By Charles Lieurance

Total Page:16

File Type:pdf, Size:1020Kb

By Charles Lieurance Thursday, March 19, 1987 Daily Nebraskan Page 5 WVlm Doug CarrollDiversions By Charles Lieurance I saw D. Boon and the Minutemen for the the rewards for following their brief trains of student at Ohio State. Crawford tracked was lost. On March 27, flREHOSE will be in first time in the summer of 1981 at some the thought were manifold. down Watt on the basis of a false rumor that the Haymarket Square, 813 'Q' Street, with DC-- 3 flRE- small dive in L.A. The joint was spinning, The last lime I talked to D. Boon was in he and the minutemen's drummer George fellow SST artists and Crimony. HOSE is a blast of more sustained and partly because I'd been alternating beer and Boulder, Colorado at the Blue Note in 1984. Hurley were actively seeking a guitar player energy more mature Minutemen speed most of the evening and partly because The bar was huge and a lot nicer than the dive for a new band. Crawford had been playing than anything the less the skinheads on the dance floor were going in L.A. The skinheads were circling on the guitar for only about six months but he was did. The Minutemen were conventional, wild-lookin- g, with of in a band the Minutemen were less to be in restless circles, hunched over and dance floor. I was trying to figure out where possessed the idea being likely played He for California on the and the Minutemen were more like a pack of wolves surrounding a these kids hid from Boulder's annoying popu- with his heroes. left Ohio on radio, less a and found on the But flREHOSE as a band for all camper with one bullet left in his gun. The lation of rich and Buddhist yup- a little than wing a prayer, edge. Mike Watt and savecThinCSaved him in the the bands in the world to reckon with. With skinheads shadows moving along the wall pies during the day. There weren't enough most innocent one human can save Watt's free-for- bass the role of made the walls appear to move. Like I say, I'd skinheads to make the room spin. The music way being style taking without that lead Crawford's been drinking. had matured, become as complicated and full another, completely knowledge instrument, leaping through was needed. rhythm-guita- r flREHOSE The only song I'd heard by the Minutemen of ideas as the best jazz but without any of the any saving stuttering bursts, has little to do with hardcore or punk. It was "Like a Gringo" off of a Radio Tokyo sanctified subtlety of performance that can Crawford, Watt and Hurley began playing I transcends haircuts with a leap of flame. The compilation. It was the closest thing to what make watching jazz a bore. together as flREHOSE in the late winter of I first cut from the album on SST, "Ragin' Full then considered "music" heard the whole but 1986, with Sonic Youth, probably the It was freezing outside, Boon, wearing touring is a like the There seemed to be structures to the in with the Min- On," political anthem nothing night. a : flimsy, plaid shirt, came off the stage only other band the nation so abbre- Minutemen produced. "Brave Captain" sparks music, but the structures were covered in sweat. 1 asked him, stupidly, if he utemen's unrelenting power of musical expres- could feel a a funky, jagged style that charges through the viated that by the time one thought that punk music was keeping some sion. it was whole first side. groove, gone. of these kids from ever growing up, keeping "1 first had to learn how to play with people at the micjrophone was the Side two is more introspective, consisting Up front biggest ; them filled with adolescent angst just a little I didn't grow up with." Watt is sounding a bit ; I'd ever seen. The face was connected to mostly of ballads. Raging ballads, but ballads face too long. frayed on the edges over the phone. His voice, of canvas balls you used nonetheless. Some of them are elegies. "Can- one those huge gym Boon said the audience was going to grow four years ago, sounded light and shy; now it's to kick into the air with feet in grade dle and the Flame" is a gorgeous sad song your up as fast as the band grew up. He said deeper and less immediately able" to com- school. The ball had and arms that that the Minutemen could never have pulled . legs anyone who could follow the Minutemen's