Yamaha Corporate Profile 2020
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Global Robotics Technology Market Is Expected to Reach $ 108,214.3 Million by 2022, Growing at a CAGR of 12.3% During 2016-2022
Nov 27, 2018 11:00 IST Global Robotics Technology Market is expected to reach $ 108,214.3 Million by 2022, growing at a CAGR of 12.3% during 2016-2022 The Global Robotics Technology Market attained a market size of $49,780.0 Million in 2015 and is expected to reach $108,214.3 Million by 2022 growing at a CAGR of 12.3 % during 2016 - 2022. The Industrial Robotics market dominated the Global Robotics Technology Market in 2015 and would continue till 2022 growing at a CAGR of 9.3 % during the forecast period. The Mobile market is expected to reach a market size of $22,183.9 Million by 2022. The Service Robotics market would witness the high growth rate of 15.4 % during 2016-2022. The Automotive Application market dominated the Global Robotics Technology Market in 2015 and would continue till 2022 growing at a CAGR of 8.8% during the forecast period. The Healthcare Application market is expected to reach a market size of $20,777.1 Million by 2022. The report highlights the adoption of Robotics Technology, globally. Based on the type, the Robotics Technology market is segmented into Industrial Robotics, Service Robotics, Mobile Robotics and Others Robotics. Based on the Application, the market is segmented across Healthcare Robotics, Defense and security Robotics, Aerospace Robotics, Automotive Robotics, Electronics Robotics, Domestic Robotics. The geographies included in the report are North America, Europe, Asia-Pacific, Middle East and Africa. For the better analysis, the geographies are segmented into countries. Major players profiled in the report include ABB Group, Adept technology, Yaskawa Electric Corporation, Fanuc Corporation, iRobot Corporation, KUKA AG, Intuitive Surgical Inc., Honda Motor Co., Ltd, Yamaha Corporation and Kawasaki Heavy Industries. -
Il Comparto Motociclistico Nel Secondo Dopoguerra
Dipartimento di Economia & Management Cattedra di Storia dell’economia e dell’impresa Il comparto motociclistico nel secondo dopoguerra un confronto tra Italia e Giappone RELATORE Prof.ssa Vittoria Ferrandino CANDIDATO Carlo Alberto Richetti Matr. 199161 1 Indice I Introduzione ……………………………………………….3 Capitolo 1. La situazione industriale di Italia e Giappone nel secondo dopoguerra ………………………………………………………………4 1.1 Le condizioni generali alla fine del conflitto ……………………………...4 1.2 L’industria italiana nel dopoguerra. La riconversione industriale ……………5 1.3 La nascita e l’evoluzione del modello industriale giapponese ……………….9 1.4 La nascita del comparto motociclistico giapponese ………………………..11 Capitolo 2. Il miracolo economico e la ripresa degli anni Cinquanta ….15 2.1 Una nuova potenza industriale europea: l’Italia del boom economico ………..15 2.2 La motorizzazione di massa in Italia. L’innocenti, la Piaggio e “l’andare in giro con le ali sotto i piedi” ………………………………………………………17 2.3 Dalla ripresa al miracolo economico giapponese …………………………...21 2.4 Il caso Honda …………………………………………………………..24 Capitolo 3. La crisi degli anni Settanta ………………………………….26 3.1 Il distretto di Hamamatsu: una delle chiavi del vantaggio competitivo dei “Big Four” ……………………………………………………………..26 3.2 La competizione sportiva e l’epoca delle corse motociclistiche. Uno strumento di affermazione nel mercato internazionale ………………………………...28 3.3 Il mercato americano: la porta d’accesso al commercio internazionale ………..32 3.4 Il movimento giovanile italiano e le due ruote ……………………………...34 -
Yamaha Corporation of America Winter Namm 2012 Press Kit
YAMAHA CORPORATION OF AMERICA WINTER NAMM 2012 PRESS KIT VISIT THE YAMAHA WINTER NAMM 2012 EXHIBIT AT THE ANAHEIM MARRIOTT, MARQUIS BALLROOM ACCESS HIGH-RESOLUTION PHOTOS AND PRESS RELEASES AT HTTP://WWW.YAMAHA.COM/NAMM/ FOR FURTHER INFORMATION, PLEASE CONTACT THE FOLLOWING STAFF AT GILES COMMUNICATIONS: KEYBOARD DIVISION LISA CESARANO [email protected] 914-414-1556 (MOBILE) ELISE COOPER 914-584-7952 BAND AND ORCHESTRAL DIVISION, CORPORATE LISA CESARANO [email protected] 914-414-1556 (MOBILE) PAC, LIVE SOUND,MUSIC PRODUCTION, STEINBERG: MARC FERRIS [email protected] 914-478-1233 (MOBILE) CORPORATE POPULAR YAMAHA JUNIOR ORIGINAL CONCERT SERIES RETURNS TO NAMM —Talented Young Musicians Take to the Stage at Annual Winter NAMM Crowd Favorite — ANAHEIM, Calif.