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May 2013 Prison Break
Prison Break Correctional Liability Update May 2013 Housing Gang Members Together: Can a Blood and a Crip Just Get Along? By Susan E. Coleman Inmates who are assaulted by other inmates, whether cell mates, co- workers, or inmates on the yard, often sue prison administrators for failing to protect them. After all, the Eighth Amendment has been interpreted by the courts to include a duty to protect prisoners. However, a vague risk of harm simply because prisons are violent places which house dangerous criminals is not enough to create liability; something more specific is required. In the case of Labatad v. Corrections Corporation of America, et al, decided on May 1, 2013, the Ninth Circuit found that even housing rival gang members together was insufficient under the circumstances to find that defendants were deliberately indifferent. Labatad, a State of Hawaii inmate incarcerated at the Saguaro Correctional Center, operated by the Corrections Corporation of America Susan E. (“CCA”), was assaulted by his cellmate in July 2009. Naturally, Labatad Coleman is sued CCA for failing to protect him, alleging deliberate indifference to a partner at his safety under the Eighth Amendment. Because Labatad’s assailant the law firm was a member of a rival prison gang, this suit might at first blush seem of Burke, to have some merit, in that prison officials should be aware of Williams & longstanding prison gang rivalries. For example, in California it would Sorensen, be highly unusual to house a Black Guerrilla Family associate with a where she Mexican Mafia affiliate, and some would argue that a violent specializes confrontation would be foreseeable. -
AGE Qualitative Summary
AGE Qualitative Summary Age Gender Race 16 Male White (not Hispanic) 16 Male Black or African American (not Hispanic) 17 Male Black or African American (not Hispanic) 18 Female Black or African American (not Hispanic) 18 Male White (not Hispanic) 18 Malel Blacklk or Africanf American (not Hispanic) 18 Female Black or African American (not Hispanic) 18 Female White (not Hispanic) 18 Female Asian, Asian Indian, or Pacific Islander 18 Male Asian, Asian Indian, or Pacific Islander 18 Female White (not Hispanic) 18 Female White (not Hispanic) 18 Female Black or African American (not Hispanic) 18 Male White (not Hispanic) 19 Male Hispanic (unspecified) 19 Female White (not Hispanic) 19 Female Asian, Asian Indian, or Pacific Islander 19 Male Asian, Asian Indian, or Pacific Islander 19 Male Asian, Asian Indian, or Pacific Islander 19 Female Native American or Alaskan Native 19 Female White (p(not Hispanic)) 19 Male Hispanic (unspecified) 19 Female Hispanic (unspecified) 19 Female White (not Hispanic) 19 Female White (not Hispanic) 19 Male Hispanic/Latino – White 19 Male Hispanic/Latino – White 19 Male Native American or Alaskan Native 19 Female Other 19 Male Hispanic/Latino – White 19 Male Asian, Asian Indian, or Pacific Islander 20 Female White (not Hispanic) 20 Female Other 20 Female Black or African American (not Hispanic) 20 Male Other 20 Male Native American or Alaskan Native 21 Female Don’t want to respond 21 Female White (not Hispanic) 21 Female White (not Hispanic) 21 Male Asian, Asian Indian, or Pacific Islander 21 Female White (not -
Iot Prison Break Alerting and Monitoring System (P-Bas)
Pramana Research Journal ISSN NO: 2249-2976 1. Introduction The prison system in India, as known to everyone, is the not as good as we see in the films. It is quite shocking to know that in a digitally modern country IOT PRISON like India, the prison system is quite orthodox. So in such an orthodox system the jail breaks are BREAK ALERTING very common and most usual thing to happen. There is no such count but prison escapes keep AND MONITORING happen, either at large scale or in smaller scale. A thought of these inmates still roaming around SYSTEM (P-BAS) within us is itself very scary. The changes required in the today’s prison system is that, that the system should be a bit digitalized rather than using human force to guard the inmates. HOD Vaishali Rane The digital system to be used can be made reliable HOD of Computer Department that it can’t be under cyber attack. There are some Thakur Polytechnic more aspects that can be used to make this system Mumbai, India more reliable against cyber attack. Harshada Vijay Gawde Department of Computer Engineering 2. Applications Thakur Polytechnic Mumbai, India Well so here we propose a prisoner tracking system that helps detect prison breaks and instantly alert [email protected] authorities using IOT. The system makes use of a microcontroller based circuit to achieve the task Himanshu Sudhakar Kushwaha using RF technology. We make use of RF trackers Department of Computer Engineering on each inmate to detect their presence in the Thakur Polytechnic premises. -
Showboxatcannes 2011
