DOCSLIB.ORG

Harrisonparrott-Brochure-Summer

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Harrisonparrott-Brochure-Summer WELCOME Innovation, expertise and responsiveness have been the hallmarks of HarrisonParrott ever since its foundation in 1969 when Jasper Parrott and Terry Harrison pioneered a new approach to artist and project management. Today, that restless and challenging spirit is stronger than ever, shared across one of the most experienced teams in the business. We have more than 70 employees who speak a total of 8 European languages as well as Japanese, Mandarin, Cantonese and Russian. With offices in London, Munich and Paris, we operate on a truly global scale. SUSANNA MÄLKKI CONDUCTOR CONDUCTORS John Adams Martin Fröst Riccardo Minasi Creative Chair: Los Angeles Philharmonic Chief Conductor: Swedish Chamber Orchestra (from 2019/20) Chief Conductor: Mozarteumorchester Salzburg Artist in Residence: Ensemble Resonanz Stefan Asbury Rumon Gamba Honorary Conductor: Noord Nederlands Orkest Lucas Macías Navarro Rossen Gergov Chief Conductor: Oviedo Filarmonía Vladimir Ashkenazy Conductor Laureate: Philharmonia Orchestra Eivind Gullberg Jensen Natalie Murray Beale Conductor Laureate: NHK Symphony Orchestra Conductor Laureate: Iceland Symphony Orchestra Patrick Hahn Kent Nagano Conductor Laureate: Sydney Symphony Orchestra Music Director: Orchestre Symphonique de Montréal Principal Guest Conductor: Orchestra della Svizzera Italiana Barbara Hannigan Generalmusikdirektor: Staatsoper Hamburg & Philharmonisches Staatsorchester Hamburg Steuart Bedford Pablo Heras-Casado Principal Guest Conductor: Gothenburg Symphony Principal Guest Conductor: Teatro Real, Madrid Daníel Bjarnason Director: Granada Festival Michał Nesterowicz Composer-in-Residence: Muziekgebouw Frits Philips Eindhoven Conductor Laureate: Orchestra of St. Luke’s Principal Guest Conductor: Sinfonieorchester Basel Pierre Bleuse Paavo Järvi Eímear Noone* Chief Conductor: NHK Symphony Orchestra, Tokyo Daniel Blendulf Artistic Director: Die Deutsche Kammerphilharmonie Bremen Sakari Oramo Chief Conductor & Artistic Advisor: Dalasinfoniettan Chief Conductor and Music Director Designate: Tonhalle-Orchester Zürich (from 2019/20 season) Chief Conductor: BBC Symphony Orchestra Artistic Director and founder: Estonian Festival Orchestra Chief Conductor & Artistic Advisor: Constantinos Carydis Artistic Director and founder: Pärnu Music Festival Royal Stockholm Philharmonic Orchestra Artistic Advisor: Estonian National Symphony Orchestra Chief Conductor: Ostrobothnian Chamber Orchestra Elim Chan Conductor Laureate: Frankfurt Radio Symphony Orchestra Principal Conductor: West Coast Kokkola Opera Principal Guest Conductor: Royal Scottish National Orchestra Music Director Laureate: Cincinnati Symphony Orchestra Honorary Conductor: Finnish Radio Symphony Orchestra Chief Conductor: Antwerp Symphony Orchestra (from 2019/20) Gustav Kuhn Maxime Pascal Han-Na Chang Artistic Director: Tiroler Festspiele Erl Music Director: Le Balcon Chief Conductor & Artistic Leader: Trondheim Symfoniorkester Director: Accademia di Montegral Artistic Director: Neue Stimmen International Competition Krzysztof Penderecki Stephanie Childress Artistic Director: Sinfonia Varsovia François Leleux Harry Christophers Josep Pons Founder & Conductor: The Sixteen Hannu Lintu Music Director: Gran Teatre del Liceu Principal Guest Conductor: Orquesta Ciudad de Granada Chief Conductor: Finnish Radio Symphony Orchestra Honorary Conductor: Orquesta Nacional de España Artistic Director: Handel and Haydn Society Klaus Mäkelä Christoph Poppen Christoph von Dohnányi Artist in Association: Tapiola Sinfonietta (from 2018/19 season) Principal Conductor: Kölner Kammerorchester Honorary Conductor for Life: Philharmonia Orchestra Principal Guest Conductor: