5: Tocqueville’s Religious Dread: Political Grandeur and the Democratic Empire of Utility Jason Frank, Government, Cornell University
[email protected] Draft: Please do not circulate or cite without author’s permission. _________________________________________________________________________________________________ When I conceive a democratic society of this kind, I fancy myself in one of those low, close, and gloomy abodes where the light which breaks in from without soon faints and fades away. A sudden heaviness overpowers me, and I grope through the surrounding darkness to find an opening that will restore me to the air and the light of day. —Alexis de Tocqueville The world, it is true, appears to me to march less and less toward the greatness I had imagined. —Alexis de Tocqueville Alexis de Tocqueville had a very broad understanding of “poetry,” which he described as “the search for and depiction of the ideal.”1 Poetry, on his view, was antithetical to the mere “representation of reality,” because it transcends the empirically given and aims to depict an elevated and enhanced spiritual significance. In democratic ages traditional poetic devotion to transcendental ideals undergoes a radical change. In these contexts, with their pervasive “love of physical pleasure, self-improvement, [and] competition,” individuals become enthralled by the practical and profane needs of daily life. The imagination is “not snuffed out,” Tocqueville writes, but “it devotes itself almost entirely to the idea of what is useful and to the portrayal of reality.”2 Rather than look to the heavens or to the ancient past, “the traditional springs of poetry,” democracy draws the imagination to “man himself,” but man stripped of personal qualities and characteristics.