SHOWBOX AT CANNES 2011 CONTACT IN CANNES LERINS R3-S2 T +33 (0)4 92 99 33 26 EXECUTIVE ATTENDEES Judy AHN Head of Int’l Business • Sales & Acquisitions M +33 (0)6 76 22 89 41 E [email protected] SooJin JUNG General Manager • Sales M +33 (0)6 88 02 04 61 E [email protected] Sonya KIM Manager • Sales & Festival M +33 (0)6 08 50 72 51 E [email protected] June LEE Manager • Acquisitions M +33 (0)6 72 64 91 26 E [email protected] Eugene KIM Int’l Marketing M +33 (0)6 74 61 63 95 E [email protected] HIGHLIGHTS THE YELLOW SEA Genre Action, Thriller Running Time 140 min (International Version) Release Date Dec 23, 2010 Directed by NA Hong-jin (THE CHASER) Starring HA Jung-woo (THE CHASER / TAKE OFF) KIM Yun-seok ( T H E C H A S E R / W O O C H I ) Co-presented by Showbox / Mediaplex Fox International Productions On the Chinese side of Chinese-Russian-North Korean border, there is a region where North Korea, China and Russia meet is known as Yanbian Korean Autonomous Prefecture. The film tells a story of a man from here, who embarks on an assassination mission to South Korea in order to pay off his mounting debt. He is only given some money in advance and takes on the job without knowing much about his target. However, he is endangered by a FESTIVAL / MARKET SCREENINGS series of conspiracy and betrayal, and eventually realizes that he is TO BE ANNOUNCED tricked into a vicious trap. -
Film Im Vergleich Der Kulturen
Barbara Colette Zitturi Film im Vergleich der Kulturen Masterarbeit zur Erlangung des akademischen Grades eines Master of Arts der Studienrichtung Soziologie an der Karl-Franzens-Universität Graz Begutachter/in: Dr. Stephan Moebius Institut: Soziologie Graz/04/2012 Ehrenwörtliche Erklärung Ich erkläre ehrenwörtlich, dass ich die vorliegende Arbeit selbständig und ohne fremde Hilfe verfasst, andere als die angegebenen Quellen nicht benutzt und die den Quellen wörtlich oder inhaltlich ent- nommenen Stellen als solche kenntlich gemacht habe. Die Arbeit wurde bisher in gleicher oder ähnli- cher Form keiner anderen inländischen oder ausländischen Prüfungsbehörde vorgelegt und auch noch nicht veröffentlicht. Die vorliegende Fassung entspricht der eingereichten elektronischen Versi- on. Datum: Unterschrift: 2 Danksagung Some may think I did it on my own But that’s just not true, I would not have been able Without you by my side. Ich möchte mich bei allen bedanken, die mich beim Verfassen dieser Arbeit, auf unterschiedlichsten Ebenen unterstützt haben. Allen voran bedanke ich mich bei meinem fachlichen Betreuer Stephan Moebius, der mir während des Anfertigens der Arbeit zur Seite stand. Besonders bedanke ich mich bei meiner Familie und meinen Freunden, die meine Momente der Ver- zweiflung, aber auch meine kleinen Freuden miterleben mussten. Allen voran gilt mein Dank meiner Mama und Jo, die sowohl fachlich als auch freundschaftlich immer für mich da waren und mich wäh- rend aller Höhen und Tiefen unterstützt haben. Ich bedanke mich bei meinen Freunden in Europa und Asien, die sich für mich und meine Fragen Zeit genommen, mich auf Ideen gebracht und mir immer wieder weitergeholfen haben. Hier sind vor allem Kyung-jun und Jollok zu nennen, die mich auf die technischen Einzelheiten von Filmen aufmerksam gemacht und mich, wie viele andere, auf das Thema dieser Arbeit gebracht haben. -
USBC Approved Bowling Balls
USBC Approved Bowling Balls (See rulebook, Chapter VII, "USBC Equipment Specifications" for any balls manufactured prior to January 1991.) ** Bowling balls manufactured only under 13 pounds. 5/17/2011 Brand Ball Name Date Approved 900 Global Awakening Jul-08 900 Global BAM Aug-07 900 Global Bank Jun-10 900 Global Bank Pearl Jan-11 900 Global Bounty Oct-08 900 Global Bounty Hunter Jun-09 900 Global Bounty Hunter Black Jan-10 900 Global Bounty Hunter Black/Purple Feb-10 900 Global Bounty Hunter Pearl Oct-09 900 Global Break Out Dec-09 900 Global Break Pearl Jan-08 900 Global Break Point Feb-09 900 Global Break Point Pearl Jun-09 900 Global Creature Aug-07 900 Global Creature Pearl Feb-08 900 Global Day Break Jun-09 900 Global DVA Open Aug-07 900 Global Earth Ball Aug-07 900 Global Favorite May-10 900 Global Head Hunter Jul-09 900 Global Hook Dark Blue/Light Blue Feb-11 900 Global Hook Purple/Orange Pearl Feb-11 900 Global Hook Red/Yellow Solid Feb-11 900 Global Integral Break Black Nov-10 900 Global Integral Break Rose/Orange Nov-10 900 Global Integral Break Rose/Silver Nov-10 900 Global Link Jul-08 900 Global Link Black/Red Feb-09 900 Global Link Purple/Blue Pearl Dec-08 900 Global Link Rose/White Feb-09 900 Global Longshot Jul-10 900 Global Lunatic Jun-09 900 Global Mach One Blackberry Pearl Sep-10 900 Global Mach One Rose/Purple Pearl Sep-10 900 Global Maniac Oct-08 900 Global Mark Roth Ball Jan-10 900 Global Missing Link Black/Red Jul-10 900 Global Missing Link Blackberry/Silver Jul-10 900 Global Missing Link Blue/White Jul-10 900 Global -
Orientalism and the Fantasy of Brotherhood in South Korean Cinema’S North Korean Action Hero Films
