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Universidad Peruana De Ciencias Aplicadas Facultad
Caracterización de los procesos de consumo de los K- Dramas y videos musicales de K-Pop, y su incidencia en la construcción de la identidad y formas de socialización en la comunidad Hallyu de Lima. Una aproximación desde los fenómenos de audiencia en K-Dramas Descendants of the Sun y Goblin: The Lonely and Great God, y los fenómenos de tendencia musical de los grupos BIG BANG y Bangtan Boys; Beyond The Scene a.k.a BTS Item Type info:eu-repo/semantics/bachelorThesis Authors Mosquera Anaya, Heidy Winie Publisher Universidad Peruana de Ciencias Aplicadas (UPC) Rights info:eu-repo/semantics/openAccess; Attribution- NonCommercial-ShareAlike 4.0 International Download date 10/10/2021 11:56:20 Item License http://creativecommons.org/licenses/by-nc-sa/4.0/ Link to Item http://hdl.handle.net/10757/648589 UNIVERSIDAD PERUANA DE CIENCIAS APLICADAS FACULTAD DE COMUNICACIONES PROGRAMA ACADÉMICO DE COMUNICACIÓN AUDIOVISUAL Y MEDIOS INTERACTIVOS Caracterización de los procesos de consumo de los K-Dramas y videos musicales de K-Pop, y su incidencia en la construcción de la identidad y formas de socialización en la comunidad Hallyu de Lima. Una aproximación desde los fenómenos de audiencia en K-Dramas Descendants of the Sun y Goblin: The Lonely and Great God, y los fenómenos de tendencia musical de los grupos BIG BANG y Bangtan Boys; Beyond The Scene a.k.a BTS. TESIS Para optar el título profesional de Licenciado en Comunicación Audiovisual y Medios Interactivos AUTOR(A) Mosquera Anaya, Heidy Winie (0000-0003-4569-9612) ASESOR(A) Calderón Chuquitaype, Gabriel Raúl (0000-0002-1596-8423) Lima, 01 de Junio de 2019 DEDICATORIA A mis padres Abraham y Luz quienes con su amor, paciencia y esfuerzo me han permitido llegar a cumplir hoy un sueño más. -
Birth and Evolution of Korean Reality Show Formats
Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the -
The Korean Internet Freak Community and Its Cultural Politics, 2002–2011
The Korean Internet Freak Community and Its Cultural Politics, 2002–2011 by Sunyoung Yang A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Anthropology University of Toronto © Copyright by Sunyoung Yang Year of 2015 The Korean Internet Freak Community and Its Cultural Politics, 2002–2011 Sunyoung Yang Doctor of Philosophy Department of Anthropology University of Toronto 2015 Abstract In this dissertation I will shed light on the interwoven process between Internet development and neoliberalization in South Korea, and I will also examine the formation of new subjectivities of Internet users who are also becoming neoliberal subjects. In particular, I examine the culture of the South Korean Internet freak community of DCinside.com and the phenomenon I have dubbed “loser aesthetics.” Throughout the dissertation, I elaborate on the meaning-making process of self-reflexive mockery including the labels “Internet freak” and “surplus (human)” and gender politics based on sexuality focusing on gender ambiguous characters, called Nunhwa, as a means of collective identity-making, and I explore the exploitation of unpaid immaterial labor through a collective project making a review book of a TV drama Painter of the Wind. The youth of South Korea emerge as the backbone of these creative endeavors as they try to find their place in a precarious labor market that has changed so rapidly since the 1990s that only the very best succeed, leaving a large group of disenfranchised and disillusioned youth. I go on to explore the impact of late industrialization and the Asian financial crisis, and the nationalistic desire not be left behind in the age of informatization, but to be ahead of the curve. -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
The K-Pop Wave: an Economic Analysis