—The Yamaha Music Education System will present its perennially captivating Junior Original Concert (JOC) on Thursday, January 19. For the first time, the young musicians will perform at two NAMM venues: 8:30 a.m. at the NAMMU Dealer Breakfast in the Pacific Ballroom, Hilton Anaheim Hotel and 1:00 p.m. at the Yamaha Booth, Keyboard Division area, Marquis Ballroom at the Anaheim Marriott Hotel. All NAMM attendees are invited to enjoy the free 1 p.m. concert event, which will feature young talented Yamaha Music School students performing their own original compositions. Nine-year-old Alexander Hurvitz, a student at Harmony Music World, Fullerton, Calif., will perform his original piano solo composition, “Pushy Cat and Nutty Squirrels.” Chloe Li, also age 9 and a JSAC student at the Irvine Yamaha Music Center, will play the Clavinova CVP-509 in her original ensemble composition, “First Flight.” Chloe will play along with percussionists Dominic Primo, Sarah Chen and Lauren Chen, as well as her sister Claire Li, who will be performing on a second CVP-509. -
Electronics System Coordinator
Electronics System Coordinator RYOSAN CO., LTD. CORPORATE PROFILE 2020 Since its founding, Ryosan has conducted corporate activities based on the strong conviction that “a corporation is a public institution.” This phrase means that corporations are founded in order to benefit society in both the present and the future. Corporations are allowed to exist only if they are needed by society. In other words, corporations lose their meaning when they are no longer needed by society. Ryosan will continue its corporate activities with this strong conviction and firm resolution. “A corporation is a public institution.” Ryosan keeps this phrase firmly in its heart as the Company moves forward into the future. Ryosan History ~1960 1970 1980 1990 2000 2010~ 1953 1974 1981 1996 2000 2012 Ryosan Denki Co., Ltd. is established Hong Kong Ryosan Limited is The company name is changed to Ryosan Technologies USA Inc. The head office is moved to the current Ryosan Europe GmbH is established. in Kanda-Suehirocho, Chiyoda-ku, established. Ryosan Co., Ltd. is established. Head Office Building. Tokyo. Consolidated net sales exceed 300 2014 1976 1982 1997 billion yen. Ryosan India Pvt. Ltd. is established. 1957 Singapore Ryosan Private Limited Consolidated net sales exceed Zhong Ling International Trading The Company is reorganized as is established. 100 billion yen. (Shanghai) Co.,Ltd. is established. 2001 2016 a stock company as Korea Ryosan Corporation and Ryosan Engineering Headquarters obtain Ryosan Denki Co., Ltd. 1979 1983 1999 (Thailand) Co.,Ltd. are established. ISO9001 certification. Ryotai Corporation is established. Stock is listed on the Second Section Kawasaki Comprehensive Business 1963 of the Tokyo Stock Exchange. -
Saturation of Piano Markets ― History of the U.S
Saturation of Piano Markets ― History of the U.S. and Asian Piano Industries ― Tomoaki TANAKA 1. Technical development of the piano and how its market grew The first acoustic piano was made in 1709 by Bartolomeo Cristofori, who was a harpsi- chord producer for the Medici family in Italy. The piano was originally built in the shape of a harpsichord. At the beginning pianos were played in relatively small rooms, such as in a salon of a noble residence. But pianos gradually came to be played at concert halls holding thousands of people. The sound of pianos needed to be more powerful and emo- tional. The only way was to increase the tension on the strings. New materials were need- ed since the existing wooden plates could not sustain such tension. Alpheus Babcock, who was a boiler shop owner in the U.S., invented the full iron frame piano in 1825. His pianos succeeded in obtaining more powerful tension than wooden frames and expanded the sound range by octaves. In 1837, Jonas Chickering, a piano engineer and a founder of Chickering & Sons in the U.S., improved Babcockʼs frames and a patent was granted to him in 1841. Steinway & Sons eventually played an even greater role in the evolution of the piano. Steinway & Sons was established in 1853 in New York by Heinrich Engelhart Steinway, who was a German piano producer. This company made important inventions and im- provements to the piano, for example the invention of the over-string scale(crossing the middle and bass strings) for grand pianos, quick response hammer action, and improve- ment of the full cast-iron plate. -