Vol. 1 Journal of Korean and Asian Arts SPRING 2020 Orientalism and the Fantasy of Brotherhood in South Korean Cinema’s North Korean Action Hero Films Kelly Y. Jeong / University of California at Riverside 【Abstract】 In the past decade there have been several popular South Korean action genre films that focus on North Korean spies or government agents. In these films, the North Korean protagonist has superhuman physical strength and combat capacity, as well as a kind of purity of ideology and integrity, while his Southern counterpart is older, wiser, and with more human frailties. I call this category of action sub-genre films North Korean action hero films. In this essay I argue that such films reflect the cultural unconscious of South Korea’s Orientalist fantasy about North Korean masculinity (and society), which especially manifests in the films’ plot as an intense focus on the North Korean action hero’s perfect, strong body, combined with a nod towards the ultimate superiority of his Southern counterpart. Further, the paper shows the centrality of biopolitics in the films’ plot, as both regimes subject the protagonists to neoliberal practices in order to intervene and manage their bodies and futures. The two protagonists often bond, in fact, via their anti-neoliberal characteristics. The paper will then conclude by examining the current South Korean action genre cinema in light of its use of female characters and diegetic time. 【key words】 South Korean action genre cinema, North Korean action heroes, Orientalism, Neoliberalism, Biopilitics, Gender Introduction n the past decade South Korean cinema has produced several popular action I genre films that focus on North Korean spies or government agents. -
The Prison Break at Cowra, August 194 4
APPENDIX 5 THE PRISON BREAK AT COWRA, AUGUST 194 4 Despite the fact that Japanese troops had been schooled to die rather than surrender there were, by August 1944, 2,223 Japanese prisoner s of war in Australia, including 544 merchant seamen . There were also 14,720 Italian prisoners, mostly from the Middle East, and 1,585 Ger- mans, mostly naval or merchant seamen. During the years when it was known in Australia that most of the 21,000 Australian prisoners in Japanese hands were being under-fed an d over-worked and that many were dying of disease and malnutrition, the Japanese prisoners in Australian camps were well fed, were living in com- fortable quarters, and were thriving. By August 1944 10,200 Italian prisoners, including 200 officers, were working, without guards, on farm s or in hostels; some German prisoners were employed in labour detach- ments, but under guard ; the possibility of employing working parties of Japanese prisoners was being considered . At this time 1,104 Japanese prisoners were in No. 12 Prisoner of War Compound near Cowra, the centre of an agricultural district in the middl e west of New South Wales . This establishment was divided into four camps : "A" for Italians, "B" for Japanese, "C" for Koreans, and "D" for Indonesians. The whole compound formed an octagon about 800 yard s across, and the four camps were separated by two intersecting roads an d were fenced with thick barbed-wire entanglements about 8 feet high . The 22nd Garrison Battalion guarded the prisoners, its commander, Lieut - Colonel Brown,' holding also the appointment of commander of th e "Cowra P.W. -
PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T
PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS BY G. Scott Campbell Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chairperson Committee members* _____________________________* _____________________________* _____________________________* _____________________________* Date defended ___________________ The Dissertation Committee for G. Scott Campbell certifies that this is the approved version of the following dissertation: PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS Committee: Chairperson* Date approved: ii ABSTRACT Drawing inspiration from numerous place image studies in geography and other social sciences, this dissertation examines the senses of place and regional identity shaped by more than seven hundred American television series that aired from 1947 to 2007. Each state‘s relative share of these programs is described. The geographic themes, patterns, and images from these programs are analyzed, with an emphasis on identity in five American regions: the Mid-Atlantic, New England, the Midwest, the South, and the West. The dissertation concludes with a comparison of television‘s senses of place to those described in previous studies of regional identity. iii For Sue iv CONTENTS List of Tables vi Acknowledgments vii 1. Introduction 1 2. The Mid-Atlantic 28 3. New England 137 4. The Midwest, Part 1: The Great Lakes States 226 5. The Midwest, Part 2: The Trans-Mississippi Midwest 378 6. The South 450 7. The West 527 8. Conclusion 629 Bibliography 664 v LIST OF TABLES 1. Television and Population Shares 25 2. -
Hybrid Korean Screen Cultures in the Mid-2000S Films a Bold Family (2005), Over the Border (2006), and Welcome to Dongmakgol (2005)
