subtitles. downloads, and DVD titles are shown in Russian with ... Watch free Russian Movies & TV Series online / English subtitles Russia has quite the ... from show Watch Korea shows with subtitles in over 100 different languages Get ... for FRONT NEW RUSSIAN 8 EPISODES WWII TV SERIES DVD ENGLISH .... Along with students' rising demand to learn about Korea, the number of Korea-related courses beyond language and history has also increased. I am a political .... Movie: The Front Line; Revised romanization: Gojijeon; Hangul: 고지전; Director: Jang ... Best Film-Movie of the Year; Distributor: Showbox; Language: Korean ... of the Korean War an uneasy ceasefire is ordered, but out on the Eastern front line ... Ko Soo and Shin Ha-Kyun are in love with each other and then Lee Je- Hoon ... -
4. Film As Basis for Poster Examination
University of Lapland, Faculty of Art and Design Title of the pro gradu thesis: Translating K-Horror to the West: The Difference in Film Poster Design For South Koreans and an International Audience Author: Meri Aisala Degree program: Graphic Design Type of the work: Pro Gradu master’s thesis Number of pages: 65 Year of publication: 2018 Cover art & layout: Meri Aisala Summary For my pro gradu master’s degree, I conducted research on the topic of South Korean horror film posters. The central question of my research is: “How do the visual features of South Korean horror film posters change when they are reconstructed for an international audience?” I compare examples of original Korean horror movie posters to English language versions constructed for an international audience through a mostly American lens. My study method is semiotics and close reading. Korean horror posters have their own, unique style that emphasizes emotion and interpersonal relationships. International versions of the posters are geared toward an audience from a different visual culture and the poster designs get translated accordingly, but they still maintain aspects of Korean visual style. Keywords: K-Horror, melodrama, genre, subgenre, semiotics, poster I give a permission the pro gradu thesis to be read in the Library. 2 목차Contents Summary 2 1. Introduction 4 1.1 Research problem and goals 4 1.2 The movie poster 6 1.3 The special features of K-Horror 7 1.3.1 Defining the horror genre 7 1.3.2 The subgenres of K-Horror 8 1.3.3 Melodrama 9 2. Study methods and material 12 2.1 Semiotics 12 2.2 Close reading 18 2.3 Differences in visual culture - South Korea and the West 19 3. -
Showboxatcannes 2011
SHOWBOX AT CANNES 2011 CONTACT IN CANNES LERINS R3-S2 T +33 (0)4 92 99 33 26 EXECUTIVE ATTENDEES Judy AHN Head of Int’l Business • Sales & Acquisitions M +33 (0)6 76 22 89 41 E [email protected] SooJin JUNG General Manager • Sales M +33 (0)6 88 02 04 61 E [email protected] Sonya KIM Manager • Sales & Festival M +33 (0)6 08 50 72 51 E [email protected] June LEE Manager • Acquisitions M +33 (0)6 72 64 91 26 E [email protected] Eugene KIM Int’l Marketing M +33 (0)6 74 61 63 95 E [email protected] HIGHLIGHTS THE YELLOW SEA Genre Action, Thriller Running Time 140 min (International Version) Release Date Dec 23, 2010 Directed by NA Hong-jin (THE CHASER) Starring HA Jung-woo (THE CHASER / TAKE OFF) KIM Yun-seok ( T H E C H A S E R / W O O C H I ) Co-presented by Showbox / Mediaplex Fox International Productions On the Chinese side of Chinese-Russian-North Korean border, there is a region where North Korea, China and Russia meet is known as Yanbian Korean Autonomous Prefecture. The film tells a story of a man from here, who embarks on an assassination mission to South Korea in order to pay off his mounting debt. He is only given some money in advance and takes on the job without knowing much about his target. However, he is endangered by a FESTIVAL / MARKET SCREENINGS series of conspiracy and betrayal, and eventually realizes that he is TO BE ANNOUNCED tricked into a vicious trap. -