Swedish Radio Symphony Orchestra (from 18/19 season) Principal Guest Conductor: Hong Kong Sinfonietta Music Director Laureate: The Cleveland Orchestra Artistic Director: Turku Music Festival for 2019 and 2020 Lawrence Renes Peter Eötvös Susanna Mälkki Chief Conductor: Helsinki Philharmonic Orchestra Santtu-Matias Rouvali Lawrence Foster Principal Guest Conductor: Los Angeles Philharmonic Chief Conductor: Gothenburg Symphony Music Director: l’Opėra de Marseille Artistic Director & Chief Conductor: Tampere Philharmonic Orchestra Chief Conductor & Artistic Director Designate: National Polish Radio Symphony Orchestra Antonio Méndez Principal Guest Conductor: Philharmonia Orchestra Conductor Emeritus: Gulbenkian Orchestra Principal Conductor: Orquesta Sinfónica de Tenerife Jiří Rožeň Case Scaglione Chief Conductor: Württembergisches Kammerorchester Heilbronn Christian Schumann* Christopher Seaman Conductor Laureate: Rochester Philharmonic Orchestra Lan Shui Music Director: Singapore Symphony Orchestra Honorary Conductor, Copenhagen Phil Robert Spano Music Director: Atlanta Symphony Orchestra Music Director: Aspen Music Festival and School Dalia Stasevska Eduardo Strausser Radoslaw Szulc Artistic Director: Kammerorchester des Bayerischen Rundfunks Artistic Director: Camerata Europeana Anu Tali Music Director: Sarasota Orchestra Music Director: Nordic Symphony Orchestra Osmo Vänskä Music Director: Minnesota Orchestra Principal Guest Conductor: Iceland Symphony Orchestra Conductor Laureate: Lahti Symphony Orchestra Arvo Volmer Chief Conductor: Haydn Orchestra of Bolzano and Trento Edo de Waart Music Director: New Zealand Symphony Orchestra Conductor Laureate: Milwaukee Symphony Orchestra Conductor Laureate: Antwerp Symphony Orchestra Conductor Laureate: Netherlands Radio Philharmonic Orchestra Christopher Warren-Green Principal Conductor & Music Director: London Chamber Orchestra Music Director: Charlotte Symphony Orchestra Jörg Widmann Principal Conductor: Irish Chamber Orchestra Oliver Zeffman Artistic Director: Melos Sinfonia David Zinman Conductor Laureate: Tonhalle-Orchester Zürich Distinguished Visiting Artist: Eastman School of Music Ariel Zuckermann Music Director: Israel Chamber Orchestra * in association with Polyarts KENT NAGANO CONDUCTOR INSTRUMENTALISTS ENSEMBLES COMPOSERS PIANO Erzhan Kulibaev* TRUMPET Eímear Noone* Behzod Abduraimov Pekka Kuusisto Lucienne Renaudin Vary Krzysztof Penderecki Pierre-Laurent Aimard Riccardo Minasi Hüseyin Sermet Vladimir Ashkenazy Leticia Moreno* GUITAR Francesco Tristano* Jörg Widmann Yulianna Avdeeva Alina Pogostkina Cañizares* Jean-Efflam Bavouzet Benjamin Schmid Bertrand Chamayou Gil Shaham ACCORDION PRODUCER Lise de la Salle Sayaka Shoji Ksenija Sidorova Claire Chase Angela Hewitt Akiko Suwanai * in association with Polyarts Stephen Hough Christian Tetzlaff PERCUSSION Joseph Kalichstein Stephen Waarts Martin Grubinger Daniel Kharitonov Noa Wildschut Nikolai Lugansky Esther Yoo SAXOPHONE Víkingur Ólafsson Jess Gillam* Alice Sara Ott ViOLA Sophie Pacini Nadia Sirota* DRUMS Javier Perianes Stewart Copeland* Maurizio Pollini CELLO Ollie Howell* Hüseyin Sermet Gautier Capuçon Tamara Stefanovich Henri Demarquette HARP Jean-Yves Thibaudet Sol Gabetta Xavier de Maistre Francesco Tristano* Alban Gerhardt Nobuyuki Tsujii Klaus Mäkelä ENSEMBLE Alexei Volodin Truls Mørk Attacca Quartet* Lukáš Vondráček Jonathan Roozeman Goldmund Quartet Krystian Zimerman Alexey Stadler Spira mirabilis Tetzlaff Quartett VioliN CLARiNET Lisa Batiashvili Dimitri Ashkenazy COMPOSER Lorenza Borrani Martin Fröst Daníel Bjarnason Stephanie Childress Jörg Widmann Cañizares* Leila Josefowicz Stewart Copeland* Patricia Kopatchinskaja OBOE Peter Eötvös ALBAN GERHARDT François Leleux Ollie Howell* CELLO Vocal & OPERA SOPRANO MEZZO-SOPRANO TENOR