YAS-209 Owner's Manual
Front Surround System [YAS-CU209 + NS-WSW44] EN Quick Start Guide Contents About this Quick Start About this Quick Start Guide .................. 2 Guide This Quick Start Guide was created for users of this unit. It primarily INTRODUCTION ........................................ 4 covers the following. Features ..................................................................................................... 4 • Connecting a TV that supports Audio Return Channel (ARC), Accessories ............................................................................................... 7 and A/V devices such as those for streaming media • Connecting to a wireless network Part names and functions ................................................................... 8 • Basic use PREPARATION ......................................... 12 • Amazon Alexa Preparation ..................................................................................... 12 This document provides step-by-step instructions for installation and Connections ................................................................................... 12 playback. Refer to the Owner’s Manual on the Yamaha website for troubleshooting or when more information is required. Turing on the unit ........................................................................ 14 Follow one of the methods described below to view the latest Owner’s Connecting to a network .......................................................... 14 Manual. In HTML format PLAYBACK .............................................. -
Faculty Biographies Division Coordinators and Educational Consultants
2012 Summer Symposium, presented by Faculty Biographies Division Coordinators and Educational Consultants Mark Buselli Jazz Band Division Coordinator Mark Buselli is Director of Jazz Studies at Ball State University. Awards include a 2010-2011 BSU College of Fine Arts Dean’s Creative Arts Award, a Creative Renewal grant from the Indianapolis Arts Council in 2005, a teacher of the year award in 2004 at Butler University, a Creative Vision award from NUVO in May of 2007, a top 10 CD release of 2009 (December 2009) in JAZZIZ magazine for “An Old Soul,” and a top 100 CD of the decade (January 2010) in DownBeat magazine for the Buselli/Wallarab release of “Basically Baker.” Mr. Buselli has over 40 arrangements published for big bands, brass ensemble and piano/trumpet. He has nine recordings out as a leader on the Owlstudios and OA2 record labels. He has written/arranged/performed for numerous artists.Mr. Buselli currently serves as Education Director of the Buselli Wallarab Jazz Orchestra/Midcoast Swing Orchestra in Indianapolis, where he has created numerous educational opportunities for over 10,000 students. Mr. Buselli graduated from the Berklee School of Music in Boston and received his Master of Music degree in Jazz Studies from Indiana University. Thomas Caneva Concert Band Division Coordinator Dr. Thomas Caneva is Director of Bands, Professor of Music and Coordinator of Ensembles and Conducting at Ball State University. At Ball State, Dr. Caneva’s responsibilities include conducting the Wind Ensemble, coordinating the graduate wind conducting program, teaching undergraduate conducting and administering the entire band program. Under his direction, the Ball State University Wind Ensemble has performed at CBDNA Regional and National Conferences, the American Bandmasters Association Convention, and state and regional MENC conventions. -
Some OCR Attending Companies (AY 2018) (In Japanese Syllabary Order)
