Annual Report 2006 | Year Ended March 31, 2006 Page Index
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Il Comparto Motociclistico Nel Secondo Dopoguerra
Dipartimento di Economia & Management Cattedra di Storia dell’economia e dell’impresa Il comparto motociclistico nel secondo dopoguerra un confronto tra Italia e Giappone RELATORE Prof.ssa Vittoria Ferrandino CANDIDATO Carlo Alberto Richetti Matr. 199161 1 Indice I Introduzione ……………………………………………….3 Capitolo 1. La situazione industriale di Italia e Giappone nel secondo dopoguerra ………………………………………………………………4 1.1 Le condizioni generali alla fine del conflitto ……………………………...4 1.2 L’industria italiana nel dopoguerra. La riconversione industriale ……………5 1.3 La nascita e l’evoluzione del modello industriale giapponese ……………….9 1.4 La nascita del comparto motociclistico giapponese ………………………..11 Capitolo 2. Il miracolo economico e la ripresa degli anni Cinquanta ….15 2.1 Una nuova potenza industriale europea: l’Italia del boom economico ………..15 2.2 La motorizzazione di massa in Italia. L’innocenti, la Piaggio e “l’andare in giro con le ali sotto i piedi” ………………………………………………………17 2.3 Dalla ripresa al miracolo economico giapponese …………………………...21 2.4 Il caso Honda …………………………………………………………..24 Capitolo 3. La crisi degli anni Settanta ………………………………….26 3.1 Il distretto di Hamamatsu: una delle chiavi del vantaggio competitivo dei “Big Four” ……………………………………………………………..26 3.2 La competizione sportiva e l’epoca delle corse motociclistiche. Uno strumento di affermazione nel mercato internazionale ………………………………...28 3.3 Il mercato americano: la porta d’accesso al commercio internazionale ………..32 3.4 Il movimento giovanile italiano e le due ruote ……………………………...34 -
Yamaha Corporation of America Winter Namm 2012 Press Kit
YAMAHA CORPORATION OF AMERICA WINTER NAMM 2012 PRESS KIT VISIT THE YAMAHA WINTER NAMM 2012 EXHIBIT AT THE ANAHEIM MARRIOTT, MARQUIS BALLROOM ACCESS HIGH-RESOLUTION PHOTOS AND PRESS RELEASES AT HTTP://WWW.YAMAHA.COM/NAMM/ FOR FURTHER INFORMATION, PLEASE CONTACT THE FOLLOWING STAFF AT GILES COMMUNICATIONS: KEYBOARD DIVISION LISA CESARANO [email protected] 914-414-1556 (MOBILE) ELISE COOPER 914-584-7952 BAND AND ORCHESTRAL DIVISION, CORPORATE LISA CESARANO [email protected] 914-414-1556 (MOBILE) PAC, LIVE SOUND,MUSIC PRODUCTION, STEINBERG: MARC FERRIS [email protected] 914-478-1233 (MOBILE) CORPORATE POPULAR YAMAHA JUNIOR ORIGINAL CONCERT SERIES RETURNS TO NAMM —Talented Young Musicians Take to the Stage at Annual Winter NAMM Crowd Favorite — ANAHEIM, Calif.—The Yamaha Music Education System will present its perennially captivating Junior Original Concert (JOC) on Thursday, January 19. For the first time, the young musicians will perform at two NAMM venues: 8:30 a.m. at the NAMMU Dealer Breakfast in the Pacific Ballroom, Hilton Anaheim Hotel and 1:00 p.m. at the Yamaha Booth, Keyboard Division area, Marquis Ballroom at the Anaheim Marriott Hotel. All NAMM attendees are invited to enjoy the free 1 p.m. concert event, which will feature young talented Yamaha Music School students performing their own original compositions. Nine-year-old Alexander Hurvitz, a student at Harmony Music World, Fullerton, Calif., will perform his original piano solo composition, “Pushy Cat and Nutty Squirrels.” Chloe Li, also age 9 and a JSAC student at the Irvine Yamaha Music Center, will play the Clavinova CVP-509 in her original ensemble composition, “First Flight.” Chloe will play along with percussionists Dominic Primo, Sarah Chen and Lauren Chen, as well as her sister Claire Li, who will be performing on a second CVP-509. -
Saturation of Piano Markets ― History of the U.S