BASS-BARITONE Emma Bell Alyona Abramova Paul Appleby Andrew Foster-Williams Claudia Boyle Jamie Barton Barry Banks Shenyang Susan Bullock Rihab Chaieb Kim Begley Božidar Smiljanić Nicole Cabell Allison Cook Gwilym Bowen Derek Welton Layla Claire Katarina Dalayman John Daszak Amina Edris Elizabeth DeShong Pene Pati BASS Klara Ek Charlotte Hellekant David Portillo Ain Anger Mari Eriksmoen Hanna Hipp Norman Reinhardt Stephen Milling Lauren Fagan Rachel Kelly Jack Swanson Oleg Tsibulko Barbara Hannigan Maya Lahyani Russell Thomas Georgia Jarman Bethan Langford Christopher Ventris DIRECTOR Dina Kuznetsova Lilli Paasikivi Kasper Holten Karita Mattila Katie Stevenson BARITONE Francisco Negrin Marie McLaughlin Anne Sofie von Otter Tobias Greenhalgh Aga Mikolaj Jonathan McGovern Catherine Naglestad COUNTER-TENOR Alex Otterburn Brenda Rae Maarten Engeltjes Adrian Timpau Golda Schultz Anthony Roth Costanzo Camilla Tilling Andreas Scholl Erin Wall Lawrence Zazzo Laura Wilde MARI ERIKSMOEN SOPRANO PAAVO JÄRVI & Tours NHK SYMPHONY ORCHESTRA proJects TOURING creatiVE partnersHips ORCHESTRAS & ENSEMBLES Accademia Bizantina Luzerner Sinfonieorchester Bamberger Symphoniker Maggio Musicale Fiorentino BBC National Orchestra of Wales Mahler Chamber Orchestra BBC Symphony Orchestra Minnesota Orchestra Boston Symphony Orchestra Münchner Philharmoniker Budapest Festival Orchestra New Zealand Symphony Orchestra Camerata Bern NDR Elbphilharmonie Orchester Camerata RCO NDR Radiophilharmonie Canadian Brass NHK Symphony Orchestra Chamber Orchestra of Europe Orchestra Ensemble Kanazawa Curtis Symphony Orchestra Orchestre Symphonique de Montréal Danish National Symphony Orchestra Philharmonia Orchestra The Deutsche Kammerphilharmonie Bremen Philharmonisches Staatsorchester Hamburg Deutsches Symphonie-Orchester Berlin Royal Concertgebouw Orchestra Ensemble Resonanz Royal Liverpool Philharmonic Orchestra Estonian Festival Orchestra Royal Stockholm Philharmonic Orchestra Finnish Radio Symphony Orchestra Scottish Ensemble Frankfurt Radio Symphony Orchestra Singapore Symphony Orchestra
Load more

Recommended publications
  • PRESS RELEASE for IMMEDIATE RELEASE DATE: 15 June 2016
    PRESS RELEASE FOR IMMEDIATE RELEASE DATE: 15 June 2016 HK Phil Season Finale with Ashkenazy and Behzod (1 & 2 July) Great pianists of two generations on stage for Prokofiev’s Piano Concerto no. 3 [15 June 2016, Hong Kong] Vladimir Ashkenazy has long been considered one of the great pianists of our time, and his career as a conductor has left audiences no less enthralled. In July, he returns to close the season of the Hong Kong Philharmonic Orchestra (HK Phil) with Elgar’s noble first Symphony. This concert combines his musical mastery with the talents of phenomenal young pianist Behzod Abduraimov who returns to Hong Kong by popular demand, this time to perform Prokofiev’s dazzling and hugely exciting Piano Concerto no. 3. Prokofiev clearly had a particular affection for his Piano Concerto no. 3, as it was the only one of his five piano concertos which he recorded. The concerto was ecstatically received by American audiences at its premiere, and, has become a mainstay of the piano repertoire. Its dynamism, rhythmic intensity and technical bravura are unfailingly thrilling. Between Abduraimov, with his amazing technique and musicianship, and Ashkenazy with his understanding of the work as both pianist and conductor, Hong Kong audiences are in for a rare treat. In the second half of the concert, Ashkenazy will lead the orchestra in Elgar’s Symphony no. 1. Elgar’s music is characterised by the instruction ‘nobilmente’, and is indeed the definition of noble. He dedicated it to Hans Richter, the Austro-Hungarian conductor who directed the work’s triumphant premiere, and who declared it “the greatest symphony of modern times”.
