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Il Comparto Motociclistico Nel Secondo Dopoguerra
Dipartimento di Economia & Management Cattedra di Storia dell’economia e dell’impresa Il comparto motociclistico nel secondo dopoguerra un confronto tra Italia e Giappone RELATORE Prof.ssa Vittoria Ferrandino CANDIDATO Carlo Alberto Richetti Matr. 199161 1 Indice I Introduzione ……………………………………………….3 Capitolo 1. La situazione industriale di Italia e Giappone nel secondo dopoguerra ………………………………………………………………4 1.1 Le condizioni generali alla fine del conflitto ……………………………...4 1.2 L’industria italiana nel dopoguerra. La riconversione industriale ……………5 1.3 La nascita e l’evoluzione del modello industriale giapponese ……………….9 1.4 La nascita del comparto motociclistico giapponese ………………………..11 Capitolo 2. Il miracolo economico e la ripresa degli anni Cinquanta ….15 2.1 Una nuova potenza industriale europea: l’Italia del boom economico ………..15 2.2 La motorizzazione di massa in Italia. L’innocenti, la Piaggio e “l’andare in giro con le ali sotto i piedi” ………………………………………………………17 2.3 Dalla ripresa al miracolo economico giapponese …………………………...21 2.4 Il caso Honda …………………………………………………………..24 Capitolo 3. La crisi degli anni Settanta ………………………………….26 3.1 Il distretto di Hamamatsu: una delle chiavi del vantaggio competitivo dei “Big Four” ……………………………………………………………..26 3.2 La competizione sportiva e l’epoca delle corse motociclistiche. Uno strumento di affermazione nel mercato internazionale ………………………………...28 3.3 Il mercato americano: la porta d’accesso al commercio internazionale ………..32 3.4 Il movimento giovanile italiano e le due ruote ……………………………...34 -
Yamaha Corporation of America Winter Namm 2012 Press Kit
YAMAHA CORPORATION OF AMERICA WINTER NAMM 2012 PRESS KIT VISIT THE YAMAHA WINTER NAMM 2012 EXHIBIT AT THE ANAHEIM MARRIOTT, MARQUIS BALLROOM ACCESS HIGH-RESOLUTION PHOTOS AND PRESS RELEASES AT HTTP://WWW.YAMAHA.COM/NAMM/ FOR FURTHER INFORMATION, PLEASE CONTACT THE FOLLOWING STAFF AT GILES COMMUNICATIONS: KEYBOARD DIVISION LISA CESARANO [email protected] 914-414-1556 (MOBILE) ELISE COOPER 914-584-7952 BAND AND ORCHESTRAL DIVISION, CORPORATE LISA CESARANO [email protected] 914-414-1556 (MOBILE) PAC, LIVE SOUND,MUSIC PRODUCTION, STEINBERG: MARC FERRIS [email protected] 914-478-1233 (MOBILE) CORPORATE POPULAR YAMAHA JUNIOR ORIGINAL CONCERT SERIES RETURNS TO NAMM —Talented Young Musicians Take to the Stage at Annual Winter NAMM Crowd Favorite — ANAHEIM, Calif.—The Yamaha Music Education System will present its perennially captivating Junior Original Concert (JOC) on Thursday, January 19. For the first time, the young musicians will perform at two NAMM venues: 8:30 a.m. at the NAMMU Dealer Breakfast in the Pacific Ballroom, Hilton Anaheim Hotel and 1:00 p.m. at the Yamaha Booth, Keyboard Division area, Marquis Ballroom at the Anaheim Marriott Hotel. All NAMM attendees are invited to enjoy the free 1 p.m. concert event, which will feature young talented Yamaha Music School students performing their own original compositions. Nine-year-old Alexander Hurvitz, a student at Harmony Music World, Fullerton, Calif., will perform his original piano solo composition, “Pushy Cat and Nutty Squirrels.” Chloe Li, also age 9 and a JSAC student at the Irvine Yamaha Music Center, will play the Clavinova CVP-509 in her original ensemble composition, “First Flight.” Chloe will play along with percussionists Dominic Primo, Sarah Chen and Lauren Chen, as well as her sister Claire Li, who will be performing on a second CVP-509. -
Saturation of Piano Markets ― History of the U.S
Saturation of Piano Markets ― History of the U.S. and Asian Piano Industries ― Tomoaki TANAKA 1. Technical development of the piano and how its market grew The first acoustic piano was made in 1709 by Bartolomeo Cristofori, who was a harpsi- chord producer for the Medici family in Italy. The piano was originally built in the shape of a harpsichord. At the beginning pianos were played in relatively small rooms, such as in a salon of a noble residence. But pianos gradually came to be played at concert halls holding thousands of people. The sound of pianos needed to be more powerful and emo- tional. The only way was to increase the tension on the strings. New materials were need- ed