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{Download PDF} Goodbye 20Th Century: a Biography of Sonic
GOODBYE 20TH CENTURY: A BIOGRAPHY OF SONIC YOUTH PDF, EPUB, EBOOK David Browne | 464 pages | 02 Jun 2009 | The Perseus Books Group | 9780306816031 | English | Cambridge, MA, United States SYR4: Goodbye 20th Century - Wikipedia He was also in the alternative rock band Sonic Youth from until their breakup, mainly on bass but occasionally playing guitar. It was the band's first album following the departure of multi-instrumentalist Jim O'Rourke, who had joined as a fifth member in It also completed Sonic Youth's contract with Geffen, which released the band's previous eight records. The discography of American rock band Sonic Youth comprises 15 studio albums, seven extended plays, three compilation albums, seven video releases, 21 singles, 46 music videos, nine releases in the Sonic Youth Recordings series, eight official bootlegs, and contributions to 16 soundtracks and other compilations. It was released in on DGC. The song was dedicated to the band's friend Joe Cole, who was killed by a gunman in The lyrics were written by Thurston Moore. It featured songs from the album Sister. It was released on vinyl in , with a CD release in Apparently, the actual tape of the live recording was sped up to fit vinyl, but was not slowed down again for the CD release. It was the eighth release in the SYR series. It was released on July 28, The album was recorded on July 1, at the Roskilde Festival. The album title is in Danish and means "Other sides of Sonic Youth". For this album, the band sought to expand upon its trademark alternating guitar arrangements and the layered sound of their previous album Daydream Nation The band's songwriting on Goo is more topical than past works, exploring themes of female empowerment and pop culture. -
April's Fools
APRIL'S FOOLS ' A LOOK AT WHAT IS REAL f ( i ON IN. TOWN NEWS VIEWS . REVIEWS PREVIEWS CALENDARS MORMON UPDATE SONIC YOUTH -"'DEOS CARTOONS A LOOK AT MARCH frlday, april5 $7 NOMEANSNO, vlcnms FAMILYI POWERSLAVI saturday, april 6 $5 an 1 1 piece ska bcnd from cdlfomb SPECKS witb SWlM HERSCHEL SWIM & sunday,aprll7 $5 from washln on d.c. m JAWBO%, THE STENCH wednesday, aprl10 KRWTOR, BLITZPEER, MMGOTH tMets $10raunch, hemmetal shoD I SUNDAY. APRIL 7 I INgTtD, REALITY, S- saturday. aprll $5 -1 - from bs aqdes, califomla HARUM SCAIUM, MAG&EADS,;~ monday. aprlll5 free 4-8. MAtERldl ISSUE, IDAHO SYNDROME wedn apri 17 $5 DO^ MEAN MAYBE, SPOT fiday. am 19 $4 STILL UFEI ALCOHOL DEATH saturday, april20 $4 SHADOWPLAY gooah TBA mday, 26 Ih. rlrdwuhr tour from a land N~AWDEATH, ~O~LESH;NOCTURNUS tickets $10 heavy metal shop, raunch MATERIAL ISSUE I -PRIL 15 I comina in mayP8 TFL, TREE PEOPLE, SLaM SUZANNE, ALL, UFT INSANE WARLOCK PINCHERS, MORE MONDAY, APRIL 29 I DEAR DICKHEADS k My fellow Americans, though:~eopledo jump around and just as innowtiwe, do your thing let and CLIJG ~~t of a to NW slam like they're at a punk show. otherf do theirs, you sounded almost as ENTEIWAINMENT man for hispoeitivereviewof SWIM Unfortunately in Utah, people seem kd as L.L. "Cwl Guy" Smith. If you. GUIIBE ANIB HERSCHELSWIMsdebutecassette. to think that if the music is fast, you are that serious, I imagine we will see I'mnotamemberofthebancljustan have to slam, but we're doing our you and your clan at The Specks on IMVIEW avid ska fan, and it's nice to know best to teach the kids to skank cor- Sahcr+nightgiwingskrmkin'Jessom. -
Friktionen 44/2018