    [Show full text]
  • Die Kunst Zu Hören
    kunst hören die zu 47. Programmwoche 17. November – 23. November 2018 Samstag, 17. November 2018 09.04 – 09.35 Uhr FEATURE Zur Themenwoche „Gerechtigkeit“ Trauma Ungerechtigkeit Von Jessica Brautzsch Was ist schon eine Kränkung? Nichts Weltbewegendes. Und doch kann sie die eigene Welt auf den Kopf stellen und bis in die Grundfesten erschüttern. So wie bei Susanne L., die nach der Wende ihre Stelle beim Automobilwerk Eisenach verlor und sich seitdem von einer Beschäftigung in die nächste hangelt. Sie fühlt sich auf dem Arbeitsamt wie eine Bittstellerin und leidet unter ihrer Situation. Psychiater Michael Linden von der Charité Berlin hat als erster seines Fachs das Krankheitsbild der „Verbitterungsstörung“ beschrieben. Das schlimmste erlebte Unrecht ist demnach jenes, welches unsere individuellen Grundwerte angreift. Regie: Wolfgang Rindfleisch Produktion: MDR 2018 - Ursendung - Sonntag, 18. November 2018 – Volkstrauertag - 09.04 - 09.30 Uhr GOTT UND DIE WELT Tote aus drei Generationen Kriegsgräberstätten auf dem Balkan Von Ulrike Bieritz Schöne Landschaften, eine bewegte Geschichte, viele Völker, Konfessionen und Kulturen, das ist der Balkan. Allerdings wurde die Region auch immer wieder von blutigen Konflikten erschüttert, zuletzt von den Jugoslawienkriegen, in deren Folge der Staat in seine Teilrepubliken zerfiel. Noch aber gibt es keine echten Gedenkstätten, um an die Hunderttausenden Kriegsopfer des letzten Jahrhunderts zu erinnern – und viele haben noch nicht mal ein Grab. Mindestens 46.000 Tote des Ersten und Zweiten Weltkriegs müssen noch geborgen werden. Darum würde sich der Volksbund Kriegsgräberfürsorge im Auftrag der Bundesregierung kümmern, wenn denn entsprechende Abkommen zustande kommen. Dann könnten die Toten eine würdige letzte Ruhe finden. 1 kunst hören die zu 47.
    [Show full text]
  • Montag 04.01.2021 00:00 ARD Nachtkonzert 06:00 Klassisch In
    01. Woche | 04.01.2021 - 10.01.2021 Montag 04.01.2021 09:00 Matinee 22:00 Am Abend vorgelesen 00:00 ARD Nachtkonzert Das Musikmagazin mit aktuellen Beiträgen und Die Judenbuche (1/5) Klassik für alle Nachtschwärmer Veranstaltungstipps Annette von Droste-Hülshoff gilt als eine der Übernahme vom BR Das große Musikmagazin mit Werken aus bedeutendsten deutschen Dichterinnen. 00:00 Nachrichten, Wetter Barock, Klassik und Romantik. Unterhaltsam Geboren 1797 auf Schloss Hülshoff im 00:05 bis 2 Uhr präsentiert und ergänzt durch aktuelle Beiträge, Münsterland, wird sie sehr unterschiedlich W. A. Mozart: Symphonie D-Dur, KV 504 - "Prager Veranstaltungstipps aus dem Sendegebiet und gelesen, als westfälische Heimatdichterin, als Sinfonie" (MDR Sinfonieorchester: Mario Hintergründe aus der Welt der Musik. Verkörperung des Biedermeierlichen und eines Venzago); J. Brahms: "Liebeslieder-Walzer", op. frühen Realismus ebenso wie als Vorläuferin von 52; J. S. Bach: Präludium und Fuge Es-Dur, BWV Stündlich Nachrichten und Wetter Impressionismus und Frauenemanzipation. "Die 552 (MDR Sinfonieorchester: Jun Märkl); J. 09:40 Kultur im Norden Judenbuche“ erschien1842 und basiert auf einer Haydn: Streichquartett D-Dur, op. 64, Nr. 5 - 10:40 Lauter Lyrik wahren Begebenheit. Sie zählt zu den "Lerchen-Quartett" (Leipziger Streichquartett); B. 12:40 Neue Bücher klassischen Novellen der deutschen Literatur: Galuppi: "Nisi Dominus" (Roberta Invernizzi, eine Kriminalgeschichte, deren Hauptfigur fast 13:00 NDR Kultur à la carte vollständig aus ihren gesellschaftlichen Lucia Cirillo, Sopran; Sara Mingardo, Alt; Gespräche mit Menschen, die etwas zu sagen Körnerscher Sing-Verein Dresden; Dresdner Bedingungen entwickelt ist. haben 22:00 Nachrichten, Wetter Instrumental-Concert: Peter Kopp) 13:00 Nachrichten, Wetter 02:00 Nachrichten, Wetter 22:35 Play Jazz! 02:03 bis 4 Uhr 14:00 Klassisch unterwegs Aktuelles aus der Welt des Jazz, neue CDs und Johann Wenzel Kalliwoda: Symphonie Nr.