municate words. "I leaned on D. Boon very and flailed as if the creature had off in the midst of their experimental didac- twitched music was grown up enough for him. heavy. Now I'm Independent enough to appre- for bones. The face yelped and ticism. And it would have been a shame had it springs True enough. A few years later Boon died ciate other people . ." shrieked a few slogans. that sat atop the noisy never been recorded. on an Arizona highway. The first thing I It's the name D. Boon that his voice riffs and grooves like an oil fire on the ocean. "I'm amazed the the album has gone, thought of when I heard was a Meat Puppets catches on. Whenever I ask any questions way about the Holocaust and Amer- it's know." Watt really can't Something song the Minutemen covered called "Lost," that Involve the Minutemen, he says "D. Boon popularity, you ica believe it. I know an honest voice when I hear sucking. about being lost on the freeway, lost in every was or "D. Boon was a great and The next morning, the closest I could come ..." ..." it. way a person can be lost. trials off. He doesn't have any answers for to remembering what had happened the "I and I were bass and But since we don't know where people go questions like that, so I stop asking them. mean, George just night before was that I'd been swallowed by of rock roll." when die and how or sad that "I admired the of Edward, to drum, the janitors V the mouth on the cover of King Crimson's "In they happy spirit coming place is, the only one who was really lost, in California with nothing . .."His voice picks, "I suppose it counts for something that the court of the Crimson King." flavor-of-the-wee- a can be on that high- a little now we're out of the we're not in the rock V roll k In the between 1982 and 1985, 1 saw every way person lost, up graveyard, years the Minutemen's bass Mike Edward started was true to the club." the Minutemen seven times. Their blend of way was player, "getting spirit Watt. of the Minutemen, to give a kid a chance. I Must count for something. funk, country, jazz and hardcore was never For another and a half, Mike Wat was saw a chance to put our ideas into practice What would D. Boon say? easy to take, but once you get used to the year " bv or with Edward." "He'd say 'cheer, and the Minutemen's complete indif- lost. Last year he was found Ed Crawford up, fer.' brevity trained And flREHOSE is miles from the The flREHOSE show starts at 9 ference to how songs are traditionally con- Ed fromohio, a classically trumpet graveyard p.m. and and more miles from the where Watt Tickets are $5 in $8 at the door. structed, the music was full of passion and player, Minutemen devotee probational highway advance,.
Recommended publications
  • Mike Watt: on and Off Bass Online
    s4xC1 [DOWNLOAD] Mike Watt: On and Off Bass Online [s4xC1.ebook] Mike Watt: On and Off Bass Pdf Free From Three Rooms Press DOC | *audiobook | ebooks | Download PDF | ePub Download Now Free Download Here Download eBook #349587 in Books 2012-05-02Original language:EnglishPDF # 1 9.98 x .28 x 7.92l, .87 #File Name: 0983581304112 pages | File size: 15.Mb From Three Rooms Press : Mike Watt: On and Off Bass before purchasing it in order to gage whether or not it would be worth my time, and all praised Mike Watt: On and Off Bass: The New Yorker calls it “unusual and beautiful.rdquo; The LA Weekly raves, “the photos are strikingly inventive, revealing yet another side of this modern-day Renaissance man.rdquo; MTV calls it “a charming, well-shot document of a the legendary punk rockerrsquo;s photographic dabbling.rdquo; Detroit Metrotimes: “A unique insight into Wattrsquo;s mind.rdquo;“Mike Watt: On and Off Bassrdquo; is getting a lot of buzz. And for good reason, considering the author and photographer is the legendary punk bassist himself.Mike Watt got his musical start thumping the bass with legendary San Pedro punk trio, The Minutemen in 1980 and he has been at it ever since. Over the years, hersquo;s toured with Dos, fIREHOSE, his own The Black Gang, The Secondmen, The Missingmen, and others, and he has worked bass as a sideman for Porno for Pyros, J Mascis and the Fog, as well as punk godfathers The Stooges.Off the road, at his beloved San Pedro, CA home base, Watt developed a deep interest in photography.