FRIKTIONEN Beiträge zu Politik und Gegenwartskultur Ausgabe 44/2018 Guerilla Gardening FRIKTIONEN 44/2018 Editorial S. 2 Chinese Lesson S. 3 Bilderwitze (Thomas Glatz) S. 6 Der Überlebende S. 6 Umgedrehte Readymades IV (Thomas Glatz) S. 8 Blöde Geschichte (Thomas Glatz) S. 13 Cpt. Kirk &, Teil 17 S. 14 Klavierkonzert zu vier Händen (Thomas Glatz) S. 15 Einstürzende Neubauten: ‚Man muss nicht alles glauben was man hört‘ (Miss Harmlos) S. 15 Aus dem Plattenarchiv S. 26 Editorial Mit veritabler Verspätung gibt es anbei die neue Ausgabe der Friktionen, quasi mit einem Abschieds- titelbild aus dem Westend, das nun nicht mehr Redaktionsmittelpunkt ist. Das vermeintliche Guerilla- gardening ziert den Gehsteig vor einem von zwei Leerstandsobjekten im Viertel, die direkt gegenüber voneinander an der oberen Schwanthalerstraße liegen. Eines hat sogar schon eine Phantomhausbe- setzung überlebt. Auch ohne diesen Lokalkolorit mag man den Titel als Sinnbild für die Verwilderung der politischen Sitten lesen. Man sieht halt immer mehr vor allem braunen Schmutz im politischen Alltag. Der war wahrscheinlich vorher schon da, nur unter der Oberfläche. Das kann natürlich in keiner Weise beruhigen. Schließlich bringt Sichtbarkeit eines Phänomens auch immer eine neue soziale Dimension und Eskalationsstufe mit sich. Schmutz spielt dabei in den meisten Beiträgen zur Ausgabe eine eher untergeordnete Rolle, am ehes- ten noch in den wunderbaren Einlassungen von Miss Harmlos zu den Einstürzenden Neubauten. Thomas Glatz bereichert die Ausgabe um wundervolle Kurztexte rund um die Eigenheiten von Stadt- parks und Aufführungen von klassischer Musik und setzt seine Serie der Bilderwitze fort. Viel Spaß beim Lesen! Nach wie vor gilt die Einladung für ‚Friktionen’ zu schreiben, zu zeichnen oder zu fotografieren. -
The Blue and White
THE UNDERGRADUATE MAGAZINE OF COLUMBIA UNIVERSITY, EST. 1890 THE BLUE AND WHITE Vol. XIX No. III May 2013 Lies My Teacher Told Me What you need to know before you teach for America Paying it Forward Pervasive debt at Columbia's nontraditional college ALS O INSIDE: CULTURE! AND SUB-CULTURE! Conor Skelding, CC ’14, Editor in Chief ANNA BAHR, BC ’14, Managing Editor ALLIE CURRY, CC ’13, Senior Editor Will Holt, CC ’15, Senior Editor TORSTEN ODLAND, CC ’15, Senior Editor CLAIRE SABEL, CC ’13, Senior Editor JESSIE CHASAN-TABer, CC ’16, Layout Editor LEILA MGALOBLISHVILI, CC ’16, Senior Illustrator ZUZANA GIERTLOVA, BC ’14, Publisher SOMER OMAR, CC ’16, Public Editor Staff Writers NAOMI SHArp, CC ’15 ALEXANDER PINES, CC ’16 Contributors NAOMI COHen, CC ’15 KATIE DONAHoe, BC ’16 BRITT FOSSUM, CC ’16 LUCA MARZORAti, CC ’15 MATTHEW SCHANTZ, CC ’13 DANIEL STONE, CC ’16 ALEXANDRA SVOKOS, CC ’14 HALLIE NELL SWANSON, CC ’16 Artists JULIETTE CHEN, CC ’16 BRITT FOSSUM, CC ’16 JIYOON HAN, CC ’13 ANGEL JIANG, CC ’15 KATHARINE LIN, CC ’16 ELISA MIRKIL, CC ’16 ALEXANDER PINES, CC ’16 ANNE SCOTTI, CC ’16 HANK SHORB, CC ’16 Editors Emeriti SYLVIE KREKOW, BC ’13 BRIAN WAGNER, SEAS ’13 THE BLUE & WHITE Vol. XIX FAMAM EXTENDIMUS FACTIS No. III COLUMNS FEATURES 4 BLUEBOOK Sylvie Krekow & 10 AT TWO SWORDS’ LENGTH: SHOULD YOU GRADUATE? 6 BLUE NOTES Brian Wagner Our monthly prose and cons 8 CAMPUS CHARACTERS 12 VERILY VERITAS Will Holt 13 ALL BROOKLYN BEER TASTES THE SAME 27 CURIO COLUMBIANA A B&W editor hops to Brooklyn to see what’s brewing 28 SKETCHBOOK 34 MEASURE -
The Experimental Music of Einstürzende Neubauten and Youth Culture in 1980S West Berlin
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2012-10-03 The Experimental Music of Einstürzende Neubauten and Youth Culture in 1980s West Berlin Ryszka, Michael Andrzej Ryszka, M. A. (2012). The Experimental Music of Einstürzende Neubauten and Youth Culture in 1980s West Berlin (Unpublished master's thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/28149 http://hdl.handle.net/11023/259 master thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY The Experimental Music of Einstürzende Neubauten and Youth Culture in 1980s West Berlin by Michael Andrzej Ryszka A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF GERMANIC, SLAVIC AND EAST ASIAN STUDIES CALGARY, ALBERTA SEPTEMBER 2012 © Michael Andrzej Ryszka 2012 Abstract In this thesis I examine the music of West Berlin experimental music group Einstürzende Neubauten. The unique social, political, and economic conditions of West Berlin during the 1980s created a distinct urban environment that is reflected in the band’s music. The city has been preserved by Einstürzende Neubauten in the form of sound recordings, and conserved in the unique instruments originally found by the band on the streets of West Berlin. -