    [Show full text]
  • Behzod Abduraimov Piano
    Behzod Abduraimov Piano “Abduraimov can do anything. His secret: authenticity, control and a velvet pianissimo.” (NRC Handelsblad). Behzod Abduraimov’s performances combine an immense depth of musicality with phenomenal technique and breath-taking delicacy. He works with leading orchestras worldwide including the Los Angeles Philharmonic, London Symphony Orchestra, NHK Symphony Orchestra and Münchner Philharmoniker, and prestigious conductors including Valery Gergiev, Vladimir Ashkenazy, Manfred Honeck, Lorenzo Viotti, Vasily Petrenko, James Gaffigan, Jakub Hrůša and Vladimir Jurowski. Forthcoming European engagements include Orchestre de Paris, Leipzig Gewandhaus, Luzerner Sinfonieorchester - including a tour to the Tongyeong International Music Festival under Michael Sanderling - English Chamber Orchestra, and St Petersburg Philharmonic Orchestra with performances in St Petersburg and Barcelona. He will also be presented in recital at the Kölner Philharmonie, Festspielhaus Baden-Baden and returns to the Verbier and Rheingau festivals. Behzod has recently worked with the Royal Concertgebouw Orchestra, Philharmonia Orchestra, BBC Symphony, hr-Sinfonieorchester, BBC Scottish Symphony and Oslo Philharmonic Orchestra. In May 2018, he was Artist in Residence at the Zaubersee Festival in Lucerne, which included a performance of Rachmaninov’s Piano Concerto No.2 as well as a number of chamber recitals. He has also performed at Lucerne and Kissinger Sommer Festivals. Last season recital highlights included the Concertgebouw Amsterdam, Barbican Hall London and Prinzregententheater in Munich. Behzod continues his collaboration with Truls Mørk following their highly successful tours last season with forthcoming recitals including Wigmore Hall and Washington DC. In North America, Behzod returns to both the Pittsburgh and Seattle symphonies and will be presented in recital at Chicago Symphony Orchestra, 92nd Street Y, Maestro Foundation and Vancouver Recital Series amongst others.
    [Show full text]
  • Tchaikovsky Fourth
    Tchaikovsky’s 2021 Fourth Symphony BBLOSSOM LOSSOM MMUSIC USIC FFESTIVALESTIVAL Sunday evening, August 15, 2021, at 7 p.m. Week 7 The Cleveland Orchestra Karina Canellakis, conductor PRESENTING SPONSOR Behzod Abduraimov, piano Michael Sachs, trumpet ANTONÍN DVOŘÁK (1841-1904) The Wood Dove, Opus 110 DMITRI SHOSTAKOVICH (1906-1975) Piano Concerto No. 1 in C minor, Opus 35 (for solo piano, trumpet, and string orchestra) 1. Allegretto — Allegro vivace — Allegretto — Allegro — Moderato — 2. Lento — 3. Moderato — 4. Allegro con brio I N T E R M I S S I O N PYOTR ILYICH TCHAIKOVSKY (1840-1893) Symphony No. 4 in F minor, Opus 36 1. Andante sostenuto — Moderato con anima 2. Andantino in modo di canzona 3. Scherzo: Pizzicato ostinato 4. Finale: Allegro con fuoco Please turn your phone to silent mode during the performance. _____________________ This concert is dedicated to the following donors in recognition for their extraordinary support of The Cleveland Orchestra: Mr. and Mrs. Alex Machaskee Astri Seidenfeld Bill and Jacky Thornton THE CLEVELAND ORCHESTRA August 15: Tchaikovsky’s Fourth 1 Introducing the Concert “F O R T H E F I R S T T I M E in my life I have attempted to put my musical thoughts and forms into words and phrases,” Pyotr Ilyich Tchaikovsky wrote to his benefactor Nadezhda von Meck on March 1, 1878. He recounted in dire terms toiling away on the Fourth Symphony, pouring his soul into lush music. “I was horribly out of spirits all the time I was composing this symphony last winter,” he continued, “and this was a true echo of my feelings at the time.
    [Show full text]
  • Sophie Pacini „Rimembranza“
    Sophie Pacini „Rimembranza“ Samstag | 26.9.2020 | 19.30 Uhr Programm Wolfgang Amadeus Mozart (1756−1791) 12 Variationen über „Ah, vous dirai-je Maman“ KV 265 (300e) (ca. 12’) Franz Schubert (1797−1828) Sonate a-Moll op. post. 143 D 784 (ca. 25’) Allegro giusto Andante Allegro vivace Franz Liszt (1811−1886) (ca. 5‘) aus „Consolations“ Nr. 1 Andante con moto Nr. 2 Un poco più mosso Richard Wagner (1813−1883) | Franz Liszt (1811−1886) Ouvertüre zu „Tannhäuser“ − Paraphrase für Klavier (ca. 15‘) Sophie Pacini Klavier Impressum Herausgeberin Monheimer Kulturwerke GmbH Intendant und Geschäftsführer Martin Witkowski Daimlerstraße 10a 40789 Monheim am Rhein Konzertdauer: 60 Minuten | keine Pause www.monheimer-kulturwerke.de Ton-, Foto-, Film- und Videoaufnahmen sind – auch zum privaten Gebrauch – untersagt. 3 Rimembranza – Erinnerung An-Denken und lässt uns damit hoffnungsvoll und Das Jahr 2020 wird – auch für die Klas- voller Vorfreude in eine Zukunft mit sikbranche – ein besonderes Jahr im weiteren Recitals in der Aula am Ber- Rückblick werden. Als was werden wir liner Ring blicken. Zum anderen prä- es im Gedächtnis behalten? Als das sentiert sie an diesem Abend Werke Jahr, in dem wir wie angekündigt nur aus ihrem neuen Album, die nicht nur Beethoven zu hören bekommen sollten „zutiefst persönliche Rimembranza (Er- und dann mit dem Lockdown gar nichts innerung) – sondern eine ganz eigene mehr hörten? Genauer: nichts in Kon- ‚Danksagung an die Kunst‘ “ sind. zertsälen, dafür aber wieder viel mehr Geräusche der Natur auf ausgedehnten Im kollektiven Gedächtnis der Klassik- Fahrradtouren mit der ganzen Familie fans verankert (was im Grunde voll im Sinne des Na- Diese Melodie wird nicht in Vergessen- Der „Augarten“ in Wien - Hier gab Mozart im Frühjahr 1782 zwölf Konzerte.
