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Study Buddy CASSETTE DION ELVIS GUITAR IPOD PHONOGRAPH RADIO RECORD RHYTHM ROCK ROLL Where The
Rhythm, Blues and Clues I V J X F Y R D L Y W D U N H Searchin Michael Presser, Executive Director A Q X R O C K F V K K P D O P Help the musical note find it’s home B L U E S B Y X X F S F G I A Presents… Y C L C N T K F L V V E A D R Y A K O A Z T V E I O D O A G E S W R R T H K J P U P T R O U S I D H S O N W G I I U G N Z E G V A Y V F F F U E N G O P T V N L O T S C G X U Q E H L T G H B E R H O J H D N L P N E C S U W Q B M D W S G Y M Z O B P M R O Y F D G S R W K O F D A X E J X L B M O W Z K B P I D R V X T C B Y W P K P F Y K R Q R E Q F V L T L S G ALBUM BLUES BROADWAY Study Buddy CASSETTE DION ELVIS GUITAR IPOD PHONOGRAPH RADIO RECORD RHYTHM ROCK ROLL Where the 630 Ninth Avenue, Suite 802 Our Mission: Music Inside Broadway is a professional New York City based children’s theatre New York, NY 10036 12 company committed to producing Broadway’s classic musicals in a Music Lives Telephone: 212-245-0710 contemporary light for young audiences. -
Collection Highlights
COLLECTION HIGHLIGHTS “LATINOS AND BASEBALL” COLLECTING INITIATIVE Latino baseball players have been interwoven in the fabric of Major League Baseball for years. They've been some of the greatest, well-known names in baseball history. To reflect and celebrate that rich history, the National Museum of American History (“NMAH”) in collaboration with the Smithsonian Latino Center, launched Latinos and Baseball: In the Barrios and the Big Leagues. The multi-year community collecting initiative focuses on the historic role that baseball has played as a social and cultural force within Latino communities across the nation. The project launched a series of collecting events in late February in San Bernardino, California. A second event will be held in Los Angeles on July 17, 2016, and a third will be held in Syracuse, New York, on September 15, 2016. The events are designed to generate interest in the initiative, build on community relationships, record oral histories, and identify objects for possible acquisition by local historical associations as well as for the Smithsonian collections. The collaborative initiative seeks to document stories from across the U.S. and Puerto Rico and plans to collect a number of objects that could include baseball equipment; stadium signs; game memorabilia, such as handmade or mass-produced jerseys and tickets; food vendor signs; home movies; and period photographs. Curators will select objects based on the stories they represent and the insight they provide into the personal, community, and national narratives of the national pastime. “Baseball has played a major role in everyday American life since the 1800s, providing a means of celebrating both national and ethnic identities and building communities,” said John Gray, director of NMAH. -
The Korean Wave As a Localizing Process: Nation As a Global Actor in Cultural Production
THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Ju Oak Kim May 2016 Examining Committee Members: Fabienne Darling-Wolf, Advisory Chair, Department of Journalism Nancy Morris, Professor, Department of Media Studies and Production Patrick Murphy, Associate Professor, Department of Media Studies and Production Dal Yong Jin, Associate Professor, School of Communication, Simon Fraser University © Copyright 2016 by Ju Oak Kim All Rights Reserved ii ABSTRACT This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies – the government, public broadcasting, and the culture industry – have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influenced by Korean society’s politics, economy, geography, and culture. The importance of the national media system was identified in the (re)production of the Korean Wave phenomenon by examining how public broadcasting-centered media ecology has control over the development of the popular music culture within Korean society. The Korean Broadcasting System (KBS)’s weekly show, Music Bank, was the subject of analysis regarding changes in the culture of media production in the phase of globalization. In-depth interviews with media professionals and consumers who became involved in the show production were conducted in order to grasp the patterns that Korean television has generated in the global expansion of local cultural practices. -
Big Bang – Shout out to the World!