The K-pop Wave: An Economic Analysis Patrick A. Messerlin1 Wonkyu Shin2 (new revision October 6, 2013) ABSTRACT This paper first shows the key role of the Korean entertainment firms in the K-pop wave: they have found the right niche in which to operate— the ‘dance-intensive’ segment—and worked out a very innovative mix of old and new technologies for developing the Korean comparative advantages in this segment. Secondly, the paper focuses on the most significant features of the Korean market which have contributed to the K-pop success in the world: the relative smallness of this market, its high level of competition, its lower prices than in any other large developed country, and its innovative ways to cope with intellectual property rights issues. Thirdly, the paper discusses the many ways the K-pop wave could ensure its sustainability, in particular by developing and channeling the huge pool of skills and resources of the current K- pop stars to new entertainment and art activities. Last but not least, the paper addresses the key issue of the ‘Koreanness’ of the K-pop wave: does K-pop send some deep messages from and about Korea to the world? It argues that it does. Keywords: Entertainment; Comparative advantages; Services; Trade in services; Internet; Digital music; Technologies; Intellectual Property Rights; Culture; Koreanness. JEL classification: L82, O33, O34, Z1 Acknowledgements: We thank Dukgeun Ahn, Jinwoo Choi, Keun Lee, Walter G. Park and the participants to the seminars at the Graduate School of International Studies of Seoul National University, Hanyang University and STEPI (Science and Technology Policy Institute). -
Fenomén K-Pop a Jeho Sociokulturní Kontexty Phenomenon K-Pop and Its
UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Katedra hudební výchovy Fenomén k-pop a jeho sociokulturní kontexty Phenomenon k-pop and its socio-cultural contexts Diplomová práce Autorka práce: Bc. Eliška Hlubinková Vedoucí práce: Mgr. Filip Krejčí, Ph.D. Olomouc 2020 Poděkování Upřímně děkuji vedoucímu práce Mgr. Filipu Krejčímu, Ph.D., za jeho odborné vedení při vypracovávání této diplomové práce. Dále si cením pomoci studentů Katedry asijských studií univerzity Palackého a členů české k-pop komunity, kteří mi pomohli se zpracováním tohoto tématu. Děkuji jim za jejich profesionální přístup, rady a celkovou pomoc s tímto tématem. Prohlášení Prohlašuji, že jsem diplomovou práci vypracovala samostatně s použitím uvedené literatury a dalších informačních zdrojů. V Olomouci dne Podpis Anotace Práce se zabývá hudebním žánrem k-pop, historií jeho vzniku, umělci, jejich rozvojem, a celkovým vlivem žánru na společnost. Snaží se přiblížit tento styl, který obsahuje řadu hudebních, tanečních a kulturních směrů, široké veřejnosti. Mimo samotnou podobu a historii k-popu se práce věnuje i temným stránkám tohoto fenoménu. V závislosti na dostupnosti literárních a internetových zdrojů zpracovává historii žánru od jeho vzniku až do roku 2020, spolu s tvorbou a úspěchy jihokorejských umělců. Součástí práce je i zpracování dvou dotazníků. Jeden zpracovává názor české veřejnosti na k-pop, druhý byl mířený na českou k-pop komunitu a její myšlenky ohledně tohoto žánru. Abstract This master´s thesis is describing music genre k-pop, its history, artists and their own evolution, and impact of the genre on society. It is also trying to introduce this genre, full of diverse music, dance and culture movements, to the public. -
Conceptually Androgynous
Umeå Center for Gender Studies Conceptually androgynous The production and commodification of gender in Korean pop music Petter Almqvist-Ingersoll Master Thesis in Gender Studies Spring 2019 Thesis supervisor: Johanna Overud, Ph. D. ABSTRACT Stemming from a recent surge in articles related to Korean masculinities, and based in a feminist and queer Marxist theoretical framework, this paper asks how gender, with a specific focus on what is referred to as soft masculinity, is constructed through K-pop performances, as well as what power structures are in play. By reading studies on pan-Asian masculinities and gender performativity - taking into account such factors as talnori and kkonminam, and investigating conceptual terms flower boy, aegyo, and girl crush - it forms a baseline for a qualitative research project. By conducting qualitative interviews with Swedish K-pop fans and performing semiotic analysis of K-pop music videos, the thesis finds that although K-pop masculinities are perceived as feminine to a foreign audience, they are still heavily rooted in a heteronormative framework. Furthermore, in investigating the production of gender performativity in K-pop, it finds that neoliberal commercialism holds an assertive grip over these productions and are thus able to dictate ‘conceptualizations’ of gender and project identities that are specifically tailored to attract certain audiences. Lastly, the study shows that these practices are sold under an umbrella of ‘loyalty’ in which fans are incentivized to consume in order to show support for their idols – in which the concept of desire plays a significant role. Keywords: Gender, masculinity, commercialism, queer, Marxism Contents Acknowledgments ................................................................................................................................... 1 INTRODUCTION ................................................................................................................................. -