    [Show full text]
  • San Francisco Symphony 2017-2018 Season Concert Calendar
    Contact: Public Relations San Francisco Symphony (415) 503-5474 [email protected] www.sfsymphony.org/press FOR IMMEDIATE RELEASE / MARCH 6, 2017 SAN FRANCISCO SYMPHONY 2017-2018 SEASON CONCERT CALENDAR PLEASE NOTE: Subscription packages for the San Francisco Symphony’s 2017-18 season go on sale TUESDAY, March 7 at 10 am at www.sfsymphony.org/1718season, (415) 864-6000, and at the Davies Symphony Hall Box Office, located on Grove Street between Franklin and Van Ness. Additional information about subscription packages and season highlights is available prior to the on-sale date at www.sfsymphony.org/1718season. All concerts are at Davies Symphony Hall, 201 Van Ness Avenue, San Francisco, unless otherwise noted OPENING NIGHT GALA with YO-YO MA Thursday, September 14, 2017 at 8 pm Michael Tilson Thomas conductor Yo-Yo Ma cello San Francisco Symphony BERNSTEIN Overture to Candide SAINT-SAËNS Cello Concerto No. 1 in A minor, Opus 33 TCHAIKOVSKY Variations on a Rococo Theme RAVEL Boléro SAN FRANCISCO SYMPHONY AND CHORUS, MICHAEL TILSON THOMAS CONDUCTING Friday, September 22, 2017 at 8 pm Saturday, September 23, 2017 at 8 pm Sunday, September 24, 2017 at 2 pm Michael Tilson Thomas conductor Isabel Leonard mezzo-soprano Ryan McKinny bass-baritone [SFS debut] Carey Bell clarinet San Francisco Symphony Chorus, Ragnar Bohlin director San Francisco Symphony BERNSTEIN Prelude, Fugue, and Riffs BERNSTEIN Chichester Psalms BERNSTEIN (arr. Coughlin) Arias and Barcarolles BERNSTEIN (orch. Kostal, Ramin) Symphonic Dances from West Side Story San Francisco Symphony 2017-18 Season Calendar – Page 2 of 18 SAN FRANCISCO SYMPHONY, MICHAEL TILSON THOMAS CONDUCTING Thursday, September 28, 2017 at 8 pm Saturday, September 30, 2017 at 8 pm Sunday, October 1, 2017 at 2 pm Michael Tilson Thomas conductor Jeremy Denk piano San Francisco Symphony BARTÓK Piano Concerto No.
    [Show full text]
  • 16. Juli 2016 in Hamburg
    der zukunft gehör verschaffen 11.- 16. juli 2016 in hamburg tonali.de Foto: Werner Huthmacher, Berlin Lebensräume für Unternehmen Offenes Bürokonzept für ein vielfältiges designfunktion Arbeitsleben im „Haus der Philanthropie“, Große Elbstraße 43 · 22767 Hamburg · Telefon 040 480662-0 Plan International e. V., Hamburg. [email protected] · www.designfunktion.de 160606_designfunktion_Anzeige_HH_TONALi_148x210mm_Layout1.indd 1 06.06.16 09:56 der zukunft gehör verschaffen „Die TONALi-Idee, Schülerinnen und Schüler in die Welt der klassischen Musik zu führen, indem man sie an der Lebenswelt junger Interpreten teilhaben lässt und sie aktiv in die Organisation von Konzerten einbezieht, halte ich für sehr überzeugend“ Monika Grütters Staatsministerin für Kultur und Medien tonali.de Partner der Deutschen Kammerphilharmonie Bremen inhalt 06 Programm 66 Preise 17 Rauskommen... 69 Werkbeschreibungen 19 Grußwort Christoph Eschenbach 74 Jury 21 Was ist TONALi? 83 TONALi16 Kompositionspreis-Gewinner 23 Ein Tag im Leben von ... 84 Mitwirkende 31 TONALi-Akademie 101 Moderatorinnen 33 TONALiSTEN 102 Stummes Interview 34 zwölf.orte / Klassik in deinem Kiez 104 Stiftungen 35 TONALi-Tour 110 Hinter den Kulissen 36 TONALi-Tour / International 114 Danke 5 38 6 Jahre TONALi 118 Vorblick 40 Stipendiaten / Schülermanager 139 Fotocredits TO16 64 Gremien 170 Impressum Zur Vereinfachung der Formulierung werden nur männliche oder nur weibliche Wortformen angeführt, obwohl ein Sachverhalt beide Geschlechter betreffen könnte, sind im Sinne der Gleichberechtigung immer Partner der Deutschen Kammerphilharmonie Bremen beide Geschlechter gemeint. INHALT montag 11. juli FEST 20.00 Uhr TONALi16-ERÖFFNUNGSKONZERT 1 namhafter SlamPoet 2 einzigartige Uraufführungen 13 phänomenale TONALi-Pianisten Kulturkirche Altona Bei der Johanniskirche 22 22767 Hamburg PROGRAMM Verleihung Verleihung des mit 1.000 Euro dotierten TIMO BRUNKE TONALi16-Kompositionspreises an Monument-Momente Steven Heelein 13 Wendungen zu Robert Schumanns „Kinderszenen“ Uraufführung Uraufführung der TONALi16-Gewinnerkom- 01.