VII. Reference Some OCR Attending Companies (AY 2018) (In Japanese syllabary order) RGF Professional Recruitment Japan Credit Saison Co.,Ltd. Japan Aviation Electronics Industry, Limited IHI Corporation Kobe Steel, Ltd. Nissha Co., Ltd. AISIN AW CO., LTD. INPEX CORPORATION Nippon Travel Agency Co.,Ltd. IRISOHYAMA INC. KOKUYO Co.,Ltd. PERSOL CAREER CO., LTD. Accenture Japan Ltd Cosmo Oil Co., Ltd. Pasona Group Inc. Akebono Brake Industry Co., Ltd. KONICA MINOLTA, INC. Panasonic Corporation Asahi Kasei Corp. KOBAYASHI PHARMACEUTICAL CO., LTD. Hankyu Hanshin Department Stores,Inc. ASICS Corporation Komatsu Ltd. BANDAI NAMCO Entertainment Inc. Azbil Corporation Sunstar Inc. Hitachi Chemical Company, Ltd. Adecco Ltd. JFE Steel Corporation Hitachi Kokusai Electric Inc. Adways Inc. JTB Corp. Hitachi, Ltd. Amazon Com, Inc. SHIMADZU CORPORATION Hilton Tokyo INTAGE Inc. SHIMIZU CORPORATION FamilyMart Co., Ltd. UENO Co.,Ltd. NIPPON STEEL CORPORATION Foster Electric Company, Limited American International Group, Inc. Ernst & Young ShinNihon LLC Fuji Xerox Co., Ltd. H.I.S.Co.,Ltd. Suzuyo & Co., Ltd. FUJITSU LIMITED SMBC Nikko Securities Inc. Sumitomo Electric Industries, Ltd. FUJIFILM Corporation es Networks Co., Ltd. SEPTENI HOLDINGS CO.,LTD. HORIBA, Ltd. NEC Capital Solutions Limited ALL NIPPON AIRWAYS CO., LTD Mizuho Financial Group, Inc. NOK CORPORATION SoftBank Corp. MISUMI GROUP INC. NTT DATA Corporation Solaseed Air Inc. Mitsui Chemicals, Inc. NTT DOCOMO, INC. The Dai-ichi Life Insurance Company, Limited Sumitomo Mitsui Banking Corporation EBARA CORPORATION TAISEI CORPORATION Sumitomo Mitsui Trust Bank, Limited OKAMURA CORPORATION TANAKA KIKINZOKU GROUP Sumitomo Mitsui Finance and Leasing Company, Limited OMRON Corporation CENTRAL JAPAN INTERNATIONAL AIRPORT COMPANY , LIMITED Isetan Mitsukoshi Ltd. Kao Customer Marketing Co., Ltd. -
Yamaha Corporation of America Winter Namm 2013 Press Kit
YAMAHA CORPORATION OF AMERICA WINTER NAMM 2013 PRESS KIT VISIT THE YAMAHA WINTER NAMM 2013 EXHIBIT AT THE ANAHEIM MARRIOTT, MARQUIS BALLROOM ACCESS HIGH-RESOLUTION PHOTOS AND PRESS RELEASES AT HTTP://WWW.YAMAHA.COM/NAMM/ FOR FURTHER INFORMATION, PLEASE CONTACT THE FOLLOWING STAFF AT GILES COMMUNICATIONS: KEYBOARD DIVISION DOUG WRIGHT/GILES COMMUNICATIONS [email protected] (914) 798-7126 BAND AND ORCHESTRAL DIVISION MARC FERRIS [email protected] 914-478-1233 (MOBILE) PRO AUDIO & COMBO: MARC FERRIS [email protected] 914-478-1233 (MOBILE) KEYBOARD DIVISION Bösendorfer Marquetry Series of Grand Pianos Inspired By 18th Century Vienna ANAHEIM, Calif.— Yamaha will unveil the first design of Bösendorfer’s new Marquetry Series of Grand Pianos, the limited edition Model 200 SP “Hummingbirds”, in its premium piano room at the 2013 NAMM Show. Marquetry is the use of many pieces of different types of wood veneer to create images and has long been viewed a symbol of wealth. Many fine examples of marquetry can be found in the Imperial Palaces of Vienna, including the Schoenbrunn Palace, the summer residence of The Austrian Habsburg Imperial Family. While many historical pianos have included marquetry designs, they have seldom been re-envisioned for the 21st Century. The Austrian Habsburg Imperial Family was delighted by exotic images of nature, covering the walls of their intimate music room with wonderful jungle scenes. The Palace, outfitted with a suite of rooms featuring exotic garden panoramas commissioned by Maria Theresa and hand painted by the celebrated 18th Century Bohemian Ornamentalist painter Johan Wenzel Bergl, played host to six-year-old Wolfgang Amadeus Mozart, who performed for the Empress Maria Theresa at Schoenbrunn. -
The Strategies of Piano Manufacturers: Crafts, Industry and Marketing
The Strategies of Piano Manufacturers: Crafts, Industry and Marketing Yuko Oki, Toyo University, Japan The IAFOR International Conference on Arts & Humanities – Hawaii 2017 Official Conference Proceedings Abstract The piano was invented at the beginning of the 18th century in Europe, and thereafter was developed chiefly in Great Britain during its Industrial Revolution. New manufacturers appeared in the latter half of the 19th century to challenge the older makers such as Bösendorfer of Vienna and Érard and Pleyel of France. The advent of these new makers—Bechstein, Blüthner and Steinway & Sons—led to expanding intense competition. With Steinway's technological innovation, however, the centre of piano manufacture shifted to the United States. In fact, Steinway pianos are still loved today by professional pianists. Meanwhile, the latecomer, Yamaha, adopted a system of mass-manufacturing using automated assembly-line production. Yamaha, enabled by its marketing strategies, soon became a pioneer in the market of Japan and abroad. It went on to become the largest maker of musical instruments in the world, in terms of production quantities. Yamaha has a broad fan base, and it has been to some extent a threat to the Steinway business. Steinway was established at a favorable time, when America's piano market was already expanding. Building on the piano manufacturing technologies already established in Germany, Steinway & Sons' technical innovations perfected the piano as a musical instrument, and the company successfully protected its patent rights. Yamaha, meanwhile, was founded when the piano was already a fully developed musical instrument, and the company successfully focused on how best to mimic manufacturing methods, and efficiently standardize and mass produce its products. -