Saturation of Piano Markets ― History of the U.S. and Asian Piano Industries ― Tomoaki TANAKA 1. Technical development of the piano and how its market grew The first acoustic piano was made in 1709 by Bartolomeo Cristofori, who was a harpsi- chord producer for the Medici family in Italy. The piano was originally built in the shape of a harpsichord. At the beginning pianos were played in relatively small rooms, such as in a salon of a noble residence. But pianos gradually came to be played at concert halls holding thousands of people. The sound of pianos needed to be more powerful and emo- tional. The only way was to increase the tension on the strings. New materials were need- ed since the existing wooden plates could not sustain such tension. Alpheus Babcock, who was a boiler shop owner in the U.S., invented the full iron frame piano in 1825. His pianos succeeded in obtaining more powerful tension than wooden frames and expanded the sound range by octaves. In 1837, Jonas Chickering, a piano engineer and a founder of Chickering & Sons in the U.S., improved Babcockʼs frames and a patent was granted to him in 1841. Steinway & Sons eventually played an even greater role in the evolution of the piano. Steinway & Sons was established in 1853 in New York by Heinrich Engelhart Steinway, who was a German piano producer. This company made important inventions and im- provements to the piano, for example the invention of the over-string scale(crossing the middle and bass strings) for grand pianos, quick response hammer action, and improve- ment of the full cast-iron plate. -
Faculty Biographies Division Coordinators and Educational Consultants
2012 Summer Symposium, presented by Faculty Biographies Division Coordinators and Educational Consultants Mark Buselli Jazz Band Division Coordinator Mark Buselli is Director of Jazz Studies at Ball State University. Awards include a 2010-2011 BSU College of Fine Arts Dean’s Creative Arts Award, a Creative Renewal grant from the Indianapolis Arts Council in 2005, a teacher of the year award in 2004 at Butler University, a Creative Vision award from NUVO in May of 2007, a top 10 CD release of 2009 (December 2009) in JAZZIZ magazine for “An Old Soul,” and a top 100 CD of the decade (January 2010) in DownBeat magazine for the Buselli/Wallarab release of “Basically Baker.” Mr. Buselli has over 40 arrangements published for big bands, brass ensemble and piano/trumpet. He has nine recordings out as a leader on the Owlstudios and OA2 record labels. He has written/arranged/performed for numerous artists.Mr. Buselli currently serves as Education Director of the Buselli Wallarab Jazz Orchestra/Midcoast Swing Orchestra in Indianapolis, where he has created numerous educational opportunities for over 10,000 students. Mr. Buselli graduated from the Berklee School of Music in Boston and received his Master of Music degree in Jazz Studies from Indiana University. Thomas Caneva Concert Band Division Coordinator Dr. Thomas Caneva is Director of Bands, Professor of Music and Coordinator of Ensembles and Conducting at Ball State University. At Ball State, Dr. Caneva’s responsibilities include conducting the Wind Ensemble, coordinating the graduate wind conducting program, teaching undergraduate conducting and administering the entire band program. Under his direction, the Ball State University Wind Ensemble has performed at CBDNA Regional and National Conferences, the American Bandmasters Association Convention, and state and regional MENC conventions. -
Yamaha Corporation of America Winter Namm 2013 Press Kit
YAMAHA CORPORATION OF AMERICA WINTER NAMM 2013 PRESS KIT VISIT THE YAMAHA WINTER NAMM 2013 EXHIBIT AT THE ANAHEIM MARRIOTT, MARQUIS BALLROOM ACCESS HIGH-RESOLUTION PHOTOS AND PRESS RELEASES AT HTTP://WWW.YAMAHA.COM/NAMM/ FOR FURTHER INFORMATION, PLEASE CONTACT THE FOLLOWING STAFF AT GILES COMMUNICATIONS: KEYBOARD DIVISION DOUG WRIGHT/GILES COMMUNICATIONS [email protected] (914) 798-7126 BAND AND ORCHESTRAL DIVISION MARC FERRIS [email protected] 914-478-1233 (MOBILE) PRO AUDIO & COMBO: MARC FERRIS [email protected] 914-478-1233 (MOBILE) KEYBOARD DIVISION Bösendorfer Marquetry Series of Grand Pianos Inspired By 18th Century Vienna ANAHEIM, Calif.— Yamaha will unveil the first design of Bösendorfer’s new Marquetry Series of Grand Pianos, the limited edition Model 200 SP “Hummingbirds”, in its premium piano room at the 2013 NAMM Show. Marquetry is the use of many pieces of different types of wood veneer to create images and has long been viewed a symbol of wealth. Many fine examples of marquetry can be found in the Imperial Palaces of Vienna, including the Schoenbrunn Palace, the summer residence of The Austrian Habsburg Imperial Family. While many historical pianos have included marquetry designs, they have seldom been re-envisioned for the 21st Century. The Austrian Habsburg Imperial Family was delighted by exotic images of nature, covering the walls of their intimate music room with wonderful jungle scenes. The Palace, outfitted with a suite of rooms featuring exotic garden panoramas commissioned by Maria Theresa and hand painted by the celebrated 18th Century Bohemian Ornamentalist painter Johan Wenzel Bergl, played host to six-year-old Wolfgang Amadeus Mozart, who performed for the Empress Maria Theresa at Schoenbrunn. -