    [Show full text]
  • Rheingau Musik Festival Ouvertüre 2017 Das Magazin Des Rheingau Musik Festivals 1/2017 Gesamtprogramm Vom 24.6
    Rheingau Musik Festival Ouvertüre 2017 Das Magazin des Rheingau Musik Festivals 1/2017 Gesamtprogramm vom 24.6. bis 2.9.2017 Igor Levit Artist in Residence Aufbruch 30 Jahre Festival 1/2017 · www.rheingau-musik-festival.de Hauptsponsoren: © Jörg Steinmetz © Robbie Lawrence Robbie © Hauptsponsoren 2 Co-Sponsoren Official Airline Medienpartner Premium-Projektpartner Inhalt © Matthias Baus Matthias © Magazin 4 Aufbruch in den 30. Sommer voller Musik 6 Artist in Residence: Igor Levit 12 Fokus: Anna Lucia Richter 16 Fokus Jazz: Michael Wollny 19 Erinnerungen an Prades 24 30 Jahre Rheingau Musik Festival 35 Konzertführer live 36 Next Generation Fokus-Künstler 2017: 38 Tanz!Musik Michael Wollny 40 Expedition Sound Igor Levit Anna Lucia Richter 42 Festival für Kinder und Jugendliche 43 Programm 2017 113 Service Hier können Sie ab Bitte beachten Sie, … 114 Kartenvorverkauf sofort Karten bestellen: … dass Kartenbestellungen ab dem 115 Abonnements 20. Februar 2017 schriftlich oder über die Rheingau Musik Festival Website entgegengenommen werden. 116 Der Rheingau Servicegesellschaft mbH & Co. KG Postfach 1125 … dass der telefonische Vorverkauf erst am 117 Anreise 65367 Oestrich-Winkel 7. März 2017 beginnt. 118 Spielstätten 3 … dass die Mitglieder des Rheingau Musik Am einfachsten mit dem Bestellschein Festival e. V. ein exklusives Vorkaufsrecht 124 Hotelempfehlungen auf den auf Seite 82 folgenden Seiten genießen. Mit der Pressekonferenz am oder über unsere Website: 20. Februar 2017 endet dieses Vorkaufsrecht, 126 Allgemeine Geschäftsbedingungen www.rheingau-musik-festival.de und es beginnt der öffentliche Vorverkauf. Ihre Bestellungen werden in der Reihenfolge 130 Impressum Ab dem 7. März 2017 können Sie des Post- oder E-Mail-Eingangs bearbeitet. Karten auch telefonisch bestellen: Einfach und bequem bestellen Sie Ihre Konzert- karten mit dem Bestellschein auf den auf 0 67 23 / 60 21 70 Seite 82 folgenden Seiten.