Film Im Vergleich Der Kulturen
Barbara Colette Zitturi Film im Vergleich der Kulturen Masterarbeit zur Erlangung des akademischen Grades eines Master of Arts der Studienrichtung Soziologie an der Karl-Franzens-Universität Graz Begutachter/in: Dr. Stephan Moebius Institut: Soziologie Graz/04/2012 Ehrenwörtliche Erklärung Ich erkläre ehrenwörtlich, dass ich die vorliegende Arbeit selbständig und ohne fremde Hilfe verfasst, andere als die angegebenen Quellen nicht benutzt und die den Quellen wörtlich oder inhaltlich ent- nommenen Stellen als solche kenntlich gemacht habe. Die Arbeit wurde bisher in gleicher oder ähnli- cher Form keiner anderen inländischen oder ausländischen Prüfungsbehörde vorgelegt und auch noch nicht veröffentlicht. Die vorliegende Fassung entspricht der eingereichten elektronischen Versi- on. Datum: Unterschrift: 2 Danksagung Some may think I did it on my own But that’s just not true, I would not have been able Without you by my side. Ich möchte mich bei allen bedanken, die mich beim Verfassen dieser Arbeit, auf unterschiedlichsten Ebenen unterstützt haben. Allen voran bedanke ich mich bei meinem fachlichen Betreuer Stephan Moebius, der mir während des Anfertigens der Arbeit zur Seite stand. Besonders bedanke ich mich bei meiner Familie und meinen Freunden, die meine Momente der Ver- zweiflung, aber auch meine kleinen Freuden miterleben mussten. Allen voran gilt mein Dank meiner Mama und Jo, die sowohl fachlich als auch freundschaftlich immer für mich da waren und mich wäh- rend aller Höhen und Tiefen unterstützt haben. Ich bedanke mich bei meinen Freunden in Europa und Asien, die sich für mich und meine Fragen Zeit genommen, mich auf Ideen gebracht und mir immer wieder weitergeholfen haben. Hier sind vor allem Kyung-jun und Jollok zu nennen, die mich auf die technischen Einzelheiten von Filmen aufmerksam gemacht und mich, wie viele andere, auf das Thema dieser Arbeit gebracht haben. -
Orientalism and the Fantasy of Brotherhood in South Korean Cinema’S North Korean Action Hero Films
Vol. 1 Journal of Korean and Asian Arts SPRING 2020 Orientalism and the Fantasy of Brotherhood in South Korean Cinema’s North Korean Action Hero Films Kelly Y. Jeong / University of California at Riverside 【Abstract】 In the past decade there have been several popular South Korean action genre films that focus on North Korean spies or government agents. In these films, the North Korean protagonist has superhuman physical strength and combat capacity, as well as a kind of purity of ideology and integrity, while his Southern counterpart is older, wiser, and with more human frailties. I call this category of action sub-genre films North Korean action hero films. In this essay I argue that such films reflect the cultural unconscious of South Korea’s Orientalist fantasy about North Korean masculinity (and society), which especially manifests in the films’ plot as an intense focus on the North Korean action hero’s perfect, strong body, combined with a nod towards the ultimate superiority of his Southern counterpart. Further, the paper shows the centrality of biopolitics in the films’ plot, as both regimes subject the protagonists to neoliberal practices in order to intervene and manage their bodies and futures. The two protagonists often bond, in fact, via their anti-neoliberal characteristics. The paper will then conclude by examining the current South Korean action genre cinema in light of its use of female characters and diegetic time. 【key words】 South Korean action genre cinema, North Korean action heroes, Orientalism, Neoliberalism, Biopilitics, Gender Introduction n the past decade South Korean cinema has produced several popular action I genre films that focus on North Korean spies or government agents. -