since the existing wooden plates could not sustain such tension. Alpheus Babcock, who was a boiler shop owner in the U.S., invented the full iron frame piano in 1825. His pianos succeeded in obtaining more powerful tension than wooden frames and expanded the sound range by octaves. In 1837, Jonas Chickering, a piano engineer and a founder of Chickering & Sons in the U.S., improved Babcockʼs frames and a patent was granted to him in 1841. Steinway & Sons eventually played an even greater role in the evolution of the piano. Steinway & Sons was established in 1853 in New York by Heinrich Engelhart Steinway, who was a German piano producer. This company made important inventions and im- provements to the piano, for example the invention of the over-string scale（crossing the middle and bass strings） for grand pianos, quick response hammer action, and improve- ment of the full cast-iron plate. -
Annual Report 2019 Yamaha Group Annual Report 2019 09
HISTORY OF GROWTH The origins of the Yamaha Group date back to 1887, when company founder Torakusu Yamaha repaired an imported reed organ. Since then, Yamaha has aimed to contribute to the enriched lifestyles of people while centering its business on sound and music. Guided by this aim, Yamaha has continued to move Our Vision and Value Creation Value Vision and Our forward with a history that spans over 130 years and three centuries. 1887 1900 1950 1960 1970 1980 1990 2000 2010 2020 Founding Period and the Spread of Music Culture and Major Leap as a Comprehensive Evolution of Technologies New Value Provision through the Integration of Realization of Domestic Venture into New Businesses Musical Instrument Diverse Technologies Production Manufacturer • Ventures into the domestic production of • Starts efforts to popularize music education • Expands product domains to include acous- • Undertakes the in-house production of semiconductors to enhance • Spurs new demand by melding acoustic and electronic technologies to organs with the desire to communicate the joy of tic musical instruments and digital musical the sound quality of digital musical instruments develop a lineup of products that offer the merits of both technologies • Commences the production of pianos and music to an even greater number of people instruments. In addition, extends lineup of • Creates numerous innovative digital musical instruments and audio • Accelerates business growth through the acquisition of overseas builds the foundation for the musical instru- • Leverages -
Wind Instruments Catalog.Pdf
Wind Instruments What has made YAMAHA the number one musical instrument manufacturer in the world? Continuous R&D We are the only instrument maker who maintains a complete staff of experienced, fulltime designers for each individual wind instrument. And we station part of that staff in Europe, North America, as well as Japan to maintain constant communication with many of the greatest musicians now performing. The ideas and insights we receive from the masters are relayed back to our design center, where they are incorporated into every instrument we make. Manufacturing Quality We make most of the individual components for our woodwind and brass instruments with cutting-edge, computerized technology for perfect tolerances and incredible consistency. But many visitors to our factories are surprised to see the large degree of age-old, traditional methods used to hand assemble all our wind instruments— from professional models down to the most inexpensive student instruments. Crafted With Care Skilled, experienced artisans adjust and test each instrument by hand—and do so with a passion and care seldom seen anymore. Many of them are musicians themselves; they joined Yamaha because of their love for music. Producing the world’s finest musical instruments is more than just a job for them; it is a calling, and a challenge they meet with pride. Yamaha Wind Instrument History In 1887, Torakusu Yamaha began producing reed organs in Hamamatsu, in central Japan. He later founded a company called Nippon Gakki (Musical Instruments of Japan). Around the same time, a Tokyo boilermaker began making bugles and established a wind instrument company named Nippon Kangakki (Japanese Wind Instruments). -
Annual Report