Big Bang – Shout Out To The World! (English Translation) [2009] Shout out to the World: TOP “I came here because of that string of hope. Where do I stand now? I ask myself this but even I don’t have a specific answer yet. During the process where I search for my other self, all my worries will fade away because I must find the person who will lend his shoulders to me.” ~TOP Name: Choi Seung-hyun Date of Birth: November 4, 1987 Skills: Rap, Writing lyrics, Beatbox *Starred in the KBS Drama, ‘I am Sam’ The power to awaken a soul, sometimes it takes pain to be re-born. [~ Pt.One~] -I once wanted to be a lyric poet that composed and recited verses.- I became mesmerized with ‘Hip-Hop’ music when I was in Grade 5. I went crazy for this type of music because I listened to it all day and carefully noted all the rap lyrics. If we have to talk about Hip-Hop music, I have to briefly talk about the roots of American Hip-Hop. When I first started listening to Hip-Hop, it was divided up into East Coast and West Coast in America. Wu Tang Clan and Notorius B.I.G. represented the East Coast (New York) scene and they focused largely on the rap and the lyrics, while representing the West Coast (LA) was 2Pac who focused more on the melody. Although at that time in Korea and from my memory, more people listened to West Coast hip hop but I was more into the East Coast style. -
Big Mama and the Whistlin' Woman: a Theory of African
BIG MAMA AND THE WHISTLIN’ WOMAN: A THEORY OF AFRICAN-AMERICAN ARCHETYPES A DISSERTATION SUBMHTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIRMENTS FOR THE DEGREE OF DOCTOR OF ARTS IN HUMANITIES BY JAN ALEXIA HOLSTON DEPARTMENT OF ENGLISH ATLANTA, GEORGIA DECEMBER 2010 ABSTRACT ENGLISH HOLSTON, JAN A. B.S. GA SOUTHERN UNIVERSITY, 1998 M.ED. MERCER UNIVERSITY, 2005 BIG MAMA AND THE WHISTLIN’ WOMAN: A THEORY OF AFRICAN-AMERICAN ARCHETYPES Committee Chair: Georgene Bess-Montgomery, Ph.D. Dissertation dated December 2010 This study introduces a literary Theory of African-American Archetypes, which is an outgrowth of two parent theories, Archetypal Criticism and African-American Literary Criticism. The theory posits that the folklore of Africana peoples created and inform culturally specific archetypes, which are deeply seeded in the collective unconscious of many African Americans. As in life, such archetypes are prevalent in African-American literature, which is momentous because they are both historic and perpetual within the community. The African-American Archetypal Big Mama is the character that will be used to demonstrate the theory as a viable form of literary criticism, using Gloria Naylor’s Mama ~y. Examination of her opposite, the Whistlin’ Woman, in Tina McElroy Ansa’s Ugly Ways and Taking After Mudear will substantiate and define the African-American Archetypal Big Mama by negation. Elucidation and application of the theory to African American literature are significant because they widen the criticism particularly for texts I by and for African Americans. Additionally, the application opens the doors for critics of multi-ethnic literature to examine their own cultural idiosyncrasies and subsequent lore for archetypes explicit to their literary traditions. -
Ohio State Fair Nominations