2 Punk – Eine Einleitung
DIPLOMARBEIT Titel der Diplomarbeit „Die Geschichte des Punk und seiner Szenen“ >Band 1 von 1< Verfasser Armin Wilfling angestrebter akademischer Grad Magister der Philosophie (Mag. phil.) Wien, 2009 Studienkennzahl lt. A 316 Studienblatt: Studienrichtung lt. Musikwissenschaft Studienblatt: Betreuerin / Betreuer: Dr. Emil Lubej Die Geschichte des Punk und seiner Szenen, Armin Wilfling Seite 2 1 KURZBESCHREIBUNGEN...................................................................................................................... 7 1.1 DEUTSCHSPRACHIGE ZUSAMMENFASSUNG ........................................................................................... 7 1.2 ENGLISH ABSTRACT .............................................................................................................................. 7 2 PUNK – EINE EINLEITUNG.................................................................................................................... 9 2.1 STILDEFINIERENDE MERKMALE DES PUNKS ......................................................................................... 9 2.2 LESEANLEITUNG ................................................................................................................................. 13 3 PUNK – EINE GESCHICHTE ................................................................................................................ 15 3.1 URSPRÜNGE UND VORLÄUFER ............................................................................................................ 17 3.1.1 Garage Rock................................................................................................................................. -
Bombing 12294 Lucosi Ikeem Fuller Clemson University
Clemson University TigerPrints All Theses Theses 8-2014 Bombing 12294 Lucosi Ikeem Fuller Clemson University Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Recommended Citation Fuller, Lucosi Ikeem, "Bombing 12294" (2014). All Theses. 2517. https://tigerprints.clemson.edu/all_theses/2517 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. BOMBING 12294 A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements of the Degree Master of Arts English by Lucosi Ikeem Fuller August 2014 Accepted by: Keith Morris, Committee Chair Angela Naimou Brian McGrath ABSTRACT “Bombing 12294” is a composite short story that is comprised of prose, drama and poetry. The components come together to form a story that follows a family that is torn apart because of conflicting views about graffiti and the ways in which graffiti is visual art, a form of writing, and vandalism, especially when compared to landscape architecture and automotive design, which are featured in the story to illustrate art forms that are far less versatile and volatile than graffiti, and are completely accepted by the society that condemns graffiti. The format of “Bombing 12294” is an exercise in writing a short story with different rules, which reflects the way graffiti is art that is created using its own rules. ii TABLE OF CONTENTS Page TITLE PAGE ................................................................................................................... i ABSTRACT .................................................................................................................... ii CHAPTER I. SECLUDED BETWEEN CHAINS OF CARS ............................................ -
Friends Fondly Remember Murphy Nagle, by FINN PRESSLY Math a Senior Staff Writer