CORPORATE DESCRIPTION The forerunner of Yamaha Corporation BUSINESS SEGMENTS was founded in 1887 by Torakusu Yamaha. On October 12, 1897, Nippon Gakki, Co., Ltd., was incor- MUSICAL INSTRUMENTS AND AUDIO PRODUCTS porated (the corporate name was changed to Yamaha Corporation on the occasion of its 100th anniversary), and Yamaha celebrated its 110th year FURNITURE AND HOUSEHOLD PRODUCTS of operation in 1997. Yamaha is one of the world’s lead- ing manufacturers of pianos; electronic musical instruments; and wind, string, ELECTRONIC EQUIPMENT AND METAL PRODUCTS and percussion instruments. At the same time, the Company has grown through a broad spectrum of business activities, including electronic devices RECREATION and equipment, professional audio equipment, and audiovisual equipment. To continue growing in the 21st century, in 1997 Yamaha launched its OTHERS new management strategy called New Values 21 (NV21). The Yamaha Group will make a concerted effort to become a truly global enterprise that fulfills its corporate mission of contributing to enriching the quality of life of people worldwide. CONTENTS 1 Financial Highlights 2 Consolidated Balance Sheets 4 Consolidated Statements of Income 5 Consolidated Statements of Shareholders’ Equity 6 Notes to Consolidated Financial Statements 12 Report of Independent Auditors 13 Board of Directors and Corporate Auditors 14 Major Consolidated Subsidiaries 16 Investor Information FINANCIAL HIGHLIGHTS Yamaha Corporation and Consolidated Subsidiaries Years ended March 31 Millions of Yen (except where indicated) 1998 1997 1996 1995 1994 NONCONSOLIDATED: Net sales ............................................................. ¥417,218 ¥402,910 ¥383,134 ¥338,949 ¥316,177 Recurring profit.................................................. 11,429 15,068 13,649 6,291 2,191 Net income......................................................... 5,068 7,401 7,187 2,415 593 Stated capital ..................................................... -
Yamaha Corporation of America Winter Namm 2011 Press Kit
YAMAHA CORPORATION OF AMERICA WINTER NAMM 2011 PRESS KIT VISIT THE YAMAHA WINTER NAMM 2011 EXHIBIT AT THE ANAHEIM MARRIOTT, MARQUIS BALLROOM ACCESS HIGH-RESOLUTION PHOTOS AND PRESS RELEASES AT HTTP://WWW.YAMAHA.COM/NAMM/EPK FOR FURTHER INFORMATION, PLEASE CONTACT THE FOLLOWING STAFF AT GILES COMMUNICATIONS: KEYBOARD DIVISION, CORPORATE LISA CESARANO [email protected] 914-414-1556 (MOBILE) BAND AND ORCHESTRAL DIVISION VLADIMIR LAPIN [email protected] 215-370-6778 (MOBILE) PAC, LIVE SOUND, MUSIC PRODUCTION, STEINBERG: MARC FERRIS [email protected] 914-478-1233 (MOBILE) CORPORATE RELEASES YAMAHA PIONEERS SOCIAL AND MOBILE MEDIA APPLICATIONS FOR NAMM AND BEYOND —Customer Experience Group Develops Proprietary Tools to Enhance Experience for NAMM Visitors, Dealers and Customers— BUENA PARK, Calif.— Last year, at Winter NAMM 2010, Yamaha introduced several leading edge social and mobile media applications designed to enhance the NAMM experience for show visitors. This year, the company’s Customer Experience Group (CEG) raises the stakes with the Yamaha Hub iOS app, available in the App Store for free. The innovative app – singled out by Apple as a “New and Noteworthy” addition to the App Store at its debut – aggregates data about Yamaha products, promotions, content and events at the NAMM show in Anaheim for users of Apple products and features practical functionality that will be useful and informative long after the show is over. “Mobile media devices are clearly the wave of the future,” said Jeff Hawley, Director of the Yamaha Customer Experience Group. “Yamaha is committed to leveraging a strong mobile presence not just at trade shows, but also in our customers’ purses and pockets, as these devices become more sophisticated and ubiquitous.” Based on the template provided by the Yamaha Hub, the multi-media web portal that serves as “the Hub of all things Yamaha,” the new app is segmented by instrument groups and contains all Hub content, complete with an expanded area for video details and links to more information and product pages. -
Yamaha Corporate Profile 2020