Concentric: Literary and Cultural Studies 46.2 September 2020: 217-245 DOI: 10.6240/concentric.lit.202009_46(2).0010 The North on Southern Screens: Hybrid Korean Screen Cultures in the Mid-2000s Films A Bold Family (2005), Over the Border (2006), and Welcome to Dongmakgol (2005) Bonnie Tilland East Asia International College Yonsei University Mirae Campus, Korea Abstract South Korean films that address North Korean themes have changed in the decades since South Korea’s democratization. Whereas films in the 1990s presented North Koreans as villains, by the 2000s most films took a more nuanced approach, presenting North Koreans as complex people with the potential to adapt in South Korean society. This paper analyzes three films from the mid-2000s dealing with North Korean issues (A Bold Family [2005], Over the Border [2006], and Welcome to Dongmakgol [2005]) in the context of the South Korean political landscape and North-South relations at the time. The paper argues that mid-2000s films represent a transitional point in the filmic depiction of North Koreans in South Korean film, opening up possibilities of hybridity in Korean identity. These films exhibit an almost ethnographic impulse to document everyday life, and as such contribute broadly to a visual anthropology of North-South Korean relations. Keywords South Korea, North Korea, film, family, visual anthropology 218 Concentric 46.2 September 2020 A grandfather on his death-bed watches home videos of Korean reunification on TV, and heals unexpectedly at the prospect of visiting his northern hometown . A video camera captures moments of village merrymaking through song and dance as the Korean War rages all around . -
Prison Break
© Níco Durón 2015 Prison Break As Faruk shaved the last section of his pubic hair, he accidentally cut himself with the double-bladed, disposable razor that was standard prison issue. The blood ran bright red through the remaining shaving foam, down his leg and into the plug hole of the gunmetal grey shower. ‘Herşey boktan ,’ he said out loud. He turned the tap to cold and splashed fresh water over the cut. ‘Today, four months down and six more years to go,’ he thought to himself. He had received his sentence on account of four counts of GBH, the procurement and sale of £100,000 of cannabis and cocaine, and for assaulting a police officer on the day he had been arrested. His young wife, Aruba, had decided to stand by him. Their two boys were too young to understand why dad wasn’t at home any longer. Separation from his wife and family, not incarceration, had been so far the greatest punishment for his crimes. And the only reason never to re-offend. He wrapped himself in his towel and opened the shower door, his black hair still wet and smelling of artificial apples. The prison officer took him back to his cell. He was actually looking forward to more time alone. He was neither philosophical nor a loner, but being locked up had provided him with the paradoxical freedom that comes with prison. It had given him the first opportunity in his adult life to slow down and to take stock of who he was, what he wanted and where he was headed. -
Fictional Representation of Prison in Films and TV's Series
Forensic Research & Criminology International Journal Review Article Open Access Fictional representation of prison in films and TV’s series genre: public and academic perceptions of prison Abstract Volume 2 Issue 1 - 2016 Imprisonment is a widespread punishment all over the world, but prison is for most of us an unknown experience and anything we know is mostly, through media and cinema Stavroula G Bougadi representations. Therefore, it is very likely these representations play an important role in Department of Sociology, Panteion University of Athens, Greece formation of our social representation for this matter. Additionally, the audience captivated for issues which are unknown and unreachable and that relate to the criminal behavior Correspondence: Stavroula G Bougadi, PhD Researcher, and action of institutions of social control of crime, but also to life in prison. In this article Department of Sociology, Section of Criminology, Panteion we will refer, firstly to the way of representation of prison in fictional films and television University of Athens, Greece, Tel 6934456563, series, secondly the research which have been developed about the relationship between Email the fictional representation of prison and audience’s reception and finally we will see what impact have all these to criminal justice community, since research saw that “skilled public” Received: November 09, 2015 | Published: January 11, 2016 in criminological knowledge share the same perceptions for prison with others. Keywords: prison, fictional representations, reception of audience, social construction, criminological knowledge Introduction movies is not new. Since the era of silent films were filmed on the subject of life in prison, about escapes and unjust sentences, creating Media ‘help’ people in the construction of social reality.