Hybrid Korean Screen Cultures in the Mid-2000S Films a Bold Family (2005), Over the Border (2006), and Welcome to Dongmakgol (2005)
Concentric: Literary and Cultural Studies 46.2 September 2020: 217-245 DOI: 10.6240/concentric.lit.202009_46(2).0010 The North on Southern Screens: Hybrid Korean Screen Cultures in the Mid-2000s Films A Bold Family (2005), Over the Border (2006), and Welcome to Dongmakgol (2005) Bonnie Tilland East Asia International College Yonsei University Mirae Campus, Korea Abstract South Korean films that address North Korean themes have changed in the decades since South Korea’s democratization. Whereas films in the 1990s presented North Koreans as villains, by the 2000s most films took a more nuanced approach, presenting North Koreans as complex people with the potential to adapt in South Korean society. This paper analyzes three films from the mid-2000s dealing with North Korean issues (A Bold Family [2005], Over the Border [2006], and Welcome to Dongmakgol [2005]) in the context of the South Korean political landscape and North-South relations at the time. The paper argues that mid-2000s films represent a transitional point in the filmic depiction of North Koreans in South Korean film, opening up possibilities of hybridity in Korean identity. These films exhibit an almost ethnographic impulse to document everyday life, and as such contribute broadly to a visual anthropology of North-South Korean relations. Keywords South Korea, North Korea, film, family, visual anthropology 218 Concentric 46.2 September 2020 A grandfather on his death-bed watches home videos of Korean reunification on TV, and heals unexpectedly at the prospect of visiting his northern hometown . A video camera captures moments of village merrymaking through song and dance as the Korean War rages all around . -
The Agent-CP
THE AGENT Réalisé par RYOO Seung-wan (The Berlin File) Avec HA Jung -woo, HAN Suk-kyu, RYOO Seung-bum, GIANNA JUN Berlin, de nos jours. Impliqué dans un vaste trafic d’armes pour le c ompte de la Corée du Nord, un " agent fantôme" se retrouve pris en chasse par les services secrets internationaux ; mettant en péril sa mission et son pays. Face à cet échec, il est soupçonné par son propre camp d’être un agent -double. Pour le faire parler, ils kidnappent sa femme, ne lui laissant que peu de choix : il devra trahir les siens ou sa patrie… POUR SAUVER LES SIENS, IL DEVRA TRAHIR SON PAYS Dans la lignée des Jason Bourne et Taken , THE AGENT est un nouveau poids lourds du genre ! Spectaculaire et haletant, ce thriller sur -vitaminé conjugue avec talent scènes de combats impressionnantes, intrigue brillante et mise en scène ultra soignée. Après City of Violence, le réalisateur RYOO Seung-wan impose THE AGENT comme un film incontournable , repoussant les limites du film d’espionnage, où action et suspense s’alternent à un rythme effréné. Le 4 D écembre 2013 en DVD, Blu-ray & VOD Matériel promotionnel disponible sur demande - Images et visuels disponibles dans l’Espace Pro via www.wildside.fr COMPLÉMENTS (communs aux 2 éditions) - Making -of - Préparation des scènes d’action - Entretien avec l’équipe du film - Repérage dans Berlin - Scènes coupées - Bande -annonce + la Copie Numérique du film à télécharger CARACTÉRISTIQUES TECHNIQUES DVD CARACTÉRISTIQUES TECHNIQUES Blu -ray Format image : 1.85, 16/9 ème comp. 4/3 Format image : 1.85 - Résolution -
FIFF-PROGRAMME-2017-WEB 2.Pdf