Corporate Profile Aiming to Become an “Indispensable, Brilliantly Individual Company” We at the Yamaha Group share our corporate philosophy “Sharing Passion & Performance,” and contribute to the enriched lifestyles of people while focusing our business on sound and music. In January 2019, we established our new brand promise “Make Waves” that captures that special moment when our customers’ hearts tremble. With this brand promise as our pledge to our customers, we committed to further promoting manufacturing that values the customers’ perspective, an approach we inherited and have followed since our foundation in 1887. Yamaha has defined its management vision of “Becoming an Indispensable, Brilliantly Individual Company” that can “Boost brand power to become a highly profitable enterprise” as its future image in the medium-to-long term. In order to realize this management vision, we outlined our basic strategy to “develop closer ties with customers and society, and boost value creation capabilities” in our medium- term management plan “Make Waves 1.0” that encompasses the three-year period from April 2019. We will continue to merge technologies and sensibility to create new value and to propose lifetime value for each customer by developing closer ties with our customers. We at Yamaha Group want to be a company that support the challenges and passion of each and every one of our customers. We will continue to make every effort to be a company that can meet everyone’s expectations and to be able to stay with you, and we greatly appreciate -
Business Insight Interview Volume 49
All rights reserved by RIAM, Translated by Kobe Univ. Business Insight Interview Volume 49 Top Interview: Insights of Top Management Let the Yamaha Brand Shine as Everyone in the Company Thinks Strategically President and Representative Director of Yamaha Corporation Mr. Shuji Ito November 1942: Born in Iwata, Shizuoka Prefecture March 1965: Graduated from Department of Economics, Keio University April 1965: Joined Nippon Gakki Co., Ltd. (currently, Yamaha Corporation) July 1984: Representative Director and President of Yamaha-Kemble Music (U.K.) June 1988: Director of Yamaha Corporation July 1993: Managing Director, Yamaha Corporation April 1994: General Manager of the Musical Instruments Group of Yamaha Corporation June 1997: Senior Managing Director and Representative Director of Yamaha Corporation. April 2000 to present: President and Representative Director of Yamaha Corporation June 2000 to present: Outside Director of Yamaha Motor Co., Ltd. June 2000 to present: President of Yamaha Music Foundation On the front cover of the Annual Report 2004 of Yamaha Corporation, there is a photograph with children wearing light violet clothing (Yamaha’s corporate color), listening to music pleasantly, enjoying the music with their eyes closed, and looking happy. Below this photograph, there are stylish icons in relief of a keyboard, speaker, a bathtub, semiconductor chip (or so it appears), a resort, and a golf club. The page proudly declares Yamaha’s corporate objective: “Yamaha will continue to create kando and enrich culture with technology and passion born of sound and music, together 1 All rights reserved by RIAM, Translated by Kobe Univ. with people all over the world.*”The short version of Yamaha’s slogan is “Creating ‘Kando’ Together.” These words are intended to suggest that in its corporate branding activities Yamaha wants not only to make one product or brand of its business shine but the whole of Yamaha Corporation. -
Yamaha Motor Monthly Newsletter 2015
Yamaha Motor Monthly Newsletter March 16, 2015 (Issue No. 27) The cloisonné Tuning Fork Mark emblem on Yamaha Motor’s first product, the YA-1 (1955) The Yamaha Brand Part 1: Its Origins and the Three Tuning Forks Yamaha Motor Co., Ltd. was founded on July 1, 1955 to make the motorcycle business of Nippon Gakki Co., Ltd. (presently Yamaha Corporation) an independent company. With its corporate mission of becoming a Kando* Creating Company, Yamaha Motor grew under the leadership of founding president Genichi Kawakami, inheriting both the tangible and intangible corporate assets of Nippon Gakki as its DNA. In 2015, Yamaha Motor celebrates its 60th anniversary. In this month’s issue, we wind back the clock to the era of Yamaha Motor’s parent company, Nippon Gakki, and introduce the birth and history of the Yamaha brand. *Kando is a