--- --~ -~~~-~~~~-- Neighborly chit-chat Flying high President George W Bush met with Canadian Scene music critic Maureen Smithe reviews Tuesday prime minister Jean Chertien on Monday to the indie release "The Autopilot Know You discuss U.S. relations between Mexico and Canada. Best" by the up and coming band, The Places. FEBRUARY 6, World & Nation + page 5 Scene+ page 12 2001 THE The Independent Newspaper Serving Notre Dame and Saint Mary's VOL XXXIV NO. 81 HTTP://OB ERV Friends fondly remember Murphy Nagle, By FINN PRESSLY Math a Senior Staff Writer Leading a freshman retreat in the fall of 1999, Con or take office Murphy had three words of advice: Do a puzzle. + Elections yield "During finals week, Conor was totally insistent that the low voter turn best thing to do was a puzzle. out, abstentions lie bought a 1000 piece and would spent hours in the hall By AMY GREENE ways of Zahm doing puzzles," News Writer said fellow retreat team mem ber Dory Mitros. "llerc arc all Michelle Nagle and these freshmen going into their Kristen Matha arc the first round of exams, and there newly elected Saint is Con or saying 'do a puzzle.' Mary's lie was a complete riot." Active in Campus Ministry s t u d c n t See Also b 0 d y and vice-president of the president "SMC students College Democrats. Murphy and vice vote to keep the brought his unique, enduring presi- style to all he did. d e n t , Keenan Revue" "lie was a really run-loving conclud- page 6 guy with a really strong faith. -
Meat Puppets Mirage Mp3, Flac, Wma
Meat Puppets Mirage mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Mirage Country: Brazil Released: 1999 Style: Alternative Rock, Indie Rock MP3 version RAR size: 1770 mb FLAC version RAR size: 1788 mb WMA version RAR size: 1318 mb Rating: 4.7 Votes: 597 Other Formats: MMF AHX DXD ADX MPC WMA MOD Tracklist 1 Mirage 2 Quit It 3 Confusion Fog 4 The Wind And The Rain 5 The Mighty 6 Get On Down 2:56 7 Leaves 2:40 8 I Am A Machine 4:25 9 Beauty 3:04 10 A Hundred Miles 3:37 11 Love Our Children Forever 3:58 12 Liquified 3:09 Bonus tracks 13 The Mighty Zero 14 I Am A Machine 15 Liquified 16 Rubberneckin´ 17 Grand Intro Credits Artwork [Cover] – Derrick* Artwork [Inside] – Curt* Bass, Vocals – Cris Kirkwood Drums – Derrick Bostrom Engineer – Steven Escallier Guitar, Vocals – Curt Kirkwood Photography By – Joe Cultice* Producer – The Meat Puppets*, Steven Escallier Other versions Category Artist Title (Format) Label Category Country Year SST 100 Meat Puppets Mirage (LP, Album) SST Records SST 100 US 1987 Mirage (CD, Album, Enh, USA & RCD 10473 Meat Puppets Rykodisc RCD 10473 1999 RE, RM) Canada Mirage (17xFile, MP3, none Meat Puppets MVD Audio none US 2013 Album, 160) Mirage (CD, Album, Enh, RCD10473 Meat Puppets Rykodisc RCD10473 US 1999 RE, RM) Mirage (CD, Album, Enh, MVD5277A Meat Puppets MVD Audio MVD5277A US 2011 RE) Related Music albums to Mirage by Meat Puppets Rock Meat Puppets - Meat Puppets Other Psychic TV Three - Greyhounds of the Future / Alien Lightning Meat Machine Part II Rock Meat Puppets - Monsters Rock Meat Puppets - Lollipop Rock Meat Puppets - Portland 200 Rock Meat Wave - Meat Wave Other Meat Market - Meat Market Electronic Metek / Steam Engine Of The Meat Machine - Untitled Funk / Soul Dan Henderson - Puppets / Dear Son Rock Nirvana - MTV Unplugged In New York. -
FREE||| We Got Power!: Hardcore Punk Scenes From
WE GOT POWER!: HARDCORE PUNK SCENES FROM 1980S SOUTHERN CALIFORNIA FREE DOWNLOAD David Markey | 306 pages | 10 Jan 2013 | Bazillion Points | 9781935950073 | English | Brooklyn, United States We Got Power! Hardcore Punk Scenes From 1980s Southern California (David Markey) Their job as reporters covering the scene for the fanzine they started put them in many key places to document the scene from an unique prospective that gets you the straight scoop. Meanwhile, their amazing photographs captured the dilapidated houses, abandoned storefronts, and disaffected youth culture of the early Reagan era. Redd Kross plays Santa Monica Beach. We Got Power proofs. Cancel reply Your email address will not be published. Ian has a great eye, and was crucial to this project. By the time he was ready to release it, though, Ecstatic Peace! I kind of get over it and move on. I think one of the advantages to waiting was the advances made in software for home computers, which is where this project started, with a negative scanner and film We Got Power!: Hardcore Punk Scenes from 1980s Southern California towards the end of Go HERE to see all the latest record reviews. Friedman: they had great shots including all of the darkroom aspects. Essential We Got Power!: Hardcore Punk Scenes from 1980s Southern California Go to Top Back to Shop Search. We Got Power! Inhe accidentally discovered he was adopted, leading to work on the autobiography Dark Circles. One might think that maybe, when TYPB came out that might have been the perfect time to capitalize on your previous work. -