#programme #films #events #emotions www.fiff.ch #fiff17 Souvenirs Achetez des souvenirs du FIFF Un bout de FIFF à la maison : à partir du 16.03.17, des produits dérivés du FIFF sont disponibles aux points de vente du Festival. Vous serez aussi chic que le Festival ! Holen Sie sich die FIFF 2017 Merchandise-Artikel Ein Stück FIFF für Zuhause: Ab dem 16.03.17 sind diverse FIFF- Artikel an den Verkaufsstellen des Festivals erhältlich. Sie werden festival-chic aussehen! Get Your FIFF 2017 Merchandise now! A piece of FIFF at home: As from 16.03.17, FIFF merchandise is available for purchase at the Festival’s points of sale. You’ll look festival-chic! 1 Souvenirs Festival International de Films de Fribourg Internationales Filmfestival Freiburg Fribourg International Film Festival Sommaire | Inhaltsverzeichnis | Contents #introduction #parallel #sections Souvenirs 1 Cinéma de genre Genrekino | Genre Cinema 65 Index des films Histoires de fantômes Filmverzeichnis Gespenstergeschichten Index of Films 6 Ghost stories Index des réalisateurs/trices Décryptage Verzeichnis der RegisseurInnen Entschlüsselt | Decryption 89 Index of Directors 8 Cabinet de curiosités cinématographiques Messages 12 Ein filmisches Kuriositätenkabinett A cinematic cabinet of curiosities Comité d’honneur Unterstützungskomitee Diaspora 109 Board of Honour 24 Myret Zaki et l’Egypte Myret Zaki und Ägypten Membres des jurys Myret Zaki and Egypt Jurymitglieder Jury members 27 Hommage à… 119 Freddy Buache Nouveau territoire #official #selection Neues Territorium | New Territory -
Song Kang-Ho and the Uncanny Face of the Korean Cinema
ACTA KOR ANA VOL. 14, NO. 1, JUNE 2011: 33–71 SOMEWHERE BETWEEN ANTI-HEROISM AND PANTOMIME: SONG KANG-HO AND THE UNCANNY FACE OF THE KOREAN CINEMA By BRIAN YECIES This article explores the trajectory of Song Kang-ho’s on-screen performances from the release of his fourth film, Number 3 (1997), to one of his most recent films, Thirst (2009). As a case study, it reveals new insights about this popular and representative actor’s numerous screen personae and how they have enabled audiences to peer into a cine- matic surface that reflects back a mixture of anti-heroism and pantomime. Beneath the many costumes and performance styles he adopts, audiences have come to see a human being with everyday problems and concerns. In a way reminiscent of the French panto- mime clown Pierrot, Song’s characters reflect a depth of human feeling and compassion modulated by a comic undercurrent—the tension between these overlapping layers is precisely what holds his various personae together. Key words: Song Kang-ho, Korean Cinema, stardom, Park Chan-wook, Kim Jee-woon INTRODUCTION Every actor and actress constructs a persona over the course of his or her career, but few become stars. A star is an actor whose persona transcends the sum total of his or her performances (Belton 1994: 89). Song Kang-ho is a classic movie star whose acting ability is well known to the film industry and whose performances are appreciated by audiences in South Korea (hereafter Korea) and abroad. He has acted in some of the contemporary Korean cinema’s most profitable and critically acclaimed feature films, productions which have contributed to the national film industry’s current global notoriety. -
South Korean Cinema and the Conditions of Capitalist Individuation
The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation By Jisung Catherine Kim A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Film and Media in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Kristen Whissel, Chair Professor Mark Sandberg Professor Elaine Kim Fall 2013 The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation © 2013 by Jisung Catherine Kim Abstract The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation by Jisung Catherine Kim Doctor of Philosophy in Film and Media University of California, Berkeley Professor Kristen Whissel, Chair In The Intimacy of Distance, I reconceive the historical experience of capitalism’s globalization through the vantage point of South Korean cinema. According to world leaders’ discursive construction of South Korea, South Korea is a site of “progress” that proves the superiority of the free market capitalist system for “developing” the so-called “Third World.” Challenging this contention, my dissertation demonstrates how recent South