ND Sets New Annual Fundraising Record by DAVID ZIRINGER He Credits the Strategic News Writer Moment Campaign As Being an Especially Profitable Source
The Observer VOL. XXIII NO. 71 FRIDAY , DECEMBER 14, 1990 THE INDEPENDENT NEWSPAPER SERVING NOTRE DAME AND SAINT MARY’S ND sets new annual fundraising record By DAVID ZIRINGER He credits the Strategic News Writer Moment campaign as being an especially profitable source. Notre Dame received $53.8 The campaign, a five-year ef million as a result of 1990 fort concluding in 1990, has al fundraising, establishing a new lowed the university “to reach record for annual contribu out to many more people,” he tions. said. With the campaign, According to Joseph Sand alumni, 50% of which donate man, director of Development, annually, are personally so students stand to benefit as a licited by phone. result through financial aid. So far, this program alone has The funds will provide amassed over $450 million. “greater support for under “The tremendous enthusiasm graduate scholarships and alumni and friends have for the graduate fellowships,” so stu university is a direct reflection” dents can attend Notre Dame of supporters’ endorsement of “regardless of economic back Notre Dame’s direction, Sand ground,” Sandman said. Many m an said. gifts were restricted to student He said contributors’ gen assistance, he said. erosity reflects “confidence in By enticing graduate students the leadership of the univer with fellowships, Sandman said sity.” . Notre Dame “has the potential to be ranked among the best Corporate and foundation research universities in the donations amounted to $18.5 country.” million, including an unprece Also, contributions will sub dented $2.4 million in corpo sidize professorships and li rate matching funds. Also, the brary endowments as well as Annual Fund and planned-giv- A P P hoto providing $60 million towards ing commitments achieved Directors aplenty university construction, he said. -
1 2004-2005 Prentice-Hall Guide to Finance Faculty Alphabetical by School
Prentice Hall Guide to Finance Faculty by Hasselback 1 2004-2005 PRENTICE-HALL GUIDE TO FINANCE FACULTY ALPHABETICAL BY SCHOOL NAME RANK PHONE E-MAIL TCH RESR Degr/Date/School START Abilene Christian Univ Abilene, TX 79699-9305 (915) Fax=674-2564 2003 Dept of Accounting & Finance College of Business Adm coba.acu.edu BA,BBA Dept Phone: 674-2304 1600 Campus Court Kim Turman Lytle, Richard S. Dean 674-2503 rick.lytle Mktg PHD 94 Ariz St 1991 Fowler, Bill E. C-As 674-2080 bill.fowler 1 MS 83 Walsh 1990 Griggs, Jack A. Prof 674-2244 jack.griggs 23 FMPX PHD 71 Tx-Austin 1-91 Pope, Terry Assoc 674-2570 terry.pope 12 C PHD 69 So Meth 8-92 Stewart, Jonathan Asst 674-2133 jonathan.stewart 13 LMPY PHD 96. Tx Tech 9-96 Adelphi University Garden City, NY 11530 (516) Fax=877-4607 Dept of Banking Econ & Fin School of Business Adm adelphi.edu BBA,MBA,MS Dept Phone: 877-4971 South Avenue Libertella, Anthony F. Dean 877-4690 libertel Mgt PHD 72 Ohio St 2000 Gleicher, David C-Ac 877-4971 gleicher Econ PHD 84 Columbia 1981 Swensen, R. Bruce Assoc 877-4655 swensen 12 M DSW 82 Columbia Heinowitz, Harvey J. Asst 877-4663 heinowit 13 T MBA 75 Adelphi Adrian College Adrian, MI 49221-2575 (517) Fax=264-3331 Finance Faculty Dept of Atg & Bus Adm adrian.edu BBA Dept Phone: 265-5161 110 South Madison Street Bachman, William C-Pr 264-3939 wbachman 35 LNQ ABD 73 Kentucky 8-81 Nalepka, William T. -
CHAPTER II LITERATURE REVIEW 2.1. Theoretical Review