Annual Report 2019 Yamaha Group Annual Report 2019 09
HISTORY OF GROWTH The origins of the Yamaha Group date back to 1887, when company founder Torakusu Yamaha repaired an imported reed organ. Since then, Yamaha has aimed to contribute to the enriched lifestyles of people while centering its business on sound and music. Guided by this aim, Yamaha has continued to move Our Vision and Value Creation Value Vision and Our forward with a history that spans over 130 years and three centuries. 1887 1900 1950 1960 1970 1980 1990 2000 2010 2020 Founding Period and the Spread of Music Culture and Major Leap as a Comprehensive Evolution of Technologies New Value Provision through the Integration of Realization of Domestic Venture into New Businesses Musical Instrument Diverse Technologies Production Manufacturer • Ventures into the domestic production of • Starts efforts to popularize music education • Expands product domains to include acous- • Undertakes the in-house production of semiconductors to enhance • Spurs new demand by melding acoustic and electronic technologies to organs with the desire to communicate the joy of tic musical instruments and digital musical the sound quality of digital musical instruments develop a lineup of products that offer the merits of both technologies • Commences the production of pianos and music to an even greater number of people instruments. In addition, extends lineup of • Creates numerous innovative digital musical instruments and audio • Accelerates business growth through the acquisition of overseas builds the foundation for the musical instru- • Leverages -
Wind Instruments Catalog.Pdf
Wind Instruments What has made YAMAHA the number one musical instrument manufacturer in the world? Continuous R&D We are the only instrument maker who maintains a complete staff of experienced, fulltime designers for each individual wind instrument. And we station part of that staff in Europe, North America, as well as Japan to maintain constant communication with many of the greatest musicians now performing. The ideas and insights we receive from the masters are relayed back to our design center, where they are incorporated into every instrument we make. Manufacturing Quality We make most of the individual components for our woodwind and brass instruments with cutting-edge, computerized technology for perfect tolerances and incredible consistency. But many visitors to our factories are surprised to see the large degree of age-old, traditional methods used to hand assemble all our wind instruments— from professional models down to the most inexpensive student instruments. Crafted With Care Skilled, experienced artisans adjust and test each instrument by hand—and do so with a passion and care seldom seen anymore. Many of them are musicians themselves; they joined Yamaha because of their love for music. Producing the world’s finest musical instruments is more than just a job for them; it is a calling, and a challenge they meet with pride. Yamaha Wind Instrument History In 1887, Torakusu Yamaha began producing reed organs in Hamamatsu, in central Japan. He later founded a company called Nippon Gakki (Musical Instruments of Japan). Around the same time, a Tokyo boilermaker began making bugles and established a wind instrument company named Nippon Kangakki (Japanese Wind Instruments). -
Annual Report