TWO YEAR OLD FILLY PACE ADORABELLA HOPES N FEAR ROCKIN CALL ALL ABOUT AMY HOTTERTHANHILL ROCKIN MEGAN L AVALINE HANOVER I GOT THE DIAMONDS ROCKIN PRO BABY RHINO IDEAL DRAGON ROCKIN THE RUNWAY BAD GIRLS DON’T CRY IFEELLIKESASSY ROCKING ZOE BAD SAMMIE IN LOVE AGAIN ROCKSTAR HILL BE NOT NOBODY IN STYLE ROSE RUN ULTIMATE BEACH ROYALTY INTHEMIDNIGHTHOUR ROSE RUN UPTOWNGAL BEAUTIFUL LIZ JOYOUS GHEE ROSIES APPLES BEST PLACE TO ROCK KAROLYIS FIVE RYLEE ROO BET YOU IM ROCKIN LACEY RIBBONS SAINT ROSE BETTY BARLEY LADY ROCK ON SANTA ROSA HOOSIER BIG BAD DIVA LADY WOODHULL SARAHS SYMPHONY BIG BAD PRINCESS LEXIWONAGAIN SHADOW OF TOMORROW BIG MAMA LISA RAMONA SHE DRAGONS BLACK ROSA LITTLE BIG SHE'S ON CRUISE BLOOMING SUNFLOWER LOFTY BEACH SIMPLY STUNNING BLUE AINT MY COLOR MACH THE ROCK SLATE OF HAND BLUE HOTTIE MACHBOOK PRO SLEEPIN IN THE SUN BROWN MAGIC WOMAN MACH'S DRAGON SLY MARS DRAGON CAMS STARRY NIGHT MAEVYN MARIE ROCKS SMARTYS FILLY CARMEN OHIO MCSTROLLIN SOME STYLISH PET CATS CRISIS MCSTUNNING SOMEBEACHTREA BABE CHARADE MEDOLAND KENDALLOU SONA HANOVER CHICKEN FOR DINNER MI NINA BONITA SOUTHWIND RAPUNZEL COOKIES EMPIRE MISS MARTHA JONES STAY GOLD CORNERD BEACH MISS VARNA STAYSOUT LATE CRUISIN WITH JOHN MY CAM GIRL STOLEN AMADEOUS DAWNNA MARIE MY JOY SUGAR AND SPITE DAZZLING GEMSTONE NATIVE AND UP SUGARCANE JANE DIABLU LADI ODDS ON OLENTANGY SWEET SHE ROCK DOROTHY GALE OFFICIAL LINE SWEETLADYLAVENDER DRAGONETTE OFFICIALLY MY WAY TEQUILLA PEANUT FEARLESS OH MISS RYLEE THANEEYA FEEL IT GLIDE ONE SWEET TRIP THELMA JUNE FEELINEXCITED OOZIES BEACH -
The Liberty Champion, Volume 16, Issue 10)
Scholars Crossing 1998 -- 1999 Liberty University School Newspaper 11-10-1998 11-10-98 (The Liberty Champion, Volume 16, Issue 10) Follow this and additional works at: https://digitalcommons.liberty.edu/paper_98_99 Recommended Citation "11-10-98 (The Liberty Champion, Volume 16, Issue 10)" (1998). 1998 -- 1999. 8. https://digitalcommons.liberty.edu/paper_98_99/8 This Article is brought to you for free and open access by the Liberty University School Newspaper at Scholars Crossing. It has been accepted for inclusion in 1998 -- 1999 by an authorized administrator of Scholars Crossing. For more information, please contact [email protected]. Liberty University, Lynchburg, Va. Tuesday, November 10, 1998 Vol. 16, No. 10 f\ T H E LIBERTY CHAMPION NATIONAL SGA votes to loosen LlTs movie code u DATE BY JENNIFER PILIATH which passed Senate with a 25-10 also Included." ued. "I think is purely ludicrous." Editor in Chief vote, would allow Liberty students Bingham claims that the Motion Now that the bill has been vetoed to watch R-rated movies. The cur Picture Association of America by Thompson, Senate will have the GOP faces leadership fight Liberty's Student Government rent policy, as stated in the Liberty (MPAA) rates movies according to opportunity to override the veto if a The resignation of House Speaker Newt Gingrich Association (SGA) attempted to Way, prohibits viewing of any who the viewers should be. two thirds majority is reached. If has touched off a scramble to succeed him and to change school policy this past movies rated R, NC-17 or X. Therefore, movies which contain this occurs, the bill will head to challenge other House Republican leaders. -
Read an Excerpt
SHAKIN' THE MESS OUTTA MISERY A Play by SHAY YOUNGBLOOD Dramatic Publishing Wocxhtock, lllioois • London, England • ldeIboume, Austmlia © The Dramatic Publishing Company, Woodstock, Illinois *** NOTICE *** 1be amateur and stock acting rights to this wa-k are cootrolled exclusively by THE DRAMATIC PUBUSIUNG COMPANY without whose remUssioo in writing no perfcnnance of it may be given. Royalty fees are given in our current catalogue and are subject to change without notice. Royalty must be JXlid every time a play is perfooned whether or not it is JreSeIlted for profit and whether or not admissicn is charged A play is perfamed anytime it is acted befcre an audience. All inquiries calCeIning amateur and stock rights should be ~ to: DRAMATIC PUBliSHING P. O. Box 129, Woodstock, lllinois 