Japanese word for the simultaneous feelings of deep satisfaction and intense excitement that we experience when we encounter something of exceptional value. Yamaha Motor Monthly Newsletter 1 Torakusu Yamaha’s First Encounter with an Organ In July 1887, Japan was in the midst of a new blossoming of culture and modernization under the new Meiji government after nearly 300 years of closed borders under the isolationist policy of the old Edo regime. A small crisis had befallen Jinjo Elementary School in the city of Hamamatsu in Shizuoka Prefecture; the school’s built-in reed organ had broken down. At the time, all organs in Japan were expensive, foreign-made instruments costing more than a civil servant’s annual wage. -
Annual Report 2006 | Year Ended March 31, 2006 Page Index
Annual Report 2006 | Year ended March 31, 2006 Page index 02 Financial Highlights 03 CREATING ‘KANDO’ TOGETHER 12 Message to Our Shareholders 16 Company Segments at a Glance 18 Review of Operations 18 Musical Instruments 22 AV/IT 26 Electronic Equipment and Metal Products 28 Lifestyle-Related Products 30 Recreation 32 Others 34 R&D and Intellectual Property 38 Emphasis on Corporate Social Responsibility (CSR) in Management 44 Board of Directors, Corporate Auditors and Executive Officers 46 Financial Section 76 History 78 Network 79 Investor Information Yamaha Corporation and Consolidated Subsidiaries Financial Highlights March 31, 2006 and 2005 Thousands of Millions of Yen U.S. Dollars 2006 2005 2006 For the year: Net sales ¥ 534,084 ¥ 534,079 $ 4,546,557 Operating income 24,135 35,695 205,457 Net income 28,123 19,697 239,406 At year-end: Total assets ¥ 519,977 ¥ 505,577 $ 4,426,466 Total shareholders’ equity 316,005 275,200 2,690,091 Yen U.S. Dollars Per share data: Net income ¥ 136.04 ¥ 95.06 $ 1.16 Shareholders’ equity 1,532.62 1,334.51 13.05 Cash dividends 20.00 20.00 0.17 Number of employees at year-end 25,298 23,828 Note: U.S. dollar amounts are translated from yen, for convenience only, at the rate of ¥117.47 = U.S.$1.00, the approximate rate prevailing on March 31, 2006. Forward-looking statements The plans and strategies regarding Yamaha’s future prospects presented in this annual report have been drawn up by the Company’s manage- ment based on information available at the current time and, therefore, are subject to risks and uncertainties. -
Bab Ii Gambaran Umum Perusahaan Pt
BAB II GAMBARAN UMUM PERUSAHAAN PT. YAMAHACORPORATION 2.1 Profil PT. YAMAHA CORPORATION Yamaha Corporation diberi nama pendirinya, Torakusu Yamaha (山 叶寅 楠 , Yamaha Torakusu; April 20, 1851-8 Agustus 1916). Ayahnya, seorang samurai dari Prefektur Wakayama, tertarik pada astronomi dan mekanika dan memberikan anaknya pendidikan modern. 2.1.1 Sejarah Berdirinya PT. YAMAHA CORPORATION Torakusu Yamaha belajar di bawah insinyur Inggris, kemudian menyelesaikan magang di sekolah pertama di Jepang kedokteran Barat di Nagasaki dan mengambil pekerjaan memperbaiki peralatan medis di kota terpencil Hamamatsu. Ketika sekolah setempat meminta agar dia memperbaiki buatan Organ Mason & Hamlin buluh, ia menyadari potensi bisnis manufaktur organ di Jepang, dan pada tahun 1887, ia mendirikan Organ Yamaha Manufacturing Company, produsen pertama dari alat-alat musik Barat di Jepang , dan membangun organ buluh portabel pertama. Pada 1889, perusahaan itu mempekerjakan 100 orang dan menghasilkan 250 organ setiap tahun. Tahun 1899, Kementrian pendidikan Jepang mengirim Yamaha ke Amerika Serikat untuk belajar piano membuat dan menetapkan pemasok bahan-bahan yang diperlukan untuk memproduksi piano di Jepang. Nippon Gakki mulai membuat piano tegak pada 1900 dan menghasilkan piano pertama pada tahun 1902, menerapkan 34 keahlian dalam pertukangan untuk pembuatan mebel baik. Di St Louis World’s Fair di tahun 1904, sebuah piano dan organ buatan yamaha menerima Penghargaan. Pada tahun 1914, ketika Perang Dunia I dibatasi penjualan harmonicas Jerman di Jepang, Yamaha memperkenalkan harmonika pertama dan mulai mengekspor harmonicas di seluruh dunia. Yamaha terus memperluas ke bidang musik. yamaha organ Menghadapi persaingan instrumen musik buatan Barat, Nippon Gakki membuka akustik pertama di dunia penelitian laboratorium pada tahun 1930. Pada tahun 1931, ia merancang akustik Diet baru Jepang aula.