CORPORATE DESCRIPTION The forerunner of Yamaha Corporation BUSINESS SEGMENTS was founded in 1887 by Torakusu Yamaha. On October 12, 1897, Nippon Gakki, Co., Ltd., was incor- MUSICAL INSTRUMENTS AND AUDIO PRODUCTS porated (the corporate name was changed to Yamaha Corporation on the occasion of its 100th anniversary), and Yamaha celebrated its 110th year FURNITURE AND HOUSEHOLD PRODUCTS of operation in 1997. Yamaha is one of the world’s lead- ing manufacturers of pianos; electronic musical instruments; and wind, string, ELECTRONIC EQUIPMENT AND METAL PRODUCTS and percussion instruments. At the same time, the Company has grown through a broad spectrum of business activities, including electronic devices RECREATION and equipment, professional audio equipment, and audiovisual equipment. To continue growing in the 21st century, in 1997 Yamaha launched its OTHERS new management strategy called New Values 21 (NV21). The Yamaha Group will make a concerted effort to become a truly global enterprise that fulfills its corporate mission of contributing to enriching the quality of life of people worldwide. CONTENTS 1 Financial Highlights 2 Consolidated Balance Sheets 4 Consolidated Statements of Income 5 Consolidated Statements of Shareholders’ Equity 6 Notes to Consolidated Financial Statements 12 Report of Independent Auditors 13 Board of Directors and Corporate Auditors 14 Major Consolidated Subsidiaries 16 Investor Information FINANCIAL HIGHLIGHTS Yamaha Corporation and Consolidated Subsidiaries Years ended March 31 Millions of Yen (except where indicated) 1998 1997 1996 1995 1994 NONCONSOLIDATED: Net sales ............................................................. ¥417,218 ¥402,910 ¥383,134 ¥338,949 ¥316,177 Recurring profit.................................................. 11,429 15,068 13,649 6,291 2,191 Net income......................................................... 5,068 7,401 7,187 2,415 593 Stated capital ..................................................... -
Yamaha Corporation of America Winter Namm 2011 Press Kit
YAMAHA CORPORATION OF AMERICA WINTER NAMM 2011 PRESS KIT VISIT THE YAMAHA WINTER NAMM 2011 EXHIBIT AT THE ANAHEIM MARRIOTT, MARQUIS BALLROOM ACCESS HIGH-RESOLUTION PHOTOS AND PRESS RELEASES AT HTTP://WWW.YAMAHA.COM/NAMM/EPK FOR FURTHER INFORMATION, PLEASE CONTACT THE FOLLOWING STAFF AT GILES COMMUNICATIONS: KEYBOARD DIVISION, CORPORATE LISA CESARANO [email protected] 914-414-1556 (MOBILE) BAND AND ORCHESTRAL DIVISION VLADIMIR LAPIN [email protected] 215-370-6778 (MOBILE) PAC, LIVE SOUND, MUSIC PRODUCTION, STEINBERG: MARC FERRIS [email protected] 914-478-1233 (MOBILE) CORPORATE RELEASES YAMAHA PIONEERS SOCIAL AND MOBILE MEDIA APPLICATIONS FOR NAMM AND BEYOND —Customer Experience Group Develops Proprietary Tools to Enhance Experience for NAMM Visitors, Dealers and Customers— BUENA PARK, Calif.— Last year, at Winter NAMM 2010, Yamaha introduced several leading edge social and mobile media applications designed to enhance the NAMM experience for show visitors. This year, the company’s Customer Experience Group (CEG) raises the stakes with the Yamaha Hub iOS app, available in the App Store for free. The innovative app – singled out by Apple as a “New and Noteworthy” addition to the App Store at its debut – aggregates data about Yamaha products, promotions, content and events at the NAMM show in Anaheim for users of Apple products and features practical functionality that will be useful and informative long after the show is over. “Mobile media devices are clearly the wave of the future,” said Jeff Hawley, Director of the Yamaha Customer Experience Group. “Yamaha is committed to leveraging a strong mobile presence not just at trade shows, but also in our customers’ purses and pockets, as these devices become more sophisticated and ubiquitous.” Based on the template provided by the Yamaha Hub, the multi-media web portal that serves as “the Hub of all things Yamaha,” the new app is segmented by instrument groups and contains all Hub content, complete with an expanded area for video details and links to more information and product pages. -
Grand Pianos Pianos De Cola 平台型鋼琴