60098. COPYRIGHT UW GIVES THE AlTI1IOR OR THE AUTHOR'S AGENT THE EXCLUSIVE RIGlIT TO MAKE COPIES. This law provides at.Jthoo; with a fair retmn for their creative efforts. Autin's earn their living fum the royalties they receive fum book sales and fn:m the perfcnnance of their wOOc. CooscientiolE ob5ervance of cqJyright law is not ooly ethical, it encour ages autin's to continue their creative work This work is fully putected by cq>yrighl No altelations, deletioos or substitutions may be made in the work without the ¢cr vvritten coosent of the publisher. No IXUt of this work may be reproduced <X' transmitted in any fann or by any means, electrooic or me charJcal, including photocopy, recording, videotape, fllm, or any infonnatioo skrage and retrieval system, without remUssion in writing fn:m the publisher. -
YG Entertainment Buy (122870 KQ ) (Maintain)
[Korea] Entertainment May 13, 2021 YG Entertainment Buy (122870 KQ ) (Maintain) Increasing content leverage TP: W56,000 Upside: 25.8% Mirae Asset Securities Co., Ltd. Jeong -yeob Park [email protected] 1Q21 review : Big earnings beat Consolidated revenue of W97bn (+83.9% YoY), OP of W9.5bn (turn to profit YoY) In 1Q21, YG Entertainment proved its enhanced fundamentals by overcoming the absence of offline performances/activities with the release of new content (Rosé and Treasure). Revenue from albums/digital content/goods was up 170.6% YoY, driven by strong sales of albums (980,000 copies; helped by new releases) and goods. Digital content revenue surged 125.6% YoY, boosted by BLACKPINK’s online concert (280,000 paid views and net revenue of around W8bn). Revenue from Google came in strong at W4.5bn (excluding BLACKPINK concert; vs. W2.5bn in 1Q20) on the back of new releases and subscriber growth. Despite constraints on artist activities, management revenue expanded 44.7% YoY, fueled by luxury advertisers’ (Dior, Saint Laurent and Tiffany & Co.) strong preference for YG artists. Elsewhere, the company recorded W15.6bn from TV production (YG Studioplex’s Mr. Queen ) and a valuation gain of roughly W5bn related to Tencent Music Entertainment. Expectations on 2H21 artist Artist activities to gather steam; IP monetization to strengthen on Weverse incl usion activities and Weverse 1) Earnings: During the 2018-20 absence of its main artist group, YG Entertainment built a robust lineup that includes BLACKPINK, Treasure, and iKON. We expect robust ad and appearance income to continue, supported by the growing international profile of the company’s artists. -
Here at the Beginning
Dixieland Monterey Presents SCHEDULE & VENUE MAP MONTEREY, CALIFORNIA INSIDE 1 Bands 4th Street Five Jazz Band Cow Bop 20th Century Jazz Band Cornet Chop Suey Gremoli Monterey Bay Classic Specs 101st Army Dixieland Band Cocuzzi All-Star Quintet G-Whiz Boogie Band Jass Band Spirit of ‘29 Allan Vaché’s Big Four Cocuzzi/Vaché Swing All-Stars Hal’s Angels Natural Gas Jazz Band State Street with Marsha K Au Brothers Jazz Band Commander’s Jazz Ensemble Hangtown Jazz Band New Reformation Band Steve Lucky & the Rhumba Avalon Swing Crescent Katz High Sierra Jazz Band Night Blooming Jazzmen Bums Banjo Buddies Dixieland Band Crazy Rhythm Hogin’s Heroes Nuclear Whales Saxophone Stumptown Jazz Band Barehanded Wolfchokers Creole Jazz Kings Holland-Coots Jazz Quintet Orchestra Sweet Thursday Jazz Band Barnhart-Midiri Quartet Creole Syncopators Holy Crow Old Friends Swinging Gate Jazz Band Beale Street Jazz Band Crown Syncopators Hot Cotton Jazz Band Olive Street Stompers Swing City! BED Ragtime Trio Hot Frogs Jumping Jazz Band Original Wildcat Jass Band Swing Design Beverly Hills Unlisted Custer’s Last Band