    [Show full text]
  • Behzod Abduraimov Piano
    BIOGRAPHY BEHZOD ABDURAIMOV PIANO Behzod Abduraimov has worked with leading orchestras worldwide. These include the Los Angeles Philharmonic, Boston Symphony, NHK Symphony and Leipzig Gewandhaus orchestras, and prestigious conductors including Valery Gergiev, Vladimir Ashkenazy, Manfred Honeck, Vasily Petrenko, James Gaffigan, Jakub Hr ůša and Vladimir Jurowski. Following his spectacular debut at the BBC Proms with the Münchner Philharmoniker under Gergiev in July 2016, Behzod immediately returned in July 2017. This was followed by his debuts at the Festspielhaus Baden-Baden and Rheingau Musik Festivals. Upcoming European highlights include the Lucerne Festival, Royal Concertgebouw Orchestra, Münchner Philharmoniker, hr-Sinfonieorchester, Philharmonia, Czech Philharmonic, and BBC Symphony orchestras. Recent notable dates include NDR Elbphilharmonie Orchester as part of the Elbphilharmonie opening, and the London Symphony Orchestra. In recital he is one of the featured artists for the Junge Wilde series at the Konzerthaus Dortmund and will be presented in recital at the main halls of the Barbican, London, and Concertgebouw, Amsterdam. Behzod will also collaborate in recital with the cellist Truls Mørk, which will see them on tour in Europe and the US. In North America Behzod appears at the Hollywood Bowl, Blossom and Ravinia Festivals. He will make his debut with the San Francisco Symphony and returns to both the Dallas and Atlanta Sym phony Orchestras. Last season, Behzod gave his Stern Auditorium recital following his debut success at Carnegie Hall in 2015 and has appeared in concerts with the Houston Symphony and Pittsburgh Symphony Orchestra, Orchestre symphonique de Montréal and th e Minnesota Orchestra. An award-winning recording artist – his debut recital CD won both the Choc de Classica and the Diapason Découverte – Behzod released his first concerto disc in 2014 on Decca Classics which features Prokofiev’s Piano Concerto No.3 and Tchaikovsky’s Concerto No.1 with the Orchestra Sinfonica Nazionale della Rai under Juraj Val čuha.
    [Show full text]
  • March 2019 2 •
    2018/19 Season January - March 2019 2 • This spring, two of today's greatest Lieder interpreters, the German baritone Christian Gerhaher and his regular pianist Gerold Huber, return to survey one of the summits of the repertoire, Schubert’s psychologically intense Winterreise. Harry Christophers and The Sixteen join us with a programme of odes, written to welcome Charles II back Director’s to London from his visits to Newmarket, alongside excerpts from Purcell's incidental music to Theodosius, Nathaniel Lee's 1680 tragedy. Introduction Leading Schubert interpreter Christian Zacharias delves into the composer’s unique melodic, harmonic and thematic flourishes in his lecture-recital. Through close examination of these musical hallmarks and idiosyncrasies, he takes us on a journey to the very essence of Schubert’s style. With her virtuosic ability to sing anything from new works to Baroque opera and Romantic Lieder with exceptional quality, Marlis Petersen is one of the most enterprising singers today. Her residency continues with two concerts, sharing the stage with fellow singers and accompanists of international acclaim. This year’s Wigmore Hall Learning festival, Sense of Home, celebrates the diversity and multicultural melting pot that is London and the borough of Westminster, reflects on Wigmore Hall as a place many call home, and invites you to explore what ‘home’ means to you. One of the most admired singers of the present day, Elīna Garanča, will open the 2018/19 season at the Metropolitan Opera as Dalila in Saint-Saëns’ Samson et Dalila. Her programme in February – comprising four major cycles – includes Wagner's Wesendonck Lieder, two of which were identified by the composer himself as studies for Tristan und Isolde.
    [Show full text]
  • Bratislava Music Festival 54Th Year Y R GALL E NATIONAL | SLOVAK Ho C R E E Rg E © Ján B
    Bratislava Music Festival 54th Year Y R E GALL NATIONAL SLOVAK | HO C R E E RG E JÁN B © 28. 9. – 14. 10. 2018 BRATISLAVSKÉ HUDOBNÉ SLÁVNOSTI | MUSIKFESTSPIELE BRATISLAVA FÊTES DE MUSIQUE DE BRATISLAVA | FESTIVAL DE MÚSICA DE BRATISLAVA MAIN ORGANIZER BHS member of the European Festivals Association PARTNERS AND MEDIA PARTNERS OF THE BMF Group M www.filharmonia.sk | www.navstevnik.sk Main organizer Slovak Philharmonic as delegated by and with financial support from the Ministry of Culture of the Slovak Republic Friday, 28th September 7.30 p.m. Concert Hall of the Slovak Philharmonic Slovak Philharmonic James Judd, conductor Renaud Capuçon, violin Alexander Moyzes Jánošík’s Guys, Op. 21 overture for symphonic orchestra Béla Bartók Violin Concerto No. 2 Johannes Brahms Symphony No. 2 in D major, Op. 73 The Slovak Philharmonic orchestra opens the 54th Bratislava Music Festival with a work by Alexander Moyzes, the founder of the Slovak modern symphony. Béla Bartók’s Violin Concerto No. 2 was written in the depressing period preceding the outbreak of WW2, and it is the last work of the composer written prior to his emigration to the USA. For Johannes Brahms the way to symphonic genre was thorny; the German author finished his first sym- phony as a 40-year-old man. After this “debut” he plucked up courage and his Symphony No. 2 in D major, Op. 73 abounds with cheerfulness and fresh invention. Slovak Philharmonic led by its music director James Judd welcomes the French violinist Renaud Capuçon at the festival’s opening concert. The violinist has a number of admirers in Bratislava; he excels at convincing moulding of contrasts of “understated tenderness and charming daring” (New York Times).
    [Show full text]