    [Show full text]
  • The Legendary Stooges Axeman, 1948-2009: He Didn't Just Play the Guitar
    The legendary Stooges axeman, 1948-2009: he didn't just play the guitar. BY TIM "NAPALM" STEGALL The first thing you noticed, after seeing the perfect picture of teenage delinquency in quartet form on the cover (and how much the band depicted resembles a prehistoric Ramones, if you're of a certain age), was the sound: Corrosive, brittle, brassy, seemingly untamed. It was the sound of an electric guitar being punished more than played. And the noise got particularly nasty once Mr. Guitar Flogger stepped on his wah-wah pedal. Because unlike whenever Jimi Hendrix stepped on a wah, this guitar didn't talk. It snarled and spat and attacked like a cobra. As the six string engine that drove The Stooges, Ron Asheton didn't play guitar. He played the amp. And the fuzztone. And the wah-wah pedal. In the process, he didn't just give singer Iggy Pop a sonic playground in which he could run riot and push the boundaries of then-acceptable rock stagecraft. ("Ron provided the ammo," says Rolling Stone Senior Writer David Fricke. "Iggy pulled the trigger.") Ron Asheton also changed the way rock 'n' roll was played and energized a few generations to pick up guitars themselves, creating several subgenres in the process. Ron Asheton was found dead in the wee hours of January 6, 2009, in the Ann Arbor home he and brother Scott (The Stooges' drummer) and sister Kathy (muse to a few late Sixties Detroit rockers and lyrical inspiration for The Stooges' classic "TV Eye") grew up in after the family relocated from the guitarist's native Washington, DC.
    [Show full text]
  • The Old Papplewickian No.20 2020
    The Old Papplewickian No.20 2020 The headmasTer wriTes s I write, the UK and most of the world are in I feel, a hallmark of Papplewick, and I hope Old Boys will lockdown due to the coronavirus, yet strangely be proud of the fact that their former school has risen to A there is still an air of optimism around Papplewick the challenge of the coronavirus by keeping everything as despite the sadness elsewhere. We are back at school normal as possible for our boys. for the Summer term and it really does feel as if school Sadly though, not everything can take place as planned life is carrying on remarkably normally. Thanks to the this summer, and I am particularly sorry that Mike wonders of modern technology, we are delivering a full Watt’s brilliantly put together reunion based around timetable of ‘live’ lessons to our boys across no less than the triumphant 1958 Sevens winning side has had to thirteen time zones from New York to Seoul. As I wander be postponed for twelve months. We will now though about the school, it sounds like normal lessons are being look forward to seeing Mike and his contemporaries all taught with both staff and boys’ voices emanating from the more in July 2021, by which time I hope Papplewick classrooms, which makes it all the more surprising to boys will have completed as successful a year as they find that when one looks into a form, there is not a boy have had this year when an extremely talented group of in sight! The First Choir are still practising (the Hallelujah senior boys won a record haul of sixteen awards to major Chorus will be performed remotely soon), Twelfth Night public schools.
    [Show full text]
  • Book < Mike Watt: on and Off Bass # Download
    Mike Watt: on and off Bass « PDF \ BDU5DBWJNO Mike W att: on and off Bass By Mike Watt Three Rooms Press. Paperback. Book Condition: new. BRAND NEW, Mike Watt: on and off Bass, Mike Watt, The New Yorker calls it "unusual and beautiful." The LA Weekly raves, "the photos are strikingly inventive, revealing yet another side of this modern-day Renaissance man." MTV calls it "a charming, well-shot document of a the legendary punk rocker's photographic dabbling." Detroit Metrotimes: "A unique insight into Watt's mind." "Mike Watt: On and Off Bass" is getting a lot of buzz. And for good reason, considering the author and photographer is the legendary punk bassist himself. Mike Watt got his musical start thumping the bass with legendary San Pedro punk trio, The Minutemen in 1980 and he has been at it ever since. Over the years, he's toured with Dos, fIREHOSE, his own The Black Gang, The Secondmen, The Missingmen, and others, and he has worked bass as a sideman for Porno for Pyros, J Mascis and the Fog, as well as punk godfathers The Stooges. Off the road, at his beloved San Pedro, CA home base, Watt developed a deep interest in photography. In Spring 2010, Track 16 Gallery in Santa Monica, CA hosted an exhibit of his photos: "Mike Watt: Eye-Gifts... READ ONLINE [ 9.42 MB ] Reviews Extremely helpful to all type of folks. It is among the most awesome pdf i actually have study. I found out this pdf from my dad and i recommended this pdf to discover.