Korean cinema made between 1998 and the first decade of the twenty-first century rearticulates South Korea as a site of economic disaster, ongoing historical trauma and what I call impassible “transmodernity” (compulsory capitalist restructuring alongside, and in conflict with, deep-seated tradition). Made during the first years after the 1997 Asian Financial Crisis and the 2008 Global Financial Crisis, the films under consideration here visualize the various dystopian social and economic changes attendant upon epidemic capitalist restructuring: social alienation, familial fragmentation, and widening economic division. -
3-24 November the Annual Festival of the Best of Korean Cinema Returns to London for 2011 an Introduction by the London Korean Film Festival Advisor Tony Rayns
The London Korean Film Festival 2011 제6회 런던한국영화제 3-24 November The annual festival of the best of Korean Cinema returns to London for 2011 An Introduction by the London Korean Film Festival Advisor Tony Rayns No film culture in East Asia is more accomplished or varied than South Korea’s, and this annual festival – now in its sixth year! – does Britain a fantastic service by bringing a wide range of new Korean cinema to screens in London and other cities. Most British viewers hadn’t seen a single Korean film as recently as ten years ago, and the frequently-asked-question is: where did all this phenomenal filmmaking come from? The short answer is that South Korea emerged from a long period of ‘darkness’ in 1993, and that the resulting freedoms fuelled a surge in creativity. The longer answer is that the world has rarely seen a more radical overnight transformation of a film industry. Regulation and censorship were swept away, new film festivals and distributors brought a torrent of international films to Korea for the first time, and a new generation of producers, directors, writers and actors seized the chance to make ambitious and exciting films. In the last two decades, South Korea has developed a rich film culture. It encompasses mainstream entertainments, masterly arthouse films, animation, documentary, indie films of all shapes and sizes and even a surge in experimental filmmaking. Backing it all up are new film schools and film studies courses and prolific publications of film magazines and books. The London Korean Film Festival has a very simple aim: to bring a taste of all this to British audiences. -
NETFLIX – CATALOGO USA 20 Dicembre 2015 1. 009-1: the End Of
NETFLIX – CATALOGO USA 20 dicembre 2015 1. 009-1: The End of the Beginning (2013) , 85 imdb 2. 1,000 Times Good Night (2013) , 117 imdb 3. 1000 to 1: The Cory Weissman Story (2014) , 98 imdbAvailable in HD on your TV 4. 1001 Grams (2014) , 90 imdb 5. 100 Bloody Acres (2012) , 1hr 30m imdbAvailable in HD on your TV 6. 10.0 Earthquake (2014) , 87 imdb 7. 100 Ghost Street: Richard Speck (2012) , 1hr 23m imdbAvailable in HD on your TV 8. 100, The - Season 1 (2014) 4.3, 1 Season imdbClosed Captions: [ Available in HD on your TV 9. 100, The - Season 2 (2014) , 41 imdbAvailable in HD on your TV 10. 101 Dalmatians (1996) 3.6, 1hr 42m imdbClosed Captions: [ 11. 10 Questions for the Dalai Lama (2006) 3.9, 1hr 27m imdbClosed Captions: [ 12. 10 Rules for Sleeping Around (2013) , 1hr 34m imdbAvailable in HD on your TV 13. 11 Blocks (2015) , 78 imdb 14. 12/12/12 (2012) 2.4, 1hr 25m imdbClosed Captions: [ Available in HD on your TV 15. 12 Dates of Christmas (2011) 3.8, 1hr 26m imdbClosed Captions: [ Available in HD on your TV 16. 12 Horas 2 Minutos (2012) , 70 imdb 17. 12 Segundos (2013) , 85 imdb 18. 13 Assassins (2010) , 2hr 5m imdbAvailable in HD on your TV 19. 13 Going on 30 (2004) 3.5, 1hr 37m imdbClosed Captions: [ Available in HD on your TV 20. 13 Sins (2014) 3.6, 1hr 32m imdbClosed Captions: [ Available in HD on your TV 21. 14 Blades (2010) , 113 imdbAvailable in HD on your TV 22.