Howard Alden Trio Pacific Brass Taking Stock with Jackson Big Mama Sue & Friends Desert City Six Igor’s Jazz Cowboys Parlor Jam Tenth Avenue Jazz Band Big Tiny Little Desolation Jazz Ensemble Illuminati Pat Yankee & Her Gentlemen Titan Hot Seven Bill Allred’s Classic Jazz Band Devil Mountain Jazz Band The International Sextet of Jazz Titanic Jazz Band Black Diamond Jazz Band Dick Johnson’s Mardi Gras Ivory&Gold® Pieter Meijers Quartet Tom Rigney & Flambeau Black Dog Jazz Band Jazz Band Jake Stock & the Abalone Polly’s Hot Paupers Tom Saunders’ Midwest Black Swan Classic Jazz Band Dixieland Express Stompers Port City Jazz Band All-Stars Blue Street Jazz Band Dixieland Inc. -
Roxbox by Artist (Hed) Planet Earth 2 Play Feat
RoxBox by Artist (Hed) Planet Earth 2 Play Feat. Thomas Jules & Bartender Jucxi D Blackout Careless Whisper Other Side 2 Unlimited 10 Years No Limit Actions & Motives 20 Fingers Beautiful Short Dick Man Drug Of Choice 21 Demands Fix Me Give Me A Minute Fix Me (Acoustic) 2Pac Shoot It Out Changes Through The Iris Dear Mama Wasteland How Do You Want It 10,000 Maniacs Until The End Of Time Because The Night 2Pac Feat Dr. Dre Candy Everybody Wants California Love Like The Weather 2Pac Feat. Dr Dre More Than This California Love These Are The Days 2Pac Feat. Elton John Trouble Me Ghetto Gospel 101 Dalmations 2Pac Feat. Eminem Cruella De Vil One Day At A Time 10cc 2Pac Feat. Notorious B.I.G. Dreadlock Holiday Runnin' Good Morning Judge 3 Doors Down I'm Not In Love Away From The Sun The Things We Do For Love Be Like That Things We Do For Love Behind Those Eyes 112 Citizen Soldier Dance With Me Duck & Run Peaches & Cream Every Time You Go Right Here For You Here By Me U Already Know Here Without You 112 Feat. Ludacris It's Not My Time (I Won't Go) Hot & Wet Kryptonite 112 Feat. Super Cat Landing In London Na Na Na Let Me Be Myself 12 Gauge Let Me Go Dunkie Butt Live For Today 12 Stones Loser Arms Of A Stranger Road I'm On Far Away When I'm Gone Shadows When You're Young We Are One 3 Of A Kind 1910 Fruitgum Co. -
Ikon Artist Gets 3 Years in High Security Prison
W rld Edition No 1: Late summer 2019 Ikon artist gets 3 years in high Saqib Bhatti at the university. security prison Doctorate honour for Saqib One of the Westside BID’s top leaders has received an honorary doctorate from Aston University to recognise his work promoting business in the West Midlands. Saqib Bhatti, a chartered accountant by profession, has been a BID director for the last six years, as well as being its company secretary. The 34-year-old also became the youngest-ever president at the Greater Birmingham Chambers of Commerce last year and has been a director of the Greater Birmingham and Solihull Local Enterprise Partnership since 2015. Saqib, whose day job is an associate at Younis Bhatti & Co Ltd, a firm of chartered n Birmingham-born artist Dean Kelland is to be artist-in-residence at HMP Grendon. accountants based at 93 Broad Street, said: “It is such a great ...But Dean is on a mission to rehabilitate violent offenders privilege to be awarded this honorary doctorate. I receive it The Ikon Gallery has sent a re- By Steve Dyson Ikon Gallery, which is housed in a humbly. nowned Birmingham-born artist Grade II-listed former school at 1 “I think of the hard work to a high-security prison – as part mates who volunteer to be there, Oozells Square in Brindleyplace, that my parents have put into of a project to rehabilitate violent analysing behaviours to try to un- said: “We are delighted to have making me the man I am today criminals. derstand why they ended up behind Dean on board for Ikon’s second and so I dedicate this to them.