Uma Perspectiva Musicológica Sobre a Formação Da Categoria Ciberpunk Na Música Para Audiovisuais – Entre 1982 E 2017
Uma perspectiva musicológica sobre a formação da categoria ciberpunk na música para audiovisuais – entre 1982 e 2017 André Filipe Cecília Malhado Dissertação de Mestrado em Ciências Musicais Área de especialização em Musicologia Histórica Setembro de 2019 I Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Ciências Musicais – Área de especialização em Musicologia Histórica, realizada sob a orientação científica da Professora Doutora Paula Gomes Ribeiro. II Às duas mulheres da minha vida que permanecem no ciberespaço do meu pensamento: Sara e Maria de Lourdes E aos dois homens da minha vida com quem conecto no meu quotidiano: Joaquim e Ricardo III Agradecimentos Mesmo tratando-se de um estudo de musicologia histórica, é preciso destacar que o meu objecto, problemática, e uma componente muito substancial do método foram direccionados para a sociologia. Por essa razão, o tema desta dissertação só foi possível porque o fenómeno social da música ciberpunk resulta do esforço colectivo dos participantes dentro da cultura, e é para eles que direciono o meu primeiro grande agradecimento. Sinto-me grato a todos os fãs do ciberpunk por manterem viva esta cultura, e por construírem à qual também pertenço, e espero, enquanto aca-fã, ter sido capaz de fazer jus à sua importância e aos discursos dos seus intervenientes. Um enorme “obrigado” à Professora Paula Gomes Ribeiro pela sua orientação, e por me ter fornecido perspectivas, ideias, conselhos, contrapontos teóricos, ajuda na resolução de contradições, e pelos seus olhos de revisora-falcão que não deixam escapar nada! Como é evidente, o seu contributo ultrapassa em muito os meandros desta investigação, pois não posso esquecer tudo aquilo que me ensinou desde o primeiro ano da Licenciatura. -
Striving for a Brighter Future
SanFOGHOR Francisco N UNIVERSITY OF SAN FRANCISCO VOLUME 89, NUMBER 4 THURSDAY, OCTOBER 8,1992 The Rev. John P. Schlegel, S.J.: Striving for a brighter future Second annual University Ball Kelly Sullivan Features Editor another success The University of San Francisco Rosela Balinbin has undergone tremendous changes in News Editor the past year, all of which would not have been possible without the dedi Students, faculty, staff, administrators cated and caring hand of our Univer and alumni celebrated USF at the second sity President, the Rev. John P. annual All-University Ball held Satur Schlegel, S J. day in the University Center. Looking back to Juneof 1991, when "In The Air Tonight" was this year's Father Schlegel first came to the Uni theme of the four-hour party which in versity, he states that he spent that cluded free h 'oursdevours, beverages and time generally watching and listening music. to the way the University did busi "It's a great opportunity for commu ness, the way they serviced students, nity," ASUSF President Gandhi and the image that the University Soundararajan said. "Let's have another played in the broader community. He one in the spring." states that this enabled him to come to E.C. Scott and Smoke band, who have a more clearly defined sense of what made a number of appearances and have the University is and the role it will become a favorite among USF students, play in the future. performed in Crossroads. "I made a personal commitment to In Mainstreet Market, a swing band myself that I would address any three entertained everyone with their rendi of those areas that I found lacking, if tion of jazz and big band tunes, while a pianist set the mood for the more relaxed they didn't meet up to what I hoped to crowd of party-goers on the third floor.