CHAPTER II LITERATURE REVIEW 2.1. Theoretical Review 2.1.1 Korean Pop Psy was the first Korean artist that debut his career as the global pop star with his hit single Gangnam Style in 2012 (Billboard, 2018). Formerly, there were also other boy and girl groups from Korea that have entranced a massive number of young Asian and European fans. They were rushed to quickly sold outlive concerts and/ or YouTube for instant and free access to music videos but not as successful as Psy. If we see from the root, Korean culture was firstly known because of their Korean Drama in around 2002. Their first drama series called Winter Sonata was first aired at Korean Broadcasting System (KBS) and became an overnight sensation not only in Korea but also in Japan. It was presumed to be signaled for many the beginning of the Korean Wave. Besides, the joint hosting between Japan and South Korea of the 2002 World Cup also becoming the reason people start to recognized the Korean culture. These past years, K-Pop is like a never-ending story people from around the world which are now constantly discovered this genre. With the help of Internet, K-Pop is aggressively entering the global industry. People do not only enjoy the music but also K-Pop’s star show their significant 8 fashion style and people surprisingly adapt to this style. As the investigation from BBC 1 Radio (2018), it discovered that Korean fashion is different than the other styles. In every performance the K-Pop star is required to wearing fashionable outfits and even their airport outfits are becoming something essential. -
The Genome 10K Project: a Way Forward
The Genome 10K Project: A Way Forward Klaus-Peter Koepfli,1 Benedict Paten,2 the Genome 10K Community of Scientists,Ã and Stephen J. O’Brien1,3 1Theodosius Dobzhansky Center for Genome Bioinformatics, St. Petersburg State University, 199034 St. Petersburg, Russian Federation; email: [email protected] 2Department of Biomolecular Engineering, University of California, Santa Cruz, California 95064 3Oceanographic Center, Nova Southeastern University, Fort Lauderdale, Florida 33004 Annu. Rev. Anim. Biosci. 2015. 3:57–111 Keywords The Annual Review of Animal Biosciences is online mammal, amphibian, reptile, bird, fish, genome at animal.annualreviews.org This article’sdoi: Abstract 10.1146/annurev-animal-090414-014900 The Genome 10K Project was established in 2009 by a consortium of Copyright © 2015 by Annual Reviews. biologists and genome scientists determined to facilitate the sequencing All rights reserved and analysis of the complete genomes of10,000vertebratespecies.Since Access provided by Rockefeller University on 01/10/18. For personal use only. ÃContributing authors and affiliations are listed then the number of selected and initiated species has risen from ∼26 Annu. Rev. Anim. Biosci. 2015.3:57-111. Downloaded from www.annualreviews.org at the end of the article. An unabridged list of G10KCOS is available at the Genome 10K website: to 277 sequenced or ongoing with funding, an approximately tenfold http://genome10k.org. increase in five years. Here we summarize the advances and commit- ments that have occurred by mid-2014 and outline the achievements and present challenges of reaching the 10,000-species goal. We summarize the status of known vertebrate genome projects, recommend standards for pronouncing a genome as sequenced or completed, and provide our present and futurevision of the landscape of Genome 10K. -
Ikon Artist Gets 3 Years in High Security Prison
W rld Edition No 1: Late summer 2019 Ikon artist gets 3 years in high Saqib Bhatti at the university. security prison Doctorate honour for Saqib One of the Westside BID’s top leaders has received an honorary doctorate from Aston University to recognise his work promoting business in the West Midlands. Saqib Bhatti, a chartered accountant by profession, has been a BID director for the last six years, as well as being its company secretary. The 34-year-old also became the youngest-ever president at the Greater Birmingham Chambers of Commerce last year and has been a director of the Greater Birmingham and Solihull Local Enterprise Partnership since 2015. Saqib, whose day job is an associate at Younis Bhatti & Co Ltd, a firm of chartered n Birmingham-born artist Dean Kelland is to be artist-in-residence at HMP Grendon. accountants based at 93 Broad Street, said: “It is such a great ...But Dean is on a mission to rehabilitate violent offenders privilege to be awarded this honorary doctorate. I receive it The Ikon Gallery has sent a re- By Steve Dyson Ikon Gallery, which is housed in a humbly. nowned Birmingham-born artist Grade II-listed former school at 1 “I think of the hard work to a high-security prison – as part mates who volunteer to be there, Oozells Square in Brindleyplace, that my parents have put into of a project to rehabilitate violent analysing behaviours to try to un- said: “We are delighted to have making me the man I am today criminals. derstand why they ended up behind Dean on board for Ikon’s second and so I dedicate this to them.