Proposal of a Data Processing Guideline for Realizing Automatic Measurement Process with General Geometrical Tolerances and Contactless Laser Scanning
Proposal of a data processing guideline for realizing automatic measurement process with general geometrical tolerances and contactless laser scanning 2018/4/4 Atsuto Soma Hiromasa Suzuki Toshiaki Takahashi Copyright (c)2014, Japan Electronics and Information Technology Industries Association, All rights reserved. 1 Contents • Introduction of the Project • Problem Statements • Proposed Solution – Proposal of New General Geometric Tolerance (GGT) – Data Processing Guidelines for point cloud • Next Steps Copyright (c)2014, Japan Electronics and Information Technology Industries Association, All rights reserved. 2 Contents • Introduction of the Project • Problem Statements • Proposed Solution – Proposal of New General Geometric Tolerance (GGT) – Data Processing Guidelines for Point Cloud • Next Steps Copyright (c)2014, Japan Electronics and Information Technology Industries Association, All rights reserved. 3 Introduction of JEITA What is JEITA? The objective of the Japan Electronics and Information Technology Industries Association (JEITA) is to promote healthy manufacturing, international trade and consumption of electronics products and components in order to contribute to the overall development of the electronics and information technology (IT) industries, and thereby to promote further Japan's economic development and cultural prosperity. JEITA’s Policy and Strategy Board > Number of full members: 279> Number of associate members: 117(as of May 13, 2014) - Director companies and chair/subchair companies - Policy director companies (alphabetical) Fujitsu Limited (chairman Masami Yamamoto) Asahi Glass Co., Ltd. Nichicon Corporation Sharp Corporation Azbil Corporation IBM Japan, Ltd. Hitachi, Ltd. Advantest Corporation Nippon Chemi-Con Corporation Panasonic Corporation Ikegami Tsushinki Co., Ltd. Japan Aviation Electronics Industry, Ltd. SMK Corporation Mitsubishi Electric Corporation Nihon Kohden Corporation Omron Corporation NEC Corporation JRC Nihon Musen Kyocera Corporation Sony Corporation Hitachi Metals, Ltd KOA Corporation Fuji Xerox Co., Ltd. -
Annual Report 2019 Yamaha Group Annual Report 2019 09
HISTORY OF GROWTH The origins of the Yamaha Group date back to 1887, when company founder Torakusu Yamaha repaired an imported reed organ. Since then, Yamaha has aimed to contribute to the enriched lifestyles of people while centering its business on sound and music. Guided by this aim, Yamaha has continued to move Our Vision and Value Creation Value Vision and Our forward with a history that spans over 130 years and three centuries. 1887 1900 1950 1960 1970 1980 1990 2000 2010 2020 Founding Period and the Spread of Music Culture and Major Leap as a Comprehensive Evolution of Technologies New Value Provision through the Integration of Realization of Domestic Venture into New Businesses Musical Instrument Diverse Technologies Production Manufacturer • Ventures into the domestic production of • Starts efforts to popularize music education • Expands product domains to include acous- • Undertakes the in-house production of semiconductors to enhance • Spurs new demand by melding acoustic and electronic technologies to organs with the desire to communicate the joy of tic musical instruments and digital musical the sound quality of digital musical instruments develop a lineup of products that offer the merits of both technologies • Commences the production of pianos and music to an even greater number of people instruments. In addition, extends lineup of • Creates numerous innovative digital musical instruments and audio • Accelerates business growth through the acquisition of overseas builds the foundation for the musical instru- • Leverages