    [Show full text]
  • Come a Long for a Ride Down the Music Street
    APRIL 28, 1992 THE RETRIEVER / PAGE II The Finest in Black rock Bros)-They're right, you know. might make you sad! Party hearty, (from EYE, page 10) How can you follow Luther Van- dudes! dross up with heavy metal? You If you like kick-ass metal with Heart"), a bunch of songs that can't, not without alienating the plenty of heart and soul straight combine the wah-wah guitarfests of VI03 crowd. from Memphis and New York, pick the 70s with ^Os attitude("Don't However, this album is a pow- this up. NOW. What are you Just Say Peace," "Prisoner In erhouse. It's full of crunchy power waiting for? Babylon," et cetera), and a couple chords, soulful female vocals, a tunes that end up being straight great rhythm section that handles Kelvynator: Refunkanation guitar-driven pop with a few twists both funk and metal with equal ("Can't Live Without Your Love," (Enemy) This band is a one-man alacrity and energy. This is the real project courtesy of Kelvyn Bell, a "I Ain't Low"). soul metal, not Living Colour, and guitarist who played with funk/ Altogether, the result of this if 98 Rock or the Underground had rock band and cult favorites mixed bag is pleasing though open minds, this release would rule. Defunkt. schizoid. For example, just when Unfortunately for them, it's too you think the "in Living Colour" This is full of the good funk. good. The songs don't all talk about Nothing really surprising. A few first track, "I Ain't Low", is fin- sex, drugs and rock n' roll.
    [Show full text]
  • After the Polka Jenny Juristo Morrison
    After The Polka Jenny Juristo Morrison Selected playlists for shows 1- 25 #1 (05.01.05) "Sunflower"(words by William Blake) - The Exploding Budgies (The Grotesque Singers) "Wishing Well" - Bob Mould (Workbook) "Moose" - Shopping Trolley (Shopping Trolley LP) "Three Years Ago Today" -Built to Spill (Ultimate Alternative Wavers) "Friends" - Minuteflag (Yes This is the Way I want to EP "Job/Demo" - Home (Demo "Girl in a car" -God is My Copilot (Straight Not) "Hurricane" -Thinking Fellers Union Local 282 (Hurricane EP) "Southern Jukebox Music" -Penguin Caf? Orchestra (Signs of Life) "Los Angeles, Iím Yours" -The Decemberists (Her Majestyís....) "No More Telly, etc." -Woo (Itís Cozy Inside) "Iíll Forgive You Because I Love You" ‚Alberta Hunter (1927) "Every word that I said was true" ‚Half Japanese (The Band that would Be King) "Youíve been flirting again" -Bjork (Post) "Everything beautiful is Faraway" -Granddaddy (Under The Western Freeway) "Gros Crocodil" ‚excerpt childrenís french songs "Beyond the Pale" -Big Audio Dynamite (No. 10 Upping Street) "Tread Water" -De La Soul "The Sound of this Song I Love" Mosquito (Time Was) "Museum of Love" -K. McCarty (Dead Dogís Eyeball: Songs by Daniel Johnston) "Try as you may......." -Disbelief Street "Did I Let You Down?" ‚Songs For The After Life "I Wanna Be Your Dog" ‚Erik Lindgrin (Polar Yet Tropical) "Man Thinks Woman" -Mecca Normal (K Records Compilation) "Free to Choose" -Henry Kaiser (Devil in the Drain) "Everything in itís right place" -radiohead (Kid A) "The Last Shot" -Lou Reed (Legendary
    [Show full text]
  • MVD5234D Jersey Beat.Pdf
    11/15/11 Jersey Beat | Phil Rainone Column POP VULTURE by Phil Rainone Iggy and the Stooges - Raw Power Live: In the Hands of the Fans DVD (MVD.com) Through an online contest, six fans were selected to film Iggy & the Stooges’ September 3, 2010 reunion (guitarist Ron Asheton had passed away in 2009, and Search later-day Stooge guitarist James Willliamson had powered by replaced him), as the band performed their “Raw Power” album plus other Stooges gems in their full, warts-and-all glory! The show was filmed at the All Tomorrow’s Parties Festival in New York State. The fans that won the contest included Britt L. Clardy, Pop Vulture Blog Nick Esposito, Matt Goldman, Steve Schmidt, Edwin Samuelson, and Amy Verdon. Jersey Beat Podcast What’s cool about the DVD , other than the spirited, emotional, and out-right raw Jim Testa's Blog performance by the band, is that it’s definitely fan-friendly. You get to experience the fan’s joy and sheer amazement as they bring us closer than any regular camera Tris McCall man could - or should. It may sound corny, but the fan-cams dared to go where no Pop Punk Message Board other camera has gone before. No, they didn’t get a vid of Iggy taking a shit, or BlowUp Radio anything half-ass, but they did go with their instincts, capturing the band at its most intense, and playful. Ben Weasel The End of Irony Music Blog As the Stooges open their over-two-hour set with “Raw Power,” you immediately get NJUnderground the feeling of the room - small, crowded, and seemingly reeling with sweat - and not One Base on an Overthrow MP3 Blog one note had been played yet.