GRAND PIANOS PIANOS DE COLA 平台型鋼琴 CERT NO:ID03/0124 CERT NO:CH02/0409 PT YAMAHA INDONESIA PT YAMAHA INDONESIA Piano Website: http://www.yamaha.co.jp/english/product/piano/ 10-1, Nakazawa-cho, Naka-ku, Hamamatsu, Shizuoka, Japan 430-8650 CATGP1403M Inherited Beauty and Power Preserving tradition is not the same as refusing to change; rather, it is from the ongoing search for perfection that CF SERIES P. 5 new traditions emerge. And when it comes to the traditions involved in crafting a grand piano, there is a sound—a tone—to which S SERIES P. 8 only those who constantly strive to outdo themselves can aspire. CX SERIES P. 9 For almost half a century, Yamaha’s world-renowned C Series grand pianos have been undergoing a gradual GC SERIES/GB1K P. 17 process of renement. Disklavier™ E3 SERIES P. 21 e CFX full concert grand piano was built on knowledge, techniques, and experience gained during that long SILENT Piano™ SERIES P. 25 period of change. In the pursuit of sonic perfection, Yamaha craftsmen poured everything they knew into the creation of an instrument that incorporated bold new steps in piano design. Yamaha’s CX Series extends this work further, delivering crisp sound with clean attack, sparkling tone, and transparent harmonies. e end result is a series of instruments rened in tone yet bold in design—the product of a commitment to innovation that lets Yamaha stay true to its musical heritage. And truly betting Yamaha’s 125th anniversary year, CX Series pianos exemplify a level of mastery that can transform any room into a concert hall. -
Annual Report 2014 41
Main Networks (As of July 1, 2014) Overseas Network Company name Location Company name Location ■1 Yamaha Corporation of America California, U.S.A. ●27 L. Bösendorfer Klavierfabrik GmbH Wiener Neustadt, Austria ■2 Yamaha Commercial Audio Systems, Inc. California, U.S.A. ■28 Yamaha Music & Electronics Taiwan Co., Ltd. Taipei, Taiwan ●3 Yamaha Music InterActive, Inc. California, U.S.A. ■29 Yamaha Music & Electronics (China) Co., Ltd. Shanghai, China ●4 YMH Digital Music Publishing, LLC*1 California, U.S.A. ■30 Yamaha Music Technical (Shanghai) Co., Ltd. Shanghai, China ●5 Line 6, Inc. California, U.S.A. ■31 Yamaha Trading (Shanghai) Co., Ltd. Shanghai, China ●6 Revolabs, Inc. Massachusetts, U.S.A. ●32 Yamaha Electronics (Suzhou) Co., Ltd. Suzhou, China ■7 Yamaha Artist Services, Inc. New York, U.S.A. ●33 Xiaoshan Yamaha Musical Instruments Co., Ltd. Hangzhou, China ■8 Yamaha Canada Music Ltd. Toronto, Canada ●34 Hangzhou Yamaha Musical Instruments Co., Ltd. Hangzhou, China ■9 Yamaha de México, S.A. de C.V. Mexico City, Mexico ●35 Tianjin Yamaha Electronic Musical Instruments, Inc. Tianjin, China ■10 Yamaha Music Latin America, S.A. Panama City, Panama ■36 Shenzhen Yamaha Music & Electronics Trading Co., Ltd. Shenzhen, China ■11 Branch in Venezuela Caracas, Venezuela ■37 Yamaha Music Korea Ltd. Seoul, South Korea ■12 Branch in Argentina Buenos Aires, Argentina ■38 Yamaha Music (Asia) Private Limited Singapore ■13 Yamaha Musical do Brasil Ltda. São Paulo, Brazil ■39 Yamaha Music (Malaysia) Sdn. Bhd. Petaling Jaya, Malaysia ■14 Yamaha Music Europe GmbH Rellingen, Germany ●40 Yamaha Electronics Manufacturing (M) Sdn Bhd Chemor, Malaysia ■15 Branch in France Croissy-Beaubourg, France ●41 PT. -
Yamaha Corporate Profile 2020
Corporate Profile Aiming to Become an “Indispensable, Brilliantly Individual Company” We at the Yamaha Group share our corporate philosophy “Sharing Passion & Performance,” and contribute to the enriched lifestyles of people while focusing our business on sound and music. In January 2019, we established our new brand promise “Make Waves” that captures that special moment when our customers’ hearts tremble. With this brand promise as our pledge to our customers, we committed to further promoting manufacturing that values the customers’ perspective, an approach we inherited and have followed since our foundation in 1887. Yamaha has defined its management vision of “Becoming an Indispensable, Brilliantly Individual Company” that can “Boost brand power to become a highly profitable enterprise” as its future image in the medium-to-long term. In order to realize this management vision, we outlined our basic strategy to “develop closer ties with customers and society, and boost value creation capabilities” in our medium- term management plan “Make Waves 1.0” that encompasses the three-year period from April 2019. We will continue to merge technologies and sensibility to create new value and to propose lifetime value for each customer by developing closer ties with our customers. We at Yamaha Group want to be a company that support the challenges and passion of each and every one of our customers. We will continue to make every effort to be a company that can meet everyone’s expectations and to be able to stay with you, and we greatly appreciate