    [Show full text]
  • Razorcake Issue #84 As A
    RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California non-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS.
    [Show full text]
  • Service Made to Fit
    ADVERTISING SERVICE MADE TO FIT CUSTOMIZED SOLUTIONS PAINLESS IMPLEMENTATION FLEXIBLE TRAINING PROGRAMS WWW.ROMERLABS.COMwww.romerlabs.com Think about your food safety program. Now imagine it with a partner who’s there with you every step of the way. www.romerlabs.com PLUS Audits vs. Assessments ■ Optimizing a Sanitation Program ■ Multifrequency Metal Detection Volume 26 Number 3 JUNE / JULY 2019 Challenges and possible solutions to prevent BEHIND contamination throughout the supply chain THE RISKS LEAFY GREENS WWW.FOODQUALITYANDSAFETY.COM It’s a Sure Bet! Join more than 3,600 food safety professionals at the world’s leading food safety conference, and take part in hundreds of informative symposia, roundtables, and technical presentations throughout four days. IAFP’s Professional Development Group on-site meetings provide additional opportunities to share, learn and network with your peers about today’s food safety challenges. REACH FOR THE FINISH LINE WITH IAFP! Our commitment to Advancing Food Safety Worldwide® is second to none. Go the distance by attending IAFP 2019! 6200 Aurora Avenue, Suite 200W | Des Moines, Iowa 50322-2864, USA +1 800.369.6337 | +1 515.276.3344 | Fax +1 515.276.8655 www.foodprotection.org Food Quality IAFP 2019 ad.indd 1 11/27/18 6:31 AM IAFP 2019 Ad 10.30.18.indd 1 11/5/18 11:55 AM “ This year, take pathogen reduction to a whole new level with products, training and guidance from Best Sanitizers.” To learn more, call 888-225-3267 or visit: www.bestsanitizers.com Coming Soon! Alpet® Q E2 Sanitizing Foam Soap Alpet® E3 Plus Hand Sanitizer Spray BSI Industrial Cleaners and Alpet® D2 Alpet® D2 Quat-Free Dispensing Equipment Surface Sanitizer Alpet® PAA Surface Sanitizer and Wipes Antimicrobial Solutions Largest Variety of Hand Hygiene Dispensing Options in the Industry HACCP SmartStep™ Footwear Sanitizing Units BSX Boot Scrubber™ Series 2019 Serving Up a Winner Soon 2019 Annual Food Quality & Safety Award It won’t be long until we name the 2019 Food Quality & Safety Award winner.
    [Show full text]
  • Time Vs. Light: a Potentially Useable Light Sum Hybrid Model to Represent the Juvenile Growth of Douglas-Fir Subject to Varying Levels of Competition
    795 Time vs. light: a potentially useable light sum hybrid model to represent the juvenile growth of Douglas-fir subject to varying levels of competition E. G. Mason, R. W. Rose, and L. S. Rosner Abstract: Substitution of potential useable light sum for time in a commonly used mensurational equation resulted in a better fit to data from a complex vegetation management experiment. The experiment involved Douglas-fir (Pseudotsuga menzeisii (Mirb.) Franco) as a crop species and a variety of competing species. Site occupancy by competing vegetation varied with time because control operations were intermittently either included or excluded from treatments over a period of 4 years. There were four randomized complete blocks of eight competition control treatments. Potentially useable light sum was estimated using measurements of radiation from a meteorological station that were modified by coefficients rep- resenting the ability of the crop plants to use light with varying soil water, vapour pressure deficit, and temperature. Light sums were further reduced by estimated competition for light from competing vegetation. Fits of the model to individual plots within the experiment yielded coefficients that did not differ significantly between competition control treatments, suggesting that the model accounted for significant variations in growth resource availability between treatments. Poten- tially useable light sum equations provide an integrated link between traditional mensurational modeling and ecophysiolog- ical modeling. Re´sume´ : La substitution du temps par la lumie`re potentiellement utilisable cumule´e dans une e´quation dendrome´trique courante a produit un meilleur ajustement aux donne´es issues d’une expe´rience complexe d’ame´nagement de la ve´ge´tation.
    [Show full text]
  • A Potentially Useable Light Sum Hybrid Model to Represent the 1 Juvenile
    1 Time vs light: A potentially useable light sum hybrid model to represent the 2 juvenile growth of Douglas-fir subject to varying levels of competition 3 E.G. Mason1, R.W. Rose2 and L.S. Rosner2 4 1School of Forestry, University of Canterbury, Private Bag 4800, Christchurch, New 5 Zealand 6 2College of Forestry, Oregon State University, Corvallis, OR 97331, United States of 7 America 8 Abstract 9 10 Substitution of potential useable light sum for time in a commonly used mensurational 11 equation resulted in a better fit to data from a complex vegetation management 12 experiment. The experiment involved Douglas fir as a crop species and a variety of 13 competing weed species. Site occupancy by weeds varied with time as control operations 14 were intermittently either included or excluded from treatments over a period of four 15 years. There were four randomized complete blocks of 8 weed control treatments. 16 Potentially useable light sum was estimated using measurements of radiation from a 17 meteorological station that were modified by coefficients representing the ability of the 18 crop plants to use light with varying soil water, vapour pressure deficit, and temperature. 19 Light sums were further reduced by estimated competition for light from weeds. Fits of 20 the model to individual plots within the experiment yielded coefficients that did not differ 21 significantly weed control treatments, suggesting that the model accounted for significant 22 variations in growth resource availability between treatments. Potentially useable light 1 1 sum equations provide an integrated link between traditional mensurational modeling and 2 ecophysiological modeling.
    [Show full text]
  • Vital Source Exclusive: Interview with Mike Watt Spieling with the Thud Meister
    Culture: Originally published 09/01/04 in Vital Source. http://www.vitalsourcemag.com/story/view/100482 Vital Source Exclusive: Interview with Mike Watt Spieling with the Thud Meister By Jeremy M. Rottgen DIY (do it yourself) musicians are the roots of art and culture. They support nearly every fabric of music in our society. Pioneering the form, and living life reinforcing the idea of making music for the sheer love, is Mike Watt, former member of the seminal Minutemen, spiel-meister and thud staff virtuoso. Watt’s new album, The Second Man’s Middlestand, documents a period in his life that was rocky, to say the least. Near death, Watt realized what he had to do and that was to make a somewhat biographical record of his experience. Vital Source: What do you think about Milwaukee? Mike Watt: Been playing there since the Minutemen days. It’s my 53rd tour. I always get asked what my favorite town is. Well, people are people. I just hope I meet interesting ones. VS: I’ve heard you really like playing to younger audiences. MW: I’m not only playing for younger people, I’m playing with younger people. Just recently, with the Stooges, now I’m the youngest guy in the band. Being middle-aged is a trippy place because you’re not feeble, but you have wisdom. The whole idea of a middle- aged punk rocker is pretty bizarre. Punk got so accepted. It’s something I’d never guess. I can’t really think it’s a style of music; it’s a state of mind.
    [Show full text]